Luigi Pichler Paintings & Artwork for Sale | Luigi Pichler Art Value Price Guide

Jul. 25, 2024
Pichler (Luigi, 1773-1854). A collection of 130 plaster cameos in two cases, early 19th century
Est: £700 - £1,000
Pichler (Luigi, 1773-1854). A collection of 130 plaster cameos in two cases, early 19th century * Pichler (Giovanni, 1734-1791 ). A collection of 130 plaster cameo intaglios presented in two wood cases, Rome, early 19th century, 130 white plaster intaglios or impronte miniature impressions in relief of portraits, ancient gems, cameos, coins and medals, each bordered with pale yellow paper, manuscript number and edged in gilt, various sizes, generally between 2 and 5 cm (a few with some slight dust-soling), small label at head of each frame with 'Opere di Gio. Pichler' in manuscript, mounted on lining paper in two contemporary glazed wood frames (frames rubbed, one lacking part of top of frame to the reverse), frame size 35 x 22.5 cm QTY: (2) NOTE: A fine collection of early nineteenth-century plaster intaglios, probably by Luigi Pichler (1773-1854) after gem designs by his half-brother Giovanni Pichler (1734-1791) and father Anton Pichler (1697-1779). The cameos depict a range of subjects including classical mythology, Greek and Roman gods, emperors, sports, art history and sculptures, and were highly popular among travellers, especially from England on the Grand Tour during the early part of the nineteenth-century. The subjects present include a discus-thrower, the Three Graces, St. George and the Dragon, Apollo, a charioteer among others.
Dominic Winter Auctions
Jul. 02, 2024
Intaglio with Perseus after Antonio Canova
Est: £10,000 - £15,000
Luigi Pichler 1773 - 1854 Italian, Rome, circa 1820 Intaglio with Perseus after Antonio Canova signed: PICHLER in Greek chalcedony, within a ring mount intaglio: 27mm., 1in. UK ring size: S 1/2
Sotheby's
Dec. 15, 2022
After Luigi Pichler
Est: £800 - £1,200
After Luigi Pichler Rome 1773-1854 Intaglio Impression with the Farnese Hercules brown tinted glass signed: L PICHLER in Greek 20mm., 2/4 in. Bid on Sotheby's
Sotheby's
Dec. 01, 2022
18th C. Italian Stamped Glass Intaglios, L. Pichler
Est: $600 - $800
Western Europe, Italy, Neoclassical period, ca. late 18th to 19th century CE. A lovely pair of stamped glass intaglios: one of an erote and another of Mercury - Greek Hermes - after Italian artist Luigi Pichler (1773-1854). Pichler's signature is inscribed in reverse Greek script below the bust. Popular throughout the 19th century and still collectible today, stamped glass intaglios, like these, are known as Tassies or Tassie gems after their Scottish creator, James Tassie, and his nephew, William Tassie, who developed a method to mold engraved intaglios into glass gems. Both can be easily set into a ring, necklace, or bracelet for an elegant piece of wearable history! Size of largest (Mercury): 0.9" W x 1.2" H (2.3 cm x 3 cm) According to the Museum of Fine Arts Boston, "The Pichlers were a family of renowned 18th and 19th century gem-cutters originally from Austria. The patriarch Antonio (Johann Anton) was a merchant who decided to devote himself to art after traveling to Italy, where he relocated to learn gem-engraving. His sons Giovanni, Giuseppe, and Luigi and grandson Giacomo continued his legacy by taking up the craft. Giovanni, the eldest, taught his two younger half-brothers after Antonio's death. Luigi is generally regarded as the most distinguished artist of the family and received numerous honors from the popes and sovereigns of his day. Giovanni and Luigi were also painters." Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175567
Artemis Gallery
May. 31, 2019
Luigi Pichler (Roma 1773-1854) VULCANO, VENERE E MARTE, FINE SECOLO XVIII-INIZI XIX placchetta rettangolare in bronzo dorato, cm 4,3x5,7 VULCANO, VENUS AND MARS, LATE 18TH-EARLY 19TH CENTURY rectangular gilt-bronze plaquette,
