Ferdinand (1786) Piloty Sold at Auction Prices

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  • F. PILOTY (*1786) after SARTO (*1483), Apostle. Portrait of a saint, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after SARTO (*1483), Apostle. Portrait of a saint, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Andrea del Sarto (1483 Florence - 1530 ibid.): Apostle Portrait of an elderly man with a halo, his arms folded and leaning on a table, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the image. Date: 19th century Description: The sitter is wearing a halo. Judging by his outward appearance, he should be the Apostle Peter. Source: Johann Nepomuk Strixner (1782 -1855 ) Königlich Baierischer Gemälde-Saal zu München und Schleißheim: Zweihundert Bilder in Steindruck von Strixner, Piloty und Anderen, 1817 | print suite Keywords: Old man, portrait art, apostle, St Peter, saint, halo, Munich collection, 19th century, Baroque, Religious, Italy, Size: Paper: 63,2 cm x 46,0 cm (24,9 x 18,1 in), Depiction: 37,3 cm x 28,0 cm (14,7 x 11 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after RENI (*1575), John the Evangelist writing, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after RENI (*1575), John the Evangelist writing, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Guido Reni (1575 Calvenzano - 1642 Bologna): John the Evangelist writing over the Gospel, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the image: "Guido Reni pinx. | Printed by Joseph Selb | Piloty del.". The sheet is from the publication series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim'. This publication summarises the royal collection lithographically. The series was published in the years 1810-1816, with Piloty and Strixner providing the largest proportion of lithographs. Date: 19th century Description: St John the Evangelist, half-length portrait, writing a book at a table with books. Keywords: Young man, saint, apostle, evangelist, write, scribe, book, New Testament, Bible, Munich collection, 19th century, Baroque, Religious, Italy, Size: Paper: 47,6 cm x 62,3 cm (18,7 x 24,5 in), Depiction: 35,3 cm x 39,2 cm (13,9 x 15,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after MURILLO (*1618), The pie eaters, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after MURILLO (*1618), The pie eaters, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Bartolomé Esteban Murillo (1618 Seville - 1682 ibid.): The pie eaters Poorly dressed boys eating with relish with a basket filled with dog and fruit, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the depiction on the left and right. The original painting is in the Pinakothek in Munich. The sheet comes from the publication series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim'. This publication summarises the royal collection lithographically. The series was published in the years 1810-1816, with Piloty and Strixner providing the largest proportion of lithographs. Date: 19th century Description: Although the children are poorly dressed and seem to live on the streets, they do not go hungry. Murillo, who mostly captured children and beggar figures in supposed everyday situations, presents an idealised image of poverty. Keywords: Simplicity, everyday life, idealised naturalism, poverty, street children, idyll of poverty, idyll, children, children's lives, child poverty, Alte Pinakothek, State Painting Collection, Munich, 19th century, Baroque, Genre, Spain, Size: Paper: 63,6 cm x 46,3 cm (25 x 18,2 in), Depiction: 44,4 cm x 34,3 cm (17,5 x 13,5 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after MURILLO (*1618), Delousing of a boy, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after MURILLO (*1618), Delousing of a boy, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Bartolomé Esteban Murillo (1618 Seville - 1682 ibid.): Domestic toilet Simple interior with old woman delousing a boy, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the depiction on the left and right. The original painting is in the Pinakothek in Munich. The sheet comes from the publication series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim'. This publication summarises the royal collection lithographically. The series was published in the years 1810-1816, with Piloty and Strixner providing the majority of the lithographs. Date: 19th century Description: The boy leans in the old woman's lap, plays with a small dog and lets himself be loused up. Keywords: Domesticity, Simplicity, Grandmother, Grandchild, Boy, Dog, Interior, Everyday life, Alte Pinakothek, State Painting Collection, Munich, 19th century, Baroque, Genre, Spain, Size: Paper: 63,3 cm x 46,2 cm (24,9 x 18,2 in), Depiction: 44,5 cm x 33,0 cm (17,5 x 13 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Discussing monks, around 1808, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Discussing monks, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Discussing monks Standing monk in front of seated group, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Monk, Monastery, Habit, 19th century, Romanticism, Religious, Germany, Size: Paper: 22,5 cm x 16,5 cm (8,9 x 6,5 in), Depiction: 14,4 cm x 11,2 cm (5,7 x 4,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Supplicant and monk, around 1808, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Supplicant and monk, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Petitioner and monk, small scene of favour, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Monk, Monastery, Alms, Habit, 19th century, Romanticism, Religious, Germany, Size: Paper: 22,5 cm x 16,6 cm (8,9 x 6,5 in), Depiction: 14,2 cm x 11,5 cm (5,6 x 4,5 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Funeral procession, around 1808, Lithography
