Carl Borromäus Andreas Ruthart Paintings & Artwork for Sale | Carl Borromäus Andreas Ruthart Art Value Price Guide

Sep. 18, 2024
ATTRIBUTED TO CARL ANDREAS RUTHART (GERMAN, 1630-1703)
Est: £2,500 - £3,500
ATTRIBUTED TO CARL ANDREAS RUTHART (GERMAN, 1630-1703) ATTRIBUTED TO CARL ANDREAS RUTHART (GERMAN, 1630-1703) A Lion, after Rubens inscribed (by Arthur Feldmann) Karl Andreas Ruthart / Aufgescheuchte Lowen in pencil on the verso watercolour and gouache 12.7 x 20 cm (5 x 7 7/8 in.) overall framed: 29.5 x 38 cm (11 3/4 x 15 in.) Together with a varient engraving after the same subject, by the same hand. Provenance Dr. Arthur Feldmann, Brno Looted by the Gestapo on 15 March 1939, during the Nazi occupation of Moravia Anonymous sale ('The Property of a Collector'), Londo, Sotheby's, 16 October 1946, part of lot 55 Sir Robert Witt, London (Lugt 228b) Bequeathed by him in 1952 to the Courtauld Institute of Art, London Restituted to the heirs of Arthur Feldmann in 2007 Literature London, Courtauld Institute of Art, Hand-list of the Drawings in the Witt Collection, 1956, p.155, no.3852 (as Ruthart) Sir David Hirt, Report of the Spoliation Advisory Panel in Respect of Three Drawings now in the Possession of the Courtauld Institute of Art, London, 2007
Chiswick Auctions
Jun. 29, 2024
Ruthart, Carl Borromäus Andreas: Hundemeute, einen Eber erlegend
Est: €6,000 - €8,000
Carl Borromäus Andreas Ruthart circa 1630 Danzig - 1703 Aquila Pack of dogs killing a boar Oil on wood; H 48 cm, W 67.5 cm; expert opinion from Dr. Klaus Ertz, Lingen from 2023
Peter Karbstein - Kunst und Auktionshaus
Nov. 04, 2023
Ruthart, Carl Borromäus
Est: -
Ruthart, Carl Borromäus 1630 Danzig - 1703 L'Aquila (Umkreis) Tiger und Löwen. Öl/Lwd./doubl., 90 x 118 cm.
Dusseldorfer Auktionshaus
Jun. 29, 2023
Carl Ruthart, Umkreis (?) Bear hunt
Est: €4,000 - €6,000
Carl Ruthart, Umkreis (?) 1630 Danzig - 1703 LAquila Bear hunt Oil auf canvas. 163 x 225 cm. Relined. Restored. Damaged. Minor damage to frame (187 x 243 cm).
Neumeister
May. 26, 2023
Wooded landscape with dogs attacking bears
Est: $7,000 - $9,000
Sold to Benefit the Acquisitions Fund of The Art Museum of Greater Lafayette Carl Borromäus Andreas Ruthart Danzig 1630 - after 1703 L'Aquila Wooded landscape with dogs attacking bears oil on canvas canvas: 38 ⅛ by 61 in.; 96.8 by 154.9 cm. framed: 43 ½ by 66 ¾ in.; 110.5 by 169.5 cm.
Sotheby's
Mar. 17, 2023
Carl Borromäus Andreas Ruthart (attribuito a) (Danzica, 1630 - L'Aquila, 1703) Grande dipinto ad olio raffigurante scena di caccia con selvaggina e natura morta olio su tela cm 140x180; con cornice 200x207
Est: €8,200 - €10,000
Carl Borromäus Andreas Ruthart (attribuito a) (Danzica, 1630 - L'Aquila, 1703) Grande dipinto ad olio raffigurante scena di caccia con selvaggina e natura morta olio su tela cm 140x180; con cornice 200x207Straordinaria cornice da palazzo boemo in legno dorato del Settecento modanata ed intagliata a fiori e roccailles, con bordo interno a baccellatura ed esterno fustellato. La cimasa a timpano con volute vegetali, foglie e fiori, reca intagliato al centro un grappolo d'uva, la parte bassa termina con decoro a roccailles e nastro.
Gliubich Casa d'Aste
Mar. 04, 2023
RUTHART, CARL BORROMÄUS ANDREAS - UMKREIS (1630-1703). KAMPF DER RAUBKATZEN.
