Johannes Christiaan Roedig Paintings & Artwork for Sale | Johannes Christiaan Roedig Art Value Price Guide

May. 13, 2023
DUTCH STILL LIFE OIL PAINTING BY JOHAN CH ROEDIG
Est: $100 - $150
Johan Christian Roedig, Dutch, 1751 to 1802, oil painting on linen canvas depicting a Still Life with Fruit Flowers and a Parrot, 1801. Framed. Provenance: Fine Estate, Inc., San Rafael, CA, United States, December 12, 2021, lot 198. Owner: Mr. Stephen L. Baum, President Enova Corporation, San Diego CA. An original paper label of James Bernstein, Conservator of Paintings, on the backside. Johann Roedig is a Dutch artist, known for still lifes. One of a kind artwork.
Antique Arena Inc
Dec. 10, 2022
DUTCH STILL LIFE OIL PAINTING BY JOHAN CH ROEDIG
Est: $100 - $150
Johan Christian Roedig, Dutch, 1751 to 1802, oil painting on linen canvas depicting a Still Life with Fruit Flowers and a Parrot, 1801. Framed. Provenance: Fine Estate, Inc., San Rafael, CA, United States, December 12, 2021, lot 198. Owner: Mr. Stephen L. Baum, President Enova Corporation, San Diego CA. An original paper label of James Bernstein, Conservator of Paintings, on the backside. Johann Roedig is a Dutch artist, known for still lifes. One of a kind artwork.
Antique Arena Inc
Dec. 05, 2022
JOHANNES CHRISTIANUS ROEDIG (1750-1802) (GENRE)
Est: €600 - €800
Still life with flowers on stone entablement. Panel. Monogrammed 'J. R.'. Description FR Nature morte avec des fleurs et nid d'oiseau sur un entablement en pierre. Panneau. Portant un monogramme. Provenance: Coll. P. van der Weiden, Aerdenhout Beschrijving NL Stilleven met bloemen en vogelnest op stenen entablement. Paneel. Monogramdragend. Herkomst: Verz. P. van der Weiden, Aerdenhout
Bernaerts Auctioneers
Jul. 19, 2022
Johannes Christianus Roedig,
Est: £8,000 - £12,000
Johannes Christianus Roedig, Dutch 1750-1802- Still life with fruit and flowers on a pewter plate and a glass of wine on a draped table; oil on panel, bears signature ï¿½J:D:DE:HEEM:f' (lower right), bears printed 'Thomas Baring' label on the reverse, bears further labels on the reverses of the panel and frame, 37 x 47.8 cm. Provenance: [Almost certainly] William Jones of Clytha, Clytha Castle, 1790s.; His estate sale, Christie's, London, 1852, as by Jan Davidsz. de Heem.; Where purchased by Thomas George Baring, later 1st Earl of Northbrook (1826-1904).; M. Bernard, by 1945 (probably the London dealer Montague Bernard).; From whom purchased by Arthur Tooth & Sons, London, no.1246; The Hon. Michael Langhorne Astor (1916-1980), no.141.; Estate of the Hon. Michael Langhorne Astor sale, Sotheby's, London, 8 July 1992, lot 322, as Manner of Jan Davidsz. de Heem.; Private Collection, UK. Literature: A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, 1889, no.47 (illustrated), as by Jan Davidsz. de Heem (see https://protect-us.mimecast.com/s/FTPtCW6wlQhZEPNuJbiE_?domain=wikidata.org).; RKD - see https://protect-us.mimecast.com/s/5-OdCXD70rIjQqkCXsyrK?domain=rkd.nl. Note: The present work was painted after 1785. It was almost certainly purchased by William Jones of Clytha in the 1790s when he was furnishing Clytha Castle in Monmouthshire, the building of which was completed in 1790. After entering the Northbrook Collection in 1852, it most probably remained there until 1929 at least, when, after the death of Francis Baring, the 2nd Earl, it would have been amongst the numerous works sold by his widow in dispersals between 1929 and 1945. By 1945 it