Hans Purrmann Paintings & Artwork for Sale | Hans Purrmann Art Value Price Guide

Nov. 22, 2024
Hans Purrmann, 1880 Speyer-1966 Basel, lithograph
Est: €300 - €500
Hans Purrmann, 1880 Speyer-1966 Basel, lithograph, #'Parkweg in Levanto#', 1965, Epreuve d#'artise, hand-signed, framed under glass 67x52 cm . German Description: Hans Purrmann, 1880 Speyer-1966 Basel, Lithographie, 'Parkweg in Levanto', 1965, Epreuve d'artise, handsigniert, unter Glas gerahmt 67x52 cm
Henry's Auktionshaus
Nov. 07, 2024
PURRMANN, HANS: "Akt auf Atelierhocker".
Est: CHF500 - CHF1,000
PURRMANN, HANS (Speyer 1880 - 1966 Basel) : "Akt auf Atelierhocker"; Kohle; 30,5x19 cm (LM), gerahmt; verso Stpl. "Archiv H.P." Nr. 14
Dobiaschofsky Auktionen AG
Nov. 07, 2024
PURRMANN, HANS: Südliche Landschaft.
Est: CHF750 - CHF1,500
PURRMANN, HANS (Speyer 1880 - 1966 Basel) : Südliche Landschaft; Aquarell; 24x35,5 cm (BG), gerahmt; sig. u.r.
Dobiaschofsky Auktionen AG
Nov. 07, 2024
PURRMANN, HANS: "Hockender Akt".
Est: CHF500 - CHF1,000
PURRMANN, HANS (Speyer 1880 - 1966 Basel) : "Hockender Akt"; Tusche über Bleistift; 23x22 cm (LM), gerahmt; verso Stpl. "Archiv H.P." Nr. 28
Dobiaschofsky Auktionen AG
Nov. 07, 2024
PURRMANN, HANS: Stehender Rückenakt.
Est: CHF500 - CHF1,000
PURRMANN, HANS (Speyer 1880 - 1966 Basel) : Stehender Rückenakt; Kohle; 35x22 cm (BG), gerahmt; sig. u.r., verso a. Abdeckung Archiv-Nr. 5185
Dobiaschofsky Auktionen AG
Oct. 19, 2024
HANS PURRMANN : Parkweg in Levanto.
Est: €100 - €150
HANS PURRMANN Speyer 1880 - 1966 Basel Parkweg in Levanto. Kreidelithographie in Grau 1964/65. Heilmann 120. - Expl. hors Commerce. Signiert. Auf Japon nacré. 30 x 31 cm. Breitrandiger Abdruck. [ms]
Winterberg-Kunst
Oct. 19, 2024
HANS PURRMANN : Bildnis Frau E. Wittenstein (III).
Est: €140 - €200
HANS PURRMANN Speyer 1880 - 1966 Basel Bildnis Frau E. Wittenstein (III). Kaltnadelradierung 1915. Heilmann 34. - Expl. 19/26. Signiert und betitelt „Dame mit Pelz“. Auf chamoisfarbenem Vélin. 13,6 x 8,5 cm. Gering gebräunt. Oberrand stellenweise schwach bestoßen. [bg]
Winterberg-Kunst
Oct. 19, 2024
HANS PURRMANN : Landschaft nach Matisse.
Est: €200 - €300
HANS PURRMANN Speyer 1880 - 1966 Basel Landschaft nach Matisse. Spaziergänger unter Bäumen. Kaltnadelradierung mit leichtem Plattenton 1915. Heilmann 22. - Expl. 7/23. Signiert und mit „nach Matisse“ bezeichnet. Auf chamoisfarbenem van Gelder Zonen-Bütten mit dem „Straßburger Lilie“-Wasserzeichen. 12 x 9,1 cm. [ms]
Winterberg-Kunst
Oct. 19, 2024
HANS PURRMANN : Blick durch die geöffnete Flügeltür in den Garten des Fischerhauses in Langenargen.
Est: €800 - €1,200
HANS PURRMANN Speyer 1880 - 1966 Basel Blick durch die geöffnete Flügeltür in den Garten des Fischerhauses in Langenargen. Bleistiftzeichnung mit Tuschfeder um 1922. Vgl. Heilmann 96 (Radierung) mit Abbildung S. 258 (Aquarell). - Signiert sowie in der rechten unteren Ecke mit „16“ bezeichnet. Auf strukturiertem chamoisfarbenem Vélin. Ca. 24 x 23 cm (Blatt: 30 x 23 cm). Schwach fleckig und minimal gebräunt. [ms]
Winterberg-Kunst
Sep. 28, 2024
Hans Purrmann, 1880-1966, 'Reclining 1956/57, etching
Est: €500 - €1,000
Hans Purrmann, 1880-1966, 'Reclining 1956/57, etching, right and hand-signed, approx. 19 x 24 cm, under glass, frame, approx. 42 x 51 cm . German Description: Hans Purrmann, 1880-1966, 'Liegende 1956/57, Radierung, re. u. handsigniert, ca. 19 x 24 cm, unter Glas, Rahmen, ca. 42 x 51 cm
Henry's Auktionshaus
Sep. 21, 2024
Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", Lithographie.