Est: €400 - €600
Luigi Pichler (Roma 1773-1854) VULCANO, VENERE E MARTE, FINE SECOLO XVIII-INIZI XIX placchetta rettangolare in bronzo dorato, cm 4,3x5,7 VULCANO, VENUS AND MARS, LATE 18TH-EARLY 19TH CENTURY rectangular gilt-bronze plaquette, 4,3x5,7 cm Bibliografia di confronto G. Toderi, F. Vannel Toderi, Placchette. Secoli XV-XVIII. Nel Museo Nazionale del Bargello, Firenze 1996, p. 173 n. 318
Pandolfini Casa d'Aste
May. 31, 2019
Luigi Pichler (Roma 1773-1854) VULCANO, VENERE E MARTE, FINE SECOLO XVIII-INIZI XIX placchetta rettangolare in bronzo dorato, cm 4,3x5,7 VULCANO, VENUS AND MARS, LATE 18TH-EARLY 19TH CENTURY rectangular gilt-bronze plaquette,
Est: €400 - €600
Luigi Pichler (Roma 1773-1854) VULCANO, VENERE E MARTE, FINE SECOLO XVIII-INIZI XIX placchetta rettangolare in bronzo dorato, cm 4,3x5,7 VULCANO, VENUS AND MARS, LATE 18TH-EARLY 19TH CENTURY rectangular gilt-bronze plaquette, 4,3x5,7 cm Bibliografia di confronto G. Toderi, F. Vannel Toderi, Placchette. Secoli XV-XVIII. Nel Museo Nazionale del Bargello, Firenze 1996, p. 173 n. 318
Pandolfini Casa d'Aste
Dec. 02, 2015
Accademia delle arti figurative, medaglia 1835 - Akademie der bildenden Künste, Medaille 1835
Est: -
198 Accademia delle arti figurative, medaglia 1835 per i 25 anni di incarico di Metternich come curatore bronzo, incisore del conio "PICHLER” (Luigi Pichler, 1773 - 1854), tondello spesso, minimi graffi e colpetti al contorno Akademie der bildenden Künste, Medaille auf das 25-jährige Jubiläum Metternichs als Kurator 1835 Bronze, Stempelschneider "PICHLER" (Luigi Pichler, 1773 - 1854), dicke Prägung, minimale Kratzer und Randschläge (Serfas 124) (Wurzbach 6257) e 100
Aste Bolaffi
Jan. 23, 2014
L. PICHLER (GERMAN, 20TH CENTURY) SUNDAY BOATING;
Est: $100 - $150
L. PICHLER (GERMAN, 20TH CENTURY) SUNDAY BOATING; OIL ON CANVAS; SIGNED LOWER RIGHT (Cond. noted: puncture mark top left - see photo) 22" x 32" - 55.9 x 81.3 cm.
Waddington's
Dec. 09, 2005
ROMAN, EARLY 19TH CENTURY BEARING THE MONOGRAM OF LUIGI PICHLER (1773-1854)
Est: £15,000 - £20,000
ROMAN, EARLY 19TH CENTURY BEARING THE MONOGRAM OF LUIGI PICHLER (1773-1854) A MARBLE BUST OF EMPEROR CARACALLA (211-217 A.D.) BEARING THE MONOGRAM OF LUIGI PICHLER (1773-1854) measurements note bust: 38cm., 15in. overall: 50cm., 19 3/4 in. signed: L.P. in Greek, the truncation finished at the neck-line and mounted on a black marble base PROVENANCE Private Collection, Rome NOTE Although not known to have sculpted in the round, Pichler was a highly distinguished gem-engraver quite capable of carving in stone. He was in any case a multi-talented artist, trained as a painter in the studio of Domenico de Angelis and taught to model in wax by his father Giovanni. Pichler often signed his gems, cameos and intaglios in Greek, either with his full name or his initials, as they appear on the present bust. His coin-dies are also initialed. The intriguing use of red diasper marble from the Urals raises the possibility that the bust was a special commission from one of Pichler's many distinguished Russian clients, which included Tsar Alexander I and his consort Elizabeth, Count Tatischtschew and Grand Duke Alexander. The termination of the bust at the neck line is consistent with many surviving versions of Caracalla that came to light in 18th century excavations, for example that in the Carlsberg Glyptotek (inv.730). The primary version is in the Museo Nazionale di Napoli. Haskell identified the impact of the turned head and ferocious gaze as the reason for its fame, which frightened some contemporary observers familiar with his ruthless reign: 'As one looked at the bust, or rather was looked at by it, the past suddenly and dramatically became present'. RELATED LITERATURE Forrer, vol.4, p.522-30; Taste and the Antique, p.172-3, no.18; Cheneviere, p.263, no.287
Sotheby's