was with a M. Bernard who sold it to Arthur Tooth, with the work still ascribed to de Heem. Records next emerge from Sothebyï¿½s in 1992 when it was sold as part of the estate of the Hon. Michael Langhorne Astor (who himself possibly purchased it from Arthur Tooth), where it was catalogued as 'Manner of Jan Davidsz. de Heem'. Around this time, following research by Dr Fred Meijer, it was re-ascribed and fully attributed to Roedig. The attribution is based in part on a closely related work by Roedig ï¿½ also signed as by de Heem ï¿½ which last appeared at Christieï¿½s, Amsterdam, 14 November 1991, lot 166. In an extensive catalogue note to a pair of floral still life works by Roedig that sold at Bonhams, London, 9 December 2009, lot 81 (for ï¿½1,196,000) ï¿½ establishing Roedig as an important if overlooked artist - Dr Meijer suggests that the present work and others are probably examples of deliberate forgeries by Roedig. Interestingly, as Dr Meijer has pointed out, the ï¿½forgedï¿½ paintings are clearly by Roedig and make no concentrated effort, other than the signatures, to imitate de Heem. By the end of his career, however, Roedig had clearly emerged as a fully established and highly respected Dutch painter in his own right, with his fame extending as far as Saint Petersburg. Indeed, from correspondence between Roedig's son and the nineteenth-century art historian Adriaen van der Willigen, we know that the artist sold a large number of his works to Russia during his lifetime, which explains why so few remained in his native Holland. For example, in 1783, Count Alexander Stroganoff commissioned two paintings from the artist which he then gave to Empress Catherine the Great. The present work therefore provides a rare opportunity to acquire an example of Roedig's work of this high calibre. Consistent with his reputational rise perhaps is the existence of examples of his paintings which are indeed signed under his own name. In addition to the Bonhams 2009 pair, see, for example, his Still life which sold at Sotheby's, Amsterdam, 1 December 2009, lot 68 (ï¿½54,750), which is strikingly similar to the present work, featuring the same halved peach and bunch of white grapes. The Fitzwilliam Museum in Cambridge owns three of his signed works. One, ï¿½Basket of flowers with fruitï¿½, shares distinctive similarities with the present work, particularly in the grapes, ears of wheat and morning glory flowers (PD.41-1966). We are grateful to Dr Fred Meijer for confirming the attribution of the present lot. Please refer to department for condition report
Roseberys
Oct. 26, 2016
Johan Christiaan Roedig (The Hague Tulips, poppies, carnations a
Est: $30,000 - $50,000
Johan Christiaan Roedig (The Hague Tulips, poppies, carnations and other flowers in a vase with a bird's nest on a... oil on panel 22 ½ x 17 ¼ in. (57.1 x 43.8 cm.)
Christie's
Feb. 13, 2011
Johann Christian Roedig (Dutch, 1751-1802), "Still
Est: $500 - $700
Johann Christian Roedig (Dutch, 1751-1802), "Still Life with Grapes, Currants, Cherries and Raspberries", oil on thin support, affixed to oak board, signed lower right, 9 in. x 10 3/4 in., in a modern giltwood frame.
Neal Auction Company
Apr. 28, 2010
Johannes Christianus Roedig (The Hague 1751-1802) Tulips, roses, convolvulus and other flowers
Est: £10,000 - £15,000
Tulips, roses, convolvulus and other flowers in a terracotta vase with a bird's nest on a marble ledge oil on panel 61 x 50.2cm (24 x 19 3/4in).