    May. 04, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Funeral procession, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Funeral procession with torch-bearing boy, c. 1808, Lithography Technique: Lithography over tinted stone on Paper (green) Inscription: At the lower part signed in the printing plate: "Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Vanitas, Mourning, Funeral, Death, Procession, 19th century, Romanticism, Religious, Germany, Size: Paper (green): 20,8 cm x 18,2 cm (8,2 x 7,2 in), Depiction: 14,3 cm x 11,7 cm (5,6 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after ZUCCARI (*1540), The flight to Egypt, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after ZUCCARI (*1540), The flight to Egypt, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Federico Zuccari (around 1540 Sant' Angelo In Vado - 1609 Ancona): The Flight into Egypt, lithograph incunabulum, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed below the depiction: "F. Zuchari / Piloty del. Because King Herod wants to kill all the little boys, the Holy Family flees to Egypt shortly after Jesus' birth - described in Matthew's Gospel (Mt 2:13). The flight is one of the Seven Sorrows of Mary, commemorated in the Catholic liturgical calendar on 15 September. According to Federico Zuccari, who is one of the main masters of Italian Mannerism and comes from a famous Italian family of artists: his father Ottaviano as well as his brother Taddeo were also highly esteemed painters. In addition to his paintings, a rich oeuvre of drawings has survived, such as the atmospherically dense drawings of Dante Alighieri's "Divine Comedy". Many drawings can be found today in such famous collections as the Louvre in Paris or the Staatliche Graphische Sammlung in Munich. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 29,5 cm x 23,5 cm (11,6 x 9,3 in), Depiction: 25,8 cm x 19,5 cm (10,2 x 7,7 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SOLE (*1649), Mary and Joseph on the run, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after SOLE (*1649), Mary and Joseph on the run, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Giovanni Battista del Sole (around 1649 - 1719 ): The Holy Family on the Run, Winkler 965, No 344, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Mary in a wide cloak and sandals, on the right Joseph leading an almost completely covered donkey, in between Jesus held by the hand of both. signed underneath: "J. del Sole / F: Pilotj del." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 358). Verso inscribed in lead: "Piloty after J del Sole (Giovanni?) Winkler No. 965,34.3 Dussler No. XXXIV". Keywords: 19th century, Figurative, Biblical, Germany, Size: Paper: 34,8 cm x 25,2 cm (13,7 x 9,9 in), Depiction: 31,0 cm x 21,3 cm (12,2 x 8,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SARTO (*1483), John the Baptist preaches, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after SARTO (*1483), John the Baptist preaches, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Andrea del Sarto (1483 Florence - 1530 ibid.): "John the Baptist Preaching", incunabulum of the lithograph, Winkler No 965, 265, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed under the picture: "And: del: Sarto. // f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 26.5 / Dussler p. 144, No. XXVI, 5. Munich 1811-16. He is standing on a stone facing to the left, around him standing and sitting audience. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 35,0 cm x 39,7 cm (13,8 x 15,6 in), Depiction: 29,7 cm x 34,1 cm (11,7 x 13,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after POUSSIN (*1594), Kneeling monk, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after POUSSIN (*1594), Kneeling monk, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Nicolas Poussin (1594 Les Andelys, Normandy - 1665 Rom): "Kneeling Monk", incunabulum of lithography, Winkler No 965, 674, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed at the bottom: "N: Pousin. // f: Pilotj del.", listed by Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 67.4. / Dussler p.158 No. LXVII, 4. Munich 1811-16. Monk with outstretched arms and cowl with large folds. Date: c. 1811 Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 50,0 cm x 36,0 cm (19,7 x 14,2 in), Depiction: 42,6 cm x 28,7 cm (16,8 x 11,3 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after CIARDI (17th), Christ supported by the angel, around 1811, Lithography with
    Mar. 22, 2025

