Frederic Remington's art is best known for paintings and sculptures depicting Amerca's Old West. Whether working alone, or with others, such as Owen Wister, Remington's paintings, sculptures, writings, and illustrations inspired an entire generation of readers and art aficionados. Many of his works were elegiac, an homage to an Old West that was rapidly disappearing. One striking accomplishment of Frederic Remington's art was the correct depiction of horses in motion.
Frederic Remington bronze statues include The Bronco Buster, his first statue, which started the genre called cowboy sculpture. Over 275 authorized casts have been made of this small statue, by methods that include sand-casting and lost-wax casting. Only one of the 21 existing Frederic Remington sculptures, The Cowboy, is considered to be full-sized. Discerning collectors will find many fine examples of other legendary sculptures for sale or at auction online.
A bronze statue on a marble plinth by celebrated American artist Frederic Remington (1861-1909). It is titled Mountain Man after the original which was produced in 1903. It measures 12.5 inches x 16 inches x 27 inches and it weighs 45lbs. This piece was acquired from a Metro Washington DC estate.
Frederic Sackrider Remington (1861 - 1909) The Century January, 1902 offset lithograph inscribed in plate lower right: H.A. Thomas & Wylie Lith. Co., N.Y. A rare poster by Remington; this image is from his 1901 painting, The Old Stagecoach of the Plains.
Frederic Remington, titled "Cowboy", bronze sculpture 21 1/2" x 23 1/2" x 7", on black marble base 22 1/2" x 18" x 8". Provenance: Palm Beach, Florida estate.
Frederic Remington (American, 1861-1909) Photogravure 'Mule Trains Crossing the Sierras' 1888 Signed l/l 14 1/2in. x 19 1/2in (37cm. x 50cm) Framed: 25in x 19in (63cm. x 48cm) Remington was known for his sculptures and artwork of the American West In 1881, he saw the vast prairies, the quickly shrinking bison herds, the still unfenced cattle, and the last major confrontations of US Cavalry and Native American tribes.
A Frederic Sackrider Remington (American, 1861-1909) engraving, engraved by R. Staudenbaur, titled 'Mexican Miners at Work' depicting two miners using a hand operated drill. Presented in a wooden frame behind glass. Pencil editioned 324/1950 lower left. Sight: 14.5" x 10.5" PICK UP The FINAL day to collect items or have them shipped is June 10th. NO exceptions. All pick ups will REQUIRE an appointment. Link will be included in invoice.
Two bronze sculptures, models after Frederic Remington, "Trooper of the Plains" and "Mountain Man", resting on green marble bases, 20th century; 13.5"H and 10.5"H respectively
DESCRIPTION: The cavalry soldier, riding a galloping horse, is dressed in classic military attire, wearing a hat and carrying his rifle across his chest. The sculpture is mounted on a dark marble base with a brass nameplate identifying the title and artist. It is signed "Frederic Remington". CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: H: 14" W: 14" L: 11" CONDITION: Good condition. Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
Title: "charge Of The Rough Riders At San Juan Hill". Frame Measures Approximately 25inx32.5in; Image Measures Approximately 14.5inx25in. In Used Condition With Slight Wear. Bh14417 Eds
Frederic Remington "Trooper of the Plains" Desktop Bronze Sculpture. Sculpture measures 10x11x5". Green granite base and brass title plaque. Good condition.
