José Risueño Paintings & Artwork for Sale | José Risueño Art Value Price Guide

Oct. 31, 2024
JOSÉ RISUEÑO (GRANADA, 1665 - 1732)
Est: €15,000 - €20,000
José Risueño (Granada, 1665 - 1732) ‘Christ Child seated on a throne’. Carved and polychromed wooden sculpture with glass eyes. Maximum measurements: 48,5 x 40,5 x 29,5 cm. The image shows us the Child seated, in an attitude of giving blessing. It retains its original polychromy, which resembles porcelain. The original accessories that accompany the sculpture are exquisite, the richly embroidered silk robes, as well as the beautiful little silver shoes and the silver potencies. The Child sits on two silk cushions and on a magnificent throne of Glory, made of carved, gilded and polychromed wood, which is in itself a work of art. Decorative Arts.
La Suite Subastas
Sep. 24, 2024
JOSE RISUEÑO Granada (1665) / (1732) "Saint John"
Est: €7,500 - €10,000
Carved and polychrome wood. Jose Risueño trained in the workshop of Diego de Mora, and in his sculptural works the influence of Alonso Cano is perceived, due to his careful polychromy, and Pedro de Mena, in his contained emotion, but advancing in greater exteriorization. of feelings. One of the most representative images of his production is that of Saint John the Baptist as a child, presented next to the lamb, of which there are a good number of specimens attributed to the sculptor and his workshop. A good example of its extraordinary plastic quality is the beautiful and delicate work presented here, representing Saint Juanito, which brings together all the sweetness of the best Granada school of sculpture. Its dimensions clearly indicate that it is a piece conceived for private devotion, a fact that has allowed better conservation of its original polychrome. The model follows the characteristics of the works that, with the same theme, were made by Risueño and his workshop, presenting an enormous formal parallelism in the position that the figure adopts with the specimen kept by the Monastery of Santa Paula in Seville, although , in this work, appears modestly covered with camel skin. Another similar example, although devoid of iconographic attributes, is preserved in the Victoria & Albert Museum in London. In them, compositionally, the movement that the sculpture presents with the body of Saint John in complete torsion stands out. His torso and arms adopt a turned position that shows the intention of hugging or picking up the lamb, while his head turns to the opposite side, directing his gaze to the ground. What stands out in all of them is the quality of their incarnations, with their folds and excellent polychrome, and the contour presented by the figure, common in Risueño, in which one of the saint's legs appears in a position to ascLate a rock sculpted in the base. Measurements: 26.5 cm. (32 cm. with crown)
Ansorena
Sep. 12, 2024
Attributed to José de Risueño y su Obrador (Granada, 1665-1732), Granada Baroque School of the 17th century
Est: €3,000 - €4,000
Oil on canvas representing Saint Domingo de Guzmán receiving the Virgin with the Child God. Measurements: 62 x 52 cm, framed measurements: 72 x 60 cm. One of the most prominent Spanish painters and sculptors of the Granada Baroque. Trained in the workshop of his father Manuel Risueño with the sculptors Diego and José de Mora and with the painter Juan de Sevilla, all of them disciples of Alonso Cano. With abundant artistic production of a religious nature, in his work we can see the influence of Cano's models, his taste for naturalism and the use of Van Dyck's Flemish prints. Among his paintings, the religious scenes stand out with examples such as The Coronation of Saint Rosalía and The Mystical Betrothal of Saint Catherine (Granada Cathedral), The Virgin of the Rosary (private collection, Almería) and Saint Thomas of Aquinas (acquired in 1911 by the Prado Museum). He collaborated with Palomino in the execution of The Triumph of the Eucharist and Saint Bruno from the dome of the Tabernacle of the Granada Charterhouse (in situ). He also made portraits, highlighting among them that of his protector, Archbishop Dr. Martín Azcargorta (archiepiscopal palace, Granada). In his sculptural works he cultivated the same themes as in painting, using diverse materials: clay, wood and stone, to make altarpieces, doorways and church facades, most of them in his hometown. Provenance: private collection, Barcelona. Reference literature: Orozco Díaz, Emilio, «Some unknown works by Risueño and de Mora (data and comments for the study of a forgotten theme of Granada imagery)», Spanish Art Archive, xliv, no. 175, Madrid, 1971, pp. 233-257; Sánchez-Mesa Martín, Domingo, José Risueño, sculptor and painter from Granada (1665-1732), Granada, University, 1972.