    F. PILOTY (*1786) after CIARDI (17th), Christ supported by the angel, around 1811, Lithography with

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Lorenzo Ciardi (17th century): "Christ Supported by an Angel", Winkler No965, 462 incunabulum of lithography, 1811-1816, c. 1811, Lithography with pen Technique: Lithography with pen on Laid paper, mounted on Paper Inscription: Signed at the bottom of the image "L. Cardi / F: Piloty del. The body slumps with the knees to the right, the angel behind holds him by the arms; he has spread his wings. Date: c. 1811 Description: Listed in Winkler, Die Frühzeit der Deutschen Lithographie, No. 965, 46.2, Dussler (Munich II), p. 151, No. XLVI, 2. Keywords: 19th century, Figurative, Religious, Germany, Size: Laid paper: 16,9 cm x 12,0 cm (6,7 x 4,7 in), Depiction: 12,8 cm x 7,9 cm (5 x 3,1 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after CARAVAGGIO (*1493), River god and nymphs, around 1815, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after CARAVAGGIO (*1493), River god and nymphs, around 1815, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Polidoro da Caravaggio (1493 Caravaggio - 1543 Messina): "River God and Nymphs in the Forest", Incunabulum of Lithography, c. 1815, Lithography Technique: Lithography on Paper Inscription: On the right two nymphs carrying a stone, on the left two others calling to the trees. Date: c. 1815 Description: Signed at the bottom: "Polidoro pinx. // f: Pilotj del:", recorded in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 27.6. / Dussler p.145 No. XXVI, 6. Munich 1811-16. In front of the backdrop of trees, the god camps in the centre, turned backwards and giving instructions. He leans on the vessel from which the river flows. Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 30,2 cm x 48,7 cm (11,9 x 19,2 in), Depiction: 24,0 cm x 42,3 cm (9,4 x 16,7 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after PAOLO VERONESE (*1528), John the Baptist as a child, around 1811, Lithograph
    Mar. 22, 2025

    F. PILOTY (*1786) after PAOLO VERONESE (*1528), John the Baptist as a child, around 1811, Lithograph

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): "John the Baptist as a Child", incunabulum of the lithograph, Winkler No 965, 386, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Watermark: Partially visible. Letters/Digits - more than three letters (words/names) - M. IA. Huber - Date: 19th century Date: c. 1811 Description: Signed below the depiction: "P: Veronese pinx. // f: Pilotj del ", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 38.6. / Dussler p. 148, No. XXXVIL, 6. Munich 1811-16. Seen from the back, the left hand resting on a rock, in the right one a cross. A strap around the middle of the body holds a fleece laid over the right shoulder. | Watermark: A. HUBER Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 51,2 cm x 34,8 cm (20,2 x 13,7 in), Depiction: 44,2 cm x 27,0 cm (17,4 x 10,6 in)

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  • F. PILOTY (*1786) after BRAMER (*1596), Soldier on the powder keg, around 1808, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Soldier on the powder keg, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Soldier with torch at the powder keg, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: lithograph series, Old Masters, study, Guy Fawkes, Gunpowder Plot, England, soldiers, armour, 19th century, Romanticism, Military, United Kingdom, Size: Paper: 21,2 cm x 18,2 cm (8,3 x 7,2 in), Depiction: 14,7 cm x 11,6 cm (5,8 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Monk and supplicant, around 1808, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Monk and supplicant, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Monk and supplicant, Small genre scene, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Monk, Monastery, Alms, Habit, 19th century, Romanticism, Religious, Germany, Size: Paper: 22,4 cm x 20,4 cm (8,8 x 8 in), Depiction: 14,2 cm x 11,5 cm (5,6 x 4,5 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Monk and nun kissing, around 1808, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Monk and nun kissing, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Monk and nun kissing with horrified old woman, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: lithograph series, old masters, study, monk, nun, monastery, habit, celibacy, 19th century, Romanticism, Religious, Germany, Size: Paper: 23,2 cm x 17,0 cm (9,1 x 6,7 in), Depiction: 14,8 cm x 11,7 cm (5,8 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Monk steams up crate, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Monk steams up crate, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Monk at Work, Incunabulum of Lithography, Winkler No 965, 661, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper, mounted on Paper Watermark: Partially visible. Letters/Digits - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: To the left of him stands a youth, barefoot to the right, wringing his hands. Signed below the image: "L: Bramer. //f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 66.1 / Dussler (München II) p. 157, No. LXVI.1. Munich 1811-16. After a painting from the Graphische Sammlung in Munich by Leonard Bramer. Date: c. 1811 Description: Monk mounts box, with hammer and round pin. | Watermark: A. HUBER Keywords: 19th century, Figurative, People, Germany, Size: Paper: 22,3 cm x 19,0 cm (8,8 x 7,5 in), Depiction: 14,5 cm x 11,8 cm (5,7 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Man with mousetrap, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BRAMER (*1596), Man with mousetrap, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): "Man with a Mousetrap", incunabulum of lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Date: c. 1811 Description: Full-bearded man in monk's habit with mousetrap frightens women at a reel, with defensive movement. Chalk with light loose clay, few highlights, limited, signed underneath: L. Bramer / F: Pilotj del. Drawing Gr. Sammlung München 1244. (Winkler, Die Frühzeit der Deutschen Lithographie, p. 362: No. 965, 47.2.Dussler, (München II), p.151, No. XLVII, 2.: "Spinning women, to whom a man meets with a small box"). Keywords: 19th century, Figurative, People, Germany, Size: Paper: 20,0 cm x 15,2 cm (7,9 x 6 in), Depiction: 14,0 cm x 11,7 cm (5,5 x 4,6 in)