Bonhams
Dec. 09, 2009
Johannes Christianus Roedig (The Hague 1751-1802) Tulips, roses and other flowers in a classical urn overturned by a cat chasing a mouse with a statue of Flora beyond; and Peaches, grapes, pumpkins, a lemon, a pomegranate and other fruit and flowers
Est: £700,000 - £900,000
Tulips, roses and other flowers in a classical urn overturned by a cat chasing a mouse with a statue of Flora beyond; and Peaches, grapes, pumpkins, a lemon, a pomegranate and other fruit and flowers in a wicker basket on a marble plinth, with a classical urn beyond both signed and dated 'C Roedig/1779' (lower right, in brick and lower left, on stone) a pair, oil on panel 73 x 57.5cm (28 3/4 x 22 5/8in). (2)
Bonhams
Dec. 01, 2009
JOHANNES CHRISTIANUS ROEDIG
Est: €30,000 - €50,000
A STILL LIFE WITH PEACHES, GRAPES, PLUMS, A MELON, CHERRIES, WALNUTS, CHESTNUTS ON A WAN-LI PORCELAIN PLATE, TOGETHER WITH TWO SNAILS ON A MARBLE LEDGE, DRAPED WITH A BLUE CLOTH signed lower right: J.C. Roedig
Sotheby's
Jul. 08, 2009
Johannes Christianus Roedig (The Hague 1751-1802) Tulips, roses, convolvulus and other flowers
Est: £20,000 - £30,000
Tulips, roses, convolvulus and other flowers in a terracotta vase with a bird's nest on a marble ledge oil on panel 61 x 50.2cm (24 x 19 3/4in).
Bonhams
Feb. 07, 2009
Johann Christian Roedig (Dutch, 1751-1802), "Still
Est: $1,000 - $1,500
Johann Christian Roedig (Dutch, 1751-1802), "Still Life with Grapes, Currants, Cherries and Raspberries", oil on thin support, affixed to oak board, signed lower right, 9 in. x 10 3/4 in., in a modern giltwood frame * NO RETURNS ARE ACCEPTED ON THE BASIS OF CONDITION * PLEASE READ ALL CONDITIONS OF LISTED WITH THIS ITEM * PAYMENT DUE WITHIN 10 DAYS! * NO PAY PAL * WE DO NOT SHIP ANY ITEMS or ESTIMATE, SEE BELOW SHIPPING POLICY * LOCATED IN NEW ORLEANS, LA *
Neal Auction Company
May. 03, 2008
Johan Christian Roedig (Dutch, 1751-1802) , "Still
Est: $2,000 - $4,000
Johan Christian Roedig (Dutch, 1751-1802) , "Still Life with Grapes, Currants, Cherries and Raspberries", oil on thin support, on oak panel, signed lower right, 9 in. x 10 3/4 in., in a modern giltwood frame * NO RETURNS ARE ACCEPTED ON THE BASIS OF COND
Neal Auction Company
May. 08, 2007
Johannes Christianus Roedig The Hague 1750 - 1802 , A still life with peaches, grapes, plums, a melon, cherries, wallnuts, chestnuts on a wan-li porcelain plate, together with two snails on a marble ledge, draped with a blue cloth
Est: €40,000 - €60,000
signed lower right: J.C. Roedig oil on mahogany panel
Sotheby's
May. 09, 2006
JOHANNES CHRISTIANUS ROEDIG THE HAGUE 1750 - 1802
Est: €60,000 - €80,000
THE PROPERTY OF A DUTCH FAMILY A STILL LIFE WITH PINK ROSES, SMALL MORNING GLORY, IRISSES, A HYACINTH, A POPPY ANEMONE, AURICULA, A TULIP AND OTHER FLOWERS IN A VASE SCULPTED WITH CLASSICAL FIGURES, TOGETHER WITH GRAPES, PEACHES, APRICOTS AND WALLNUTS, ALL ON A STONE LEDGE WITH A DRAGONFLY, TWO SNAILS AND A PEACOCK BUTTERFLY, IN A GARDEN SETTING WITH A STATUE OF FLORA IN THE BACKGROUND measurements note 75.8 by 62.3 cm. signed, dated and inscribed lower right: J: C: Roedig/ s: hage: 1792 : oil on mahogany panel PROVENANCE Mrs Q.C.J. Sikkens-van der Meer Mohr, The Hague, circa 1900; By descent to her daughter Mrs R. Sikkens, The Hague; Thence by descent to the present owners in 2000. NOTE This exuberant flower piece is a fine example of the art of Johannes Christianus Roedig, who was active in The Hague and who specialised in highly refined fruit and flower pictures. Impeccably preserved on its stable (and expensive) thick mahogany panel, it is a tour-de-force of technical