David Frederick Reed Sold at Auction Prices

David Reed (San Diego 1946 - lebt in New York) Studio Study #64, 2011 (For Painting #612).

David Reed (San Diego 1946 - lebt in New York) Studio Study #64, 2011 (For Painting #612). Öl u. Alkydharzlack über Papiercollage auf Karton. 2011. Mit handschriftlichen Notizen zum Werk. Verso signiert, datiert u. betitelt. Bezeichnet: "Try letting brushmarks float off to left - elements floating apart - would this work on larger painting? Find a way to try - compare to other studio studies for #612" - Die linke obere Ecke minimal fingerspurig.

David Reed (American B. 1946)

David Reed (American B. 1946) Untitled, 1998 Monoprint Signed and dated in pencil lower right 28" x 92" Provenance: Stroock & Stroock & Lavan Condition: Overall good condition, some undulation to paper This is a quick condition report, please call or email for any additional information

David Reed San Diego 1946 – lives in New York - ”#407”. 1997

David Reed San Diego 1946 – lives in New York ”#407”. 1997 Oil and alkyd resin on masonite 32 × 44 in. On the reverse signed and dated twice in black felt-tip pen: David Reed 1997-98 DAVID REED. On a label titled and inscribed in pencil: #407 1997 STARTED 2, 3, 4, 5, 6, 7, 8, 9 8 SEQUENCE 32" x 44 ". With a label of Häusler Kulturmanagement, Munich

David Reed (American, b.1946)

David Reed (American, b.1946) 'Study after Vampire painting for Graz for Las Vegas' (#356) #21 signed 'David Reed', inscribed with title and dated '1996-97' verso, mixed media on board 21.5 x 70.8cm, unframed Provenance: With Andrew Mummery. David Reed is known for his narrow, abstract paintings that present incredible juxtapositions of colour and brushwork. Reed has commented on the significance of his brushwork, highlighting the deliberateness of his mark-making when choosing to paint with either a wet-on-dry or wet-on-wet technique. He is currently represented by the Gagosian and has work in many international public collections, including the Metropolitan Museum of Art, New York. He has named Cy Twombly as an influence. Condition Report: Some slight dirty marks to the yellow paint along the edges with rubbing at the corners, please see images, but it remains a bold and striking image.

David Reed (San Diego 1946 - lebt in New York) - Color Study #63, 2014 (Study for Haus Lange).

David Reed (San Diego 1946 - lebt in New York) Color Study #63, 2014 (Study for Haus Lange). Öl u. Alkydharzlack auf Karton. 2014. 22 x 27 cm. Mit handschriftlichen Notizen zur Farbe. Verso signiert, datiert u. betitelt. Bezeichnet: "Test of interference lilac or blue over mark - then pale blue around? Test for G canvases - or for A / #555". - Studie zur Planung der Ausstellung: David Reed The Mirror and the Pool. Krefeld, Haus Lange, 2015.

David Frederick Reed (American b. 1946), Untitled (155), Oil and alkyd on two joined canvases, Overall: 16 x 84 in (40.6 x 213.4 cm)

David Frederick Reed (American, b. 1946) Untitled (155) Oil and alkyd on two joined canvases Signed David Reed, dated 1980 and numbered 155 twice on tacking edge

David Reed: 349

REED, DAVID 1946 San Diego, CA/USA Title: 349. Date: 1996. Technique: Oil and alkyd on canvas. Measurement: 137.5 x 295cm. Notation: Signed, titled and dated verso at the top on the canvas overlap: DAVID REED 349 1996. Provenance: - Galerie Rolf Ricke, Cologne - Private collection North Rhine-Westphalia Exhibitions: - Neue Galerie Graz, 1996 - Kunstmuseum, Bonn 2012 Literature: - Exhib. Cat. David Reed: Heart of Glass. Gemälde und Zeichnungen 1967-2012, Kunstmuseum Bonn, 2012, p. 18f., ill. Explanations to the Catalogue

David Reed (American, b.1946)

David Reed (American, b.1946) David Reed (American, b.1946) 'Study for Vampire painting for Graz' (#5) signed 'David Reed', inscribed with title verso, mixed media on board 20.5 x 70.8cm, unframed Provenance: With Andrew Mummery. David Reed is known for his narrow, abstract paintings that present incredible juxtapositions of colour and brushwork. Reed has commented on the significance of his brushwork, highlighting the deliberateness of his mark-making when choosing to paint with either a wet-on-dry or wet-on-wet technique. He is currently represented by the Gagosian and has work in many international public collections, including the Metropolitan Museum of Art, New York. He has named Cy Twombly as an influence.