Title is The Bronco Buster. 9 3/8" by 7 1/4" by 3 3/4". Collectors West Inc Frederic Sackrider Remington (1861 - 1909) was active/lived in New York, Kansas, Connecticut. Frederic Remington is known for Western painting and sculpture, illustration. In his lifetime polymath Frederic Remington was the most successful and famous Western American artist. His immense talents included excelling as an illustrator, author, sculptor, and fine artist. His was a life tragically cut short. Born on October 4, 1861 in Canton, a small berg in bucolic upper state New York, he was much influenced by his father Seth Pierpont Remington, a Republican journalist who founded the St. Lawrence Plaindealer. His father had been a captain in the Civil War, and in 1870 President Ulysses S. Grant appointed him United States Collector of the Port of Ogdensburg, New York. In 1876 young Frederic enrolled at Highland Military Academy in Worcester, Massachusetts where he studied for the next two years. Two years later he enrolled at Yale for one year to study in the School of Fine Arts. His two loves were art and football. Only three months into school, he published his first illustration in the on-campus newspaper Yale Courant. On the gridiron he was a natural, demonstrating great strength and agility. Like Theodore Roosevelt, Remington also enjoyed boxing. A year later he met his future wife Eva Caten from Gloversville, New York. After the death of Remingtons father from tuberculosis on February 18, 1879, Eva rejected his first marriage proposal. Floundering, Remington headed to the American West to find himselfmuch like Theodore Roosevelt did when his mother and wife died on the same day. That led to a trip to Montana where he completed a number of sketches. Invigorated by his Western experiences, in February 1883 he headed to Kansas and with part of his inheritance bought a 160 acre sheep ranch near Peabody, Kansas. That failed adventure lasted about a year, and he then relocated to Kansas City, Missouri where Eva would join him as his wife. Yet he squandered the rest of his inheritance on a saloon there. After more illustrations were sold to Harpers Weekly, in 1885 the Remingtons moved to New York City, and in 1886 he attended the Art Students League. By then Remington was earning $1,200 a year, twice the income of a school teacher. Other magazines such as St. Nicholas and Outing also published his art. His work certainly impressed a young Theodore Roosevelt who was chronicling his life in Medoranow in North Dakotafor a serial that ran in The Century Magazine. It was very common at the time for authors to serialize their works in magazines before they were published in book form. In the fall of 1887 Remington was commissioned to illustrate the magazine stories which ended up in Roosevelts 1888 classic book Ranch Life and the Hunting Trail. Early on, a lasting friendship between the two was cemented through these publications. By 1889 he had garnered national notoriety as one of the most accomplished illustrators in the country. He was a national celebrity. In 1889 his monumental canvas A Dash for the Timber was exhibited at the National Academy of Design. The New York Times reported, "The picture at the Autumn exhibition of the Academy of Design before which stands the largest number of people is Frederic Remingtons Dash for the Timber." A Silver medal for Last Lull in the Fight followed at the Exposition Universelle in Paris. In 1891 the National Academy of Design elected Remington as an Associate member. Yet he was never admitted as National Academician, despite support from fellow artists Gilbert Gaul, Childe Hassam, and others. His financial success allowed the Remingtons to move into a grand home he named Ednion Algonquin for "a place where I live in New Rochelle, New York. A young Norman Rockwell would someday paint in his studio. Through his travels, Remington embraced social Darwinism survival of the fittest that championed the U.S. militarys domination of the inferior Native Americans. Theodore Roosevelt, George Armstrong Custer, and Remington along with most other Americansidolized Charles Darwin. As early as 1888 Remington started contributing short stories along with illustrations to magazines. His writings teemed with romantic Western stories chalk full of drama and violence. Initially, they presented the cavalryman as the hero and the Indian as the villain, especially when the Indian had been tainted with the vices of the white man. His West was the "frontier model where the fittest were rugged individuals from northern Europe and white Americans. Even though he was an accomplished author and painter, perhaps his greatest talent was as a sculptor. His bronzes are more famous and collectible than any other Western American artist. And yet his bronze repertoire was completed in just fourteen years. Starting in order of modeling, they are: The Broncho Buster, The Wounded Bunkie, The Wicked Pony, The Scalp, The Norther, The Cheyenne, The Buffalo Signal, Coming Through the Rye, The Mountain