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Gijsb.zn Johannes Ravenswaay Sold at Auction Prices

Landscape painter

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    • Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849) Rest by the watermill
      Jul. 05, 2023

      Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849) Rest by the watermill

      Est: £3,000 - £5,000

      Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849) Rest by the watermill signed and dated 'JohV.Ravenswaay G./1846' (lower left) oil on canvas 76.5 x 100cm (30 1/8 x 39 3/8in).

      Bonhams
    • Johannes Gijsbertus van Ravenswaay (1815-1849), A pastoral scene with resting shepherds in the evening sun
      May. 24, 2023

      Johannes Gijsbertus van Ravenswaay (1815-1849), A pastoral scene with resting shepherds in the evening sun

      Est: €7,000 - €10,000

      Johannes Gijsbertus van Ravenswaay (1815-1849), A pastoral scene with resting shepherds in the evening sun, signed and dated 'Jan. v Ravenswaay Gz f 43' (lower centre), oil on canvas, 106x92 cm, Exhibited:-Saint Petersburg, State Hermitage Museum/The Hague, Gemeentemuseum/Leuven, M-Museum/Cleves, B.C. Koekkoek-Haus/Tallinn, Kumu Kunstimuuseum/Helsinki, Sinebrychoff Art Museum/Riga, Art Museum Riga Bourse/Prague, National Gallery, Salmovsky Palace, ‘A Romantic View', 29 October 2010-1 September 2013, no. 41.-Luxembourg, Musée National d'Histoire et d'Art/'s-Hertogenbosch, Het Noordbrabants Museum, ‘A Romantic Journey', 3 April 2014-25 January 2015, no. 82 (34).Literature:-Peter Carpeau a.o. ‘Een Romantische Kijk', Brussels 2011, p. 97, no. 41.-Guido de Werd, ‘A Romantic Journey: Masterpieces from the Rademakers Collection', Eindhoven 2014, p. 106, no. 82 (34).Provenance:-Auction, Dorotheum, Vienna, 17 April 1996, lot 423, where acquired by the present owner.

      Venduehuis der Notarissen
    • Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)
      Dec. 02, 2019

      Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)

      Est: €3,000 - €5,000

      By the homestead Signed lower left Oil on canvas, 67.7 x 83.2 cm Provenance: Private collection, the Netherlands

      AAG Auctioneers
    • JOHANNES GIJSBERTUSZ VAN RAVENSWAAY
      Sep. 27, 2019

      JOHANNES GIJSBERTUSZ VAN RAVENSWAAY

      Est: CHF8,000 - CHF10,000

      JOHANNES GIJSBERTUSZ VAN RAVENSWAAY (1815 The Netherlands 1849) Resting under a tree. Circa 1840. Oil on canvas. Signed and barely legibly dated centre bottom: Jan v Ravenswaay f 4(...). 108 × 94 cm. Provenance: Rademakers collection. --------------- JOHANNES GIJSBERTUSZ VAN RAVENSWAAY (1815 Niederlanden 1849) Rast unter einem Baum. Um 1840. Öl auf Leinwand. Unten mittig signiert und schwer leserlich datiert: Jan v Ravenswaay f 4(...). 108 × 94 cm. Provenienz: Sammlung Rademakers. Johannes Gijsbertusz van Ravenswaay wurde in Hilversum geboren, wo sein Onkel Jan van Ravenswaay (1789–1869) eine Zeichenakademie leitete. Unter dessen Anleitung entwickelte er sich zu einem beachtenswerten Maler von Sommer- und Winterlandschaften mit Tieren und von Waldansichten. Er unternahm Studienreisen nach Deutschland, wo er im Alter von nur 34 Jahren in Boppard starb (zitiert aus: Ausst. Kat. Ein romantischer Blick – Die Sammlung Rademakers, M-Museum Leuven, Gemeentemuseum, Den Haag, B. C. Koekkoek-Haus, Kleve, Brüssel 2011, S. 137).

      Koller Auctions
    • Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)
      Jul. 03, 2019

      Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)

      Est: €3,000 - €5,000

      By the homestead Signed lower left Oil on canvas, 67.7 x 83.2 cm Provenance: Private collection, the Netherlands

      AAG Auctioneers
    • Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)
      Jun. 17, 2019

      Johannes van Ravenswaay (Hilversum 1815 - Boppard 1849)

      Est: €3,000 - €5,000

      By the homestead Signed lower left Oil on canvas, 67.7 x 83.2 cm Provenance: Private collection, the Netherlands

      AAG Auctioneers
    • Johannes Gijsbzn van Ravenswaay (1815-1849)
      Jun. 27, 2018

      Johannes Gijsbzn van Ravenswaay (1815-1849)

      Est: €600 - €800

      Landschap met rustende herder en koeien aan een drenkplaats , olieverf op paneel, 15,5x19,5 cm linksonder get. in initialen

      Venduehuis der Notarissen
    • Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849)
      Apr. 13, 2011

      Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849)

      Est: £1,500 - £2,000

      Johannes Gijsbertus van Ravenswaay (Dutch, 1815-1849) A frozen river landscape with figures signed 'JG. Ravenswaay' (lower left) oil on canvas 18¼ x 22¼ in. (46.4 x 56.5 cm.)

      Christie's
    • Johannes Gijsbertus van Ravenswaay (Hilversum 1815-1849 Boppard)
      Oct. 13, 2009

      Johannes Gijsbertus van Ravenswaay (Hilversum 1815-1849 Boppard)

      Est: €25,000 - €35,000

      Johannes Gijsbertus van Ravenswaay (Hilversum 1815-1849 Boppard) A sheperd couple resting under a tree signed and indistinctly dated 'Joh v Ravenswaay f ...' (lower centre) oil on canvas 108 x 94 cm.