David Reed (American, b.1946)

David Reed (American, b.1946) David Reed (American, b.1946) 'Study after Vampire painting for Graz for Las Vegas' (#356) #21 signed 'David Reed', inscribed with title and dated 1996-97 verso, mixed media on board 21.5 x 70.8cm, unframed Provenance: With Andrew Mummery.

David Reed American, b. 1946 Study 12, 1979

David Reed American, b. 1946 Study 12, 1979 Signed and dated David Reed 1979 and inscribed as titled on the reverse Acrylic on two joined panels 9 x 18 inches (22.8 x 45.7 cm) Unframed This work includes the artist's cardboard protective box, which is signed and inscribed as titled. C 

David Reed: 500

REED, DAVID 1946 San Diego, CA/USA Title: 500. Date: 2000-2003. Technique: Oil and acrylic on canvas. Measurement: 247 x 141cm. Notation: Signed, titled and dated verso at the top on the canvas overlap: DAVID REED 500 2000-2003.

Reed David, 1946, #437

Verso signed, dated and titled: David Reed, 1998-99, #437.

David Reed (né en 1946) - Studio study #46, 2011

David Reed (né en 1946) Studio study #46, 2011 acrylique, huile et alkyde sur carton 27 x 60.5 cm.

David Reed (b. 1946) - #99

David Reed (b. 1946) #99 oil on linen 56 x 7 7/8 in. (142.2 x 20 cm.)

David Reed (American, b. 1946), "Untitled"

David Reed (American, b. 1946) "Untitled" monotype signed and dated "1987" lower right, verso with "Pamela Auchincloss Gallery, Santa Barbara, CA" gallery label. Float-mounted, glazed and framed. sheet 21" x 88", framed 26-1/2" x 92-1/4" Provenance: Pamela Auchincloss Gallery, Santa Barbara, California; Private collection, New Orleans, Louisiana. Notes: "We are used to observing ourselves from both inside and outside our bodies simultaneously. Baroque painting dealt with these out-of-body sensations as religious experiences, sometimes ecstatic, sometimes terrifying; today we live such experiences, often unexamined, through images on screens, as a part of our everyday lives." - David Reed For more than 40 years, David Reed has pushed the boundaries of painting. Working in broad horizontal and sometimes vertical formats that recall contemporary film screens and celluloid strips, he explores interior/exterior and positive/negative spaces through an expressionist fluid form. Working wet into wet through broad and looping strokes, especially through the monotype media, he is able to explore light, speed and gestural tension through the forces of the process that bi-sect the picture plane and press pigment from a glass or acrylic refractive surface onto paper, creating alternative perspectives of light and space. Reed's works have been exhibited extensively in Germany, Zurich and New York with a recent, impressive exhibit at Gagosian in New York, where his works have been represented through the years.

David Reed (b. 1946) - #143

David Reed (b. 1946) #143 acrylic on two joined canvases overall: 12 x 82 in. (30.5 x 208.3 cm.)

David Reed American, b. 1946 7, 1973

David Reed American, b. 1946 7, 1973 Inscribed David Reed and dated 1973 on the reverse Oil on canvas 76 x 37 5/8 inches Provenance: Purchased directly from the artist by Cuningham Ward Gallery, circa 1973 C 

David Reed (born 1946) "Inner Strife"

David Reed (New York, California, born 1946) "Inner Strife". Signed lower right. Titled verso. Oil on canvas. Sight size: 25.5 x 16 inches. Reed?s paintings are counted in the collections of the Guggenheim, New York; the Centre Georges Pompidou, Paris; and the Museum of Contemporary Art, San Diego, among many others.

DAVID REED (BORN 1946) #112, 1976

DAVID REED (BORN 1946) #112, 1976 signed, titled and dated ‘David Reed 112 1976’ (on the reverse) acrylic on canvas 33 1/4 x 9 1/8 in. (84.5 x 23.1 cm) unframed Provenance Max Protetch Gallery, New York.

David Reed, #374-2 , Titled, dated and signed on

David Reed, #374-2 , Titled, dated and signed on the reverse: #374-2 1997-99 David Reed. There too, on a label of Galerie Max Protetch, New York, further work information, Oil and acrylic on plastic board, 1997-99, 28 x 56 1/8 in.

David Reed (b. 1946) #138 signed, titled and dated 'DAVID REED 138 1978' (on the reverse) acrylic on two attached canvases 68.5 x 86 cm. Painted in 1978

David Reed: "Color Study for CRIA," 1996

David Reed: "Color Study for CRIA," 1996 Paint on wood, signed, titled and dated on verso, unframed. 6 x 8 in. The Collection of Jan Cowles

David Frederick Reed American, b. 1946 D-1, 1975 Signed David Reed, dated 1975 and inscribed 83D...