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  • F. PILOTY (*1786) after BLOEMEN (*1657), Card player, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BLOEMEN (*1657), Card player, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Pieter van Bloemen (1657 Antwerp - 1720 ibid.): Card player sitting on the floor, Winkler No 965, 542, Incunabulum of lithography, Munich 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Watermark: Letters/Digits - more than three letters (words/names) - GM1809 - Date: Inscription: Signed at the bottom of the image "P: van Bloemen // f: Pilotj del:". Piloty after the painting in the Munich Graphic Collection by Pieter van BLOEMEN (1657), Winkler No. 965, 542,2nd, Dussler (Munich II), p. 154, LIV, 2nd". Date: c. 1811 Description: | Watermark: GM1809 Keywords: 19th century, Figurative, People, Germany, Size: Paper: 21,0 cm x 21,0 cm (8,3 x 8,3 in), Depiction: 20,5 cm x 20,0 cm (8,1 x 7,9 in)

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  • F. PILOTY (*1786) after BANDINELLI (*1493), Woman under a canopy, around 1811, Lithography
    Mar. 22, 2025

    F. PILOTY (*1786) after BANDINELLI (*1493), Woman under a canopy, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Baccio Bandinelli (around 1493 - 1560 ibid.): "An Unclothed Woman under a Bed Sky", incunabulum of lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: "An unclothed woman under a bed canopy, in front balustrade with two clothed women. Signed within the margin at the bottom "Baccio Bandin // f: Piloty del:" (Winkler, Die Frühzeit der Deutschen Lithographie, p. 349", verso inscribed in pencil "Winkler No. 965 5.3 I, Dussler p. 137 No. V.3 München 1811-1816". Keywords: 19th century, Figurative, Costumes, Germany, Size: Paper: 36,2 cm x 26,5 cm (14,3 x 10,4 in)

    Fichter Kunsthandel
  • F. PILOTY (1786-1844), Deacon with bowl and crown, around 1808, Lithography
    Dec. 07, 2024

    F. PILOTY (1786-1844), Deacon with bowl and crown, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich): Standing deacon with bowl and crown, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, old masters, study, monk, habit, crown, coronation, ceremony, church, 19th century, Romanticism, Fashion, Germany, Size: Paper: 27,6 cm x 14,0 cm (10,9 x 5,5 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SUEUR (*1616), Bread from heaven or manna, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after SUEUR (*1616), Bread from heaven or manna, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Eustache Le Sueur (around 1616 - 1655 ): The Israelite people receive the bread of heaven or manna, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed in the stone below the depiction: "Le Sueur pinxt: | F: Piloty del:". Date: 19th century Description: Large-format depiction of the biblical scene from the Old Testament based on Genesis 16. Keywords: 19th century, Romanticism, Biblical, Germany, Size: Paper: 28,9 cm x 43,5 cm (11,4 x 17,1 in), Depiction: 24,2 cm x 39,0 cm (9,5 x 15,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after RENI (*1575), The penitent Peter, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after RENI (*1575), The penitent Peter, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Guido Reni (1575 Calvenzano - 1642 Bologna): The penitent Peter, 19th century, Lithography Technique: Lithography on Paper Stamp: Verso Collector's stamp, Lugt no.: 1567b. Justinus Kerner. Budapest. 19th century Inscription: Signed below in the stone: "Guido R: | F: Piloty del:". Date: 19th century Description: Depiction of the weeping apostle Peter asking for forgiveness for denying Jesus Christ three times. Keywords: 19th century, Romanticism, Biblical, Germany, Size: Paper: 34,2 cm x 25,0 cm (13,5 x 9,8 in), Depiction: 28,8 cm x 20,1 cm (11,3 x 7,9 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after FRANCO (*1743), Entombment of Christ, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after FRANCO (*1743), Entombment of Christ, Lithography