Est: €60 - €80
Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", Lithographie. Rechts unten signiert und bezeichnet. Blatt 47 x 37, Rahmen 51 x 41 cm. Rahmen-Glas gebrochen, siehe Foto. Standort: Engen Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", lithograph. Signed and inscribed lower right. Sheet 47 x 37, frame 51 x 41 cm. Frame glass broken, see photo. (1880-1966) "Epitaph Karl Amadeus Hartmann", lithograph. Signed and inscribed lower right. Sheet 47 x 37, frame 51 x 41 cm. Frame glass broken, see photo. Location: Engen
Auktionshaus Karrenbauer
Sep. 21, 2024
Hans Purrmann
Est: €400 - €600
Hans Purrmann 1880 Speyer - 1966 Basel - "Drei badende Frauen" - Katlnadelradierung/Papier. 20,4 x 24,3 cm, 28,6 x 34,2 cm (Blattmaß). Sign. r. u.: Hans Purrmann. Stempel r. u.: Alioe and Walter Schwab London. Das Blatt liegt lose. - Lit.: Heilmann 83.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Sep. 21, 2024
Hans Purrmann
Est: €400 - €600
Hans Purrmann 1880 Speyer - 1966 Basel - "Vier badende Frauen (Sommer)" - Kaltnadelradierung/Papier. 17,8 x 20,3 cm, 29,4 x 32,2 cm (Blattmaß). Sign. r. u.: H. Purrmann. Das Blatt liegt lose. Etw. berieben. Lichtrand. Rückseitig mit Papierklebeband an den Rändern verstärkt. - Lit.: Heilmann 60.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Aug. 31, 2024
Hans Purrmann, 1880 Speyer - 1966 Basel, watercolor
Est: €4,500 - €7,500
Hans Purrmann, 1880 Speyer - 1966 Basel, watercolor, Italian landscape, probably near Lugano, masterly depiction of a sunlit hilly landscape, the delicate and reserved earth colors anticipate the well-known watercolorists of the 70s, horizon closure in the typical broad, powerful manner of the Nabis, watercolor / Handmade paper, signed lower right, approx. 35 x 61 cm, under a glassframe, approx. 70 x 90 cm; The watercolor is included in the supplement to the catalog raisonne of watercolors and gouaches by the Hans Purrmann Archive, Munich, comparable landscape excerpts are the watercolors 'Italian Landscape' 1940 WVZ Lenz/Billeter W 1940/12 and W 40/13 . German Description: Hans Purrmann, 1880 Speyer - 1966 Basel, Aquarell, italienische Landschaft, wohl bei Lugano, meisterliche Darstellung einer sonnendurchglühten Hügellandschaft, die zarten und zürückhaltenden Erdfarben nehmen die bekannten Aquarellisten der 70er-Jahre vorweg, Horizontabschluss in typ. breiter wuchtiger Manier der Nabis, Aquarell/Bütten, unten rechts signiert, ca. 35 x 61 cm, unter Glas Rahmen, ca. 70 x 90 cm; das Aquarell wird vom Hans Purrmann-Archiv, München in den Nachtrag des Werksverzeichnisses der Aquarelle und Gouachen aufgenommen, vergleichbare Landschaftsausschnitte sind die Aquarelle 'Italienische Landschaft' 1940 WVZ Lenz/Billeter W 1940/12 und W 40/13
Henry's Auktionshaus
Jul. 28, 2024
Hans PURRMANN (1880-1966)
Est: €200 - €300
Hans PURRMANN (1880-1966) "Blumenstillleben mit Vase" Grafik - Lithografie, 43 cm x 34 cm, rechts unten handsigniert Hans PURRMANN (1880-1966) "llower still life with vase" graphic - lithography, 43 cm x 34 cm, handsigned at the lower right
Auktionshaus Kloss
Jun. 29, 2024
Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", Litographie, 2004.
Est: €60 - €80
Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", Litographie, 2004. Rechts unten signiert und bezeichnet. Blatt 47 x 37, Rahmen 51 x 41 cm. Purrmann, Hans (1880-1966) "Epitaph Karl Amadeus Hartmann", lithograph, 2004. Signed and inscribed lower right. Sheet 47 x 37, frame 51 x 41 cm.
Auktionshaus Karrenbauer
Jun. 26, 2024
Hans Purrmann View of the Villa Bitthäuser, Florence. 1942
Est: €60,000 - €80,000
Hans Purrmann 1880 Speyer - 1966 Basel View of the Villa Bitthäuser, Florence. 1942 Signed "H. Purrmann" lower right. Oil auf canvas. 76 x 61 cm. Framed (89 x 74 cm). Im Juni 1935 schreibt Hans Purrmann an einen Freund: "Ich habe den Verwaltungsposten bei der Villa Romana in Florenz bekommen. An dem Posten ist ja nicht viel, nur freie Wohnung (eingerichtet), vier Zimmer und ein Atelier. Ich habe auf zwei Jahre angenommen und muss im Oktober antreten, damit komme ich aus Berlin und dem fruchtlosen Streit." In Berlin hat sich die Kunstwelt auch ihm gegenüber verschlossen. Seine Gemälde werden aus den Museen entfernt, die Berliner Sezession wird aufgelöst, die Galerie für Moderne Kunst geschlossen. Hans Purrmann beginnt seinen Rückzug aus Deutschland nach Italien. Unter den vielen Künstlern, die in dieser Zeit die Toskana als Exil wählen, ist Purrmann wohl der bekannteste und erfolgreichste. Es ist der Beginn einer Reihe von Gemälden und Aquarellen, in denen Purrmann die Landschaft der Toskana huldigt. Neben wenigen Akten und Stillleben wird er nicht müde, die Landschaft um die Villa Romana und ihre nähere Umgebung darzustellen. Es entsteht ein prächtiges Bild durch Formen, Farben und Licht der toskanischen Landschaft und ihrer Vegetation, vor allem der Zypresse, die sich für den, der sie kennt, wie eine Folie vor die Wirklichkeit schiebt. Als Schüler von Matisse und Verehrer der französischen Malerei malt Hans Purrmann im Stil der Fauves in den zwanziger Jahren Ansichten der lichtdurchfluteten Ufer von Sanary-sur-Mer und der Langenargen am Bodensee, erst später beginnt er seine Farben immer leichter aufzutragen. Er löst sich somit von seinen Vorbildern und findet hier in Italien seinen eigenen, leichten, reifen Stil mit diesem für ihn so typisch transparent erscheinenden Farbauftrag. Die Toskana gibt somit seinen Bildformen und der Farbe Gestalt und Gehalt und seinem Oeuvre die volle Reife (Zit. aus: Voigt, Klaus: Zuflucht auf Widerruf. Exil in Italien, 1933-1945, Bde. I-II, Stuttgart 1989, S.25f.). Werkverzeichnis: Lenz/Billeter 1942/14, Archiv-Nr. 698 provenance: Dr. Lucas Lichtenhan, Basel / Private owner, South Germany
Neumeister
Jun. 06, 2024
Hans Purrmann (1880 Speyer - Basel 1966) – Stillleben mit Gladiolen und Kapuzinerkresse (Still life with gladioli and nasturtiums)
Est: €55,000 - €65,000
Oil on canvas. (1926). Ca. 100 x 81 cm. Signed lower right. With customs labels, remnants of a label and a label numbered "321" on the reverse on the stretcher. With various handwritten notes, numbers and inscribed with the technique and dimensions on the reverse on the frame. Lenz/Billeter 1926/12.