Templum Fine Art Auctions
Sep. 12, 2024
Important San Juanito in Hornacina from the same period in wood gilded with gold leaf, by José Risueño (1665 - 1732)
Est: €5,000 - €6,000
Andalusian Baroque Granada work from the 18th century. Measurements: 60 x 46 x 19 in total. Provenance: important private collection, property of an important collector
Templum Fine Art Auctions
Jul. 25, 2024
Attributed to José de Risueño y su Obrador (Granada, 1665-1732), Granada Baroque School of the 17th century
Est: €3,000 - €4,000
Oil on canvas representing Saint Domingo de Guzmán receiving the Virgin with the Child God. Measurements: 62 x 52 cm, framed measurements: 72 x 60 cm. One of the most prominent Spanish painters and sculptors of the Granada Baroque. Trained in the workshop of his father Manuel Risueño with the sculptors Diego and José de Mora and with the painter Juan de Sevilla, all of them disciples of Alonso Cano. With abundant artistic production of a religious nature, in his work we can see the influence of Cano's models, his taste for naturalism and the use of Van Dyck's Flemish prints. Among his paintings, the religious scenes stand out with examples such as The Coronation of Saint Rosalía and The Mystical Betrothal of Saint Catherine (Granada Cathedral), The Virgin of the Rosary (private collection, Almería) and Saint Thomas of Aquinas (acquired in 1911 by the Prado Museum). He collaborated with Palomino in the execution of The Triumph of the Eucharist and Saint Bruno from the dome of the Tabernacle of the Granada Charterhouse (in situ). He also made portraits, highlighting among them that of his protector, Archbishop Dr. Martín Azcargorta (archiepiscopal palace, Granada). In his sculptural works he cultivated the same themes as in painting, using diverse materials: clay, wood and stone, to make altarpieces, doorways and church facades, most of them in his hometown. Provenance: private collection, Barcelona. Reference literature: Orozco Díaz, Emilio, «Some unknown works by Risueño and de Mora (data and comments for the study of a forgotten theme of Granada imagery)», Spanish Art Archive, xliv, no. 175, Madrid, 1971, pp. 233-257; Sánchez-Mesa Martín, Domingo, José Risueño, sculptor and painter from Granada (1665-1732), Granada, University, 1972.
Templum Fine Art Auctions
Jul. 18, 2024
Important San Juanito in Hornacina from the same period in wood gilded with gold leaf, by José Risueño (1665 - 1732)
Est: €5,000 - €6,000
Andalusian Baroque Granada work from the 18th century. Measurements: 60 x 46 x 19 in total. Provenance: important private collection, property of an important collector
Templum Fine Art Auctions
Jul. 18, 2024
Massive Baroque Madonna in Glory - ATTRIBUTED TO JOSÉ DE RISUEÑO (Granada, 1665-1732), 17TH CENTURY BAROQUE GRANADINE SCHOOL
Est: €18,000 - €22,500
Oil on canvas measurements: 100 x 78 cm, framed measurements: 120 x 100 cm. One of the most prominent Spanish painters and sculptors of the Granada Baroque. Trained in the workshop of his father Manuel Risueño with the sculptors Diego and José de Mora and with the painter Juan de Sevilla, all of them disciples of Alonso Cano. With abundant artistic production of a religious nature, in his work we can see the influence of Cano's models, his taste for naturalism and the use of Van Dyck's Flemish prints. Among his paintings, the religious scenes stand out with examples such as The Coronation of Saint Rosalía and The Mystical Betrothal of Saint Catherine (Granada Cathedral), The Virgin of the Rosary (private collection, Almería) and Saint Thomas of Aquinas (acquired in 1911 by the Prado Museum). He collaborated with Palomino in the execution of The Triumph of the Eucharist and Saint Bruno from the dome of the Tabernacle of the Granada Charterhouse (in situ). He also made portraits, highlighting among them that of his protector, Archbishop Dr. Martín Azcargorta (archiepiscopal palace, Granada). In his sculptural works he cultivated the same themes as in painting, using diverse materials: clay, wood and stone, to make altarpieces, doorways and church facades, most of them in his hometown. Provenance: private collection, Barcelona. Reference literature: Orozco Díaz, Emilio, «Some unknown works by Risueño and de Mora (data and comments for the study of a forgotten theme of Granada imagery)», Spanish Art Archive, xliv, no. 175, Madrid, 1971, pp. 233-257; Sánchez-Mesa Martín, Domingo, José Risueño, sculptor and painter from Granada (1665-1732), Granada, University, 1972.
