Andrea (1599) Sacchi Paintings & Artwork for Sale | Andrea (1599) Sacchi Art Value Price Guide

May. 17, 2024
Andrea Sacchi (1599 Nettuno bei Rom - Rom 1661) – Joseph und die Frau des Potiphar (Joseph and Potiphar's wife)
Est: €3,500 - €4,000
Red chalk, partly with stumping and wash, on laid paper. (c. 1628/30). 28.7 x 18.5 cm. On the reverse study of a hand and a compositional sketches in red chalk. Numbered "N° 11" in black chalk in the upper margin.
Karl & Faber
May. 07, 2024
OIL PAINTING BY ANDREA SACCHI
Est: €1,500 - €2,500
ANDREA SACCHI (Roma 1599 - 1661) ASSUNZIONE DELLA VERGINE TRA ANGELI E SANTI Olio su tela a volta, cm.71,5 x 46,5. PROVENIENZA Famiglia romana CONDITION REPORT Rintelo ottocentesco. Alcuni punti di restauro intorno alla testa della Vergine ed al bordo sinistro. Un punto di restauro sul braccio sollevato del Papa in basso a sinistra. Il dipinto è in buono stato di conservazione CORNICE Cornice modanata a volta con bordo perlato e cantonali ad intrecci vegetali, del XVIII secolo
Casa d'Aste Babuino
Oct. 25, 2023
Andrea Sacchi (Bottega di) Madonna and Child and Sant'Antonio
Est: €600 - €1,000
Andrea Sacchi (Bottega di) Nettuno 1599-Rome 1661 Madonna and Child and Sant'Antonio in our Our Our Our Lady, elegantly dressed in a ivory coat and a red and blue Vesta, holds a lively Child Jesus in his arms, in front of A Roman column. Both characters entertain a silent dialogue with Sant'Antonio who stands out on a clear sky. The composure of the characters, the calmness of their expressions, the calibrated use of clear shades combined with rigorous respect for anatomical proportions refer to a Roman painter of classicist training orbitant in the shop of Andrea Sacchi in the second half of the 16th century. oil on canvas 43x34 cm - in frame 59x49
Casa d'aste ARCADIA
Sep. 28, 2023
Carlo Maratta, 1625 Camerano – 1713 Rom, zugeschrieben
Est: €10,000 - €15,000
Der Maler war einer der Hauptmeister der klassizistischen Strömung des Hochbarock in Rom, stark beeinflusst durch seinen Lehrer Andrea Sacchi (1599-1661).DIE DREI MARIEN MIT MUTTER GOTTES UND DORNENKRANZ VOR GOLGOTA Öl auf Leinwand. 72,5 x 59,5 cm. Verso auf der Leinwand alte Sammlungsnummer „262“ und auf dem Keilrahmen mit vermuteter Künstlernennung Carlo Dolci. In ebonisierten Profilrahmen. Carlo Maratta, der auch als „Carletto delle Madonne“ bekannt war, stellt auf dieser Leinwand den Besuch der drei Marien am leeren Grab Christi dar, die von der Jungfrau Maria begleitet werden (Mk 16,6-7). Ein Engel nähert sich und zeigt der Mutter die Dornenkrone, das Symbol für die Passion ihres Sohnes. Von der hier angebotenen Darstellung gibt es mindestens zwei weitere Versionen, die als autograph angesehen werden: Die eine war für Papst Alexander VIII Ottoboni bestimmt, wurde aber dem gleichnamigen Kardinal übergeben, da der Pontifex inzwischen verstorben war, während die andere Version für Niccolò Maria Pallavicini bestimmt war. Andere Künstler wie Sebastiano Conca und Francesco Trevisiani bezogen sich in ihren Werken auf diese Komposition, die für den römischen Barock so bezeichnend ist. Anmerkung: Eine vergleiche Version in Auktion bei Sotheby‘s, Mailand, 30. November 2004, Lot 76 (86 x 71,5 cm). Die Version in der Fondazione Sorgente Group, Rom, mit dem Gutachten von Giancarlo Sestieri vom 15. Juni 2005, der darauf hinweist, dass es von dieser Komposition mindestens zwei autographe Versionen gibt. Desweiteren soll es eine Version in Melbourne Hall, Derby, Großbritannien geben. (13700211) (13) Carlo Maratta, 1625 Camerano – 1713 Rome, attributed THE THREE MARYS WITH THE VIRGIN AND CROWN OF THORNS IN FRONT OF GOLGOTHA Oil on canvas. 72.5 x 59.5 cm.