Man, The Sergeant, Paleolithic Man, Savage, Polo, The Rattlesnake, Dragoons 1850, The Outlaw, The Horse Thief, The Buffalo Horse, The Cowboy, Trooper of the Plains 1868, The Broncho Buster (large), and The Stampede. His Coming Through the Rye was widely viewed by the public at two worlds fairs. A New Jersey artisan in 1904 was commissioned by Remington to produce a heroic size plaster of the sculpture for the 1904 Louisiana Purchase Exposition in St. Louis, Missouri (called Off the Trail). It was then shipped to Portland, Oregon the next year for the Lewis and Clark Exposition and titled Shooting Up the Town. The Cowboyhis only monumental bronzewas commissioned in 1905 by the Fairmount Park Art Association in Philadelphia. The twelve feet high bronze was shipped to Philadelphia in May 1908 and unveiled in the park as The Mounted Cowboy. In 1900 Remington turned to Riccardo Bertelli at Roman Bronze Works in Brooklyn to cast his bronzes by the lost-wax casting process which allowed higher detail in the finished product. The Norther that year was his first bronze by this method. The Cheyenne was copyrighted the next year. His last, The Stampede, was modeled in late 1909 just before Remington died but wasnt copyrighted until 1910. His friend and accomplished sculptor Sally Farnham was called upon by Eva to oversee the production after her husbands death. The Broncho Buster reins as Remingtons most popular model. Many consider his last few years as his greatest period. Peter Hassrick divided Remingtons art into five periods: illustration; academic Realism; nocturnal paintings; Impressionism; and finally Symbolism. Remingtons paintings provided the financial means to build Lorul Place, his last home and studio, on forty-six acres in Ridgefield, Connecticut. Construction was completed in the spring of 1909. By the time of his death, he had produced over 3,000 illustrations for periodicals. The Frederic Remington Art Museum in Ogdensburg, New York, as it has been known since 1981, houses material from Evas estate that includes paintings, sketches, two bronzes and his library. The building was home to Eva and her sister after Remington died in 1909, and after she died it became known as the Remington Art Memorial in 1923.
Frederic Remington (New York 1861 - Ridgefield, Connecticut 1909) "A Study from Life / ..." Signed "Frederic Remington." bottom center. On the back, antique printed tag: "From FREDERICK KEPPEL & CO / Rare Engravings and Etchings, No 40 East 16th Street, New York" with the title and reference number (D 6116). Indian ink on paper 33 x 21 cm - framed 50 x 38 Rufus Godwin, Boston; Frederick Keppel & CO Rare Engravings and Etchings, New York; Private collection, Rome.
85/1000. In good condition with wear commensurate with age. Measures approximately 15L x 6W x 17H. ?"The Bronco Buster" is a renowned bronzesculpture by American artist Frederic Remington, first modeled in 1895. It vividly captures a cowboy's struggle to tame a rearing horse, embodying the rugged spirit of the American West. This dynamic piece marked Remington's transition from illustration to sculpture and remains a celebrated icon of Western art. ?RH50222
In good condition with wear commensurate with age. Measures approximately 6.5L x 3.5W x 9.5H. This Frederic Remington Bronco Buster Replica Bronze captures the raw energy and strengthof the American West. A faithful replica of Remington’s iconic sculpture, it depicts a cowboy taming a wild bronco with incredible detail and dynamic movement. Crafted in bronze, this piece is a powerfulrepresentation of Western culture and Remington’s mastery in capturing the spirit of frontier life, making it a timeless addition to any collection.RH50839
Signed Total height including the base: 27.5 cm Width: 30 cm Total weight including the base: 10.5 kg Provenance: Private collection, Uziel family Condition: For a detailed condition report, please contact us at info@hammersite.com
Featured in this lot is this 1987 edition of, "Frederic Remington" by Peter Hassrick. Peter Heyl Hassrick (1941-2019) was an American museum curator, art historian, and the author or editor of many exhibition catalogues about Western American art. Frederic Sackrider Remington (1861-1909) was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United States in the last quarter of the 19th century and featuring such images as cowboys, Native American Indians, and the US Cavalry. This book details the interesting life of Frederic Remington and includes full-color large-scale reproductions of paintings, accompanied by drawings and sculptures immortalizing the cowboys, Native Americans and others who populated the Old West. The book shows a beige colored hard cover with an image of a cowboy riding a bucking bronco in gold gilt. The dust cover shows a famous painting of Frederic Remington and shows the title and the author. The book shows good condition overall with little wear present and no signs of obvious damage is noted. The book measures 12 1/4" L x 13 3/8" W x 1" D and weighs 5 pounds and 4 ounces.