Karl & Faber
Jun. 06, 2024
Hans Purrmann (1880 Speyer - Basel 1966) – Stillleben mit Relief (Still life with relief)
Est: €20,000 - €30,000
Oil on canvas. (1949). C. 35 x 27 cm. Signed lower left.
Karl & Faber
Jun. 06, 2024
Hans Purrmann: Südliche Landschaft (Ospedaletti)
Est: €7,000 - €9,000
PURRMANN, HANS 1880 Speyer - 1966 Basel Title: Südliche Landschaft (Ospedaletti). Date: 1950. Technique: Watercolour over pencil on laid card. Measurement: 37.5 x 54cm. Notation: Signed lower right: Hans Purrmann. Frame/Pedestal: Framed. The work is registered in the Hans Purrmann Archive, Munich, under the number 2456. We are grateful to Dr. Felix Billeter for his kind, scientific support. Provenance: - Private collection, Southern Germany. Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance Explanations to the Catalogue Hans Purrmann Germany Berlin Secession Modern Art 1950s Framed Landscape Works on paper Watercolour Italy
Van Ham Kunstauktionen
Jun. 05, 2024
Hans Purrmann, Landschaft bei Langenargen, 1923
Est: €25,000 - €30,000
Signed 'H. Purrmann' in black lower right. The painting is registered in the Hans Purrmann Archive under the number 1402. We would like to thank Felix Billeter, Hans Purrmann Archive, Munich, for the kind information. This charming landscape painting was created in 1923 in Langenargen on Lake Constance, where Hans Purrmann had purchased a fisherman's house directly on the lake in 1919. At the beginning of the 1920s, Purrmann commuted between the metropolis of Berlin and the tranquil, peaceful town of Langenargen, where he usually spent the summer months. Away from the hustle and bustle of Berlin, he created numerous landscapes here in radiant colours and a light, almost fluid painting style. Like "Garten der Villa Romana" (Lot 44, Lempertz Auction 1247, 4 June 2024), the painting on offer comes from the estate of Elisabeth Heintz, Purrmann's long-time secretary and close confidante during his time in Ticino.
Kunsthaus Lempertz KG
Jun. 04, 2024
Hans Purrmann, Garten der Villa Romana, 1941
Est: €60,000 - €80,000
Signed 'H. Purrmann' in black lower right. Like so many avant-garde artists, the painter Hans Purrmann felt the effects of the Nazi regime early on. However, he had the good fortune to be able to leave Germany in 1935 to become the voluntary head of the Deutscher Künstlerbund’s “Villa Romana” foundation and spend the following years in Florence. Purrmann would ultimately live and work in this city of the Renaissance for eight formative years – secure in the magnificent country villa in the Via Senese and surrounded by befriended artists like Gerhard Marcks, Emy Roeder and Rudolf Levy. This period was defined by optimism and melancholy, losses and triumphs, but – above all – by his many boldly colourful paintings filled with light. The location alone of his new home in the south of Florence on a hill beyond the Porta Romana made it exceptional. Purrmann repeatedly painted the view of the splendid city and park-like gardens as seen from his privileged dwelling. His landscapes took on a previously unknown intensity of colour and sense of depth there. In the magnificent painting “Garten der Villa Romana” from 1941, he has focused his gaze on the park’s majestic broadleaved tree, which is flanked by conifers to its left and the villa built in 1904/1905 to its right. Beginning with the light foreground of the lawn, he has built up the composition in varied shades of green, which finally come up against the narrow blue passage of the sky. The landscape is immersed in the radiant light of a summer day – the leaves, the oleander shrub in the front garden and, not least, the terracotta-coloured façade of the villa seem to reflect the rays of the sun. Applying the paint thinly at some points and in an impasto at others, Purrmann composed a peaceful, Mediterranean park landscape – in the middle of the Second World War. This painting is from the estate of Elisabeth Heintz (1911-1966): she was Purrmann’s secretary and close confidante for many years during his Ticino period, and he bequeathed her a number of works.
Kunsthaus Lempertz KG
Jun. 01, 2024
Purrmann, Hans | 1880 Speyer - 1966 Basel, Schweiz
Est: -
Purrmann, Hans 1880 Speyer - 1966 Basel, Schweiz Brunnen in Levanto (Montagnola) · 1965. Kreidelithografie · 50 x 65,1 cm (Blattgröße). Unten rechts handsigniert: Hans Purrmann. Unten links bezeichnet: Probedruck. Unten Mitte datiert und bezeichnet: 16 März 1965 Montagnola. Fleckig. Ohne Rahmen. Literatur: Heilmann 123.