      Christie's
    • Johannes Gijsbertus van Ravenswaay , Dutch 1815-1849 a rest by the watermill oil on panel
      Mar. 25, 2009

      Johannes Gijsbertus van Ravenswaay , Dutch 1815-1849 a rest by the watermill oil on panel

      Est: £3,000 - £5,000

      signed and dated l.l.: JohV.Ravenswaay/ 1846 oil on panel

      Sotheby's
    • Johannes Gijsbertus van Ravenswaay , Dutch 1815-1849 a rest by the watermill oil on panel
      Oct. 28, 2008

      Johannes Gijsbertus van Ravenswaay , Dutch 1815-1849 a rest by the watermill oil on panel

      Est: £6,000 - £8,000

      signed and dated l.l.: JohV.Ravenswaay/ 1846 oil on panel

      Sotheby's
    • JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849
      Apr. 24, 2006

      JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849

      Est: €30,000 - €50,000

      TRAVELLERS ON A PATH IN A WOODED LANDSCAPE 108 by 94 cm. signed and dated 43 l.c. oil on canvas

      Sotheby's
    • JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849
      Apr. 24, 2006

      JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849

      Est: €40,000 - €60,000

      A HOMESTEAD WITH A WATERWHEEL ON THE BOUNDARIES OF A FOREST 82 by 110 cm. signed and dated 1847 l.r. oil on canvas EXHIBITED Rotterdam, Kunsthal, Meesters van de Romantiek, Nederlandse kunstenaars 1800-1850, 8 October 2005 - 8 January 2006, cat.no. 170 LITERATURE R. de Leeuw, J. Reynaerts, B. Tempel, Meesters van de Romantiek, Nederlandse kunstenaars 1800-1850, Zwolle 2005, cat.no. 170, p. 187 illustrated in colour NOTE Johannes Gijsbertus van Ravenswaay was born in Hilversum in 1815. He was a pupil of his uncle, the Hilversum landscapist and animal painter Jan van Ravenswaay. The rural surroundings of this small town in the centre of Holland with its golden buckwheat fields, oak forests and meadows with grazing cattle, attracted many landscape artists in the 19th century. Van Ravenswaay travelled to Germany to study nature. Struck by the overwhelming woodlands, he started to staffage his paintings with human beings reduced to a tiny scale, to make the landscape look even more impressive. Unfortunately van Ravenswaay's career was tragically cut short by his untimely death in 1849 at the age of thirty-four. This theme of the present lot has strong connotations with the work of the English painter John Constable (1776-1837), one of the greatest British landscape artists. Son of a prosperous corn merchant owning property with watermills, the young Constable was set to work at his father's business until he left for the Royal Academy in 1799. From the early 1820's onwards he developed his own original treatment to render scenery more realistically, modifying in an individual way the tradition inherited from Ruisdael in particular, the favourite Golden Age painter among the Romantic School artists. Constable was among the first to represent the atmospheric effects of changing light in the open air and the movement of clouds, as he truly loved nature. 'The sound of water escaping from mill dams, willows (...) I love such things. These scenes made me a painter.' Constable worked extensively in the open air, drawing and sketching in oils, but his finished pictures were produced in the studio. The water mill theme often appears in Constable's work as a remnant of his childhood. In the 1820's he painted Stratford Mill (1820), Parham's Mill, Gillingham, Dorset (1824) and an anonymous watermill in Dorset (1823-27). In his time Constable was well known in France, where he was a major influence on painters of the Romantic and the Barbizon School. He exhibited at the Paris Salon in 1825 and even at the Louvre, where his 'Haywain' excited the public and gained him a Gold Medal. It is not unthinkable J.G. van Ravenswaay was familiar with the work of Constable, as he was enthusiastically promoted by Delacroix and by the Barbizon School. The present lot is an excellent example of Van Ravenswaay's work. The rural, calm atmosphere, showing peasants so at ease with their surroundings and almost forming part of nature, shows the true romantic spirit of the artist.

      Sotheby's
    • JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849
      Oct. 19, 2004

      JOHANNES GIJSBERTUS VAN RAVENSWAAY DUTCH, 1815-1849

      Est: €10,000 - €15,000

      signed and dated 1847 l.r. oil on canvas Johannes Gijsbertus van Ravenswaay was born in Hilversum in 1815. He was a pupil of his uncle, the Hilversum landscapist and animal painter Jan van Ravenswaay. The rural surroundings of this small town in the centre of Holland with its golden buckwheat fields, oak forests and meadows with grazing cattle, attracted many landscape artists in the 19th century. In 1835 Frederik Marinus Kruseman also stayed there, probably to receive lessons in painting cattle from Jan van Ravenswaay. To further develop his skill in landscape painting, Johannes Gijsbertus van Ravenswaay travelled to Germany to study nature. Struck by the overwhelming woodlands, he started to staffage his paintings with human beings reduced to a tiny scale, to make the landscape look even more impressive. Unfortunately Van Ravenswaay's career was cut tragically short by his untimely death in 1849 at the age of thirty-four. The present lot is an excellent example of his work. The heavy rocks and the prominent trees in this composition are almost devouring the shepherds on the path to the left. This overpowering force of nature shows the true Romantic spirit of the artist.

      Sotheby's
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