Est: -
RUTHART, Carl Borromäus Andreas - Umkreis(1630-1703) Kampf der Raubkatzen Öl/Leinwand. Unsigniert. Ende 17. Jh. 90 x 117 cm. Gerahmt103 x 127 cm. Zwei Löwen im Kampf gegen andere Raubkatzen im Gebirge nahe einer Festungsanlage Leinwand doubliert. RUTHART, Carl Borromeo Andrew - Circum(1630-1703) Fight of the Predatory Cats Oil/canvas. Unsigned. Late 17th century 90 x 117 cm. Framed103 x 127 cm. Two lions fighting other big cats in the mountains near a fortress canvas doubled. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Jan. 24, 2023
Attributed to Carl Barromaus Ruthart Painting
Est: $800 - $1,600
Attributed Carl Barromaus Andreas Ruthart (German, 1630-1703). Oil on canvas painting depicting two deer in a wooded landscape. The painting has an illegible monogram along the lower left quadrant that is only visible under UV.
Revere Auctions
Dec. 08, 2022
Carl Borromäus Andreas Ruthart, 1630 – 1703
Est: €30,000 - €50,000
GemäldepaarBÄRENHATZ Öl auf Leinwand. Doubliert. 54,5 x 68 cm. Jeweils links unten signiert „Ruthart“. In vergoldetem Profilrahmen. Von außergewöhnlich hoher Qualität ist dieses Gemäldepaar, das als Pendants gearbeitet ist. Jeweils eine hügelige Landschaft vorstellend mit akzentuierter Beleuchtung und in Bewegung versetztem Gewässer. Vor bewölktem Himmel und repoussoirhaft wirkendem Baumbestand jeweils eine Gruppe von Jagdhunden mehrere Bären reißend. Fell, Ausdruck und Bewegung sind genau beobachtet, sicherlich in zahlreichen Studien vorbereitet und auf Leinwand gebannt. Ruthart war zunächst in Antwerpen tätig, bevor er nach Wien und dann 1672 nach Italien ging. Seine besonders in Deutschland geschätzten Tiergruppen wurden nicht selten in Landschaften von Wilhelm Schubert van Ehrenberg gesetzt, mit dem er zusammenarbeitete. (1340011) (13) Carl Borromäus Andreas Ruthart, 1630 – 1703 A pair of paintings BEAR HUNT Oil on canvas. Relined. 54.5 x 68 cm. Each signed lower left “Ruthart“. In profiled, gilt frame.
Hampel Fine Art Auctions
Oct. 29, 2022
RUTHART, CARL BORROMÄUS ANDREAS - UMKREIS (1630-1703). KAMPF DER RAUBKATZEN.
Est: -
RUTHART, Carl Borromäus Andreas - Umkreis(1630-1703) Kampf der Raubkatzen Öl/Leinwand. Unsigniert. Ende 17. Jh. 90 x 117 cm. Gerahmt : 103 x 127 cm. Zwei Löwen im Kampf gegen andere Raubkatzen im Gebirge nahe einer Festungsanlage. Leinwand doubliert. RUTHART, Carl Borromäus Andreas - Circum (1630-1703) Fight of the Predatory Cats Oil/canvas. Unsigned. Late 17th century 90 x 117 cm. Framed : 103 x 127 cm. Two lions fighting other big cats in the mountains near a fortress. canvas doubled. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Nov. 09, 2021
RUTHART, CARL BORROMÄUS (CIRCLE)
Est: €400 - €401
RUTHART, CARL BORROMÄUS (CIRCLE) 1630 - (after) 1703 42 x 52 cm Bear hunting with dogs. Oil/canvas.
Nagel Auction
Nov. 06, 2021
Carl Borromeo Andreas Ruthart
Est: -
Carl Borromeo Andreas Ruthart (1630-1703), Circumcircle. Fighting lions and a tiger in a rocky southern landscape. This Baroque painting with its dramatic, highly lively depiction of the predatory cats impressively shows the influence of Ruthart's paintings. Oil/canvas, mounted, restored a. retouched, 98 x 117 cm. framed 103 x 127 cm
Historia Auctionata
Sep. 24, 2021
Maler des 19. Jahrhunderts in der Art des Carl Borromäus Andreas Ruthart (1630 – 1703)
Est: €2,500 - €3,500
Gemäldepaar KÄMPFENDE TIERE IN FREIER NATURÖl auf Leinwand. Doubliert. Je 67 x 82 cm. Ungerahmt.Das erste Gemälde zeigt vor einem Felsenstück, unter blauem Himmel mit übergroßen weißen Wolkenformationen, einen prachtvollen Elch, der von zwei Wölfen angegriffen wird. Einer der Wölfe hat sich im Nacken des Elchs festgebissen; dieser hat vor Schmerz sein Maul leicht aufgerissen und blickt mit seinem rötlichen Auge aus dem Bild heraus. Auch die zweite Darstellung wird wiederum vor einem braunen großen Felsenstück wiedergegeben, das nach rechts den Blick in eine weite Landschaft unter blauem Himmel mit weißen Wolken wiedergibt. Im Zentrum auf dem beige-braunen Boden ein bulliger Stier, der einen Leoparden mit seinem rechten Horn erfasst hat. Dieser hat sein Maul weit aufgerissen und krümmt sich vor Schmerz. Tierdarstellungen in der Art des bekannten Malers, in überwiegend beige-brauner Farbigkeit, aufgelockert jeweils durch einige grüne, ins Bild ragende Sträucher und Baumzweige. (1281714) (18)