    Est: €300 - €400

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Giovanni Battista Franco (1743 Anzo D'Intelvi (Como) - 1830 Cagliari): Entombment of Christ, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed in the stone below the depiction: "G: B: Franco. | F: Piloty del:". Date: 19th century Description: Large-format depiction of the Entombment of Christ, surrounded by mourners. Keywords: 19th century, Romanticism, Biblical, Germany, Size: Paper: 33,7 cm x 46,9 cm (13,3 x 18,5 in), Depiction: 27,2 cm x 41,3 cm (10,7 x 16,3 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Funeral procession, around 1808, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after BRAMER (*1596), Funeral procession, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Funeral procession with torch-bearing boy, c. 1808, Lithography Technique: Lithography over tinted stone on Inscription: At the lower part signed in the printing plate: "Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Vanitas, Mourning, Funeral, Death, Procession, 19th century, Romanticism, Religious, Germany, Size: : 20,8 cm x 18,2 cm (8,2 x 7,2 in), Depiction: 14,3 cm x 11,7 cm (5,6 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Supplicant and monk, around 1808, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after BRAMER (*1596), Supplicant and monk, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Petitioner and monk, small scene of favour, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Monk, Monastery, Alms, Habit, 19th century, Romanticism, Religious, Germany, Size: Paper: 22,5 cm x 16,6 cm (8,9 x 6,5 in), Depiction: 14,2 cm x 11,5 cm (5,6 x 4,5 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Rebuke of a boy, around 1808, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after BRAMER (*1596), Rebuke of a boy, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Rebuke and washing of a boy, c. 1808, Lithography Technique: Lithography over tinted stone on Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself particularly through the print reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Country people, Cleaning, Conversation, Fashion, 19th century, Romanticism, Fashion, Germany, Size: : 20,7 cm x 16,9 cm (8,1 x 6,7 in), Depiction: 14,5 cm x 11,8 cm (5,7 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Discussing monks, around 1808, Lithography
    Nov. 16, 2024

    F. PILOTY (*1786) after BRAMER (*1596), Discussing monks, around 1808, Lithography

    Est: €135 - €225

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Discussing monks Standing monk in front of seated group, c. 1808, Lithography Technique: Lithography over tinted stone on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Monk, Monastery, Habit, 19th century, Romanticism, Religious, Germany, Size: Paper: 22,5 cm x 16,5 cm (8,9 x 6,5 in), Depiction: 14,4 cm x 11,2 cm (5,7 x 4,4 in)

    Fichter Kunsthandel
  • COLLECTION OF FOUR PRINTS BY VARI
    Nov. 15, 2024

    COLLECTION OF FOUR PRINTS BY VARI

    Est: -

    Collection of four prints by various artists of the 19th/20th century, Friedrich von Schennis (1852-1918),'' Der Rundtempel von Tivoli'', symbolist etching, Ferdinand Piloty (1786-1844), ''Petrus und Paulus'', lithograph after Rubens, Carl Friedrich Heinzmann (1795-1846), ''Tells Kapelle in Bürglen'', lithograph, as well as etching with several industrial motifs and the Gutehoffnungshütte Oberhausen in the center, signed ''Reheisen'', sheet dimensions up to 69 x 48 cm

    Historia Auctionata
  • Piloty, Ferdinand
    Sep. 27, 2024

    Piloty, Ferdinand

    Est: €60 - €100

    (1786 Homburg - München 1844). Adam und Eva. Lithographie nach Frans Floris um 1810. 20 x 24 cm, Blgr. 28 x 32 cm. In d. Pl. sign. Winkler, Die Frühzeit der deutschen Lithographie 965, 57.6. R