GAILER Kunstauktionshaus am Chiemsee
May. 31, 2024
Hans Purrmann Speyer 1880 – 1966 Basel - Landscape in Montagnola. Circa 1944
Est: €12,000 - €15,000
Hans Purrmann Speyer 1880 – 1966 Basel Landscape in Montagnola. Circa 1944 Watercolour over pencil on thick wove paper 15 1/8 × 21 7/8 in. Signed lower right: H Purrmann. On the reverse: Dorf an der Küste. Pencil
Grisebach
May. 25, 2024
Hans Purrmann, 1880 Speyer-1966 Basel, four bathing
Est: €500 - €1,000
Hans Purrmann, 1880 Speyer-1966 Basel, four bathing women on the beach, etching, right below handsigned, lower left stamp: Association of Art Friends Palatinate, embossed stamp: The Creators, approx. 17x20cm,slightly tanned . German Description: Hans Purrmann, 1880 Speyer-1966 Basel, vier badende Frauen am Strand, Radierung, rechts unten handsigniert, links unten Stempel: Vereinigung Kunstfreunde Pfalz, Prägestempel: Die Schaffenden, ca. 17x20cm, leicht gebräunt
Henry's Auktionshaus
Mar. 08, 2024
Hans Purrmann, Stehender weiblicher Akt, Ölgemälde von 1914, gerahmt
Est: €20,000 - €25,000
Hans Purrmann, Stehender weiblicher Akt, Ölgemälde von 1914, gerahmt Hans Marsilius Purrmann, 1880 Speyer - 1966 Basel, deutscher Maler und Grafiker, hier S-förmig geschwungener stehender weiblicher Akt, die Arme vor der Brust verschränkt, die hellen Töne des Körpers sind vor einer Wand mit dunkelblauen Schattentönen im Kontrast gestellt, Öl/Lw., 81 x 66 cm, rechts unten signiert, kleine Retusche in der linken unteren Ecke, ansprechend gerahmt. Das Werk ist u.a. abgebildet in: Edmund Hausen, Der Maler Hans Purrmann, Berlin 1950, S. 20; WVZ Billeter 1914/01. Provenienz: Nachlass Barbara Göpel, München (wohl vom Künstler erworben) Das Gemälde war mehrfach ausgestellt: Hans Purrmann. Kaiserslautern, Pfälzische Landesgewerbeanstalt, u. a. O., 1950, Kat.-Nr. 11 / Hans Purrmann. München, Haus der Kunst, 1962, Kat.-Nr. 12 / Hans Purrmann (1880-1966) zum 100. Geburtstag. Langenargen, Museum Langenargen, 1980, Kat.-Nr. 12 / Hans Purrmann. Stilleben, Akte, Interieurs. Speyer/Lindau, 1990, Kunstverein Speyer, Kat.-Nr. 19. Zum Künstler: Hans Purrmann studierte ab 1897 an der Akademie der Bildenden Künste in München bei Franz von Stuck. Dort lernte er unter anderen Paul Klee, Wassily Kandinsky und Albert Weisgerber kennen. Mit dem letzteren verband ihn eine herzliche Freundschaft. 1905 ging Purrmann für ein halbes Jahr nach Berlin, wo er auf Vorschlag Max Liebermanns in die Berliner Secession aufgenommen wurde. Fortan vertrat Paul Cassirer sein Werk. Trotz dieser Erfolge zog es ihn 1906 nach Paris, wo er bald zum Kreis der „Domiers“, so genannt nach ihrem Stamm-Café du Dôme, gruppiert um den Kunstmäzen Wilhelm Uhde. Im Haus Gertrude Steins machte er die Bekanntschaft mit Pablo Picasso und Henri Matisse. Mit diesem baute er die „Académie Matisse“ auf. Nach der Machtergreifung Hitlers wurde Purrmanns Kunst als „entartet“ geächtet. Hans Purrmann, Standing Female Nude, oil painting from 1914, framed Hans Marsilius Purrmann, 1880 Speyer - 1966 Basel, German painter and graphic artist, here S-shaped curved standing female nude, the arms crossed in front of the chest, the light tones of the body are contrasted against a wall with dark blue shadow tones, oil canvas, 81 x 66 cm, signed lower right, small retouching in the lower left corner, attractively framed. The work is illustrated inter alia in: Edmund Hausen, Der Maler Hans Purrmann, Berlin 1950, p. 20; WVZ Billeter 1914/01. Provenance: Estate of Barbara Göpel, Munich (probably acquired from the artist) The painting was exhibited several times: Hans Purrmann. Kaiserslautern, Pfälzische Landesgewerbeanstalt, inter alia, 1950, cat. no. 11 / Hans Purrmann. Munich, Haus der Kunst, 1962, cat. no. 12 / Hans Purrmann (1880-1966) on the occasion of his 100th birthday. Langenargen, Museum Langenargen, 1980, cat. no. 12 / Hans Purrmann. Still lifes, nudes, interiors. Speyer/Lindau, 1990, Kunstverein Speyer, cat. no. 19. About the artist: Hans Purrmann studied from 1897 at the Academy of Fine Arts in Munich under Franz von Stuck. There he met Paul Klee, Wassily Kandinsky and Albert Weisgerber, among others. He formed a warm friendship with the latter. In 1905, Purrmann went to Berlin for six months, where he was accepted into the Berlin Secession at Max Liebermann's suggestion. From then on, Paul Cassirer represented his work. Despite this success, he moved to Paris in 1906, where he soon joined the circle of the "Domiers", named after their favourite café du Dôme and grouped around the patron of the arts Wilhelm Uhde. At Gertrude Stein's house, he made the acquaintance of Pablo Picasso and Henri Matisse. Together with the latter, he established the "Académie Matisse". After Hitler came to power, Purrmann's art was ostracised as "degenerate".