Hampel Fine Art Auctions
Jul. 15, 2021
Carl Borromäus Ruthart, Stag Hunt
Est: €60,000 - €70,000
The piece depicts hunting dogs attempting to wrestle down a stag. They bite into the neck and hind legs of the defenceless animal as another stag hurls one of the hunting dogs into the air, and a third tries to escape the pack by a courageous leap. Carl Borromeo Ruthart shows the heroic struggle of the stags against the pack of unleashed hunting dogs. The animals are the protagonists of this composition, the mounted hunter is only seen in the distance as a secondary figure. Carl Borromeo Andreas Ruthart was one of the many German artists of the 17th century who left their homeland, which was starving after the Thirty Years' War, to learn painting in other artistic centres throughout Europe and seek prestigious employment in the princely courts. Thus we find him in Rome, Venice, Antwerp, Vienna and Graz, spending the latter years of his artistic life in L'Aquila in southern Italy - as Frate Andrea in a monastery. In Antwerp, he came into contact with the naturalistic animal painting of the Flemish masters, especially that of Frans Snyders. He was a self-taught artist who succeeded in becoming one of the most sought-after animal painters of his time. Ruthart prepared his paintings by making sketches of individual animals, which are sometimes of extraordinary quality. For example, Dr. Fred Meijer, who confirmed the attribution to Ruthart (written communication, 7.4.2021), refers to a preparatory drawing for the depiction of the fleeing stag that was once offered at auction in England (Christie's, 31 May 1993, lot 311).
Kunsthaus Lempertz KG
May. 09, 2021
Carl Borromäus Andreas Ruthart
Est: -
Carl Borromäus Andreas Ruthart (1630 Danzig - um 1703 L'Aquila) Umkreis Miteinander kämpfende Löwen und ein Tiger in felsiger südlicher Landschaft Das Barock-Gemälde mit seiner dramatischen, höchst lebendigen Darstellung der Raubkatzen zeigt eindrucksvoll den evidenten Einfluss der Gemälde Rutharts auf die Kunst des 17./18. Jhs.; Rutharts Bedeutung liegt insbesondere in der Tiermalerei, besonders Raubtieren und Großkatzen, die er meisterhaft schilderte und höchst kunstfertig in diverse Umgebungen komponierte. Ruthart lernte um 1650 bei Daniel Schultz in Danzig, 1654-1659 ging er erstmals nach Italien, wo er in Mailand und Rom tätig war. 1663/64 schloss er sich er als Meister der Gilde in Antwerpen an, wo ihn die Gemälde von Peter Paul Rubens und Frans Snyders inspirierten. Nach Aufenthalten 1664-1667 in Regensburg und Wien ging er 1672 erneut nach Italien, wo er sich religiösen Motiven zuwandte und schließlich Cölestiner-Mönch wurde. Öl/Lwd., doubl.; 98 cm x 117 cm. Rahmen. Circle of Carl Borromäus Andreas Ruthart (1630 - circa 1703). Oil on canvas, relined.
Kunstauktionshaus Schloss Ahlden
May. 08, 2021
Ruthart, Carl Borromäus
Est: -
Ruthart, Carl Borromäus 1630 Danzig - 1703 L'Aquila Tiger, Löwe und Leoparden. Öl/Lwd./doubl., 96 x 125 cm.
Dusseldorfer Auktionshaus
Mar. 25, 2021
Ruthart, Carl (Danzig, Aquila 1630-1703)
Est: €2,000 - €2,400
Zwei Leoparden verfolgen ein Hirschrudel in bewaldeter Hügellandschaft. Monogr. Lwd. 45×61,5 cm. R. (42136)
Leo Spik
Dec. 09, 2020
Manner of Carl Borromaus Andreas Ruthart (German, 1630-1703)
Est: £400 - £600
Manner of Carl Borromaus Andreas Ruthart (German, 1630-1703) Saint Blaise the hermit, in a cavern surrounded by wild animals oil on canvas 38.5 x 30.5cm Footnote: Saint Blaise lived as a hermit in solitude and prayer, but he befriended wild animals. One day a group of hunters seeking wild animals for the amphitheatre stumbled upon Blaise’s cave. They were first surprised and then frightened. The bishop was kneeling in prayer surrounded by patiently waiting wolves, lions and bears.
