Johann Christian Reinhart Paintings & Artwork for Sale | Johann Christian Reinhart Art Value Price Guide

May. 03, 2025
J. REINHART (1761-1847), Ancient Sepulchre in Via Nomentana, around 1800, Etching
Est: €600 - €800
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): View of the ruins of Sepolcro Antico in Via Nomentana Roman tomb, c. 1800, Etching Technique: Etching on Paper Date: c. 1800 Description: On the meadow in front of the ruin with grazing goats and a shepherd playing the flute. This sheet is from the series of prints with views of six Roman tombs by Johann Christian Reinhart. It marks the beginning of Reinhart's collaboration with the Nuremberg publisher and art dealer Johann-Friedrich Frauenholz (1758-1822). Published in 1792, the series epitomises Reinhart's desire for an Italy steeped in antiquity. Unlike Piranesi's wildly romantic architectural vedute, in which fantasy and reality form an indissoluble alliance, Reinhart sought to realise an approach that reflected reality in his sheets. It was precisely this antiquity that was to continue to appear as part of the living world of contemporary man. Where Piranesi's visions often slip into the abysmal and gruesome, Reinhart consciously stages a reconciliation of man with the relics of the past. Their presence fulfils two important factors of the cult of memory: on the one hand, they point out that nothing lasts forever, no matter how magnificent and powerful it may be. Secondly, they emphasise the continuity of life, even beyond death, for which the tombs develop a double symbolism. However, Reinhart refrains from levelling the actual significance of the buildings. The overgrowth and decay are not signs of oblivion. In terms of composition, Reinhart integrates the tombs into his etchings in such a way that they are always seen from a lower point of view and thus appear elevated to the viewer. Like monuments, they tower into the sky and rise above the human plane. The only exception is the sheet with the view of the interior of the Tomb of the Nasons. Here the sun illuminates the empty interior of the tomb and Reinhart refrains from depicting people in this sheet. This can be understood as a medial shift: Whereas in the other sheets we look at the entire scene from the outside and survey everything like an uninvolved observer, in this sheet we are involved ourselves and assume the position that is given to the Italian shepherds in the other sheets. This method increases the viewer's sense of belonging to the scenery and thus brings him closer to Reinhart's idea of a living antiquity. We are standing in antiquity ourselves. Source: Johann Christian Reinhart (1761 Hof/Bavaria-1847 Rom) Six Vues d’Italie avec ruins des tombeaux – Die römischen Grabmäler, 1792, No. 6 | print suite, Landscape Keywords: Tomb, Roman tomb, Via Nomentana, Roman road, Arcadia, Arcadian landscape, idyll, closeness to nature, ruin, 19th century, Romanticism, Architecture, Italy, Size: Paper: 25,5 cm x 35,0 cm (10 x 13,8 in), Plate: 16,1 cm x 21,1 cm (6,3 x 8,3 in), Depiction: 14,9 cm x 20,5 cm (5,9 x 8,1 in)
Fichter Kunsthandel
May. 03, 2025
J. REINHART (1761-1847), Sitting shepherd in ital. Landscape, 1811, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Shepherd, putting on his shoe Roman view with bucolic staffage, 1811, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Reinhart f. Roma 1811". Date: 1811 Description: Path with shady trees in the foreground and a resting shepherd putting on his shoe. The walls of a settlement in the background. Keywords: Shepherd, midday rest, rest, Roman view, vegetation, tree, dog, 19th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 28,7 cm x 44,2 cm (11,3 x 17,4 in), Plate: 15,9 cm x 22,6 cm (6,3 x 8,9 in), Depiction: 14,6 cm x 21,3 cm (5,7 x 8,4 in)
Fichter Kunsthandel
Apr. 05, 2025
J. REINHART (1761-1847), Pallazzola und Roman Countryside, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Pallazzola and Campagna Romana View of the hills near Rome, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec.". At the lower part inscribed in the printing plate: "Pallazzola". lower left dated: "Romae 1792". At the lower part further inscription: "Ein Franciskaner Kloster zwischen dem Albaner See und am Monte Corso". Date: 1799 Description: The artwork depicts an idyllic landscape with detailed vegetation and mountain ranges in the background. A rocky outcrop with lush trees and a seated person can be recognised in the foreground. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Lake Albano; Monte Corso; Campagna Romana; landscape; mountains; vegetation; trees; rocky outcrop; idyll; sky; clouds; engraving; engraving; artwork; nature; outdoor; day; panorama; scenery; classical; printmaking, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,3 cm (10,9 x 14,7 in), Depiction: 25,3 cm x 35,7 cm (10 x 14,1 in)
Fichter Kunsthandel
Apr. 05, 2025
J. REINHART (1761-1847), Castel Gandolfo bei Rom, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Castel Gandolfo near Rome View of the Campagna Romana from the papal residence, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fece". At the lower part inscribed in the printing plate: "Castella Gandolfo". lower left dated: "Roma 1792". Date: 1799 Description: A carefully executed etching depicting an idyllic landscape, accentuated by lush groups of trees and the distanced architecture of the papal summer residence Castel Gandolfo, accompanied by figures lingering in a harmonious experience of nature. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Castel Gandolfo; Campagna Romana; Pope; landscape; idyllic; trees; architecture; nature; figures; graphics; art; leaves; hills; clouds; tranquillity; panorama; estate; vegetation; leisure; historical; richness of detail; depiction, 18th century, Romanticism, Landscape, Italy, Castel Gandolfo (Latium), Size: Paper: 31,1 cm x 42,1 cm (12,2 x 16,6 in), Plate: 27,9 cm x 37,3 cm (11 x 14,7 in), Depiction: 25,1 cm x 35,8 cm (9,9 x 14,1 in)
Fichter Kunsthandel
Apr. 05, 2025
J. REINHART (1761-1847), In the Colosseum, Rome, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): In the Colosseum, Rome Shepherds in the ruins of the ancient amphitheatre, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "Nel Colosseo". lower left dated: "Roma 1792". Date: 1799 Description: The etching shows the ruins of an ancient amphitheatre, the Colosseum in Rome, surrounded by lush vegetation. Three cows and a dog enliven the scene, while human figures make music and rest under the arch. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Colosseum; antiquity; etching; ruin; arch; vegetation; cows; figure; scene; architecture; historicism; art; nature; stones; flora; fauna; still life; light and shadow; richness of detail; texture; composition;, 18th century, Romanticism, Architecture, Italy, Rome (Latium), Size: Paper: 31,2 cm x 42,0 cm (12,3 x 16,5 in), Plate: 27,8 cm x 37,4 cm (10,9 x 14,7 in), Depiction: 25,4 cm x 35,9 cm (10 x 14,1 in)
Fichter Kunsthandel
Mar. 08, 2025
Johann Christian Reinhart, Ariccia bei Rom mit Blick auf Santa Maria Assunta. 1818.