    Kiefer Buch- und Kunstauktionen
  • F. PILOTY (*1786) after SUEUR (*1616), Christ with manna-bearing angels, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after SUEUR (*1616), Christ with manna-bearing angels, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Eustache Le Sueur (around 1616 - 1655 ): Christ being served by angels, incunabulum of lithography, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom: "Le Sueur pinxt. // f: Pilotj del:", recorded in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 29.5. / Dussler p.148 No. XXIX, 5. Munich 1811-16. Christ is seated in the centre left under a canopy on a stone bench, to his left three angels preparing food, in front of him one kneeling in reverence, behind him four others receive the food from three hovering in the upper right with a large table. Date: c. 1811 Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 33,7 cm x 48,6 cm (13,3 x 19,1 in), Depiction: 24,2 cm x 38,8 cm (9,5 x 15,3 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SCHIAVONE (*1510), Holy Family with John, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after SCHIAVONE (*1510), Holy Family with John, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Andrea Schiavone (1510 Zadar - 1563 Venice): "The Holy Family with Little John", incunabulum of the lithograph, Winkler No 965, 443, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper, mounted on Paper Date: c. 1811 Description: Signed below the image: "A:Schiavoni. //f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 44.3 / Dussler (München II) p. 150, No. XLIV,3. Munich 1811-16. After a painting from the Graphische Sammlung in Munich by Leonard Bramer. Keywords: 19th century, Figurative, Landscape, Germany, Size: Paper: 26,0 cm x 21,0 cm (10,2 x 8,3 in), Depiction: 25,0 cm x 20,0 cm (9,8 x 7,9 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SARTO (*1483), John the Baptist preaches, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after SARTO (*1483), John the Baptist preaches, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Andrea del Sarto (1483 Florence - 1530 ibid.): "John the Baptist Preaching", incunabulum of the lithograph, Winkler No 965, 265, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed under the picture: "And: del: Sarto. // f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 26.5 / Dussler p. 144, No. XXVI, 5. Munich 1811-16. He is standing on a stone facing to the left, around him standing and sitting audience. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 35,0 cm x 39,7 cm (13,8 x 15,6 in), Depiction: 29,7 cm x 34,1 cm (11,7 x 13,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SARTO (*1483), Naming of John the Baptist, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after SARTO (*1483), Naming of John the Baptist, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Andrea del Sarto (1483 Florence - 1530 ibid.): "Naming John the Baptist", incunabulum of the lithograph, Winkler No 965, 296, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Watermark: - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: In the background on the right the mother's bed, in front on the right Zacharias writing, opposite him in the centre of the picture a young woman with her back exposed, in front on the left a witness, in the back a maid about to leave the room. After a fresco in Florence, Chiostro dello Scalzo. Signed under the picture: "A:del:Sarto// f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 29.6 / Dussler (Munich II) p. 145, No. XXIX, 6. Munich 1811-16. Date: c. 1811 Description: | Watermark: A. HUBER Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 29,8 cm x 45,0 cm (11,7 x 17,7 in), Depiction: 24,0 cm x 39,0 cm (9,4 x 15,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after POUSSIN (*1594), Lamentation of Christ, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after POUSSIN (*1594), Lamentation of Christ, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Nicolas Poussin (1594 Les Andelys, Normandy - 1665 Rom): "Lamentation of Christ", incunabulum of lithography, c 1815, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Watermark: - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: Signed at the bottom: "N: Pousin pinx: // f: Piloty del:". The Lord lying on a cloth before the cross, in front right one of the henchmen picking up the crown of thorns. Around him four wailing women, in the centre with outstretched arms, in front left kissing the feet. Date: c. 1811 Description: Listed in Winkler: Die Frühzeit der deutschen Lithographie: No. 965, 30.6. / Dussler p.146 No. XXX.6. Munich 1811-16. " | Watermark: A. HUBER Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 49,7 cm x 41,7 cm (19,6 x 16,4 in), Depiction: 43,0 cm x 35,6 cm (16,9 x 14 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after POUSSIN (*1594), Kneeling monk, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after POUSSIN (*1594), Kneeling monk, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Nicolas Poussin (1594 Les Andelys, Normandy - 1665 Rom): "Kneeling Monk", incunabulum of lithography, Winkler No 965, 674, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed at the bottom: "N: Pousin. // f: Pilotj del.", listed by Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 67.4. / Dussler p.158 No. LXVII, 4. Munich 1811-16. Monk with outstretched arms and cowl with large folds. Date: c. 1811 Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 50,0 cm x 36,0 cm (19,7 x 14,2 in), Depiction: 42,6 cm x 28,7 cm (16,8 x 11,3 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after LIGOZZI (*1547), Christ carrying the cross, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after LIGOZZI (*1547), Christ carrying the cross, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Jacopo Ligozzi (around 1547 - around 1626 ): Carrying of Christ on the Cross, Incunabulum of Lithography, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom: "Ligozio // f: Pilotj del:". Date: c. 1811 Description: Listed in Dussler p.137 No. IV.4. Munich 1811-16. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 31,5 cm x 32,0 cm (12,4 x 12,6 in), Depiction: 23,4 cm x 23,8 cm (9,2 x 9,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after FRANCO (*1743), Lamentation of Christ, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after FRANCO (*1743), Lamentation of Christ, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Giovanni Battista Franco (1743 Anzo D'Intelvi (Como) - 1830 Cagliari): "Lamentation of Christ", incunabulum of lithography, Winkler No 965, 345, II, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Watermark: Partially visible. - more than three letters (words/names) - M. IA. Huber - Date: 19th century Date: c. 1811 Description: Signed below the image: "J:B:Franco // f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 34.5. II / Dussler (Munich II) p. 147, No. XXXIV, 5. Munich 1811-16. | Watermark: A. HUBER Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 34,0 cm x 47,0 cm (13,4 x 18,5 in), Depiction: 27,0 cm x 41,0 cm (10,6 x 16,1 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after CARAVAGGIO (*1493), River god and nymphs, around 1815, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after CARAVAGGIO (*1493), River god and nymphs, around 1815, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Polidoro da Caravaggio (1493 Caravaggio - 1543 Messina): "River God and Nymphs in the Forest", Incunabulum of Lithography, c. 1815, Lithography Technique: Lithography on Paper Inscription: On the right two nymphs carrying a stone, on the left two others calling to the trees. Date: c. 1815 Description: Signed at the bottom: "Polidoro pinx. // f: Pilotj del:", recorded in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 27.6. / Dussler p.145 No. XXVI, 6. Munich 1811-16. In front of the backdrop of trees, the god camps in the centre, turned backwards and giving instructions. He leans on the vessel from which the river flows. Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 30,2 cm x 48,7 cm (11,9 x 19,2 in), Depiction: 24,0 cm x 42,3 cm (9,4 x 16,7 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after PAOLO VERONESE (*1528), John the Baptist as a child, around 1811, Lithograph
    Aug. 31, 2024