Templum Fine Art Auctions
Jun. 26, 2024
Exquisite Granada Virgin with Child in Glory - ATTRIBUTED TO JOSÉ DE RISUEÑO (Granada 1665-1732) 17TH CENTURY BAROQUE GRANADINE SCHOOL
Est: €22,500 - €35,000
Oil on canvas measurements: 100 x 78 cm framed measurements: 120 x 100 cm One of the most prominent Spanish painters and sculptors of the Granada Baroque Trained in the workshop of his father Manuel Risueño with the sculptors Diego and José de Mora and with the painter Juan de Sevilla all of them disciples of Alonso Cano With abundant artistic production of a religious nature in his work we can see the influence of Cano's models his taste for naturalism and the use of Van Dyck's Flemish prints Among his paintings the religious scenes stand out with examples such as The Coronation of Saint Rosalía and The Mystical Betrothal of Saint Catherine (Granada Cathedral) The Virgin of the Rosary (private collection Almería) and Saint Thomas of Aquinas (acquired in 1911 by the Prado Museum) He collaborated with Palomino in the execution of The Triumph of the Eucharist and Saint Bruno from the dome of the Tabernacle of the Granada Charterhouse (in situ) He also made portraits highlighting among them that of his protector Archbishop Dr Martín Azcargorta (archiepiscopal palace Granada) In his sculptural works he cultivated the same themes as in painting using diverse materials: clay wood and stone to make altarpieces doorways and church facades most of them in his hometown Provenance: private collection Barcelona Reference literature: Orozco Díaz Emilio «Some unknown works by Risueño and de Mora (data and comments for the study of a forgotten theme of Granada imagery)» Spanish Art Archive xliv no 175 Madrid 1971 pp 233-257; Sánchez-Mesa Martín Domingo José Risueño sculptor and painter from Granada (1665-1732) Granada University 1972
Templum Fine Art Auctions
Mar. 21, 2024
Granada School of José de Risueño (Granada, 1665-1732), 18th century
Est: €3,000 - €3,500
Child measurements with base: 75 x 30 x 26 cm. Provenance: important private collection, Zaragoza.
Templum Fine Art Auctions
Jan. 25, 2024
Important San Juanito in Hornacina from the same period in wood gilded with gold leaf, by José Risueño (1665 - 1732)
Est: €5,000 - €6,000
Andalusian Baroque Granada work from the 18th century. Measurements: 60 x 46 x 19 in total. Provenance: important private collection, property of an important collector
Templum Fine Art Auctions
Nov. 29, 2023
San Vicente Ferrer
Est: -
Obra granadina, muy cercana al estilo de Risueño, pintor y escultor. En ella se aprecia el influjo de Antonio Palomino, quien se trasladara a Granada para pintar la cúpula del Sagrario de la Cartuja de dicha ciudad a partir de 1709. Existe una réplica de este cuadro en colección particular de Jaén.
Isbilya Subastas
Nov. 29, 2023
Important San Juanito in Hornacina from the same period in wood gilded with gold leaf, by José Risueño (1665 - 1732)
Est: €5,000 - €6,000
Andalusian Baroque Granada work from the 18th century. Measurements: 60 x 46 x 19 in total. Provenance: important private collection, property of an important collector
Templum Fine Art Auctions
Oct. 17, 2023
JOSÉ RISUEÑO (Granada, 1665 - 1732). “Sleeping child.” Polychrome clay and stuccoed fabric.