Featured in this lot is this rare "Done in the Open, Drawings by Frederick Remington", 1902 copyright Robert Howard Russell, P. F. Collier & Son Publisher, New York. "Done In The Open drawings by Frederic Remington with an introduction and verses by Owen Wister and others" is a fascinating, early 20th-century collection of outdoor sketches by Frederic Remington and a verse collection published by American author Owen Wister. The book contains 72 Frederic Remington art pieces with a few in color. The piece shows 12 double page drawings, 28 full page drawings, and 32 smaller drawings. Each of the drawings is accompanied by the arts title and a verse or poem about the piece. The book was a collaboration with the artist, Frederic Sackrider Remington, the verses being written to accompany Remington's drawings. Remington was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United States in the last quarter of the 19th century and featuring such images as cowboys, American Indians, and the US Cavalry. Remington's collaboration with Wister on The Evolution of the Cowpuncher, published by Harper's Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington's ideas. Remington's prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons. In truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary Army on Long Island and the Mexicans who ranched in the Arizona and California territories. Remington was one of the first American artists to illustrate the true gait of the horse in motion (along with Thomas Eakins), The galloping horse became Remington's signature subject, which was copied and interpreted by many Western artists who followed him to adopt the correct anatomical motion. Though criticized by some for his use of photography, Remington often created depictions that slightly exaggerated natural motion to satisfy the eye. He wrote that "the artist must know more than the camera... (the horse must be) incorrectly drawn from the photographic standpoint (to achieve the desired effect). Also, noteworthy was Remington's invention of "cowboy" sculpture. From his inaugural piece, "The Bronco Buster", he created an art form which is still very popular among collectors of Western art. He has been called the "Father of Cowboy Sculpture." This Cream-colored boards hardcover is in fair overall condition, the front cover decorated with the Remington portrait, "Infantry Soldier", a cloth back strip on the spine. Inside pages are free of writing and intentional marks. Slight wear is present to interior pages but show no major signs of damage. Inside pages exhibit occasional edge wear. The book measures 16 3/8" L x 11 1/2" W x 3/4" D and weighs 3 pounds and 8 ounces.
Frederic Remington (1861-1909), Large Bronze Sculpture Titled Buffalo Signal. Measuring 34 inches H x 23 W x 9 deep. Inscribed: Frederic Remington 84/100.
Remington, after Frederic (American, 1861-1909), Cavalry Border Patrol, late 19th century, color print reproduction with hand painted oil on board, signed not in the artists hand, sight 23.5 x 17.5 inches, framed 29.75 x 23.75 inches. Provenance: Harry Eichleay Gallery.
Roman Bronze Works, Inc. After Frederic Remington (American, 1861-1909) "The Wounded Bunkie" (1/250) patinated bronze sculpture marked "Frederic Remington / Roman Bronze Works, Inc., NY / Copyright by Frederic Remington, 1896" 20 1/2 x 31 x 11 inches This limited edition bronze sculpture by Roman Bronze Works, Inc., is the first of 250 castings. Each of the sculptures was cast duplicating the process of the original lost wax/silica plaster method used by the Roman Bronze Works, Inc. for the original castings of the original works of Frederic Remington. Includes a certificate of authenticity.