Cheffins
Dec. 05, 2019
Ruthart, Carl Borromäus Andreas (Danzig, L´Aquila 1630-1703) , Art des
Est: €2,800 - €3,360
Felsenlandschaft mit Rehen auf Anhöhe Lwd. (doubl.) 60,5×87 cm. R. (58594)
Leo Spik
Sep. 11, 2019
Carl Borromaus Andreas Ruthart (German, 1630-1703) A leopard and a lion attacking zebra in a rocky landscape oil on canvas 20 ½ x 26 in. (52 x 66 cm.)
Est: £5,000 - £7,000
Carl Borromaus Andreas Ruthart (German, 1630-1703) A leopard and a lion attacking zebra in a rocky landscape oil on canvas 20 ½ x 26 in. (52 x 66 cm.)
Christie's
Jun. 05, 2019
Attribué à Carl RUTHART (1630-1703)
Est: €5,000 - €7,000
Attribué à Carl RUTHART (1630-1703) Trois chiens attaquant des renards. Toile. 69 x 85cm. Petits manques. 5 000 / 7 000 €
Gros-Delettrez
May. 24, 2018
Carl Borromäus Andreas Ruthart, detto Carlo Ruttardo (Danzica 1630? - L'Aquila post 1703)
Est: €20,000 - €30,000
Orfeo incanta gli animali olio su tela, cm 200 x 320, senza cornice Orfeo, dopo aver tentato invano di riportare Euridice viva dall'Ade, tornò sulla terra disperato: secondo Virgilio pianse per sette mesi, secondo Ovidio per sette giorni, e poi diede fondo a tutte sue le abilità di musicista incantando le fiere e animando gli alberi con la sua musica. Il tema di Orfeo che incanta gli animali ricorre in Occidente sin dalla vasta casistica di mosaici romani, e ritrova una forte ripresa tra Quattro e Cinquecento. Antonio Tempesta produsse entro il 1630 una nota stampa, e a Genova lo stesso Sinibaldo Scorza si misurò con la storia di Orfeo (cfr. Sinibaldo Scorza. Favole e natura all'alba del Barocco, catalogo della mostra, Genova 2017, a cura di A. Orlando, passim). Il presente dipinto mostra una tela a trama spessa preparata con terra bruna, estesamente usata per il chiaroscuro sia negli animali, sia nel fondale arboreo sul lato destro, che è genericamente esemplato sulle invenzioni più tarde di Salvator Rosa. Orfeo è al centro della scena tra una miriade di animali, alcuni dei quali non selvatici: un gatto, un levriero, un bue e un cavallo. Tutti gli animali sono visti in una stasi che al tempo stesso esprime il loro incanto sotto l'effetto della musica di Orfeo e palesa l'utilizzo di modelli dal vero, ricombinati in studio nella vasta composizione. I raffronti più efficaci per inquadrare l'autore sono in favore di Carl Borromäus Andreas Ruthart. Dopo il suo trasferimento in Italia, caratterizzato da spostamenti tra Roma, Firenze, Venezia e ancora Roma, verso il 1670 Ruthart assunse i voti religiosi come frate Celestino. Spostatosi a L'Aquila, realizzò un ciclo di Storie di San Pietro Celestino ed altri esponenti dell'Ordine Celestino per l'Abbazia di Collemaggio, e varie altre opere per differenti destinazioni (per un recente sommario su Ruthart cf. G. e U. Bocchi, Carl Borromeus Andreas Ruthart detto Carlo Ruttardo, in Pittori di natura morta a Roma. Artisti stranieri 1630-1750, Castello Viadana 2004, pp. 99-115). La tecnica e lo stile del dipinto in discussione sono propri delle opere italiane di Ruthart. Il cervo di profilo alla sinistra di Orfeo scaturisce dal disegno dello stesso dettaglio in Adamo dà nome agli animali a Louisville, Speed Art Museum (fig. 1, dettaglio), e nei Cervi, capre e volatili in un bosco a Firenze, Gallerie Fiorentine, Palazzo Pitti (fig. 2, dettaglio) (n. inv. 120464, en pendant con Un cervo atterrato da animali feroci, n. inv. 120465). La leonessa che fissa lo spettatore in basso al centro è una variante dello stesso animale in Animali selvatici in una gola di montagna a Stoccolma, Nationalmuseum (fig. 3, dettaglio). La scimmietta sorridente a sinistra di Orfeo torna con poche varianti nello stesso dettaglio della Pazzia di Nabuccodonosor siglata, passata presso Dorotheum, Vienna, 21 aprile 2018, lotto 102. Il leone che entra da destra nella composizione è riconducibile allo stesso modello di una delle Storie di San Pietro Celestino a Collemaggio (fig. 4, dettaglio). Più in generale, molti elementi del dipinto sono raffrontabili alla serie di studi preliminari di Ruthart provenienti dalla collezione dei marchesi Strozzi (Firenze), e dispersi in asta da Christie's a Londra, 20 maggio 1993. Sembra perciò plausibile che il presente dipinto vada inscritto nella lunga fase aquilana della produzione di Ruthart, in cui l'impiego di un supporto romano/napoletano e l'accentuazione dei chiaroscuri si pongono nell'alveo della pittura meridionale del secondo Seicento. Riccardo Lattuada 1
Finarte Roma
Apr. 24, 2018
ATTRIBUTED TO CARL BORROMÄUS ANDREAS RUTHART | Wild Boar and Dogs
Est: $5,000 - $7,000
oil on canvas
Sotheby's
Mar. 22, 2018
Attributed to Karl Borromäus Andreas Ruthart (Gdansk, 1630 - L'Aquila, 1703)
Est: €4,000 - €6,000
Attributed to Karl Borromäus Andreas Ruthart (Gdansk, 1630 - L'Aquila, 1703) Oil on canvas. Renowned painter of scenes with animals. He studied in Danzig and visited Rome in 1659. In 1663 and 1664 he was in Antwerp, where he joined the painters´ guild and was able to study at first hand from the Flemish painters of animals such as Frans Snyders. Artists such as Wilhelm van Ehrenberg often engaged Ruthart to paint animals in his architechtural scenes and landscapes. 92 x 155 cm.