K&K – Auktionen in Heidelberg
Feb. 17, 2024
Hans Purrmann, 1880 Speyer-1966 Basel, house on the side
Est: €400 - €800
Hans Purrmann, 1880 Speyer-1966 Basel, house on the side of the road, etching, hand-signed lower right, approx. 9x12cm, PP, etc., frame approx. 25x30cm . German Description: Hans Purrmann, 1880 Speyer-1966 Basel, Haus am Straßenrand, Radierung, rechts unten handsigniert, ca. 9x12cm, PP, u.Gl., R. ca. 25x30cm
Henry's Auktionshaus
Feb. 17, 2024
Hans Purrmann, 1880 Speyer-1966 Basel, landscape
Est: €400 - €800
Hans Purrmann, 1880 Speyer-1966 Basel, landscape with a path leading to a castle, etching, hand-signed lower right, browned, illustration approx. 9x14cm, PP, etc., frame approx. 25x30cm . German Description: Hans Purrmann, 1880 Speyer-1966 Basel, Landschaft mit Weg der zu einer Burg führt, Radierung, rechts unten handsigniert, gebräunt, Abb. ca. 9x14cm, PP, u.Gl., R. ca. 25x30cm
Henry's Auktionshaus
Feb. 08, 2024
Purrmann, Hans
Est: €300 - €500
Purrmann, Hans Speyer, 1880 - Basel, 1966 40 x 33 cm, R. "Frauen am Fenster", 1956. Lithograph on paper. Signed. Edition: 100 copies. Heilmann, 114. Private property, Rheinland-Pfalz.
Nagel Auction
Dec. 29, 2023
Hans Purrmann, 1880 Speyer-1966 Basel, landscape
Est: €11,000 - €25,000
Hans Purrmann, 1880 Speyer-1966 Basel, landscape near Florence, watercolor on paper, signed lower right, approx. 44x61cm, PP, etc.,R. approx. 73x90cm, catalog raisonne no. 1936/06, Hans Purrmann studied at the Academy in Munich under Franz von Stuck, met there, among others, Paul, Klee, Wassily Kandinsky and Albert Weisgerber, with whom he had a warmfriendship, and was later considered a studentof Henri Matisse's friend in Paris, with whom he set up the Academie Matisse considered a 'degenerate' under the Nazis and fled first toFlorence and then to Montagnola/Switzerland in1935 . German Description: Hans Purrmann, 1880 Speyer-1966 Basel, Landschaft bei Florenz, Aquarell auf Papier, rechts unten signiert, ca. 44x61cm, PP, u.Gl.,R. ca. 73x90cm, Werkverzeichnis Nr. 1936/06, Hans Purrmann studierte an der Akademie München bei Franz von Stuck, lernte dort unteranderem Paul, Klee, Wassily Kandinsky und Albert Weisgerber kennen, mit dem ihn eine herzliche Freundschaft verband, später in Paris Schüler von Freund von Henri Matisse, mit dem zusammen er die Academie Matisse aufbaute, galt unter den Nazis als 'entartet' und floh 1935 erst nach Florenz und dann nach Montagnola/Schweiz
Henry's Auktionshaus
Dec. 09, 2023
PURRMANN Hans "Südliche Landschaft, Porto d'Ischia 1956", Kaltnadel-Radierung, unten rechts signiert, Druckplatte 24x19cm, Rahmen 48x39cm
Est: -
PURRMANN Hans "Südliche Landschaft, Porto d'Ischia 1956", Kaltnadel-Radierung, unten rechts signiert, Druckplatte 24x19cm, Rahmen 48x39cm
Auktionshaus Karrenbauer
Dec. 08, 2023
Mappe V aus der Serie 'Europäische Graphik', um 1967
Est: -
Mappe V aus der Serie 'Europäische Graphik', um 1967, unvollständig, 5 von 9 Grafiken, Ausgabe B, Hrsg. Felix H. Man, Verleger: Galerie Wolfgang Ketterer, München. Grafiken jeweils auf Rives, sign. und num., Expl. 25/65, Blattmaße: ca. 65 x 50 cm: Emy ROEDER (1890-1971), ''Selbstbildnis'', Lithographie; Hans PURRMANN (1880-1966), ''Garten in Levanto I'' und ''Garten in Levanto II'', Lithographien; Eduard BARGHEER (1901-1979), ''Vulkanische Landschaft'', Lithographie; Oskar KOKOSCHKA (1886-1980), Selbstbildnis 1966, Lithographie. Alle ungerahmt. Grafiken von DIX, Heckel und KRUCK fehlen. Alters- und Gebrauchsspuren. In Original Leinenmappe.
Auktionshaus Königstein GmbH
Dec. 07, 2023
Hans Purrmann (1880 Speyer - Basel 1966) – Stillleben mit Gladiolen und Kapuzinerkresse (Still life with gladioli and nasturtiums)
Est: €70,000 - €90,000
Oil on canvas. (1926). Ca. 100 x 81 cm. Signed lower right. With customs labels, remnants of a label and a label numbered "321" on the reverse on the stretcher. With various handwritten notes, numbers and inscribed with the technique and dimensions on the reverse on the frame. Lenz/Billeter 1926/12.
Karl & Faber
Dec. 02, 2023
Hans Purrmann, Südliche Landschaft (Ospedaletti), 1950
Est: €8,000 - €10,000
Signed 'H. Purrmann' in pencil lower right.
Kunsthaus Lempertz KG
Dec. 02, 2023
Hans Purrmann, Boot am Ufer (Monterosso), 1936
Est: €6,000 - €8,000
Signed 'H. Purrmann' in pencil lower right.