Est: €6,000 - €8,000
Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Kreidezeichnung auf Bütten. Unsigniert. In brauner Tusche u.re. von fremder Hand bezeichnet "C. Reinhart" sowie datiert und ortsbezeichnet "Roma 1818". Vollflächig auf Untersatzkarton kaschiert, darauf u.li. in Blei von fremder Hand nummeriert "1030", u.re. mit Maßangaben von fremder Hand sowie bezeichnet "J. Chr. Reinhart 472/2". Verso ein Papieretikett mit Angaben zu Künstler und Werk. Im Passepartout hinter Glas in einem goldfarbenen Rahmen gerahmt. Nicht im WVZ Feuchtmayr. Vgl. motivisch und stilistisch: Johann Christian Reinhart "Landschaft mit dem Schloss von Ariccia", Titelblatt der Folge "Die Sechs Landschaften mit der Widmung an Josef Abel", 1811, Radierung, Hamburger Kunsthalle, Kupferstichkabinett, InvNr. 40818a (WVZ Feuchtmayr 109). Provenienz: Kunsthandlung Kempe, Dresden, 1971. Johann Christian Reinhart "Alte Olivenbäume an einer Felsenwand im Parco Chigi von Ariccia", 1809/10, Kreidezeichnung, Hamburger Kunsthalle, Kupferstichkabinett, InvNr. 44288 (WVZ Feuchtmayr Z 131). Die großformatige Zeichnung entstand in der frühen Zeit des Lieblingsaufenthaltsorts Johann Christian Reinharts – in Ariccia, 26 km südöstlich von Rom in den Albaner Bergen gelegen. Es ist dokumentiert, dass er dort mit seiner Familie von 1816 bis 1822 regelmäßig Sommer und Herbst verbrachte und häufig auf die (Wachtel)-Jagd ging. Für das Jahr 1818 ist ein Aufenthalt von Caroline von Humboldt (1766 Minden – 1829 Berlin), Gattin des Gelehrten Wilhelm von Humboldts (1764 Potsdam – 1835 Tegel), am 29. Mai belegt, sie erhielt für eine Woche Logis in der Wohnung des Künstlers. In dieser Zeit entstanden zwei Fels- und Baumstudien im Park des Prinzen Chigi in Ariccia, die Reinhart Jahre später für ein Gemälde und bildhaft ausgeführte Zeichnungen verwendete. Es erscheint plausibel, dass die vorliegende, bisher undokumentierte Zeichnung ebenfalls in diesem Zeitraum entstand. Schwarze oder auch graue Kreide stellte für Reinhart in den ersten römischen Jahrzehnten ein wichtiges Zeichenmittel dar, welches er souverän für großformatige Blätter nutzte. "Stets überzeugt das ausgewogene Verhältnis zwischen relativ genauer Detailschilderung und einer oft ins Monumentale gehenden Gesamtkomposition. Reinharts Kreidestriche sind zumeist ruhig geführt; eindeutig herrschen Parallelschraffen vor, doch sorgen, gelegentliche Querstellungen, bisweilen auch Kreuzschraffen für Belebung. […]". (zitiert nach David Klemm in: Johann Christian Reinhart. Ein deutscher Landschaftsmaler in Rom, 2012, S. 29). Die Zeichnungen Reinharts erfuhren bereits zu Lebzeiten des Künstlers hohe Wertschätzung, Sammler kauften und bestellten Arbeiten direkt bei ihm, sie waren offensichtlich als preisgünstiger Gemäldeersatz sehr begehrt. Da Reinhart nur in der Zeit um 1790 und ab 1825 herrschaftliche Zuwendungen erhielt, war er auch auf den Verkauf seiner Werke zur Sicherung seines Lebensunterhalts und den seiner Familie angewiesen, neben Radierungen waren die Zeichnungen seine wichtigste Einnahmequelle. (vgl. ebenda, S. 26 und 32). Wir danken Herrn Dr. Manfred Pix, Neustadt a. d. Aisch, für freundliche Hinweise. Lit.: Herbert W. Rott, Andreas Stolzenburg, Carlo F. Schmid (Hrsg.): Johann Christian Reinhart : ein deutscher Landschaftsmaler in Rom; erschienen anlässlich der "Ausstellung Johann Christian Reinhart. Ein Deutscher Landschaftsmaler in Rom", Hamburger Kunsthalle, 26. Oktober 2012 bis 27. Januar 2013, Bayerische Staatsgemäldesammlungen München, Neue Pinakothek, 21. Februar bis 26. Mai 2013]. Hamburg 2012. Manfred Pix, Helmut Börsch-Supan: Johann Christian Reinhart (1761–1847): eine Dokumentation in Bild und Wort. Neustadt an der Aisch 2022. Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Deutscher Maler, Zeichner und Radierer. Ab 1778 Studium der Theologie in Leipzig sowie Studium der Zeichenkunst an der dortigen Zeichnungs-, Mahlerey- und Architecturakademie bei A.F. Oeser. Ab 1783 in Dresden ansässig und nahm Privatunterricht bei Johann Christian Klengel. Teilnahme an der Dresdner Akademieausstellung. 1785 wieder in Leipzig ansässig, Freundschaft mit Schiller. Siedelte 1789 nach Rom, völlige Stiländerung durch Beeinflussung von Künstlern wie Koch und Carstens. Er galt zu seiner Zeit als eine zentrale Figur in der deutschen Künstlerkolonie Roms und als führender Landschaftsmaler.1810 Mitglied der Preußischen Akademie der Künste sowie 1813 Aufnahme in die Accademia di San Luca. 1830 Ernennung zum Mitglied der Königlichen Akademie der Künste in München und 1839 zum kgl. baierischen Hofmaler.