La Suite Subastas
Dec. 12, 2017
A lion fighting with a camel
Est: zł12,000 - zł13,000
oil on canvas on board, 49,5 x 63 cm, unsigned
Sopocki Dom Aukcyjny
Oct. 01, 2017
RUTHART, Karl Andréas ( 1630 - 1703 )
Est: €1,000 - €1,500
RUTHART, Karl Andréas ( 1630 - 1703 ) " Famille Renard" Huile sur cuivre. H : 57,5 cm L : 46,5 cm Provenance : Collection particulière, Antwerpen. Tableaux
Legia-Auction
Sep. 22, 2016
Carl Borromäus Andreas Ruthart, 1630 Danzig – 1703 Aquila, zug.
Est: €1,200 - €1,500
WALDLANDSCHAFT MIT LÖWE Öl auf Leinwand. Doubliert. 74 x 98 cm. (1060602) (12)
Hampel Fine Art Auctions
Jul. 01, 2016
Carl Borromäus Andreas Ruthart, 1630 Danzig – 1703 Aquila, zug.
Est: €1,800 - €2,400
Carl Borromäus Andreas Ruthart, 1630 Danzig – 1703 Aquila, zug.WALDLANDSCHAFT MIT LÖWE Öl auf Leinwand. Doubliert. 74 x 98 cm. (1060602) (12)
Hampel Fine Art Auctions
Mar. 23, 2016
Deutsch (Art des Carl Borromäus Andreas Ruthart, 1630 Danzig - nach 1703 L'Aquila)
Est: €1,500 - €1,800
Deutsch (Art des Carl Borromäus Andreas Ruthart, 1630 Danzig - nach 1703 L'Aquila) 17./18. Jh. Wildschweinhatz Öl auf Lwd. 70 x 93 cm. Doubliert. Rest. Rahmen min. besch.
Neumeister
Mar. 01, 2016
Carl B.A. Ruthart, Follower, Hounds Hunt Bears, Oil, 18th C.
Est: €1,400 - €1,820
Oil on canvas, relined Presumably Germany, 18th century Follower of Carl Borromäus Andreas Ruthart (1630-after 1703) – German-Polish animal painter and etcher Dimensions: 57 x 84 cm Gilt ornate frame: 74 x 98 cm Good condition Provenance: Swiss private collection Carl Borromäus Andreas Ruthart was an influential animal painter, which in turn was influenced by Flemish animal painters such as Frans Snyders Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The painting is in good overall condition with slight pressure marks caused by the stretcher, craquelure and faint abrasion due to age. The paint surface is somewhat darkened. The canvas has been relined. The inspection under UV light reveals several minor and major areas of retouching affecting mainly the background. The frame shows ordinary wear marks. The painting dimensions are 57 x 84 cm, while the frame measures 74 x 98 cm. Carl Borromäus Andreas Ruthart (1630-after 1703) Carl Borromäus Andreas Ruthart came from a family that had emigrated from Fürth to Gdansk. In 1659, he is documented having sojourned in Rome and in the Antwerp guild in 1663/64. In 1672, he joined the Celestines Monastery S. Eusebio. Shortly afterwards, Ruthart would have gone to Aquila in the Abruzzo region and remained there until his death. Ruthart’s preferred motifs were animal depictions; some few figurative motifs can also be found in his oeuvre. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Nov. 28, 2015
Hunting painters of the 17th cent.