Hampel Fine Art Auctions
Sep. 13, 2023
Circle of Andrea Sacchi (Nettuno 1599-1661 Rome) A study of Pan
Est: £3,000 - £5,000
Circle of Andrea Sacchi (Nettuno 1599-1661 Rome) A study of Pan bears inscription 'andrea Sacchi' (lower left) red chalk on paper 36.8 x 27.1cm (14 1/2 x 10 11/16in).
Bonhams
Jun. 21, 2023
SACCHI. ARCHITECTURAL STUDY WITH PORTAL AND MASK ON THE REVERSE PORTRAIT OF A FAUN.
Est: €3,000 - €3,500
SACCHI, Andrea. Studio architettonico con portale e mascherone sul verso. Ritratto di un Fauno. 1599-1661 Disegno acquarellato su carta pesante. Firmato sul verso. Foglio 274x210; Immagine 200x138 mm. Penna marrone e acquarello monocromo in tenui tonalità nocciola. Immagine riquadrata. Sul verso un Fauno, delineato a pennello con inchiostro seppia e firmato: “d’Andrea Sacchi”. Lievi tracce d’uso marginali e una piccola mancanza all’interno del disegno. Un importante disegno architettonico del celebre pittore romano, che collaborò con Guido Reni e Pietro da Cortona. Sul verso un gustoso ritratto di un vecchio fauno con un sorriso sardonico. D’Anvossa ha messo in rilievo l’importante attività di Andrea Sacchi anche come architetto, che oggi viene riconosciuta dagli studiosi. Alessandra Cosmi: “L’attività di Sacchi come architetto è documentata dal 1639 (Incisa della Rocchetta, 1924, pp. 66 s.): fu impiegato da Antonio Barberini per la supervisione dei lavori in S. Maria sopra Minerva (1638-44) e S. Agata dei Goti (1633-41), nonché per alcune scenografie delle commedie inscenate nel teatro di palazzo Barberini e per apparati effimeri (pp. 67-69). Negli anni Cinquanta, al ritorno di Antonio dalla Francia, Sacchi si occupò dei lavori di sistemazione a villa Sciarra, nel palazzo a Nemi e in quello ai Giubbonari”. Antonio D'Avossa, Andrea Sacchi, Kappa, Roma 1985; Alessandra Cosmi, DBI, Vol. 89, 2017.
Bado e Mart
Mar. 31, 2023
ANDREA SACCHI, attributed to
Est: CHF900 - CHF1,200
ANDREA SACCHI, attributed to (Nettuno 1599–1661 Rome) The Liberation of Saint Peter from Prison. Red chalk. 37.5 x 26.5 cm. --------------- ANDREA SACCHI, zugeschrieben (Nettuno 1599–1661 Rom) Die Befreiung des hl. Petrus aus dem Gefängnis. Rötel. Auf der Rückseite der alten Montierung mit schwarzer Feder bezeichnet und nummeriert: Andrea Sacchi N. 269. 37,5 x 26,5 cm. ---------------
Koller Auctions
Mar. 24, 2023
Andrea Sacchi (copia da) (Italian 1599-1661) - The drunkenness of Noah, XVIII century
Est: -
Painted on cardboard applied to canvas Picture framed in the frame with wooden nails. Ancient collection Notary Cav. Fazio. The surface of the painting is affected by the presence of a layer of oxidized and yellowed varnish. Copy from Andrea Sacchi.
ArtLaRosa
Mar. 22, 2023
Andrea Sacchi, 1599–1661, zugeschrieben
Est: CHF2,000 - CHF3,000
Andrea Sacchi, 1599–1661, zugeschrieben Männerbildnis Öl auf Leinwand 59,5 x 46,5 cm *For this lot VAT of 7,7% will also be charged on the hammer price.