Schmidt Kunstauktionen Dresden OHG
Feb. 19, 2025
Johann Christian Reinhart (Germany, 1761-1847), Nymph and Satyr, 1799, etching, signed and dated in plate. 8 1/2"H x 11 3/4"W (plate), 11"H x 16 1/4"W (sheet)
Est: -
Johann Christian Reinhart (Germany, 1761-1847), Nymph and Satyr, 1799, etching, signed and dated in plate. Strong impression with some foxing in margins outside plate.
Ripley Auctions
Jan. 25, 2025
J. REINHART (1761-1847), Gorge near Subiaco, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Gorge near Subiaco with hunter and dog on the banks of the Aniene, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec". At the lower part inscribed in the printing plate: "A Subiaco". lower left dated: "Roma 1792". Date: 1799 Description: The engraving depicts an idyllic natural scene in a gorge of the Aniene near Subiaco. Lush trees and rocks form a wild, mountainous landscape. A hunter and his dog appear in the foreground, emphasising the stillness and vastness of the space. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Aniene; Campagna Romana; engraving; nature scene; trees; rocks; mountain landscape; shepherd; dog; idyll; wilderness; silence; vastness; foreground;, 18th century, Romanticism, Landscape, Italy, Size: Paper: 42,1 cm x 31,0 cm (16,6 x 12,2 in), Plate: 37,5 cm x 28,3 cm (14,8 x 11,1 in), Depiction: 34,9 cm x 26,7 cm (13,7 x 10,5 in)
Fichter Kunsthandel
Jan. 25, 2025
J. REINHART (1761-1847), Valley of the Aniene near Subiaco, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Valley of the Aniene near Subiaco Gorge with seated painter and fisherman, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "A Subiaco". lower left dated: "Roma 1793". Date: 1799 Description: The graphic shows an idyllic landscape scene with dense trees and rocky formations. Two figures are in the valley, which is crossed by the Aniene river. The engraving is rich in detail and contrast. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Landscape; Graphics; Trees; Rocks; Hiking; Stream; Mountains; Valley; Engraving; Figures; Idyll; Richness of detail; Contrast; Nature; Scenery; Art; Graphic illustration; Romanticism; Classicism; Printing technique, 18th century, Romanticism, Landscape, Italy, Size: Paper: 42,0 cm x 31,0 cm (16,5 x 12,2 in), Plate: 37,2 cm x 28,0 cm (14,6 x 11 in), Depiction: 34,5 cm x 26,4 cm (13,6 x 10,4 in)
Fichter Kunsthandel
Jan. 25, 2025
J. REINHART (1761-1847), Pallazzola und Roman Countryside, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Pallazzola and Campagna Romana View of the hills near Rome, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec.". At the lower part inscribed in the printing plate: "Pallazzola". lower left dated: "Romae 1792". At the lower part further inscription: "Ein Franciskaner Kloster zwischen dem Albaner See und am Monte Corso". Date: 1799 Description: The artwork depicts an idyllic landscape with detailed vegetation and mountain ranges in the background. A rocky outcrop with lush trees and a seated person can be recognised in the foreground. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Lake Albano; Monte Corso; Campagna Romana; landscape; mountains; vegetation; trees; rocky outcrop; idyll; sky; clouds; engraving; engraving; artwork; nature; outdoor; day; panorama; scenery; classical; printmaking, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,3 cm (10,9 x 14,7 in), Depiction: 25,3 cm x 35,7 cm (10 x 14,1 in)
Fichter Kunsthandel
Jan. 25, 2025
J. REINHART (1761-1847), Castel Gandolfo bei Rom, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Castel Gandolfo near Rome View of the Campagna Romana from the papal residence, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fece". At the lower part inscribed in the printing plate: "Castella Gandolfo". lower left dated: "Roma 1792". Date: 1799 Description: A carefully executed etching depicting an idyllic landscape, accentuated by lush groups of trees and the distanced architecture of the papal summer residence Castel Gandolfo, accompanied by figures lingering in a harmonious experience of nature. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Castel Gandolfo; Campagna Romana; Pope; landscape; idyllic; trees; architecture; nature; figures; graphics; art; leaves; hills; clouds; tranquillity; panorama; estate; vegetation; leisure; historical; richness of detail; depiction, 18th century, Romanticism, Landscape, Italy, Castel Gandolfo (Latium), Size: Paper: 31,1 cm x 42,1 cm (12,2 x 16,6 in), Plate: 27,9 cm x 37,3 cm (11 x 14,7 in), Depiction: 25,1 cm x 35,8 cm (9,9 x 14,1 in)
Fichter Kunsthandel
Jan. 25, 2025
J. REINHART (1761-1847), In the Colosseum, Rome, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): In the Colosseum, Rome Shepherds in the ruins of the ancient amphitheatre, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "Nel Colosseo". lower left dated: "Roma 1792". Date: 1799 Description: The etching shows the ruins of an ancient amphitheatre, the Colosseum in Rome, surrounded by lush vegetation. Three cows and a dog enliven the scene, while human figures make music and rest under the arch. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Colosseum; antiquity; etching; ruin; arch; vegetation; cows; figure; scene; architecture; historicism; art; nature; stones; flora; fauna; still life; light and shadow; richness of detail; texture; composition;, 18th century, Romanticism, Architecture, Italy, Rome (Latium), Size: Paper: 31,2 cm x 42,0 cm (12,3 x 16,5 in), Plate: 27,8 cm x 37,4 cm (10,9 x 14,7 in), Depiction: 25,4 cm x 35,9 cm (10 x 14,1 in)
Fichter Kunsthandel
Dec. 12, 2024
Johann Christian Reinhart - A pair of goat etchings - 1791
Est: €400 - €600
Lying goat with sleeping young goat at right, signed and dated 1791 upper right. Lying he-goat and she-goat, Signed Renhart fe Roma 1791, on the stone bottom left. From 'Diee erste Thierfolge'. 1791. A nice pair of etchings from this valuable artist.