Kunsthaus Lempertz KG
Dec. 02, 2023
Hans Purrmann, Landschaft near Schreiberhau, 1934
Est: €30,000 - €40,000
Signed 'H. Purrmann' in green lower right. Szklarska Poręba, formerly known as Schreiberhau, is a small Lower Silesian town in the Giant Mountains, not far from Wrocław. In 1934 Hans Purrmann went there to visit the art historian, writer and collector Dr Johannes Guthmann (1876-1956), who was a friend of the family of Gerhart Hauptmann and had been living near them since the early 1920s. The charming highland landscape inspired Purrmann to create a number of paintings that year. Purrmann and Guthmann, who was from a wealthy family, had already met in Berlin in 1916. Guthmann subsequently purchased a large number of the artist’s works. Along with Josef Kohl-Weigand, who was a generation younger, Johannes Guthmann was among the most important private collectors of Purrmann’s work, and the two also shared a passion for the art of Max Slevogt.
Kunsthaus Lempertz KG
Dec. 02, 2023
Hans Purrmann, Portrait of Adele Vollmoeller, 1917
Est: €25,000 - €35,000
Signed 'Purrmann' in black lower right. Adele Vollmoeller was the wife of Purrmann's brother-in-law Rudolf. Adele Vollmoeller, née Freméry (1884-1968) lived with her family in Zurich.
Kunsthaus Lempertz KG
Dec. 01, 2023
Hans Purrmann, Küstenlandschaft bei Sorrent, 1923
Est: €40,000 -
Signed 'H. Purrmann' in black lower right. Travel was an important and constant element in the life of Hans Purrmann – beginning with his first journey through France with Henri Matisse in 1908. Over the following decades, Purrmann not only lived in France, Italy and Switzerland, he also regularly travelled round these countries. His stays left their mark in the form of numerous paintings capturing the sun-filled beauty of southern European landscapes in all their variety. In the spring and summer months of each year between 1922 and 1924, Purrmann travelled with his family to Sorrento on the Gulf of Naples and to Rome. In the area around Sorrento he painted views of the rocky coast: through variations in his perspective as well as lighting and weather conditions, he fully savoured the special character of this landscape not just as a motif but also in terms of colour. A harmoniously rounded bay situated in front of a spit of land offered an interesting landscape formation for his “Küstenlandschaft bei Sorrent” from 1923 (Lot 61). The cresting waves moving towards the beach show the Mediterranean in gentle motion while the white rock pushed to the front establishes a striking counterpoint. The shimmering atmosphere of a summer day’s light becomes palpable in the innumerable nuances of colour in the sky and landscape. The motif of “Uferlandschaft bei Hendaye” (Lot 56) lies at the southernmost point of France’s Atlantic coast, at the border with Spain; Purrmann and his wife travelled there in 1929. Hendaye is seen from the east, viewed from a spit of land across the bay, with the Basque mountain range of Jaizkibel rising up in the background. The painter presumably set up his easel at a bend in the hiking trail there; the slender trees rising up on the left in the picture lead our eyes over to the expansive landscape panorama which opens up before us. This work is defined by a delicate, light-filled palette; Purrmann realised the same view once again in a boldly coloured, semi-abstract version (cf. Lenz/Billeter 1929/16). From October 1935 the artist lived in Florence, where he had been made responsible for the administration of the German artists’ foundation of the Villa Romana. During the following years, his time in Florence was overshadowed by the Nazi denunciation of his art as “degenerate” and the repeated consideration of his dismissal from the foundation. Hitler visited Florence in 1938, and Purrmann was placed in custody while he was there. No sign of these difficulties can be recognised in his works from this period. In “San Francesco di Paola bei Florenz” (Lot 57) the characteristic Tuscan landscape rises up strikingly in an abundant variety of extremely diverse shades of green. In the middle of the picture, nestled between cypresses, pines and fruit trees, stands the Villa di San Francesco di Paola, and the low-lying sun has set its walls aglow in a light pink and orange. This former monastery from the 16th century was converted into a private villa in the 18th century. In 1874 the German sculptor Adolf von Hildebrand purchased this estate to the south of Florence, receiving illustrious guests such as Richard and Cosima Wagner, Arnold Böcklin, Johannes Brahms and Empress Elisabeth of Austria-Hungary over the next three decades.
Kunsthaus Lempertz KG
Dec. 01, 2023
Hans Purrmann, San Francesco di Paola beiFlorence, 1938
Est: €40,000 - €50,000
Signed 'H. Purrmann' in black lower right. Travel was an important and constant element in the life of Hans Purrmann – beginning with his first journey through France with Henri Matisse in 1908. Over the following decades, Purrmann not only lived in France, Italy and Switzerland, he also regularly travelled round these countries. His stays left their mark in the form of numerous paintings capturing the sun-filled beauty of southern European landscapes in all their variety. In the spring and summer months of each year between 1922 and 1924, Purrmann travelled with his family to Sorrento on the Gulf of Naples and to Rome. In the area around Sorrento he painted views of the rocky coast: through variations in his perspective as well as lighting and weather conditions, he fully savoured the special character of this landscape not just as a motif but also in terms of colour. A harmoniously rounded bay situated in front of a spit of land offered an interesting landscape formation for his “Küstenlandschaft bei Sorrent” from 1923 (Lot 61). The cresting waves moving towards the beach show the Mediterranean in gentle motion while the white rock pushed to the front establishes a striking counterpoint. The shimmering atmosphere of a summer day’s light becomes palpable in the innumerable nuances of colour in the sky and landscape. The motif of “Uferlandschaft bei Hendaye” (Lot 56) lies at the southernmost point of France’s Atlantic coast, at the border with Spain; Purrmann and his wife travelled there in 1929. Hendaye is seen from the east, viewed from a spit of land across the bay, with the Basque mountain range of Jaizkibel rising up in the background. The painter presumably set up his easel at a bend in the hiking trail there; the slender trees rising up on the left in the picture lead our eyes over to the expansive landscape panorama which opens up before us. This work is defined by a delicate, light-filled palette; Purrmann realised the same view once again in a boldly coloured, semi-abstract version (cf. Lenz/Billeter 1929/16). From October 1935 the artist lived in Florence, where he had been made responsible for the administration of the German artists’ foundation of the Villa Romana. During the following years, his time in Florence was overshadowed by the Nazi denunciation of his art as “degenerate” and the repeated consideration of his dismissal from the foundation. Hitler visited Florence in 1938, and Purrmann was placed in custody while he was there. No sign of these difficulties can be recognised in his works from this period. In “San Francesco di Paola bei Florenz” (Lot 57) the characteristic Tuscan landscape rises up strikingly in an abundant variety of extremely diverse shades of green. In the middle of the picture, nestled between cypresses, pines and fruit trees, stands the Villa di San Francesco di Paola, and the low-lying sun has set its walls aglow in a light pink and orange. This former monastery from the 16th century was converted into a private villa in the 18th century. In 1874 the German sculptor Adolf von Hildebrand purchased this estate to the south of Florence, receiving illustrious guests such as Richard and Cosima Wagner, Arnold Böcklin, Johannes Brahms and Empress Elisabeth of Austria-Hungary over the next three decades.
