Edward W. Quigley Paintings & Artwork for Sale | Edward W. Quigley Art Value Price Guide

Oct. 31, 2024
EDWARD QUIGLEY (1898-1977) Palm tree abstraction. 1932.
Est: $1,200 - $1,800
EDWARD QUIGLEY (1898-1977) Palm tree abstraction. 1932. Silver print, the image measuring 14x11 inches (35.6x27.9 cm.), with Quigley's credit stamp on verso.
Swann Auction Galleries
Oct. 16, 2024
EDWARD QUIGLEY (1898 PHILADELPHIA, PA - 1977 HADDONFIELD), 'FACTORY SECTIONS', 1933
Est: €500 - €650
Edward Quigley (1898 Philadelphia, PA - 1977 Haddonfield), 'Factory Sections', 1933, Vintage gelatin silver print. 34.4 x 26.5 cm (passepartout cutout, verso indicated as 13 3/4 x 10 5/8 inches), 59.0 x 48.5 cm (frame). Photographer's stamp verso and typographically inscribed on a label from the Houk Friedman Gallery, NY. Framed under glass in a passepartout. ,
Quittenbaum Kunstauktionen GmbH
Jun. 05, 2024
Quigley, Edward W.: Building, New York
Est: €500 - €750
[*] Building, New York. 1932. Vintage gelatin silver print. 34,6 x 27 cm (49,2 x 40,2 cm). Mounted to board. Numbered 5860 in pencil and photographer's studio stamp on mount verso. - - Edward W. Quigley's pioneering experiments with light abstraction distinguished him as a prominent modernist photographer of the 1930s. Quigley, however, also captured the essence of New York City through his lens, offering unique perspectives of its bustling streets, iconic landmarks, and vibrant energy. Despite being largely self-taught, Quigley's work garnered attention and acclaim, leading to exhibitions at prestigious institutions such as the J. Paul Getty Museum in Los Angeles and the Museum of Modern Art in New York City. – Small crease in right margin of print, some signs of retouching in upper right corner, otherwise in very good condition. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Jun. 05, 2024
Quigley, Edward W.: Photogram
Est: €1,800 - €2,000
Photogram. Circa 1931. Vintage unique ferrotyped gelatin silver print. 36 x 26,5 cm. Mounted along upper edge to mat. - - Known for his experimental photographic work with light in the 1930s, the American modernist Edward Quigley started photographing at the young age of twelve. He joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses. Today, photographs by Edward Quigley are in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art. – Some light mirroring in upper portion, more visible at an angle, light dents in lower edge, light crease in upper edge near right, traces of previous mounting on the verso, otherwise in very good condition. - - Provenance: Christie's. Light, Volume and Form: Photographs from the Shalom Shpilman Collection, May 24-June 2, 2016, lot 76. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Feb. 18, 2024
Edward Quigley "Industrial Scene" Gelatin Print
Est: $400 - $600
Edward Quigley (American, 1898-1977), "Industrial Scene", Gelatin Silver Print, 1933, Barry Friedman Ltd. label to verso. Image: 3.5" H x 4.25" W; frame: 15.75" H x 15.5" W. Illustrated: Edward Quiqley, American Modernist, New York, Houk Friedman, 1991, plate 59. Provenance: Reputedly from the estate of the artist; from the 50 East 89th Street estate of a 20th century photography collector. Keywords: Photography, Buildings, Construction, Industrialism, Art Deco period
Auctions at Showplace
Jan. 18, 2024
1930s Edward Quigley Photograph - San Francisco Street
Est: $500 - $750
Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) "Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art." (Robert Koch Gallery, San Francisco, CA) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #171279
Artemis Gallery
Dec. 29, 2022
1930s Edward Quigley Gelatin Silver Print San Francisco
Est: $400 - $600
Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado 171279
Artemis Gallery
Nov. 17, 2022
Edward Quigley Photograph - San Francisco, ca. 1930s
Est: $1,500 - $2,500
Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) "Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art." (Robert Koch Gallery, San Francisco, CA) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #171279
Artemis Gallery
Sep. 29, 2022
Edward Quigley Photograph - San Francisco, ca. 1930s
Est: $1,200 - $1,800
Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) "Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art." (Robert Koch Gallery, San Francisco, CA) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #171279
Artemis Gallery
Aug. 23, 2022
Edward W. Quigley (1898-1977); Selected images; (3)
Est: $2,500 - $3,500
Edward W. Quigley (1898-1977) Selected images, 1930s 3 gelatin silver contact prints, each printed c. 1930s, two with credit stamp, one with notation in ink on the verso. (3) varying sizes from 2 1/2 x 2in (6.4 x 5cm) to 4 1/2 x 6in (11.5 x 15.2cm) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 21, 2022
Edward Quigley Photograph - San Francisco, ca. 1930s
Est: $1,400 - $2,100
**Originally Listed At $850** Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) "Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art." (Robert Koch Gallery, San Francisco, CA) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171279
Artemis Gallery
Jun. 21, 2022
QUIGLEY, EDWARD W. (1898-1977) Photogram, 1930s.