Old Master Print
Dec. 06, 2024
Reinhart, Johann Christian
Est: €300 - €450
(1761 Hof - Rom 1847). Die grosse heroische, Schiller dedicierte Landschaft. Radierung, 1800. i.d.Pl. bez.: FRIDERICO SCHILLER Ingenio, arte, virtute illustri; D.D.D.; J.C. Reinhart" sowie mit Namenszug u. Dat. - Außerhalb der Darstellung etw. fl. D
Kiefer Buch- und Kunstauktionen
Dec. 06, 2024
Reinhart, Johann Christian
Est: €200 - €300
(1761 Hof - Hamburg 1847). Schlafender Hund. Radierung, 1800. Plgr. 13 x 19 cm. Mit Namenszug u. dat. i.d.Pl. - Auf weißem Rand verstärkt fl. D
Kiefer Buch- und Kunstauktionen
Dec. 06, 2024
Reinhart, Johann Christian
Est: €80 - €120
(1761 Hof - Hamburg 1847). Die Mühle. Radierung, 1800. Plgr. 24 x 27,5 cm. Mit Namenszug u. Dat. i.d.Pl. Punktuell auf Karton montiert. - Leicht fl. - Feuchtmayr 409/ A 98. D
Kiefer Buch- und Kunstauktionen
Nov. 22, 2024
Reinhart, Johann Christian (1761-1847). Die Landschaft mit Pan.
Est: €100 - €150
Reinhart, Johann Christian (1761-1847). Die Landschaft mit Pan. Etching, 27,9x36 cm., signed "J.C. Reinhart inven. et fec. Romae 1802" and "Pan primus Calamos cera coniungere plures" in the plate. - Cut on the platemark. = Andresen 101. According to Andresen the final word of the caption reads "(...) plures Edocuit". But not in our copy. So perhaps a different state.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 16, 2024
Reinhart - Landschaft, 2 Kupfer
Est: €160 - €200
Reinhart, Johann Christian (Hof 1761 - 1847 Rom). Felsige Landschaften. 2 Kupferstiche von 1810 u. 1815. Je 17,5 x 25 cm. Andresen 123 und 128 Feuchtmayr 431.- Johann Christian Reinhart lebte seit 1789 in Rom und galt als Mittelpunkt der dortigen deutschen Künstlerkolonie, 1839 wurde er zum königlich bayerischen Hofmaler ernannt.- Von Bäumen gerahmte, durch Felsen und größere Steine geprägte Landschaften mit etwas Figurenstaffage.- Jeweils 1 kleiner schwacher Feuchtrand.- Verso je ein kleiner runder Sammler-Stempel mit handschriftlicher Nummerierung.
Auktionshaus Schramm
Nov. 02, 2024
Johann Christian Reinhart "A Civita Castellana". 1793.
Est: €350 - €400
Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Radierung auf dünnem Bütten. In der Platte u.li. signiert, bezeichnet und datiert "JG Reinhart fec. Romae 1793", mittig betitelt. Im Passepartout montiert. WVZ Andresen 60. Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Deutscher Maler, Zeichner und Radierer. Ab 1778 Studium der Theologie in Leipzig sowie Studium der Zeichenkunst an der dortigen Zeichnungs-, Mahlerey- und Architecturakademie bei A.F. Oeser. Ab 1783 in Dresden ansässig und nahm Privatunterricht bei Johann Christian Klengel. Teilnahme an der Dresdner Akademieausstellung. 1785 wieder in Leipzig ansässig, Freundschaft mit Schiller. Siedelte 1789 nach Rom, völlige Stiländerung durch Beeinflussung von Künstlern wie Koch und Carstens. Er galt zu seiner Zeit als eine zentrale Figur in der deutschen Künstlerkolonie Roms und als führender Landschaftsmaler.1810 Mitglied der Preußischen Akademie der Künste sowie 1813 Aufnahme in die Accademia di San Luca. 1830 Ernennung zum Mitglied der Königlichen Akademie der Künste in München und 1839 zum kgl. baierischen Hofmaler.
Schmidt Kunstauktionen Dresden OHG
Oct. 19, 2024
JOHANN CHRISTIAN REINHART : Vicino a Subiaco.