Est: €25,000 - €35,000
JOSÉ RISUEÑO (Granada, 1665 - 1732). "Sleeping child". Polychrome earthenware and stuccoed canvas. Measurements: 6 x 22 x 12 cm. Devotional image carved in wood and polychrome, representing the naked Baby Jesus, sleeping with his head resting on a cushion and a light-coloured blanket under his body. It is a work of great naturalism, typically Baroque, characterised by a realism derived from a careful study of life. It is no longer a muscular child in the manner of Michelangelo, but the sculptor depicts an authentically infantile anatomy, which seeks to deceive the eye, to confuse reality with art in order to touch the soul of the faithful. Aesthetically, the piece is close to the work of the painter and sculptor from Granada, son of the artist Manuel Risueño, José began his training in his father's workshop with the sculptors Diego and José de Mora and the painter Juan de Sevilla, all of them disciples of Alonso Cano, head and initiator of the Granada school of the Baroque. Throughout his life Risueño produced an abundant artistic output of religious themes, characterised by the combination of the influence of Cano's models with a taste for naturalism and the use of Flemish prints by Van Dyck to construct his compositions. He enjoyed great success during his lifetime and was in fact protected by prominent members of the Church and worked in the factory of Granada cathedral, which guaranteed him a flow of commissions. From 1693 onwards, his main patron was Archbishop Martín Azcargorta, and it was precisely from that time onwards that the artist reached the maturity of his language and mastery. He produced important works such as the Christ of the convent of San Ángel and the Inmaculada del altar of the cathedral of Granada, although his most famous work, and also his last, was the series of sixteen figures that make up the main altarpiece of San Ildefonso. José Risueño's sculpture is characterised by small figures, Rococo-influenced technical virtuosity and the quality of his polychromes, given that he was also a painter. It should be noted that he worked not only in wood carving but also in stone and terracotta, producing altarpieces, doorways and church façades, most of them in his native Granada. As a painter he produced important religious works such as "La coronación de Santa Rosalía" and "Los desposorios místicos de Santa Catalina", in the cathedral of Granada, and he collaborated with Palomino in the execution of "El triunfo de la Eucaristía y San Bruno" in the dome of the Sagrario in the Carthusian monastery in Granada. He also painted portraits such as that of his protector Azcargorta (Archbishop's Palace, Granada). Works by José Risueño are currently held in the Prado Museum (work on deposit in the Provincial Museum of Lugo), the Museum of Fine Arts in Granada, the Victoria & Albert Museum in London and other public and private collections.
Setdart Auction House
Oct. 03, 2023
JOSÉ RISUEÑO Granada (1665) / (1732) "Holy Family with Saint Elizabeth and Saint John"
Est: €15,000 - €20,000
Oil on canvas. José Risueño is one of the most important figures in baroque painting from Granada. Painter and sculptor, his production is concentrated in the city of Granada, where he cultivated a type of work in which the influence of Alonso Cano and the use of other sources such as flemish prints can be appreciated. In this splendid large-format work, he makes use of his habitual models in the representation of the Virgin and children's types, but it is evident that to make this composition he was inspired by Raphael's Little Holy Family, preserved in the Louvre Museum in Paris and that, without a doubt, he met through a print. From it he takes the distribution and position of the figures, the type of cradle, the stone wall at the back and the wide and colorful landscape in the background. Its dimensions allow us to guess that it was conceived as an altar canvas, like the ones he made for the cathedral of Granada. Measurements: 164 x 116 cm.
Ansorena
Jul. 26, 2023
Immaculate in Prayer, environment of José de Risueño (1665-1721), Granada school from the end of the 17th century
Est: €12,000 - €15,000
Panel relief in carved wood with fine polychrome work. Works to compare: see, Cartuja de Granada, Main Tabernacle, for stews of the same invoice. Measurements: Measurements: 72 x 57 cm.
Templum Fine Art Auctions
Jul. 06, 2023
Important Child of the Thorn from the school of José de Risueño (Granada, 1665 - Granada, 1732), a Granada school from the 18th century
Est: €5,000 - €6,000
Garments in silk and gold thread, measures: 79 x 30 x 20 cm
Templum Fine Art Auctions
May. 30, 2023
Immaculate in Prayer, circle of José de Risueño (1665-1721), Granada school from the end of the 17th century
Est: €12,000 - €15,000
Relief in carved wood with fine polychrome work. Works to compare: see, Cartuja de Granada, Main Tabernacle, for stews of the same invoice. Measurements: Measurements: 72 x 57 cm.