After Frederic Remington (American 1861-1909) "Bronco Buster" Patinated bronze Signed on base Frederic Remington, Triangle Horse's brand mark and "R" stamped to horse's rear Height 22 1/2 inches, length 19 inches Provenance: Estate of Stephen F. Osborne, 2185 South Easton Road, Doylestown, Pennsylvania
A finely cast with epic details in this monumental sized sculpture after Frederic Remington (Am. 1861-1909), titled Mountain Man, bronze recast sculpture on green marble base. Depicting a mountain man seated on horse descending down mountain side, Stamped signature 1903 dated along rock formed base as shown. Measuring approx 30" tall. Light dust soil, other wise very good as shown, see photos. HEAVY 50lbs
After Frederic Remington. Plaque reads FREDERIC REMINGTON COMING THROUGH THE RYE. Piece is bronze with green toned marble base. Sculpture signed FREDERIC REMINGTON. Depicts 4 male figures holding firearms while riding horse. Piece measures approximately 16 inches wide 13 inches tall 11 inches deep. Sculpture is significantly weighted. Sculpture, bronze sculpture. Bronze figure, Frederic Remington Coming Through The Rye, After Frederic Remington, decorative arts, Frederic Remington bronze sculpture, bronze and marble sculpture. 6B
Title is Cheyenne. 4" by 3 3/4" by 2". Frederic Sackrider Remington (1861 - 1909) was active/lived in New York, Kansas, Connecticut. Frederic Remington is known for Western painting and sculpture, illustration. In his lifetime polymath Frederic Remington was the most successful and famous Western American artist. His immense talents included excelling as an illustrator, author, sculptor, and fine artist. His was a life tragically cut short. Born on October 4, 1861 in Canton, a small berg in bucolic upper state New York, he was much influenced by his father Seth Pierpont Remington, a Republican journalist who founded the St. Lawrence Plaindealer. His father had been a captain in the Civil War, and in 1870 President Ulysses S. Grant appointed him United States Collector of the Port of Ogdensburg, New York. In 1876 young Frederic enrolled at Highland Military Academy in Worcester, Massachusetts where he studied for the next two years. Two years later he enrolled at Yale for one year to study in the School of Fine Arts. His two loves were art and football. Only three months into school, he published his first illustration in the on-campus newspaper Yale Courant. On the gridiron he was a natural, demonstrating great strength and agility. Like Theodore Roosevelt, Remington also enjoyed boxing. A year later he met his future wife Eva Caten from Gloversville, New York. After the death of Remingtons father from tuberculosis on February 18, 1879, Eva rejected his first marriage proposal. Floundering, Remington headed to the American West to find himselfmuch like Theodore Roosevelt did when his mother and wife died on the same day. That led to a trip to Montana where he completed a number of sketches. Invigorated by his Western experiences, in February 1883 he headed to Kansas and with part of his inheritance bought a 160 acre sheep ranch near Peabody, Kansas. That failed adventure lasted about a year, and he then relocated to Kansas City, Missouri where Eva would join him as his wife. Yet he squandered the rest of his inheritance on a saloon there. After more illustrations were sold to Harpers Weekly, in 1885 the Remingtons moved to New York City, and in 1886 he attended the Art Students League. By then Remington was earning $1,200 a year, twice the income of a school teacher. Other magazines such as St. Nicholas and Outing also published his art. His work certainly impressed a young Theodore Roosevelt who was chronicling his life in Medoranow in North Dakotafor a serial that ran in The Century Magazine. It was very common at the time for authors to serialize their works in magazines before they were published in book form. In the fall of 1887 Remington was commissioned to illustrate the magazine stories which ended up in Roosevelts 1888 classic book Ranch Life and the Hunting Trail. Early on, a lasting friendship between the two was cemented through these publications. By 1889 he had garnered national notoriety as one of the most accomplished illustrators in the country. He was a national celebrity. In 1889 his monumental canvas A Dash for the Timber was exhibited at the National Academy of Design. The New York Times reported, "The picture at the Autumn exhibition of the Academy of Design before which stands the largest number of people is Frederic Remingtons Dash for the Timber." A Silver medal for Last Lull in the Fight followed at the Exposition Universelle in Paris. In 1891 the National Academy of Design elected Remington as an Associate member. Yet he was never admitted as National Academician, despite support from fellow artists Gilbert Gaul, Childe Hassam, and others. His financial success allowed the Remingtons to move into a grand home he named Ednion Algonquin for "a place where I live in New Rochelle, New York. A young Norman Rockwell would someday paint in his studio. Through his travels, Remington embraced social Darwinism survival of the fittest that