Artcurial Beurret Bailly Widmer
Dec. 14, 2022
Sacchi Andrea, Crocifissione di Sant’Andrea
Est: €10,000 - €15,000
olio su tela, W. 155 - H. 116 Cm
Cambi Casa d'Aste
Nov. 03, 2022
Andrea Sacchi (Roma 1599 – 1661, ambito di, L'idolatria di Re Salomone
Est: €3,000 - €5,000
Questa scena è tratta dal Primo libro dei Re, in cui viene descritto il modo in cui Re Salomone abbandona la via del Signore, a seguito dei suoi legami con le sue 'settecento mogli e trecento concubine'. Da queste donne viene trascinato all'idolatria, dopo aver costruito un tempio su un colle di fronte alla città di Gerusalemme.
Telearte
Oct. 27, 2022
ITALIAN SCHOOL, 17th CENTURY. CIRCLE OF ANDREA SACCHI (1599-1661) "PENTECOST"
Est: €18,000 - €22,000
Italian school, 17th century. Circle of Andrea Sacchi (1599-1661). Pentecost. Oil on canvas. According to the narration of Saint Luke, author of the Acts of the Apostles, when they were gathered, suddenly there came from heaven a noise like a rushing wind, which filled the whole house, and a kind of tongues of fire. appeared that settled on each one of them; They were immediately filled with the Holy Spirit and began to speak the words that the Holy Spirit put in their mouths in different languages. Andre Sacchi was one of the great representatives of classicism in Italian painting of the 17th century. He trained with Francesco Albani, and therefore heir to the Bolognese classicism of Annibale Carracci. Both this use of color and his monumental and orderly compositions are reflected in this work. Relined. 172 x 207 cm.
Templum Fine Art Auctions
Sep. 22, 2022
Andrea Sacchi, Robert Strange, Apollo rewarding Merit, the singer Marc Antonio Pasqualini playing the organ, and punishing Arrogance, Marsyas.
Est: €475 - €675
Apollo rewarding Merit, the singer Marc Antonio Pasqualini playing the organ, and punishing Arrogance, Marsyas. Very large engraving after a painting of Andrea Sacchi (1599-1661). Engraving made by Sir Robert Strange (1721-1791) in 1755. References: Le Blanc 1848 / Catalogue de L'oeuvre de Robert Strange Graveur (26.II). Large engraving in excellent condition. Very good dark strong impression on laid paper with 45 mm - 70 mm margins. Very rare.
Old Master Print
Jul. 29, 2022
Sacchi, Andrea - Umkreis — Anna lehrt Maria das Lesen
Est: -
Sacchi, Andrea - Circle of —Anna teaches Mary to read (Nettuno 1599-1661 Rome) In an interior with a laundry basket and a lapdog, at the right side a view into the clouds with a dove as a symbol for the Holy Spirit. Oil on canvas. 30 x 26 cm. // Sacchi, Andrea - Umkreis Anna lehrt Maria das Lesen (Nettuno 1599-1661 Rom) In einem Interieur mit Wäschekorb und Schoßhündchen, rechts Ausblick in die Wolken mit der Taube als Symbol für den Heiligen Geist. Öl/Lwd. 30 x 26 cm.
Kunstauktionshaus Schlosser
Jun. 07, 2022
SACCHI. Architectural study with portal and mask on the reverse Portrait of a Faun.
Est: €3,000 - €3,500
SACCHI, Andrea. Studio architettonico con portale e mascherone sul verso. Ritratto di un Fauno.1599-1661 Disegno acquarellato su carta pesante. Firmato sul verso. Foglio 274x210; Immagine 200x138 mm. Penna marrone e acquarello monocromo in tenui tonalità nocciola. Immagine riquadrata. Sul verso un Fauno, delineato a pennello con inchiostro seppia e firmato: “d’Andrea Sacchi”. Lievi tracce d’uso marginali e una piccola mancanza all’interno del disegno. Un importante disegno architettonico del celebre pittore romano, che collaborò con Guido Reni e Pietro da Cortona. Sul verso un gustoso ritratto di un vecchio fauno con un sorriso sardonico. D’Anvossa ha messo in rilievo l’importante attività di Andrea Sacchi anche come architetto, che oggi viene riconosciuta dagli studiosi. Alessandra Cosmi: “L’attività di Sacchi come architetto è documentata dal 1639 (Incisa della Rocchetta, 1924, pp. 66 s.): fu impiegato da Antonio Barberini per la supervisione dei lavori in S. Maria sopra Minerva (1638-44) e S. Agata dei Goti (1633-41), nonché per alcune scenografie delle commedie inscenate nel teatro di palazzo Barberini e per apparati effimeri (pp. 67-69). Negli anni Cinquanta, al ritorno di Antonio dalla Francia, Sacchi si occupò dei lavori di sistemazione a villa Sciarra, nel palazzo a Nemi e in quello ai Giubbonari”. Antonio D'Avossa, Andrea Sacchi, Kappa, Roma 1985; Alessandra Cosmi, DBI, Vol. 89, 2017.