perfection. The balanced and centralised composition, and the fact that it is composed of both fruit and flowers combined, suggests that it was probably conceived as an individual work and not as one of a pair of pendants, one of fruit and one of flowers. In its asymmetric arrangement of the bouquet, the use of a terra cotta vase on a stone plinth, the light landscape background with statue and the inclusion of a butterfly, a snail and a dragonfly Roedig is here working in the idiom developed by his famous predecessors Jan van Huysum (1682-1749) and Jan van Os (1744-1808) (see the introduction by S. Segal, in: exhibition catalogue, Boeket in Willet, Museum Willet Holthuysen, Amsterdam, 1970). This idiom was especially conceived for the new 18th century clientèle who had been increasingly aware of the discoveries of the Enlightment, so that the still life came to be regarded in its context of nature and of her changing seasons. This explains the artist's choice of a garden background and the addition of the Goddess of Flora, who can only reign in the season of Summer. This is a marked change from the earlier, 17th Century tradition of flower-painting, in which blooms from different seasons are painted together, as if to overwhelm the viewer, who thus ignores the actual impossibility of seeing them all together, and may not realise that they have been removed from their natural context. As with others of his generation, today Roedig is a somewhat forgotten artist. However, in his own time he must have had considerable success. His fame went as far as St. Petersburg, where Count Alexander Stroganoff donated Empress Catharina the Great a pair of Roedigs in 1783, which he had ordered especially. This pair subsequently entered the Hermitage, from where they were sold during the 1830s (see A. Somof, Ermitage Impérial Catalogue de la Galérie des Tableaux, vol. II: Ecoles Néerlandaises et Ecole Allemande, 1901, p. 377, nos. 1384 and 1385). One picture has since turned up in a private collection in the Netherlands, unfortunately with the signature erased, but still with the Stroganoff seal on the reverse. Of equal importance are the pendants of 1779, formerly with Hoogsteder & Hoogsteder, The Hague, in 1997 (see A Fruitful Past, exhibition at Amsterdam, P. de Boer, and Brunswick, Herzog Anton-Ulrich Museum, 1983, nos. 70 and 71, reproduced). This pair once decorated the interior of the rich merchant Pieter Lyonet in Amsterdam. In the present picture Roedig attains the technical perfection of the Hermitage and Lyonet pair, and it is certainly one of the most outstanding surviving works by the artist. Dated 1792, this work was painted two years prior to Roedig's appointment as Secretary of the Academy of The Hague. The addition ´s Hage to the signature and date suggests thar it was painted for a collector from The Hague. This was probably an ancestor of Mrs Sikkens--van der Meer Mohr, who owned the picture in The Hague by circa 1900.
Sotheby's
Dec. 09, 2005
Johan Christian Roedig (The Hague 1751-1802)
Est: £8,000 - £12,000
Grapes, cherries, plums, peaches, walnuts and a melon in a porcelain bowl on a partly-draped ledge with a halved peach and two snails signed 'J. C. Roedig.' (lower right, on the ledge) oil on panel 27 1/2 x 20 7/8 in. (69.8 x 53.1 cm.)
Christie's
Dec. 13, 2002
Johan Christiaan Roedig (The Hague 1751-1802)
Est: $11,200 - $16,000
Peaches and a bee on a pewter platter on a marble ledge, in a wooded landscape signed 'j. C Roedig' (lower right) oil on panel 141/4 x 111/2 in. (36.2 x 29.2 cm) PROVENANCE with D.A.Hoogendijk & Co, Holland.
Christie's