Est: €2,000 - €5,000
Hunting painters of the 17th cent., in the locality of Carl Borromeo Andreas Ruthart, 1630-1703, fighting lions in rocky landscape, oil / canvas, relined, restored, approx 98x117cm, frame,#painting/picture/image/old/art/fine/century . German Description: Jagdmaler des 17. Jh., Umkreis Carl Barromäus Andreas Ruthart, 1630-1703, kämpfende Löwen in felsiger Landschaft, Öl/Lwd, doubliert, restauriert, ca. 98x117cm, Rahmen
Henry's Auktionshaus
Sep. 23, 2015
Carl B.A. Ruthart, Follower, Hounds Hunt Bears, Oil, 18th C.
Est: €2,000 - €2,600
Oil on canvas, relined Presumably Germany, 18th century Follower of Carl Borromäus Andreas Ruthart (1630-after 1703) – German-Polish animal painter and etcher Dimensions: 57 x 84 cm Gilt ornate frame: 74 x 98 cm Good condition Provenance: Swiss private collection Carl Borromäus Andreas Ruthart was an influential animal painter, which in turn was influenced by Flemish animal painters such as Frans Snyders Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Estimate by Auctionata Expert: 4,000 Euro Condition: The painting is in good overall condition with slight pressure marks caused by the stretcher, craquelure and faint abrasion due to age. The paint surface is somewhat darkened. The canvas has been relined. The inspection under UV light reveals several minor and major areas of retouching affecting mainly the background. The frame shows ordinary wear marks. The painting dimensions are 57 x 84 cm, while the frame measures 74 x 98 cm. Carl Borromäus Andreas Ruthart (1630-after 1703) Carl Borromäus Andreas Ruthart came from a family that had emigrated from Fürth to Gdansk. In 1659, he is documented having sojourned in Rome and in the Antwerp guild in 1663/64. In 1672, he joined the Celestines Monastery S. Eusebio. Shortly afterwards, Ruthart would have gone to Aquila in the Abruzzo region and remained there until his death. Ruthart’s preferred motifs were animal depictions; some few figurative motifs can also be found in his oeuvre. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 18, 2014
Attributed to Carl Borromus Andreas Ruthart (1630-1703), LÖWEN BESCHÜTZEN IHRE KLEINEN VOR EINEM ANGRIFF(LIONS PROTECTING THEIR YOUNG), Oil on canvas, 25" x 31" - 63.5 x 78.7 cm.
Est: $3,000 - $4,000
ATTRIBUTED TO CARL BORROMUS ANDREAS RUTHART (1630-1703), GERMANLÖWEN BESCHÜTZEN IHRE KLEINEN VOR EINEM ANGRIFF(LIONS PROTECTING THEIR YOUNG)Oil on canvas25" x 31" - 63.5 x 78.7 cm.Provenance:With a fine art gallery located at 16 Tetbury Street, Minchinhampton, Gloucester partial label to the stretcher;Collection, California
Waddington's
May. 16, 2014
RUTHART, CARL BORROMÄUS ANDREAS 1630 Danzig - nach
Est: €12,000 - €15,000
RUTHART, CARL BORROMÄUS ANDREAS 1630 Danzig - nach 1703 Aquila Jagdstück mit Leoparden einen Hirschen reisend. Öl auf Leinwand. Doubliert. 68 x 82cm. Rahmen. Vor allem dem Kontakt mit den flämischen Tier- und Stilllebenmalern während seines Aufenthaltes in Antwerpen (1663/64 in der Antwerpener Gilde nachweisbar), verdankt Ruthart seine Hinwendung zur Tiermalerei. Reisen führten ihn über Regensburg und Wien nach Venedig und Rom, wo er 1672 schließlich in das Cölestinerkloster S. Eusebio eintritt. Bald darauf, und bis zu seinem Tode, ist er aber als Mönch (Peter Andrea) im Kloster S. Maria di Collemaggio in Aquila (Abruzzen) verzeichnet. Auch fernab der Welt bliebt er in seinem mönchischem Dasein dem Genre der Tier- und Jagdmalerei treu. Fürstliche Sammlungen bis hin zu Cosimo III de Medici erwerben seine Gemälde. Carl Borromäus Ruthart wird zu den besten Tiermalern des 17. Jh. gezählt. RUTHART, CARL BORROÄUS ANDREAS 1630 Danzig - after 1703 Aquila Hunting Piece with Leopards Killing a Deer. Oil on canvas. Relined. 68 x 82cm. Framed. Ruthart's steering towards animal paintings is especially owed to his contact with Flemish animal and still life painters during his stay in Antwerp (1663/64 traceable in the Antwerp guild). His travels led him via Regensburg and Vienna to Venice and Rome where he eventually joined the Cölestinerkloster Sant'Eusebio (monastery) in 1672. Shortly afterwards and until his death he is, however, recorded as a monk (Peter Andrea) at the monastery S. Maria di Collemaggio in L'Aquila (Abruzzi). Even away from the world in his monastic being he sticks to the genre of animal and hunting paintings. Royal collections up to Cosimo III de'Medici aqcuire his paintings. Carl Borroäus Ruthart is ranked among the best animal painters of the 17th century.