Est: €100 - €150
JOHANN CHRISTIAN REINHART Hof/Oberfranken 1761 - 1847 Rom Vicino a Subiaco. Radierung aus der Folge „Malerisch radirte Prospecte aus Italien“ 1794. Andresen-Feuchtmayr 68, II. - Mit dem Namenszug, Datum, Titel und Ortsbezeichnung „Romae“ in der Platte. Auf kräftigem Vélin. 27,4 x 37,1 cm. Breite Ränder stellenweise gebräunt, etwas fleckig und im Bereich der oberen rechten Ecke wasserandig. Ecken bestoßen. [bg]
Winterberg-Kunst
Aug. 31, 2024
J. REINHART (1761-1847), Ancient Sepulchre in Via Nomentana, around 1800, Etching
Est: €600 - €800
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): View of the ruins of Sepolcro Antico in Via Nomentana Roman tomb, c. 1800, Etching Technique: Etching on Paper Date: c. 1800 Description: On the meadow in front of the ruin with grazing goats and a shepherd playing the flute. This sheet is from the series of prints with views of six Roman tombs by Johann Christian Reinhart. It marks the beginning of Reinhart's collaboration with the Nuremberg publisher and art dealer Johann-Friedrich Frauenholz (1758-1822). Published in 1792, the series epitomises Reinhart's desire for an Italy steeped in antiquity. Unlike Piranesi's wildly romantic architectural vedute, in which fantasy and reality form an indissoluble alliance, Reinhart sought to realise an approach that reflected reality in his sheets. It was precisely this antiquity that was to continue to appear as part of the living world of contemporary man. Where Piranesi's visions often slip into the abysmal and gruesome, Reinhart consciously stages a reconciliation of man with the relics of the past. Their presence fulfils two important factors of the cult of memory: on the one hand, they point out that nothing lasts forever, no matter how magnificent and powerful it may be. Secondly, they emphasise the continuity of life, even beyond death, for which the tombs develop a double symbolism. However, Reinhart refrains from levelling the actual significance of the buildings. The overgrowth and decay are not signs of oblivion. In terms of composition, Reinhart integrates the tombs into his etchings in such a way that they are always seen from a lower point of view and thus appear elevated to the viewer. Like monuments, they tower into the sky and rise above the human plane. The only exception is the sheet with the view of the interior of the Tomb of the Nasons. Here the sun illuminates the empty interior of the tomb and Reinhart refrains from depicting people in this sheet. This can be understood as a medial shift: Whereas in the other sheets we look at the entire scene from the outside and survey everything like an uninvolved observer, in this sheet we are involved ourselves and assume the position that is given to the Italian shepherds in the other sheets. This method increases the viewer's sense of belonging to the scenery and thus brings him closer to Reinhart's idea of a living antiquity. We are standing in antiquity ourselves. Source: Johann Christian Reinhart (1761 Hof/Bavaria-1847 Rom) Six Vues d’Italie avec ruins des tombeaux – Die römischen Grabmäler, 1792, No. 6 | print suite, Landscape Keywords: Tomb, Roman tomb, Via Nomentana, Roman road, Arcadia, Arcadian landscape, idyll, closeness to nature, ruin, 19th century, Romanticism, Architecture, Italy, Size: Paper: 25,5 cm x 35,0 cm (10 x 13,8 in), Plate: 16,1 cm x 21,1 cm (6,3 x 8,3 in), Depiction: 14,9 cm x 20,5 cm (5,9 x 8,1 in)
Fichter Kunsthandel
Aug. 31, 2024
J. REINHART (1761-1847), Sitting shepherd in ital. Landscape, 1811, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Shepherd, putting on his shoe Roman view with bucolic staffage, 1811, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Reinhart f. Roma 1811". Date: 1811 Description: Path with shady trees in the foreground and a resting shepherd putting on his shoe. The walls of a settlement in the background. Keywords: Shepherd, midday rest, rest, Roman view, vegetation, tree, dog, 19th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 28,7 cm x 44,2 cm (11,3 x 17,4 in), Plate: 15,9 cm x 22,6 cm (6,3 x 8,9 in), Depiction: 14,6 cm x 21,3 cm (5,7 x 8,4 in)
Fichter Kunsthandel
Aug. 17, 2024
J. REINHART (1761-1847), Mediterranean mountain landscape, 1805, Etching
Est: €300 - €400
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Mediterranean mountain landscape with a travelling horseman and two horses, in the background a wing of buildings that blends harmoniously into the landscape, 1805, Etching Technique: Etching on Paper, mounted on Paper Inscription: Signed and dated on the left below the image Date: 1805 Keywords: Mountain landscape, Mediterranean, Traveller, Donkey, Horse, Rider, Mountains, Mountain, Nature, 19th century, Romanticism, Landscape, Italy, Size: Paper: 24,8 cm x 33,3 cm (9,8 x 13,1 in), Plate: 15,1 cm x 20,0 cm (5,9 x 7,9 in), Depiction: 14,0 cm x 18,5 cm (5,5 x 7,3 in)
Fichter Kunsthandel
Jul. 27, 2024
J. REINHART (1761-1847), Roman tomb Via Nomentana, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Roman tomb on the Via Nomentana near Rome, 19th century, Etching Technique: Etching on Paper Inscription: Signed and dated in the plate lower right, labelled in the margin below the image. Date: 19th century Description: This sheet is from the series of prints with views of six Roman tombs by Johann Christian Reinhart. It marks the beginning of Reinhart's collaboration with the Nuremberg publisher and art dealer JohannFriedrich Frauenholz (1758-1822). Published in 1792, the series epitomises Reinhart's desire for an Italy steeped in antiquity. Unlike Piranesi's wildly romantic architectural vedute, in which fantasy and reality form an indissoluble alliance, Reinhart sought to realise an approach that reflected reality in his sheets. It was precisely this antiquity that was to continue to appear as part of the living world of contemporary man. Where Piranesi's visions often slip into the abysmal and gruesome, Reinhart consciously stages a reconciliation of man with the relics of the past. Their presence fulfils two important factors of the cult of memory: on the one hand, they point out that nothing lasts forever, no matter how magnificent and powerful it may be. Secondly, they emphasise the continuity of life, even beyond death, for which the tombs develop a double symbolism. However, Reinhart refrains from levelling the actual significance of the buildings. The overgrowth and decay are not signs of oblivion. In terms of composition, Reinhart integrates the tombs into his etchings in such a way that they are always seen from a lower point of view and thus appear elevated to the viewer. They tower into the sky like monuments and rise above the human plane of action. The only exception is the sheet with the view of the interior of the Tomb of the Nasons. Here the sun illuminates the empty interior of the tomb and Reinhart refrains from depicting people in this sheet. This can be understood as a medial shift: Whereas in the other sheets we look at the entire scene from the outside and, as it were, survey everything like an uninvolved observer, in this sheet we are involved ourselves and assume the position that is given to the Italian shepherds in the other sheets. This method increases the viewer's sense of belonging to the scenery and thus brings him closer to Reinhart's idea of a living antiquity. We are standing in antiquity ourselves. Keywords: 19th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 20,4 cm x 25,8 cm (8 x 10,2 in), Plate: 15,7 cm x 20,8 cm (6,2 x 8,2 in)
Fichter Kunsthandel
Jul. 13, 2024
Attributed to Johann Christian Reinhart (GERMAN, 1761-1847). 'Sepolcro volgarmente detto degli Orazii e Curiazii a Albano' depicting the Mausoleum of Horatii and Curiatii in Rome.