Templum Fine Art Auctions
Nov. 10, 2022
La aparición de Dios Padre y el Espíritu Santo
Est: -
El interés de esta pintura transciende su propia factura creativa. Actualmente luce de manera individual, sin embargo en origen, su completa significación y composición la alcanza en unión a dos conocidos lienzos de Risueño pertenecientes al Museo de Bellas Artes de Bilbao que representan a la Virgen Dolorosa y el apóstol San Juan Evangelista. Sobre el cuadro existen unas notas personales de Manuel Martínez de Victoria, quién fue director del Museo de Bellas Artes de Granada de 1917 a 1956 y propietario del lienzo, donde manifiesta que Risueño es el autor y precisa la procedencia. Así, esta pintura y las otras dos mencionadas sirvieron de fondo pictórico a un Cristo de talla que se alzaba en una capilla de la Iglesia de San Gil de Granada. Concretamente, dicho montaje artístico se vinculaba a un retablo dedicado al Cristo de la Expiración y Via Sacra, el cual será desmontado con el derribo del inmueble en 1868 causando la posterior dispersión de las piezas. Las pinturas y el Cristo, un crucificado al estilo de Alonso de Mena que preside hoy la sacristía de la Iglesia de Santa Ana, formaban una escena de Calvario, siendo la tela ahora exhibida la coronación del mismo. Su acomodo dentro de la arquitectura del retablo y su relación con las restantes bienes es posible visualizarlo gracias a tres estampas devocionales granadinas fechadas una en 1730 y las otras en 1779, de las que existen ejemplares en el Museo Casa de los Tiros. En el lienzo se percibe la impronta de media circunferencia que testimonia su primitiva estructura faltando, no obstante, el cierre de los extremos que se hallan recortados. Dichas faltas anulan una parte del dibujo de las masas de nubles y alteran, asimismo, la posición descentrada que tuvo la figura de Dios Padre y la paloma del Espíritu Santo. Como es típico en la pintura de Risueño, el entonación policroma es esencialmente rojiza. Sin estridencias, se contrapone al azul de la esfera y a loa blancos del ropaje. Magnífico resultado resulta el juego de luz y sombras que procura a la pintura una atmósfera de misterio y milagro. Técnica de claroscuro que acentúa la corporeidad de los personajes e introduce una sensación de profundidad a la escena. Encomiable resulta también la plasticidad volumétrica de las figuras estando proveídas de una gran fuerza, movimiento y expresividad. Se adjunta informe de restauración de D. José María Rodríguez-Acosta Márquez. ____________________________________________________________________________________________________________________________________________________________________________________ Exposiciones: "Inéditos del Barroco granadino | Pintura y escultura de colecciones particulares" organizada por CajaGranada Fundación y Fundación Cajasol del 28 de enero al 11 de abril de 2021. Bibliografía: VV.AA. Catálogo de la exposición "Pintores románticos en la España del XIX". Caja Granada y Cajasol, 2021. Reproducido en pág. 70. Procedencia: Granada, Colección familia Martínez de Victoria.
Isbilya Subastas
Nov. 02, 2022
JOSÉ RISUEÑO Granada (1665) / (1732) "Saint Anotnio of Padua with the Child"
Est: €30,000 - €40,000
Sculpture in carved and polychrome wood. Height without base: 67 cm.
Ansorena
Mar. 09, 2022
LA APARICIÓN DE DIOS PADRE Y EL ESPÍRITU SANTO
Est: -
El interés de esta pintura transciende su propia factura creativa. Actualmente luce de manera individual, sin embargo en origen, su completa significación y composición la alcanza en unión a dos conocidos lienzos de Risueño pertenecientes al Museo de Bellas Artes de Bilbao que representan a la Virgen Dolorosa y el apóstol San Juan Evangelista. Sobre el cuadro existen unas notas personales de Manuel Martínez de Victoria, quién fue director del Museo de Bellas Artes de Granada de 1917 a 1956 y propietario del lienzo, donde manifiesta que Risueño es el autor y precisa la procedencia. Así, esta pintura y las otras dos mencionadas sirvieron de fondo pictórico a un Cristo de talla que se alzaba en una capilla de la Iglesia de San Gil de Granada. Concretamente, dicho montaje artístico se vinculaba a un retablo dedicado al Cristo de la Expiración y Via Sacra, el cual será desmontado con el derribo del inmueble en 1868 causando la posterior dispersión de las piezas. Las pinturas y el Cristo, un crucificado al estilo de Alonso de Mena que preside hoy la sacristía de la Iglesia de Santa Ana, formaban una escena de Calvario, siendo la tela ahora exhibida la coronación del mismo. Su acomodo dentro de la arquitectura del retablo y su relación con las restantes bienes es posible visualizarlo gracias a tres estampas devocionales granadinas fechadas una en 1730 y las otras en 1779, de las que existen ejemplares en el Museo Casa de los Tiros. En el lienzo se percibe la impronta de media circunferencia que testimonia su primitiva estructura faltando, no obstante, el cierre de los extremos que se hallan recortados. Dichas faltas anulan una parte del dibujo de las masas de nubles y alteran, asimismo, la posición descentrada que tuvo la figura de Dios Padre y la paloma del Espíritu Santo. Como es típico en la pintura de Risueño, el entonación policroma es esencialmente rojiza. Sin estridencias, se contrapone al azul de la esfera y a loa blancos del ropaje. Magnífico resultado resulta el juego de luz y sombras que procura a la pintura una atmósfera de misterio y milagro. Técnica de claroscuro que acentúa la corporeidad de los personajes e introduce una sensación de profundidad a la escena. Encomiable resulta también la plasticidad volumétrica de las figuras estando proveídas de una gran fuerza, movimiento y expresividad. Se adjunta informe de restauración de D. José María Rodríguez-Acosta Márquez. ____________________________________________________________________________________________________________________________________________________________________________________ Exposiciones: "Inéditos del Barroco granadino | Pintura y escultura de colecciones particulares" organizada por CajaGranada Fundación y Fundación Cajasol del 28 de enero al 11 de abril de 2021. Bibliografía: VV.AA. Catálogo de la exposición "Pintores románticos en la España del XIX". Caja Granada y Cajasol, 2021. Reproducido en pág. 70. Procedencia: Granada, Colección familia Martínez de Victoria.