championed the U.S. militarys domination of the inferior Native Americans. Theodore Roosevelt, George Armstrong Custer, and Remington along with most other Americansidolized Charles Darwin. As early as 1888 Remington started contributing short stories along with illustrations to magazines. His writings teemed with romantic Western stories chalk full of drama and violence. Initially, they presented the cavalryman as the hero and the Indian as the villain, especially when the Indian had been tainted with the vices of the white man. His West was the "frontier model where the fittest were rugged individuals from northern Europe and white Americans. Even though he was an accomplished author and painter, perhaps his greatest talent was as a sculptor. His bronzes are more famous and collectible than any other Western American artist. And yet his bronze repertoire was completed in just fourteen years. Starting in order of modeling, they are: The Broncho Buster, The Wounded Bunkie, The Wicked Pony, The Scalp, The Norther, The Cheyenne, The Buffalo Signal, Coming Through the Rye, The Mountain Man, The Sergeant, Paleolithic Man, Savage, Polo, The Rattlesnake, Dragoons 1850, The Outlaw, The Horse Thief, The Buffalo Horse, The Cowboy, Trooper of the Plains 1868, The Broncho Buster (large), and The Stampede. His Coming Through the Rye was widely viewed by the public at two worlds fairs. A New Jersey artisan in 1904 was commissioned by Remington to produce a heroic size plaster of the sculpture for the 1904 Louisiana Purchase Exposition in St. Louis, Missouri (called Off the Trail). It was then shipped to Portland, Oregon the next year for the Lewis and Clark Exposition and titled Shooting Up the Town. The Cowboyhis only monumental bronzewas commissioned in 1905 by the Fairmount Park Art Association in Philadelphia. The twelve feet high bronze was shipped to Philadelphia in May 1908 and unveiled in the park as The Mounted Cowboy. In 1900 Remington turned to Riccardo Bertelli at Roman Bronze Works in Brooklyn to cast his bronzes by the lost-wax casting process which allowed higher detail in the finished product. The Norther that year was his first bronze by this method. The Cheyenne was copyrighted the next year. His last, The Stampede, was modeled in late 1909 just before Remington died but wasnt copyrighted until 1910. His friend and accomplished sculptor Sally Farnham was called upon by Eva to oversee the production after her husbands death. The Broncho Buster reins as Remingtons most popular model. Many consider his last few years as his greatest period. Peter Hassrick divided Remingtons art into five periods: illustration; academic Realism; nocturnal paintings; Impressionism; and finally Symbolism. Remingtons paintings provided the financial means to build Lorul Place, his last home and studio, on forty-six acres in Ridgefield, Connecticut. Construction was completed in the spring of 1909. By the time of his death, he had produced over 3,000 illustrations for periodicals. The Frederic Remington Art Museum in Ogdensburg, New York, as it has been known since 1981, houses material from Evas estate that includes paintings, sketches, two bronzes and his library. The building was home to Eva and her sister after Remington died in 1909, and after she died it became known as the Remington Art Memorial in 1923.
FREDERIC SACKRIDER REMINGTON 1861 Canton/ New York - 1909 Ridgefield/ Connecticut (after) OUTLAW Bronze, dark patina, on a naturalistic plinth and oval marble base (h. 4 cm). Overall h. 55.5, w. 35, d. 21 cm. Inscribed 'Frederic Remington' on the plinth and 'Outlaw' on the plaque. Above a rock plinth a fully sculpted, dynamic rodeo depiction of a cowboy sitting on a horse in a hump. Min. rubbed and loss of patina, rest, one drath damaged at the reins. FREDERIC SACKRIDER REMINGTON 1861 Canton/ New York - 1909 Ridgefield/ Connecticut (Nachfolger) 'OUTLAW' Bronze, dunkel patiniert, auf naturalistischer Plinthe und ovalem Marmorsockel (H. 4 cm). Ges.-H. 55,5, B. 35, T. 21 cm. Auf der Plinthe bez. 'Frederic Remington' und auf der Plakette bez. 'Outlaw'. Über einer Felsplinthe vollplastische, dynamische Rodeodarstellung eines Cowboys auf einem Pferd im Buckelsprung sitzend. Min. ber. und Verlust der Patina, rest., ein Draht an den Zügeln besch.
Frederic Remington (1861-1909). "Coming through the Rye” was inspired by the artist's own illustrations, one published in "Century Magazine" in October 1888 and the other in “Harper’s Weekly” in December 1889. Four mounted cowboys, pistols raised aloft, keep a steady pace in a tight, boisterous group cast in Bronze. 65 x 58 x 44 cm.
Inspired by Frederic Sackrider Remington (American, 1861-1909), Killing the Bear, bronze, signed in the bronze 'Inspired by Fredrick Remington, 1895, C. Henry Bonnard Bronze Co, His Last Stand John Scott, The Marlin Fire Arms Co, New Haven, Connecticut', 42cm high, 60cm wide, mounted on a green veined marble plinth
Framed Artist Proof print by New York / Kansas artist Frederic Remington (1861 - 1909). The print is titled "In From The Night Herd" and is framed under glass. Overall measures approx. 19-7/8" across x 14-7/8" tall.