Est: £60 - £120
Attributed to Johann Christian Reinhart (GERMAN, 1761-1847). 'Sepolcro volgarmente detto degli Orazii e Curiazii a Albano' depicting the Mausoleum of Horatii and Curiatii in Rome. The original engravings executed in 1795 six years after his emigration to Italy in 1789. Aquatint on Paper, in ebonized 19th century frame. Size incl. frame, Height: 40.6cm Width: 49.6cm This lot can be shipped at the buyers risk, insurance isn't available on this lot.
Potteries Auctions
Jul. 05, 2024
Reinhart, Johann Christian
Est: €460 - €700
(1761 Hof - Rom 1847). Die grosse heroische, Schiller dedicierte Landschaft. Radierung, 1800. i.d.Pl. bez.: FRIDERICO SCHILLER Ingenio, arte, virtute illustri; D.D.D.; J.C. Reinhart" sowie mit Namenszug u. Dat. - Außerhalb der Darstellung etw. fl. D
Kiefer Buch- und Kunstauktionen
Jul. 05, 2024
Reinhart, Johann Christian
Est: €300 - €450
(1761 Hof - Hamburg 1847). Schlafender Hund. Radierung, 1800. Plgr. 13 x 19 cm. Mit Namenszug u. dat. i.d.Pl. - Auf weißem Rand verstärkt fl. D
Kiefer Buch- und Kunstauktionen
Jul. 05, 2024
Reinhart, Johann Christian
Est: €120 - €180
(1761 Hof - Hamburg 1847). Die Mühle. Radierung, 1800. Plgr. 24 x 27,5 cm. Mit Namenszug u. Dat. i.d.Pl. Punktuell auf Karton montiert. - Leicht fl. - Feuchtmayr 409/ A 98. D
Kiefer Buch- und Kunstauktionen
Apr. 27, 2024
J. REINHART (1761-1847), Gorge near Subiaco, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Gorge near Subiaco with hunter and dog on the banks of the Aniene, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec". At the lower part inscribed in the printing plate: "A Subiaco". lower left dated: "Roma 1792". Date: 1799 Description: The engraving depicts an idyllic natural scene in a gorge of the Aniene near Subiaco. Lush trees and rocks form a wild, mountainous landscape. A hunter and his dog appear in the foreground, emphasising the stillness and vastness of the space. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Aniene; Campagna Romana; engraving; nature scene; trees; rocks; mountain landscape; shepherd; dog; idyll; wilderness; silence; vastness; foreground;, 18th century, Romanticism, Landscape, Italy,
Fichter Kunsthandel
Apr. 27, 2024
J. REINHART (1761-1847), Valley of the Aniene near Subiaco, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Valley of the Aniene near Subiaco Gorge with seated painter and fisherman, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "A Subiaco". lower left dated: "Roma 1793". Date: 1799 Description: The graphic shows an idyllic landscape scene with dense trees and rocky formations. Two figures are in the valley, which is crossed by the Aniene river. The engraving is rich in detail and contrast. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Landscape; Graphics; Trees; Rocks; Hiking; Stream; Mountains; Valley; Engraving; Figures; Idyll; Richness of detail; Contrast; Nature; Scenery; Art; Graphic illustration; Romanticism; Classicism; Printing technique, 18th century, Romanticism, Landscape, Italy,
Fichter Kunsthandel
Apr. 27, 2024
J. REINHART (1761-1847), Pallazzola und Roman Countryside, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Pallazzola and Campagna Romana View of the hills near Rome, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec.". At the lower part inscribed in the printing plate: "Pallazzola". lower left dated: "Romae 1792". At the lower part further inscription: "Ein Franciskaner Kloster zwischen dem Albaner See und am Monte Corso". Date: 1799 Description: The artwork depicts an idyllic landscape with detailed vegetation and mountain ranges in the background. A rocky outcrop with lush trees and a seated person can be recognised in the foreground. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Lake Albano; Monte Corso; Campagna Romana; landscape; mountains; vegetation; trees; rocky outcrop; idyll; sky; clouds; engraving; engraving; artwork; nature; outdoor; day; panorama; scenery; classical; printmaking, 18th century, Romanticism, Landscape, Italy, Rome (Latium),
Fichter Kunsthandel
Apr. 27, 2024
J. REINHART (1761-1847), Castel Gandolfo bei Rom, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Castel Gandolfo near Rome View of the Campagna Romana from the papal residence, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fece". At the lower part inscribed in the printing plate: "Castella Gandolfo". lower left dated: "Roma 1792". Date: 1799 Description: A carefully executed etching depicting an idyllic landscape, accentuated by lush groups of trees and the distanced architecture of the papal summer residence Castel Gandolfo, accompanied by figures lingering in a harmonious experience of nature. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Castel Gandolfo; Campagna Romana; Pope; landscape; idyllic; trees; architecture; nature; figures; graphics; art; leaves; hills; clouds; tranquillity; panorama; estate; vegetation; leisure; historical; richness of detail; depiction, 18th century, Romanticism, Landscape, Italy, Castel Gandolfo (Latium),
Fichter Kunsthandel
Apr. 27, 2024
J. REINHART (1761-1847), In the Colosseum, Rome, 1799, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): In the Colosseum, Rome Shepherds in the ruins of the ancient amphitheatre, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "Nel Colosseo". lower left dated: "Roma 1792". Date: 1799 Description: The etching shows the ruins of an ancient amphitheatre, the Colosseum in Rome, surrounded by lush vegetation. Three cows and a dog enliven the scene, while human figures make music and rest under the arch. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Colosseum; antiquity; etching; ruin; arch; vegetation; cows; figure; scene; architecture; historicism; art; nature; stones; flora; fauna; still life; light and shadow; richness of detail; texture; composition;, 18th century, Romanticism, Architecture, Italy, Rome (Latium),
Fichter Kunsthandel
Mar. 23, 2024
Reinhart, Johann Christian (1761-1847)
Est: €100 - €120
Zwei Radierungen: "Rovine della Villa di Ventidio Basso a Tivoli" und "A Subiaco", so je in der Platte betitelt, sign., dat. 1793 und bez. Roma. Fleckig, gebräunt. 37x 28 bzw. 28x 38 cm. PP., R.