Isbilya Subastas
Jan. 26, 2022
José Risueño. Gift of the Maggi
Est: -
Oil on canvas. Deteriorated canvas in the center right. Important composition where the strong Flemish influence prevailing in Andalusian painting of the 17th century can be appreciated. The earthy tones of this canvas are characteristic of the first stage of the painter. The Virgin appears on the left seated on a plinth with the Child in her arms, behind her Saint Joseph with the flowery wand. On his knees at the feet of the Virgin, King Melchor dressed in a rich mantle offers gold to the Child who looks at the Mother. In the background, Gaspar and Baltasar, accompanied by soldiers among whom some characteristic physiognomies of the painter can be recognized, contemplate the scene clearly resolved in a cross-shaped composition.
Duran Arte y Subastas
Jan. 04, 2022
ATRIBUIDO A JOSÉ RISUEÑO (GRANADA, 1665-1732) SALVATOR MUNDI.
Est: €6,500 - €8,000
Atribuido a José Risueño (Granada, 1665-1732) Salvator Mundi. Talla en madera policromada. Ojos de vidrio. Se representa a Cristo vestido con túnica azul y manto rojo, sosteniendo el orbe con la mano izquierda mientras bendice con la derecha. 156 x 90 x 46 cm.
Aletheia Subastas
Dec. 09, 2021
Atribuido a José Risueño. Salvator Mundi.
Est: €6,500 - €8,000
Atribuido a José Risueño (Granada, 1665-1732) Salvator Mundi. Talla en madera policromada. Ojos de vidrio. Se representa a Cristo vestido con túnica azul y manto rojo, sosteniendo el orbe con la mano izquierda mientras bendice con la derecha. 156 x 90 x 46 cm.
Aletheia Subastas
May. 19, 2021
Circle of José Risueño (Granada 1665-1732) "Infant Jesus of the Passion" In carved and pol
Est: €4,000 - €8,000
Circle of José Risueño (Granada 1665-1732) "Infant Jesus of the Passion" In carved and polychrome wood with vitreous paste eyes. In the raised right hand he would carry a cross and in the lower left a basket with the instruments of the passion. Elegant counterpart of the characteristic Child of Risueño and a sad but serene face. Base with tassel cushion and plant motifs. Height: 52 cms.
Subastas Segre
Apr. 29, 2021
ANDALUSIAN SCHOOL FROM THE 18TH CENTURY. CIRCLE OF JOSÉ RISUEÑO (GRANADA, 1665-1721) DIVINE SHEPHERDESS.
Est: €2,800 - €4,200
Andalusian school from the 18th century. Circle of José Risueño (Granada, 1665-1721) Divine shepherdess. Sculpture in carved, polychrome and gilded wood. 41 x 44.5 x 32.5 cm. With faults. The theme of the Divine Shepherdess is an invocation of the Virgin Mary, represented as a heavenly shepherd, which emerged in Seville at the beginning of the 18th century. According to the vision of Fray Isidoro of Seville, the Virgin appears sitting on a rock, wearing a veil and a straw hat, dressed with a blue hand and a red tunic, a clear allusion to the clothes of the immaculate, she wears a white shepherd's coat and a crook , motifs linked to the bucolic atmosphere of the scene. A group of sheep representing the believers surround her with her.