Kunsthaus Lempertz KG
Dec. 01, 2023
Hans Purrmann, Uferlandschaft bei Hendaye, 1929
Est: €50,000 - €70,000
Signed 'H. Purrmann' in brown lower right. Travel was an important and constant element in the life of Hans Purrmann – beginning with his first journey through France with Henri Matisse in 1908. Over the following decades, Purrmann not only lived in France, Italy and Switzerland, he also regularly travelled round these countries. His stays left their mark in the form of numerous paintings capturing the sun-filled beauty of southern European landscapes in all their variety. In the spring and summer months of each year between 1922 and 1924, Purrmann travelled with his family to Sorrento on the Gulf of Naples and to Rome. In the area around Sorrento he painted views of the rocky coast: through variations in his perspective as well as lighting and weather conditions, he fully savoured the special character of this landscape not just as a motif but also in terms of colour. A harmoniously rounded bay situated in front of a spit of land offered an interesting landscape formation for his “Küstenlandschaft bei Sorrent” from 1923 (Lot 61). The cresting waves moving towards the beach show the Mediterranean in gentle motion while the white rock pushed to the front establishes a striking counterpoint. The shimmering atmosphere of a summer day’s light becomes palpable in the innumerable nuances of colour in the sky and landscape. The motif of “Uferlandschaft bei Hendaye” (Lot 56) lies at the southernmost point of France’s Atlantic coast, at the border with Spain; Purrmann and his wife travelled there in 1929. Hendaye is seen from the east, viewed from a spit of land across the bay, with the Basque mountain range of Jaizkibel rising up in the background. The painter presumably set up his easel at a bend in the hiking trail there; the slender trees rising up on the left in the picture lead our eyes over to the expansive landscape panorama which opens up before us. This work is defined by a delicate, light-filled palette; Purrmann realised the same view once again in a boldly coloured, semi-abstract version (cf. Lenz/Billeter 1929/16). From October 1935 the artist lived in Florence, where he had been made responsible for the administration of the German artists’ foundation of the Villa Romana. During the following years, his time in Florence was overshadowed by the Nazi denunciation of his art as “degenerate” and the repeated consideration of his dismissal from the foundation. Hitler visited Florence in 1938, and Purrmann was placed in custody while he was there. No sign of these difficulties can be recognised in his works from this period. In “San Francesco di Paola bei Florenz” (Lot 57) the characteristic Tuscan landscape rises up strikingly in an abundant variety of extremely diverse shades of green. In the middle of the picture, nestled between cypresses, pines and fruit trees, stands the Villa di San Francesco di Paola, and the low-lying sun has set its walls aglow in a light pink and orange. This former monastery from the 16th century was converted into a private villa in the 18th century. In 1874 the German sculptor Adolf von Hildebrand purchased this estate to the south of Florence, receiving illustrious guests such as Richard and Cosima Wagner, Arnold Böcklin, Johannes Brahms and Empress Elisabeth of Austria-Hungary over the next three decades.