Dannenberg
Feb. 16, 2024
Reinhart, Johann Christian
Est: €650 - €1,000
(1761 Hof - Rom 1847). Die grosse heroische, Schiller dedicierte Landschaft. Radierung, 1800. i.d.Pl. bez.: FRIDERICO SCHILLER Ingenio, arte, virtute illustri; D.D.D.; J.C. Reinhart" sowie mit Namenszug u. Dat. - Außerhalb der Darstellung etw. fl. D
Kiefer Buch- und Kunstauktionen
Dec. 30, 2023
J. REINHART (1761-1847), Ancient Sepulchre in Via Nomentana, around 1800, Etching
Est: €600 - €800
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): View of the ruins of Sepolcro Antico in Via Nomentana Roman tomb, c. 1800, Etching Technique: Etching on Paper Date: c. 1800 Description: On the meadow in front of the ruin with grazing goats and a shepherd playing the flute. This sheet is from the series of prints with views of six Roman tombs by Johann Christian Reinhart. It marks the beginning of Reinhart's collaboration with the Nuremberg publisher and art dealer Johann-Friedrich Frauenholz (1758-1822). Published in 1792, the series epitomises Reinhart's desire for an Italy steeped in antiquity. Unlike Piranesi's wildly romantic architectural vedute, in which fantasy and reality form an indissoluble alliance, Reinhart sought to realise an approach that reflected reality in his sheets. It was precisely this antiquity that was to continue to appear as part of the living world of contemporary man. Where Piranesi's visions often slip into the abysmal and gruesome, Reinhart consciously stages a reconciliation of man with the relics of the past. Their presence fulfils two important factors of the cult of memory: on the one hand, they point out that nothing lasts forever, no matter how magnificent and powerful it may be. Secondly, they emphasise the continuity of life, even beyond death, for which the tombs develop a double symbolism. However, Reinhart refrains from levelling the actual significance of the buildings. The overgrowth and decay are not signs of oblivion. In terms of composition, Reinhart integrates the tombs into his etchings in such a way that they are always seen from a lower point of view and thus appear elevated to the viewer. Like monuments, they tower into the sky and rise above the human plane. The only exception is the sheet with the view of the interior of the Tomb of the Nasons. Here the sun illuminates the empty interior of the tomb and Reinhart refrains from depicting people in this sheet. This can be understood as a medial shift: Whereas in the other sheets we look at the entire scene from the outside and survey everything like an uninvolved observer, in this sheet we are involved ourselves and assume the position that is given to the Italian shepherds in the other sheets. This method increases the viewer's sense of belonging to the scenery and thus brings him closer to Reinhart's idea of a living antiquity. We are standing in antiquity ourselves. Source: Johann Christian Reinhart (1761 Hof/Bavaria-1847 Rom) Six Vues d’Italie avec ruins des tombeaux – Die römischen Grabmäler, 1792, No. 6 | print suite, Landscape Keywords: Tomb, Roman tomb, Via Nomentana, Roman road, Arcadia, Arcadian landscape, idyll, closeness to nature, ruin, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Dec. 30, 2023
J. REINHART (1761-1847), Sitting shepherd in ital. Landscape, 1811, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Shepherd, putting on his shoe Roman view with bucolic staffage, 1811, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Reinhart f. Roma 1811". Date: 1811 Description: Path with shady trees in the foreground and a resting shepherd putting on his shoe. The walls of a settlement in the background. Keywords: Shepherd, midday rest, rest, Roman view, vegetation, tree, dog, 19th century, Romanticism, Landscape, Italy, Rome (Latium),
Fichter Kunsthandel
Dec. 02, 2023
J. REINHART (1761-1847), Roman tomb Via Nomentana, Etching
Est: €450 - €600
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Roman tomb on the Via Nomentana near Rome, 19th century, Etching Technique: Etching on Paper Inscription: Signed and dated in the plate lower right, labelled in the margin below the image. Date: 19th century Description: This sheet is from the series of prints with views of six Roman tombs by Johann Christian Reinhart. It marks the beginning of Reinhart's collaboration with the Nuremberg publisher and art dealer JohannFriedrich Frauenholz (1758-1822). Published in 1792, the series epitomises Reinhart's desire for an Italy steeped in antiquity. Unlike Piranesi's wildly romantic architectural vedute, in which fantasy and reality form an indissoluble alliance, Reinhart sought to realise an approach that reflected reality in his sheets. It was precisely this antiquity that was to continue to appear as part of the living world of contemporary man. Where Piranesi's visions often slip into the abysmal and gruesome, Reinhart consciously stages a reconciliation of man with the relics of the past. Their presence fulfils two important factors of the cult of memory: on the one hand, they point out that nothing lasts forever, no matter how magnificent and powerful it may be. Secondly, they emphasise the continuity of life, even beyond death, for which the tombs develop a double symbolism. However, Reinhart refrains from levelling the actual significance of the buildings. The overgrowth and decay are not signs of oblivion. In terms of composition, Reinhart integrates the tombs into his etchings in such a way that they are always seen from a lower point of view and thus appear elevated to the viewer. They tower into the sky like monuments and rise above the human plane of action. The only exception is the sheet with the view of the interior of the Tomb of the Nasons. Here the sun illuminates the empty interior of the tomb and Reinhart refrains from depicting people in this sheet. This can be understood as a medial shift: Whereas in the other sheets we look at the entire scene from the outside and, as it were, survey everything like an uninvolved observer, in this sheet we are involved ourselves and assume the position that is given to the Italian shepherds in the other sheets. This method increases the viewer's sense of belonging to the scenery and thus brings him closer to Reinhart's idea of a living antiquity. We are standing in antiquity ourselves. Keywords: 19th century, Romanticism, Landscape, Italy, Rome (Latium),
Fichter Kunsthandel
Nov. 04, 2023
Johann Christian Reinhart "Die Mühle bei den großen Eichen". 1788.