Aletheia Subastas
Dec. 19, 2019
José Risueño. Gift of the Maggi
Est: -
RISUEÑO, JOSÉ (1667 - 1721). "Adoración de los Reyes". Óleo sobre lienzo. Lienzo deteriorado en el centro derecha. Importante composición donde se aprecia la fuerte influencia flamenca imperante en la pintura andaluza del siglo XVII. Las tonalidades terrosas de este lienzo son características de la primera etapa del pintor. La Virgen aparece a la izquierda sentada sobre un plinto con el Niño en brazos, detrás de ella San José con la vara florida. De rodillas a los pies de la Virgen el rey Melchor ataviado con rico manto ofrece oro al Niño que mira a la Madre. En segundo plano Gaspar y Baltasar acompañados de soldados entre los que se reconocen algunas fisonomías características del pintor, contemplan la escena resuelta con claridad en una composición en aspa. 135 x 230 cm
Duran Arte y Subastas
Dec. 17, 2019
JOSÉ RISUEÑO - Adoration of the Kings
Est: -
JOSÉ RISUEÑO Granada 1665-1721 Adoration of the Kings Oil on canvas Size 37 x 28 cm.
Subastas Segre
Oct. 09, 2019
ATTRIBUTED TO JOSE RISUEÑO (Granada 1665-1732) Niño Jesus, sedente, bendiciendo. Carved polychrome wood figure
Est: -
ATRIBUIDO A JOSE RISUEÑO (Granada 1665-1732) Niño Jesus, sedente, bendiciendo Talla en madera policromada de 40 cm. Ojos de pasta vitrea. Con indumentaria del s. XVIII.En sillon estilo chippendale, probablemente andaluz, en nogal tallado.
Sala Retiro Subastas
Oct. 24, 2018
Granada school, 17th Century, Nursing Madonna, Oil on canvas
Est: €1,200 - €1,500
Granada school, 17th Century Nursing Madonna Oil on canvas It has been suggested an attribution to José Risueño (Granada 1665 - 1721) 104x82 cm
Balclis
May. 08, 2018
ATRIBUIDO A JOSÉ RISUEÑO (Granada, 1665 - 1721) Sagrada Familia
Est: -
ATTRIBUTED TO JOSÉ RISUEÑO (Granada, 1665 - 1721) Sagrada Familia This Holy Family, of great humanity and charm, has traditionally been attributed to the Granada-born painter who was trained under the influence of Alonso Cano;in him the tastes of the teacher by the naturalism are appreciated, the rich intonations of color with preference by the reddish and intense bluish ones, the taste by the flamenco painting whose imprint is patent in compositions and types, and a tendency to the idealization of personages and attitudes The anatomy of the characters as well as the peculiar style of the still life in the foreground lead us to think of another possible authorship, in this case José de Cieza (Granada, 1656 - Madrid, 1692), also a painter from the Granada school of follower Risueño de the stela of Cano, that at the end of the century marches to Madrid obtaining of Carlos II the title of painter of the King, thus uniting to his baggage Granada the tendencies that introduce us already in the eighteenth-century taste that began to prevail in the capital. With an important period frame in carved and gilded wood. Oil on canvas 130 x 88 cm Antique painting and 19th C.
Isbilya Subastas
Apr. 25, 2018
José Risueño. Gift of the Maggi
Est: -
RISUEÑO, JOSÉ (1667 - 1721). "Adoración de los Reyes". Óleo sobre lienzo. Lienzo deteriorado en el centro derecha. Importante composición donde se aprecia la fuerte influencia flamenca imperante en la pintura andaluza del siglo XVII. Las tonalidades terrosas de este lienzo son características de la primera etapa del pintor. La Virgen aparece a la izquierda sentada sobre un plinto con el Niño en brazos, detrás de ella San José con la vara florida. De rodillas a los pies de la Virgen el rey Melchor ataviado con rico manto ofrece oro al Niño que mira a la Madre. En segundo plano Gaspar y Baltasar acompañados de soldados entre los que se reconocen algunas fisonomías características del pintor, contemplan la escena resuelta con claridad en una composición en aspa. 135 x 230 cm
Duran Arte y Subastas
Mar. 15, 2018
Granada school, 17th Century Nursing Madonna Oil on canvas It has been suggested an attribution to José Risueño (Granada 1665 - 1721) 104x82 cm
Est: €1,200 - €1,500
Granada school, 17th Century Nursing Madonna Oil on canvas It has been suggested an attribution to José Risueño (Granada 1665 - 1721) 104x82 cm
Balclis
Feb. 27, 2018
RISUENO José (1665 - 1732) - Huile sur toile ovale marouflée sur toile "
Est: €600 - €800
RISUENO José (1665 - 1732) Huile sur toile ovale marouflée sur toile "L'Immaculée conception". Attribué à José Risueno. Ecole espagnole. Epoque: début XVIIIème. (Provenance: collection F. Choquet, achetée à Grenade en 1834). (On y joint un certificat ainsi qu'un livre sur l'artiste). Dim.:35,5x27,5cm.