    F. PILOTY (*1786) after PAOLO VERONESE (*1528), John the Baptist as a child, around 1811, Lithograph

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): "John the Baptist as a Child", incunabulum of the lithograph, Winkler No 965, 386, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper Watermark: Partially visible. - more than three letters (words/names) - M. IA. Huber - Date: 19th century Date: c. 1811 Description: Signed below the depiction: "P: Veronese pinx. // f: Pilotj del ", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 38.6. / Dussler p. 148, No. XXXVIL, 6. Munich 1811-16. Seen from the back, the left hand resting on a rock, in the right one a cross. A strap around the middle of the body holds a fleece laid over the right shoulder. | Watermark: A. HUBER Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 51,2 cm x 34,8 cm (20,2 x 13,7 in), Depiction: 44,2 cm x 27,0 cm (17,4 x 10,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BRAMER (*1596), Monk steams up crate, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after BRAMER (*1596), Monk steams up crate, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Monk at Work, Incunabulum of Lithography, Winkler No 965, 661, 1811-1816, c. 1811, Lithography Technique: Lithography over tinted stone on Paper, mounted on Paper Watermark: Partially visible. - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: To the left of him stands a youth, barefoot to the right, wringing his hands. Signed below the image: "L: Bramer. //f: Pilotj del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 66.1 / Dussler (München II) p. 157, No. LXVI.1. Munich 1811-16. After a painting from the Graphische Sammlung in Munich by Leonard Bramer. Date: c. 1811 Description: Monk mounts box, with hammer and round pin. | Watermark: A. HUBER Keywords: 19th century, Figurative, People, Germany, Size: Paper: 22,3 cm x 19,0 cm (8,8 x 7,5 in), Depiction: 14,5 cm x 11,8 cm (5,7 x 4,6 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BLOEMEN (*1657), Card player, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after BLOEMEN (*1657), Card player, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Pieter van Bloemen (1657 Antwerp - 1720 ibid.): Card player sitting on the floor, Winkler No 965, 542, Incunabulum of lithography, Munich 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Watermark: - more than three letters (words/names) - GM1809 - Date: Inscription: Signed at the bottom of the image "P: van Bloemen // f: Pilotj del:". Piloty after the painting in the Munich Graphic Collection by Pieter van BLOEMEN (1657), Winkler No. 965, 542,2nd, Dussler (Munich II), p. 154, LIV, 2nd". Date: c. 1811 Description: | Watermark: GM1809 Keywords: 19th century, Figurative, People, Germany, Size: Paper: 21,0 cm x 21,0 cm (8,3 x 8,3 in), Depiction: 20,5 cm x 20,0 cm (8,1 x 7,9 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after GUERCINO (*1591), Woman with flowers, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after GUERCINO (*1591), Woman with flowers, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Guercino: Giovanni Francesco Barbieri (1591 Cento/Ferrara - 1666 Bologna): Woman with Flowers, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Date: c. 1811 Description: Winkler No. 965 61.5, Dussler (Munich II), p. 156 No. LXI,5 Munich 1811-1816. "Girl and vase. The latter stands on the right on a table, urn-like, with a slight suggestion of flowers in it. Hair gathered in a plait up to the round neckline, lace blouse, dark skirt, hands at the vase. Chalk, bordered, signed below: Guercino // f: Pilotj del: Trimmed along outer border. (Winkler, Die Frühzeit der Deutschen Lithographie, p. 366". Keywords: 19th century, Figurative, Costumes, Germany, Size: Paper: 24,8 cm x 20,0 cm (9,8 x 7,9 in), Depiction: 22,2 cm x 18,0 cm (8,7 x 7,1 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after BANDINELLI (*1493), Woman under a canopy, around 1811, Lithography
    Aug. 31, 2024