Est: €950 - €1,100
Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Radierung auf Bütten. In der Platte u.li. signiert "C. Reinhart" und datiert, unterhalb der Darstellung bezeichnet "Alexandro. Serenissimo Marchioni Brandenburgieo Musarum Fautori Clementissimo D. D." und darunter "humilissimus obsequentissmusque Servus C.Reinhart" . Im Passepartout montiert. Andresen I, 20. Landschaftsdarstellung aus der Umgebung von Meiningen. Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom Deutscher Maler, Zeichner und Radierer. Ab 1778 Studium der Theologie in Leipzig sowie Studium der Zeichenkunst an der dortigen Zeichnungs-, Mahlerey- und Architecturakademie bei A.F. Oeser. Ab 1783 in Dresden ansässig und nahm Privatunterricht bei Johann Christian Klengel. Teilnahme an der Dresdner Akademieausstellung. 1785 wieder in Leipzig ansässig, Freundschaft mit Schiller. Siedelte 1789 nach Rom, völlige Stiländerung durch Beeinflussung von Künstlern wie Koch und Carstens. Er galt zu seiner Zeit als eine zentrale Figur in der deutschen Künstlerkolonie Roms und als führender Landschaftsmaler.1810 Mitglied der Preußischen Akademie der Künste sowie 1813 Aufnahme in die Accademia di San Luca. 1830 Ernennung zum Mitglied der Königlichen Akademie der Künste in München und 1839 zum kgl. baierischen Hofmaler.
Schmidt Kunstauktionen Dresden OHG
Aug. 19, 2023
J. REINHART (1761-1847), Mediterranean mountain landscape, 1805, Etching
Est: €300 - €400
Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Mediterranean mountain landscape with a travelling horseman and two horses, in the background a wing of buildings that blends harmoniously into the landscape, 1805, Etching Technique: Etching on Paper, mounted on Paper Inscription: Signed and dated on the left below the image Date: 1805 Keywords: Mountain landscape, Mediterranean, Traveller, Donkey, Horse, Rider, Mountains, Mountain, Nature, 19th century, Romanticism, Landscape, Italy,
Fichter Kunsthandel
Jul. 13, 2023
Reinhart, Johann Christian
Est: €40 - €60
(1761 bei Hof - Rom 1847). "Ostia von der Meeres Seite". Radierung auf Vélin 1810. 10,3 x 15,5, Blgr. 23 x 30,5 cm. Mit dem Monogr., Datum, Titel u. Nr. "17" in der Platte. Andresen 121. Feuchtmayr Abb. 426. - Sehr guter Abdruck des einzigen Zustands. - Etw. stockfl., Ränder tls. knickf. R
Kiefer Buch- und Kunstauktionen
Jul. 05, 2023
Reinhart, Johann Christian (Hof an der Saale 1761-1847 Rom),
Est: €100 - €150
Der Satyr und die Nymphe beim Wasserfall. Radierung. In der Platte sign. und dat. Rom 1799. 19,6 x 27,5 cm (Blattgr.: 33 x 42 cm). - Andresen 80. - Leichte Knickspuren, leicht fleckig und gebräunt. (53)
Zisska & Lacher
Jun. 23, 2023
JOHANN CHRISTIAN REINHART (1761-1847) A CIVITA CASTELLANA (1794)
Est: -
Johann Christian REINHART (1761-1847) A Civita Castellana (1794), 28x38cm, ger/glas, RG 41x50 cm
Auktionshalle Cuxhaven
Jun. 23, 2023
JOHANN CHRISTIAN REINHART (1761-1847) "CASTELLA GANDOLFO" (1792) , GR. RADIERUNG
Est: -
Johann Christian REINHART (1761-1847) "Castella Gandolfo" (1792) , gr. Radierung, 28 x 37,5 cm. ger/Glas, RG 45x55 cm,
Auktionshalle Cuxhaven
Jun. 23, 2023
JOHANN CHRISTIAN REINHART (1761-1847) "A CIVITA CASTELLANA" (1793)
Est: -
Johann Christian REINHART (1761-1847) "A Civita Castellana" (1793), ghhrosse Radierung 38x28 cm, ger/Glas, RG51x42 cm
Auktionshalle Cuxhaven
Jun. 23, 2023
Reinhart, Johann Christian (Hof an der Saale 1761-1847 Rom),
Est: €100 - €150
Der Satyr und die Nymphe beim Wasserfall. Radierung. In der Platte sign. und dat. Rom 1799. 19,6 x 27,5 cm (Blattgr.: 33 x 42 cm). - Andresen 80. - Leichte Knickspuren, leicht fleckig und gebräunt. (53)
Zisska & Lacher
May. 25, 2023
Johann Christian Reinhart (1761 Hof - Rom 1847) – „Lago di Nemi“ (Lake Nemi)
Est: €2,000 - €2,400
Pen in brown, brown wash over pencil, on laid paper with watermark "coat-of-arms with letters DC". 1806. Inscribed with the location and dated "d. 31 Oct. 1806" upper left.
Karl & Faber
May. 25, 2023
Reinhart, Johann Christian
Est: €40 - €60
(1761 bei Hof - Rom 1847). "Ostia von der Meeres Seite". Radierung auf Vélin 1810. 10,3 x 15,5, Blgr. 23 x 30,5 cm. Mit dem Monogr., Datum, Titel u. Nr. "17" in der Platte. Andresen 121. Feuchtmayr Abb. 426. - Sehr guter Abdruck des einzigen Zustands. - Etw. stockfl., Ränder tls. knickf. R
Kiefer Buch- und Kunstauktionen