Vanderkindere
Dec. 19, 2017
17th CENTURY GRANADA SCHOOL
Est: -
ESCUELA GRANADINA S. XVII Círculo de José Risueño (Granada, 1665-1732). "El sueño de San José", óleo sobre lienzo, 160x125 cm.
Sala de Ventas
Oct. 26, 2017
ATTRIBUTED TO JOSÉ RISUEÑO, San Vicente Ferrer. Oil on canvas
Est: -
San Vicente Ferrer ATRIBUIDO A JOSÉ RISUEÑO (Granada, 1665 - 1721) San Vicente Ferrer Obra granadina, muy cercana al estilo de Risueño, pintor y escultor. En ella se aprecia el influjo de Antonio Palomino, quien se trasladara a Granada para pintar la cúpula del Sagrario de la Cartuja de dicha ciudad a partir de 1709. Existe una réplica de este cuadro en colección particular de Jaén.
Isbilya Subastas
Jul. 20, 2017
José Risueño. Gift of the Maggi
Est: -
RISUEÑO, JOSÉ (1667 - 1721). "Adoración de los Reyes". Óleo sobre lienzo. Lienzo deteriorado en el centro derecha.Importante composición donde se aprecia la fuerte influencia flamenca imperante en la pintura andaluza del siglo XVII. Las tonalidades terrosas de este lienzo son características de la primera etapa del pintor. La Virgen aparece a la izquierda sentada sobre un plinto con el Niño en brazos, detrás de ella San José con la vara florida. De rodillas a los pies de la Virgen el rey Melchor ataviado con rico manto ofrece oro al Niño que mira a la Madre. En segundo plano Gaspar y Baltasar acompañados de soldados entre los que se reconocen algunas fisonomías características del pintor, contemplan la escena resuelta con claridad en una composición en aspa. 135 x 230 cm
Duran Arte y Subastas
May. 17, 2017
JOSÉ RISUEÑO (ATTRIB.)
Est: -
JOSÉ RISUEÑO (ATTRIB.) (Granada, 1665-1732). "El sueño de San José", óleo sobre lienzo, 160x125 cm.
Sala de Ventas
Jan. 25, 2017
ATTRIBUTED TO JOSÉ RISUEÑO (Granada, 1665 - 1721). Oil on canvas
Est: -
ATRIBUIDO A JOSÉ RISUEÑO (Granada, 1665 - 1721) San Vicente Ferrer Óleo sobre lienzo Obra granadina, muy cercana al estilo de Risueño, pintor y escultor. En ella se aprecia el influjo de Antonio Palomino, quien se trasladara a Granada para pintar la cúpula del Sagrario de la Cartuja de dicha ciudad a partir de 1709. Existe una réplica de este cuadro en colección particular de Jaén. 85 x 63 cm
Isbilya Subastas
Oct. 19, 2016
FOLLOWER OF JOSÉ RISUEÑO (Granada, 1665 - 1721)
Est: -
SEGUIDOR DE JOSÉ RISUEÑO (Granada, 1665 - 1721) San José con el Niño 59 x 44 cm Óleo sobre tabla
Isbilya Subastas
Jun. 22, 2016
ATTRIBUTED TO JOSEPH RISUEÑO (Granada, 1665-1721)
Est: -
ATRIBUIDO A JOSÉ RISUEÑO (Granada, 1665 - 1721) San Vicente Ferrer Óleo sobre lienzo Obra granadina, muy cercana al estilo de Risueño, pintor y escultor. En ella se aprecia el influjo de Antonio Palomino, quien se trasladara a Granada para pintar la cúpula del Sagrario de la Cartuja de dicha ciudad a partir de 1709. Existe una réplica de este cuadro en colección particular de Jaén. 85 x 63 cm
Isbilya Subastas