Van Ham Kunstauktionen
Sep. 20, 2013
Attributed to RUTHART, CARL BORROMÄUS
Est: CHF8,000 - CHF12,000
Attributed to RUTHART, CARL BORROMÄUS ANDREAS (Danzig 1630 - nach 1703 L'Aquila) Lions protect their young from attack. Oil on canvas. 64 x 77.5 cm. RUTHART, CARL BORROMÄUS ANDREAS (ZUGESCHRIEBEN) (Danzig 1630 - nach 1703 L'Aquila) Löwen beschützen ihre Kleinen vor einem Angriff. Öl auf Leinwand. 64 x 77,5 cm.
Koller Auctions
Jun. 13, 2013
Carl Borromäus Ruthart Tyskland 1630-1703 Efter,
Est: kr12,000 - kr15,000
Carl Borromäus Ruthart Tyskland 1630-1703 Efter, 1700-tal. Jaktstilleben med räv. Olja på uppfodrad duk, 68 x 80 Follower of, 18th century. Oil on relined canvas, 68 x 80 cm.
Auktionskammare Uppsala
May. 11, 2012
Ruthart, Carl Borroäus Andreas 1630(?) Danzig - um 1703 Aquila - Umkreis Jagdstück mit erlegtem Rotwild, Wildschwein und Singvögeln. Öl auf Leinwand. Doubliert. 91 x 126,5cm.
Est: €4,000 - €6,000
Ruthart, Carl Borroäus Andreas 1630(?) Gdansk - circa 1703 Aquila - circle Hunt Scene with Dead Red Deer, Wild Boar and Songbirds. Oil on canvas. Relined. 91 x 126.5cm.
Van Ham Kunstauktionen
May. 11, 2012
Ruthart, Carl Borroäus Andreas 1630(?) Danzig - um 1703 Aquila - Umkreis Nach der Jagd. Monogrammiert unten links: FR. Öl auf Leinwand. Doubliert. 91 x 127cm. Rahmen.
Est: €4,000 - €6,000
Ruthart, Carl Borroäus Andreas 1630(?) Gdansk - circa 1703 Aquila - circle After the Hunt. Monogrammed lower left: FR. Oil on canvas. Relined. 91 x 127cm. Framed.
Van Ham Kunstauktionen
Apr. 24, 2012
Circle of Carl Borromaus Andreas Ruthart (Dutch,
Est: £700 - £1,000
Circle of Carl Borromaus Andreas Ruthart (Dutch, 1630-1703) THE BEAR HUNT Oil on canvas 50 x 65cm
Sworders
Dec. 13, 2011
Carl Borromaus Andreas Ruthart (Danzig 1630-1703 Aquila)
Est: €6,000 - €8,000
Carl Borromaus Andreas Ruthart (Danzig 1630-1703 Aquila) A Golden Eagle and a Bittern in flight oil on canvas 25.2 x 28.8 cm. with a red wax seal on the reverse
Christie's
Jun. 22, 2010
Painting by Carl Borromäus Ruthart, called Carlo
Est: €6,500 - €8,500
Painting by Carl Borromäus Ruthart, called Carlo Rutardo
Dorotheum
Jun. 05, 2009
Carl Borromäus Andreas Ruthart Gdansk 1630 - after 1703 L'Aquila , Dogs getting ready for the hunt oil on canvas
Est: $8,000 - $12,000
signed C.A./ Ruthart/ fecit lower left oil on canvas
Sotheby's
Mar. 31, 2009
Carl Borrom Σ us Ruthart (Danzig um 1630-nach
Est: €6,000 - €8,000
Carl BorromΣus Ruthart (Danzig um 1630-nach 1703 Aquila) zugeschrieben Leoparden einen Hirsch reissend, ╓l auf Leinwand, aufgezogen, 71 x 87 cm, gerahmt (GS)
Dorotheum
Apr. 01, 2008
Hounds attacking a bear
Est: €15,000 - €20,000
Circle of Carl Borromäus Andreas Ruthart (Danzig 1630-c.1703 L'Aquila) Hounds attacking a bear oil on canvas, unframed 110.8 x 188.2 cm.
Christie's
Jul. 06, 2007
Saint Anthony and Saint Paul the Hermit
Est: £15,000 - £20,000
Carl Borromaus Andreas Ruthart (Danzig 1630-c.1703 L'Aquila) Saint Anthony and Saint Paul the Hermit oil on canvas 20¾ x 29½ in. (52.8 x 75 cm.)