Est: $800 - $1,200
QUIGLEY, EDWARD W. (1898-1977) Photogram, 1930s. Gelatin silver print dry-mounted to tan card, 11 x 13 5/8 inches (275 x 345 mm), mount signed "Quigley" (l.r.), verso with the remains of his silver Philadelphia label. Traces of old backmount on verso, minor silvering to edges of image, but overall a fresh example of Quigley's striking abstract work. C
DOYLE Auctioneers & Appraisers
May. 12, 2022
Edward Quigley Photograph - San Francisco, ca. 1930s
Est: $1,900 - $2,500
Edward W. Quigley (American, 1898-1977). Gelatin silver print, ca. 1930s. A mesmerizing San Francisco street scene featuring a cable car that is about to turn the corner by innovative art photographer Edward W. Quigley. Quigley was admired for his bold experimentation with the medium, particularly for the amazing effects of his light abstractions which he created with the aid of prisms and lenses. Quigley exhibited both nationally and internationally, belonged to elite photography societies, and was honored with numerous prestigious awards. In addition to creating his own modern photography, Quigley curated exhibitions of works by legendary photographers Edward Weston and Moholy-Nagy. Size: 3.625" L x 4.375" W (9.2 cm x 11.1 cm) Size of matte: 14" L x 13.5" W (35.6 cm x 34.3 cm) "Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in 1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art." (Robert Koch Gallery, San Francisco, CA) This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection of Denver, Colorado All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171279
Artemis Gallery
Apr. 07, 2022
Edward Quigley (1898-1977); Skyscraper (Empire State Building);
Est: $1,500 - $2,000
Edward Quigley (1898-1977) Skyscraper (Empire State Building), 1937 Gelatin silver contact print, notation '69' in pencil on the verso. 2 3/4 x 1 1/2in (7 x 3.9cm) For further information on this lot please visit the Bonhams website
Bonhams
May. 26, 2021
Edward Quigley (1898-1977) Untitled, c. 1940 cachet de copyright du photographe (verso)
Est: €1,500 - €2,000
Edward Quigley (1898-1977) Untitled, c. 1940 cachet de copyright du photographe (verso) image/feuille : 34,7 x 21 cm.
Christie's
Jun. 18, 2020
Edward Quigley (American, 1898-1977) "Coils: Light Abstraction"
Est: $400 - $600
1931. Gelatin silver print, mounted.
Cottone Auctions
Jan. 04, 2020
Edward Quigley (1898 – 1977). Two light studies with candles
Est: $1,500 - $2,500
Edward Quigley (1898 – 1977). Two light studies with candles, vintage 13 ½ x 10 ¼ - inch matte gelatin silver prints, 1930’s. Much of Quigley’s work involves experiments with lighting. Minute tear at very top edge of the one with the candle and evergreen boughs.
Be-Hold
Dec. 13, 2017
EDWARD W. QUIGLEY (AMERICAN, 1898-1977) MONTAGE WITH LARGE BEARING, 1930-39 GELA
Est: $1,000 - $1,500
Edward W. Quigley (American, 1898-1977) Montage with large bearing, 1930-39 Gelatin silver 13-7/8 x 11 inches (35.2 x 27.9 cm) HID04901242017
Heritage Auctions
Jul. 19, 2017
EDWARD W. QUIGLEY (AMERICAN, 1898-1977) MONTAGE WITH LARGE BEARING, 1930-39 GELA
Est: $1,500 - $2,500
Edward W. Quigley (American, 1898-1977) Montage with large bearing, 1930-39 Gelatin silver 13-7/8 x 11 inches (35.2 x 27.9 cm) HID04901242017
Heritage Auctions
Jul. 22, 2015
EDWARD W. QUIGLEY | Tennis Abstraction
Est: $2,500 - $3,500
gelatin silver print, 1935
Sotheby's
Dec. 12, 2008
EDWARD W. QUIGLEY (American, 1898-1977) Curved
Est: $2,500 - $4,000
EDWARD W. QUIGLEY (American, 1898-1977) Curved Space, 1929 Silver gelatin, 1929 12-3/8 x 10 inches (31.4 x 25.4 cm) Verso: photographer's stamp mount, titled in graphite, and photocopied label State: unmounted Excellent.
Heritage Auctions
May. 04, 2008
Edward W. Quigley (American, 1898-1977) "Candle
Est: $1,000 - $2,000
Edward W. Quigley (American, 1898-1977) "Candle Study," c. 1930, gelatin silver print, 13.5" x 10.5", estate stamped on verso, unframed
Toomey & Co. Auctioneers
May. 04, 2008
Edward W. Quigley (American, 1898-1977) "Candle
Est: $1,000 - $2,000
Edward W. Quigley (American, 1898-1977) "Candle Study," c. 1930, gelatin silver print, 13.5" x 10.25", unsigned, estate stamped on verso, unframed
Toomey & Co. Auctioneers
May. 04, 2008
Edward W. Quigley (American, 1898-1977) "Candle
Est: $1,000 - $2,000
Edward W. Quigley (American, 1898-1977) "Candle Study," c. 1930, gelatin silver print, 13.5" x 10.5", estate stamped on verso, unframed
Toomey & Co. Auctioneers