Framed Artist Proof print by New York / Kansas artist Frederic Remington (1861 - 1909). The print is titled "Benighted For A Dry Camp" and is framed under glass. Overall measures approx. 19-7/8" across x 14-7/8" tall.
Frederic Remington Buffalo Horse Bronze Statue on Marble Base. Very nice gallery quality statue on a multi color marble base, and contrasting bronze. Measures 15.5in wide x 9.5in deep x 21.5in tall Ref #: 7009
Frederic Remington Rattlesnake Bronze Statue on Marble Base. Very nice gallery quality statue on a multi color marble base, and contrasting bronze. Measures 17in wide x 11in deep x 24in tall Ref #: 7005
Frederic Remington Wicked Pony Bronze Statue on Marble Base. Very nice gallery quality statue on a multi color marble base, and contrasting bronze. Measures 22.5in wide x 9in deep x 20in tall Ref #: 7002
Nice vintage bronze sculpture after Frederic Remington titled "Puncher". Signed on the base of the bronze and comes on a marble base. Nice condition with great detail. Cast by Henry Bonnard Co., limited edition number 14 of 100. Overall measures approximately 23-1/2" tall x 16" across x 11" deep including the marble base.
Nice vintage bronze sculpture after Frederic Remington titled "Bronco Buster". Signed on the base of the bronze and comes on a marble base. Nice condition with great detail. Overall measures approximately 23-1/2" tall x 16" across x 8" deep including the marble base.
Nice vintage bronze sculpture after Frederic Remington titled "Rattlesnake". Signed on the base of the bronze and comes on a marble base, base has a couple chips. Nice condition with great detail, has some verdigris. Overall measures approximately 23-1/3" tall x 17" across x 10-1/2" deep including the marble base.
Very nice vintage bronze sculpture after Frederic Remington titled "Bronco Buster". Signed on the base of the bronze and comes on a marble base. Nice condition with great detail. Overall measures approximately 24" tall x 18" across x 9" deep including the marble base.
Very nice large vintage bronze sculpture after Frederic Remington titled "Trooper Of The Plains". Signed on the base of the bronze and comes on a marble base. Nice condition with great detail. Overall measures approximately 26" tall x 28" across x 10" deep including the marble base.
Frederic Sackrider Remington (Canton, New York, 1861 - Ridgefield, Connecticut, 1909). Three Drawing and Sketch Books. Each with original cloth-backed pictorial paper-covered boards, comprising "Drawings by Frederic Remington." New York: Robert Howard Russell, 1897; "Remington's Frontier Sketches." Chicago, Akron, New York: The Werner Co., 1898; and "Done in the Open," with an Introduction and Verses by Owen Wister and Others. New York: P.F. Collier & Son, 1904, unpaged, folio. First volume: H: 11.875 in., W: 18.125 in., D: 0.75 in. Last volume: H: 16.375 in., W: 11.625 in., D: 0.5 in.
Some good detail in this plaster cast and bronze reproduction of Frederic Remington's famous 'Bronco Buster" sculpture. Good display item shows a cowboy and horse in a racing pose. Copyright by Frederic Remington near bottom center. Several small chips noted in different places on the piece. Affixed to a slightly larger marble base. Total approximate dimensions: 14 X 8 X 18 inches. Item is heavy, so bid accordingly. Local pickup is suggested.
In good condition with wear commensurate with age. Measures approximately 12L x 6.5W x 16H. A dynamic Frederic Remington Rattlesnakebronze sculpture, depicting a skilled rider and his horse in a moment of intense motion. The detailed craftsmanship captures the raw energy of the rearing horse as it reacts to the sudden threat beneath its hooves. Therider, gripping the reins with precision, maintains control with a poised yet determined stance. Remington’s signature attention to anatomical accuracy and fluid movement is evident in the intricate detailsof the horse’s musculature and the rider’s attire. A striking representation of the untamed spirit of the American West.RH50839