David Frederick Reed American, b. 1946 D-1, 1975 Signed David Reed, dated 1975 and inscribed 83 on the reverse Acrylic on paper 16 x 107 inches C 

DAVID REED, (AMERICAN, B. 1946), "UNTITLED #4 (LP41)"

DAVID REED (american, b. 1946) "UNTITLED #4 (LP41)" 2001, signed and numbered 14/30 in pencil (there were also an unrecorded number of artist's proofs), with full margins; published by Jacob Samuel, Santa Monica. Whiteground color aquatint with chine collé on paper. image: 11 1/2 x 58 3/4 in. (29.2 x 149.2cm.) sheet: 18 1/4 x 63 3/4 in. (46.4 x 161.9cm) provenance: Jonathan Novak Contemporary Art, Los Angeles, CA. Lehman Brothers. Note: This lot is to be sold not subject to a reserve.

DAVID REED, (AMERICAN, B. 1946), "UNTITLED #2 (LP40)"

DAVID REED (american, b. 1946) "UNTITLED #2 (LP40)" 2001, signed and numbered 14/30 in pencil (there were also an unrecorded number of artist's proofs), presumably with full margins; Jacob Samuel, Santa Monica, publisher. Integrated color aquatint with chine collé on paper. image: 11 1/2 x 58 3/4 in. (29.2 x 149.2cm) sheet: 18 1/4 x 63 3/4 in. (46.4 x 161.9cm) provenance: Jonathan Novak Contemporary Art, Los Angeles, CA. Lehman Brothers. Note: This lot is to be sold not subject to a reserve.

Untitled #2 (LP 40); Untitled #3 (LP 41); and Untitled #4 (LP 42), 2001

Untitled #2 (LP 40); Untitled #3 (LP 41); and Untitled #4 (LP 42), 2001 Three etching and aquatints, on Chine collé to wove paper, with full margins, all I. 11 3/4 x 58 5/8 in. (29.8 x 148.9 cm) all S. 18 1/2 x 63 3/4 in. (47 x 161.9 cm)  all signed and numbered 18/30 in pencil, published by Lapis Press, Los Angeles (with their blindstamp), all in excellent condition, all framed.

David Reed (American, b. 1946) Untitled (#206),

David Reed (American, b. 1946) Untitled (#206), 1983-84; Oil and alkyd on canvas; Signed and dated; 24'' x 120''; Provenance: Private Collection

(i) Study After Painting #283-2 (ii) Study for Painting #320

David Reed (b. 1946) (i) Study After Painting #283-2 (ii) Study for Painting #320 (i) signed twice, titled, inscribed and dated 'JEANNY STUDY AFTER PAINTING #283-2 1990-95 David Reed' (on the reverse) (ii) signed twice, titled twice, inscribed and dated twice 'JEANNY STUDY FOR PAINTING #320 1993-95 David Reed' (on the reverse) each: oil, alkyd and paper on card laid down on foamcore (i) 22 x 5½in. (55.9 x 14cm.) (ii) 5 1/8 x 22in. (13 x 55.9cm.) (i) Executed in 1990-95 (ii) Executed in 1993-95 (2)

DAVID REED (b. 1946) i. COLOR STUDY FOR VA...

DAVID REED (b. 1946) i. COLOR STUDY FOR VAMPIRE PAINTINGS FOR GRAZ #9 ii. COLOR STUDY FOR VAMPIRE PAINTINGS FOR GRAZ #3 iii. COLOR STUDY FOR VAMPIRE PAINTINGS FOR GRAZ #11 each work signed "David Reed" titled and dated "1996" on the reverse oil and Alkyd on composite plastic board (i) 10 3/8 x 5 1/4 in. (26.3 x 13.4 cm) (ii) 7 7/8 x 5 5/8 in. (15 x 20 cm) (iii) 6 7/8 x 6 in. (20 x 15.2 cm) each executed in 1996

DAVID REED (b. 1946) #140 signed, titled and dated "David Reed #140 1975" on the reverse diptych: acrylic on canvas 27 x 43 1/2 in. (68.6 x 110.5 cm) overall painted in 1975 PROVENANCE Max Protetch Gallery, NEW YORK

DAVID REED (b. 1946) NO. 243 signed, titled and dated "David Reed No. 243 1986-1987" on the overlap oil and alkyd on canvas 24 x 54 in. (61 x 137 cm) painted 1986-1987 PROVENANCE Max Protech Gallery, NEW YORK