    F. PILOTY (*1786) after BANDINELLI (*1493), Woman under a canopy, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Baccio Bandinelli (around 1493 - 1560 ibid.): "An Unclothed Woman under a Bed Sky", incunabulum of lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: "An unclothed woman under a bed canopy, in front balustrade with two clothed women. Signed within the margin at the bottom "Baccio Bandin // f: Piloty del:" (Winkler, Die Frühzeit der Deutschen Lithographie, p. 349", verso inscribed in pencil "Winkler No. 965 5.3 I, Dussler p. 137 No. V.3 München 1811-1816". Keywords: 19th century, Figurative, Costumes, Germany, Size: Paper: 36,2 cm x 26,5 cm (14,3 x 10,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after ZUCCARI (*1540), The flight to Egypt, around 1811, Lithography
    Jul. 27, 2024

    F. PILOTY (*1786) after ZUCCARI (*1540), The flight to Egypt, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Federico Zuccari (around 1540 Sant' Angelo In Vado - 1609 Ancona): The Flight into Egypt, lithograph incunabulum, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed below the depiction: "F. Zuchari / Piloty del. Because King Herod wants to kill all the little boys, the Holy Family flees to Egypt shortly after Jesus' birth - described in Matthew's Gospel (Mt 2:13). The flight is one of the Seven Sorrows of Mary, commemorated in the Catholic liturgical calendar on 15 September. According to Federico Zuccari, who is one of the main masters of Italian Mannerism and comes from a famous Italian family of artists: his father Ottaviano as well as his brother Taddeo were also highly esteemed painters. In addition to his paintings, a rich oeuvre of drawings has survived, such as the atmospherically dense drawings of Dante Alighieri's "Divine Comedy". Many drawings can be found today in such famous collections as the Louvre in Paris or the Staatliche Graphische Sammlung in Munich. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 29,5 cm x 23,5 cm (11,6 x 9,3 in), Depiction: 25,8 cm x 19,5 cm (10,2 x 7,7 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SUEUR (*1616), Christ on the Mount of Olives, around 1811, Lithography
    Jul. 27, 2024

    F. PILOTY (*1786) after SUEUR (*1616), Christ on the Mount of Olives, around 1811, Lithography

    Est: €75 - €125

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Eustache Le Sueur (around 1616 - 1655 ): Christ on the Mount of Olives, incunabulum of lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: "Study of a Christ on the Mount of Olives. The Lord kneels with the upper body bent forward horizontally, with the arms reaching down in front. Lower arms not executed. Chalk with yellow-olive tone delicate pin lights, bordered, signed within: Le Suere / f: Pilotj del: Trimmed along outer chalk line" (Winkler, Die Frühzeit der Deutschen Lithographie, p. 368). Original backing inscribed in lead at the bottom: "Incunable of Lithography, F. Piloty after a drawing in the Gr. Sammlung in Munich by Eustache Le Sueur, Winkler No. 965, 69.4., "Studie zu einem Christus am Ölberg", Dussler (München II.) p. 159 No. LXIX, 4.", Skizze zu einem knienden Christus.". Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 20,8 cm x 28,8 cm (8,2 x 11,3 in), Depiction: 18,5 cm x 26,5 cm (7,3 x 10,4 in)

    Fichter Kunsthandel
  • F. PILOTY (*1786) after SOLE (*1649), Mary and Joseph on the run, around 1811, Lithography
    Jul. 27, 2024

    F. PILOTY (*1786) after SOLE (*1649), Mary and Joseph on the run, around 1811, Lithography

    Est: €150 - €200

    Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Giovanni Battista del Sole (around 1649 - 1719 ): The Holy Family on the Run, Winkler 965, No 344, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Mary in a wide cloak and sandals, on the right Joseph leading an almost completely covered donkey, in between Jesus held by the hand of both. signed underneath: "J. del Sole / F: Pilotj del." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 358). Verso inscribed in lead: "Piloty after J del Sole (Giovanni?) Winkler No. 965,34.3 Dussler No. XXXIV". Keywords: 19th century, Figurative, Biblical, Germany, Size: Paper: 34,8 cm x 25,2 cm (13,7 x 9,9 in), Depiction: 31,0 cm x 21,3 cm (12,2 x 8,4 in)

    Fichter Kunsthandel
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