Christie's
Jun. 14, 2007
Follower of Carl Borromaus Ruthart (1630-1703) Two lions 55 x 41in.
Est: £400 - £600
Follower of Carl Borromaus Ruthart (1630-1703) unframed oil on canvas Two lions 55 x 41in. Untouched for many years, old relining, dark and dirty with scattered surface scratches and scuffing. Paint looks stable.
Gorringes
Apr. 24, 2007
Old Master Painting By:
Est: €40,000 - €60,000
Carl Borromäus Andreas Ruthart, called Carlo Rutardo
Dorotheum
Mar. 27, 2007
CARL BORROMÄUS ANDREAS RUTHART GDANSK 1630 - AFTER 1703 L'AQUILA
Est: €80,000 - €120,000
ADAM NAMING ALL ANIMALS (GEN. 2:19-21) ADAM NAMING ALL ANIMALS (GEN. 2:19-21) measurements note 138.5 by 179.5 cm. Signed and dated lower right: Carl Ruthart 1686 Oil on canvas PROVENANCE Possibly with Amsler and Ruthart, Berlin, by 1872; Possibly with R. Zschille, by the 1870s; Possibly with Cichlar, Vienna; Sold, Hüneburg Braunschweig, 1953. EXHIBITED Munich, Münchener Glaspalast, Katalog für die Ausstellung der Werke Älterer Meister, 1877, no. 2322. NOTE Carl Borromäus Andreas Ruthart, born in Gdansk (Danzig, Poland), probably in the year 1630, was one of the most accomplished animal painters of the seventeenth century. Between 1652 and 1659 he was recorded in Venice and Rome, from where he moved to Antwerp. In 1664 he was registered in the Liggeren of the Antwerp Guild of St. Luke under the name of Carlo Routtart[1]. In the following year he travelled through Regensburg to Vienna, where he worked for Kurfürst Karl Eusebius von Liechtenstein. In 1672 he went to Venice and further into Italy, to Rome. It was in this same year that he became a monk of the Celestine order at the monastery of St. Eusebio. Not long afterwards he moved to the abbey of St. Maria di Collemaggio, L'Aquila, some 120 km. north of Rome. Here he was known as Pater Andrea and here he was last recorded in 1703. At this abbey, in the chapel of St. Coelestinus, he painted a series of six scenes from the life of the saint wherein animals are accorded a significant role. According to Bushart, a signed and dated still life of 1698 in the style of Abraham Mignon could indicate that Ruthart revisited the north at that date.[2] Evidently Ruthart was largely self-taught, but his earlier work seems to be influenced by the work of Flemish animal painters such as Jan Fyt, Frans Snyders and David de Coninck. These compositions show wild animals, mostly fighting, in their natural habitat. Some examples incorporate fragments of antique reliefs, decorative vases and tropical vegetation, as in Panthers fighting with a lion over a dead donkey (Vaduz, Sammlung Liechtenstein, inv. no. 625). In his later period at Rome Ruthart is said to have been influenced by the work of Giovanni Battista Castiglione. Ruthart's works on a large scale, such as the present painting, are distinguished by the smaller scale of the animals, and a far more delicate precision in their execution. As F. G. Meijer has pointed out, Ruthart's treatment of fur and wool was typically achieved by fine scratches with the reverse of the brush in the wet paint[3]. Ruthart's work is little known today due to the fact that, apart from the large group at L'Aquila, which includes those now at the Sala Carlo Ruthart in the Museo Nazionale d'Abruzzo, they are scattered throughout Europe with the majority inaccessible. In 1993 an impressive collection of nine animal studies by Ruthart were sold from the collection of the Marchesi Strozzi[4]. Several of the larger sketches reveal numerous animal studies that Ruthart reused throughout his career, and which most likely served as a repository of motifs that he kept in his studio. The majority of the animals in the Strozzi sketches are, for example, to be found in the present composition. [1] See Ph. Rombouts and Th. Van Lerius, De Liggeren en andere historische archieven van het Antwerpse St. Lucasgilde, Antwerp 1864. [2] See G. Kramer, Deutsche Barockgalerie, Katalog der Gemälde, Augsburg 1984, p. 211. [3] See F. G. Meijer, 'Enige schilderijen met vee van C.B.A. Ruthart', in: Oud-Holland, Vol. 104, no. 3/4, 1990, p. 332. Fine examples are The victims of Tobias, Hermitage, St. Petersburg, inv. nr. 7324 and a Rest at a water well, Akademie der bildenden Künste, Vienna, inv. no. 316. [4] Sold, London, Christie's, May 20, 1993, German and Austrian Art, part II, lot 309-316, property of the Marchesi Strozzi, Palazzo Strozzi, Florence.
Sotheby's