Kunsthaus Lempertz KG
Dec. 01, 2023
HANS PURRMANN
Est: CHF15,000 - CHF25,000
HANS PURRMANN (Speyer 1880–1966 Basel) Seated nude on upholstered chair. 1930/1961. Oil on canvas. Signed lower right: H. Purrmann. 73 × 56 cm. Provenance: Private collection, Switzerland. Exhibited: - Munich 1961, Grosse Kunstausstellung, Haus der Kunst, 7.6.–1.10.1961, no. 258 (label verso). - Aarau 1966, Hans Purrmann, Aargauer Kunsthaus, 14.5.–12.6.1966, no. 129 (label verso). Literature: Christian Lenz und Felix Billeter: Hans Purrmann. Die Gemälde II 1935–1966, Munich 2004, p. 298, no. 1961/41 (with ill.). --------------- HANS PURRMANN (Speyer 1880–1966 Basel) Sitzender Akt auf Polstersessel. 1930/1961. Öl auf Leinwand. Unten rechts signiert: H. Purrmann. 73 × 56 cm. Provenienz: Schweizer Privatbesitz. Ausstellungen: - München 1961, Grosse Kunstausstellung, Haus der Kunst, 7.6.–1.10.1961, Nr. 258 (verso mit Etikett). - Aarau 1966, Hans Purrmann, Aargauer Kunsthaus, 14.5.–12.6.1966, Nr. 129 (verso mit Etikett). Literatur: Christian Lenz und Felix Billeter: Hans Purrmann. Die Gemälde II 1935–1966, München 2004, S. 298, Nr. 1961/41 (mit Abb.). ---------------
Koller Auctions
Dec. 01, 2023
”Blick auf den Luganer See (Montagnola)”
Est: €12,000 - €15,000
Signed in the lower centre within the image: H. Purrmann
Grisebach
Dec. 01, 2023
”Boote am südlichen Ufer”
Est: €4,000 - €6,000
Dedicated and signed lower right: H. Purrmann
Grisebach
Dec. 01, 2023
”Stilleben mit Quitten”
Est: €18,000 - €24,000
Signed upper left: H. Purrmann
Grisebach
Nov. 25, 2023
Hans Purrmann, 1880 Speyer - 1966 Basel, pencil
Est: €700 - €1,400
Hans Purrmann, 1880 Speyer - 1966 Basel, pencil drawing, standing female nude, profile to the left, 1924/26 in Rome, right below handsigned, page from a drawing pad (tear off on the left side), minor tanned, verso fragmentary ornament sketch, sheet 34.5x20 cm, frame 60x47 cm; with enclosed expertise from the Hans Purrmann Archive (2023), the drawing will be included in the catalog raisonne of the hand drawings . German Description: Hans Purrmann, 1880 Speyer - 1966 Basel, Bleistiftzeichnung, stehender weiblicher Akt, Profil nach links, 1924/26 in Rom, rechtsunten handsigniert, Seite aus einem Zeichenblock (Abriss auf der linken Seite), l. gebräunt, verso fragmentarische Ornament-Skizze, Blatt 34,5x20 cm, Rahmen 60x47 cm; mit beiliegender Expertise des Hans Purrmann Archiv (2023), das Blatt wird in das Werkverzeichnis der Handzeichnungen aufgenommen
Henry's Auktionshaus
Oct. 28, 2023
Hans Purrmann (Speyer 1880 - 1966 Basel) Sechs badende Frauen am Strand (Badende).
Est: -
Hans Purrmann (Speyer 1880 - 1966 Basel) Sechs badende Frauen am Strand (Badende). Radierung auf leichtem chamoisfarbenen Karton. 1918. 17,3 x 23,4 (30,8 x 40,5) cm. Signiert. Mit dem Trockenstempel "Die Schaffenden". Heilmann 61 - Söhn HDO 72702-6 - Erschienen unter dem Titel "Badende" in der 2. Mappe von "Die Schaffenden", 1. Jg. 1919. - Insgesamt leicht gebräunt sowie die obere rechte Ecke mit einer leichten Knitterspur.
Dr. Irene Lehr Kunstauktionen GmbH
Oct. 26, 2023
PURRMANN, HANS (1880 SPEYER - 1966 BASEL). AM GOLF VON NEAPEL.
Est: -
PURRMANN, Hans(1880 Speyer - 1966 Basel) Am Golf von Neapel Radierung. 24,5 x 19 cm. Unsigniertes Exemplar aus der nummerierten Mappe (173/250) Kreis Graphischer Künstler und Sammler, Ausgabe C, Verlag Arndt Beyer, Leipzig 1925, Blatt Nr. 1, Passepartout . Rechte obere Ecke montiert, mit Knick. Purrmann, Maler, Grafiker, Kunstschriftsteller, Sammler. Studierte an der Akademie in München, dort Schüler von Franz von Stuck. 1906-1914 bei Henri Matisse in Paris, anschließend wechselnd in Berlin, Rom, Florenz und Montagnola tätig, auf zahlreichen internationalen Ausstellungen vertreten * Partnerauktion Bergmann. Literatur : De Gruyter (2018). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:41 Uhr (CET) PURRMANN, Hans(1880 Speyer - 1966 Basel) Am Gulf of Naples Etched. 24.5 x 19 cm. Unsigned copy from the numbered portfolio (173/250) Kreis Graphischer Künstler und Sammler, edition C, Verlag Arndt Beyer, Leipzig 1925, sheet no. 1, passepartout . Right upper corner mounted, with crease. Purrmann, painter, graphic artist, art writer, collector. Studied at the Academy in Munich, there a student of Franz von Stuck. 1906-1914 with Henri Matisse in Paris, then alternately active in Berlin, Rome, Florence and Montagnola, represented at numerous international exhibitions * Partner auction Bergmann. Literature : De Gruyter (2018). Call time 26 | Oct 2023 | expected 17:41 (CET). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Aug. 18, 2023
Hans Purrmann, 1880 Speyer - Munich 1966, standing
Est: €39,000 - €70,000
Hans Purrmann, 1880 Speyer - Munich 1966, standing female nude, oil/canvas, signed, from1914, early expressive nude with crossed arms,demanding lighting, skilful use of colour, approx. 81 x 66 cm, profiled frame, provenance: estate of Barbara Göpel, Munich, the painting has been exhibited several times:1950 Hans Purrmann, Kaiserslautern, PalatinateState Trade Institute; Hans Purrmann, Munich, House of Art 1962; Hans Purrmann still life, kte, interiors 1990 Kunstverein Speyer, reference cf Edmund Hausen, Der Maler Hans Purrmann Berlin 1950, vol. 4 ill. page 20A . German Description: Hans Purrmann, 1880 Speyer - München 1966, stehender Frauenakt, Öl/Lwd, signiert, aus 1914, früher expressiver Akt mit verschränktenArmen, anspruchsvolle Lichtführung, gekonnte Farbgebung, ca. 81 x 66 cm, profilierter Rahmen, Provenienz: Nachlass Barbara Göpel, München, das Gemälde war mehrfach ausgestellt:1950 Hans Purrmann, Kaiserslautern, PfälzischeLandesgewerbeanstalt; Hans Purrmann, München, Haus der Kunst 1962; Hans Purrmann Stillleben ,kte, Interieurs 1990 Kunstverein Speyer, Lit.vgl. Edmund Hausen, Der Maler Hans Purrmann Berlin 1950, Bd. 4 Abb. Seite 20A
Henry's Auktionshaus