Bado e Mart
Jun. 04, 2022
ANDREA SACCHI (Attr.le), Olio su tela
Est: €5,000 - €6,000
ANDREA SACCHI (Attr.le) (Roma 1599 - 1661) L'ultima cena Olio su tela Cornice in legno dorato. cm 109 x 163,5.
Benedetto Trionfante Auction House s.r.l
Jun. 03, 2022
Sacchi, Andrea - (Nettuno 1599-1661 Rom; Zuschreibung),
Est: - €1,500
Der Tod der heiligen Anna. Rötel, laviert, auf Bütten. Nicht sign. und dat. (um 1640). Ca. 39 x 26 cm. - Unter Passepartout. - Der Tod der heiligen Anna wurde als Altarblatt für den Altar des linken Querschiffs in S. Carlo ai Catinari in Rom geschaffen. - Unsere sehr sorgfältig und präzise ausgeführte Zeichnung stimmt auf den ersten Blick vollkommen mit dem großartigen Altargemälde überein. Dies legt die Vermutung nahe, daß es sich um eine Nachzeichnung nach dem Gemälde handelt. Erst bei genauerer Betrachtung fallen einige Unterschiede auf, die doch die Vermutung zulassen, daß es sich um eine Vorzeichnung kurz vor Beginn der Arbeiten an dem Altarblatt handeln kann: Auf der Zeichnung bleibt über den schwebenden Putten nur wenig Raum, das Christuskind ist etwas näher an die heilige Anna heran gerückt. In beiden Fällen erscheint die Komposition auf dem Gemälde spannungsreicher und damit in der Wirkung gesteigert. Der Wasserkrug in der tiefen Schüssel ist dagegen auf der Zeichnung perspektivisch korrekt und damit präsenter. Auf dem Gemälde erscheint dieser Teil etwas verzeichnet, was auf die Hand eines Mitarbeiters für solch ein untergeordnetes Detail zurückzuführen sein könnte. Auch sind einige Schattierungen auf der Zeichnung anders gesetzt als auf dem fertigen Gemälde, etwa bei der rechts sitzenden Figur und in den Beinfalten der knienden Dienerin. Zudem überschneiden sich ihre Zöpfe auf dem Gemälde, während sie auf der Zeichnung gerade herabhängen. Diese kleinen Abweichungen können Freiheit eines Kopisten sein, aber auch für eine Vorzeichnung sprechen.
Zisska & Lacher
May. 31, 2022
Two drawings of the Roman school, 17th century
Est: €250 - €500
a) Attributed to Andrea Sacchi (Rome 1599 - 1661), Study of three cloaked figures within lunette (recto) and figure studies (verso), red pencil on paper, 191 x 272 mm; b) Roman school, late 17th; Study of a kneeling figure (recto) and some Studies of figures (verso), black pencil and white lead on gray paper, 193 x 276 mm
Finarte
Mar. 23, 2022
Andrea Sacchi 1599–1661, zugeschrieben
Est: CHF3,000 - CHF4,000
Andrea Sacchi 1599–1661, zugeschrieben Männerbildnis Öl auf Leinwand 59,5 x 46,5 cm *For this lot VAT of 7,7% will also be charged on the hammer price.
Artcurial Beurret Bailly Widmer
Mar. 15, 2022
ANDREA SACCHI (attr. a)
Est: €1,000 - €2,000
(Roma, 1599 - 1661) Ritratto di uomo (don Taddeo Barberini?) Olio su tela, cm 34,5X26,5 Personalità di spicco del panorama artistico romano, Sacchi fu allievo del Cavalier d'Arpino e di Francesco Albani, aderendo alla corrente classicista, ma niente affatto estraneo alla temperie barocca della sua epoca. Infatti, la sua arte presenta affinità con la sensibilità berniniana, atta a evocare una penetrante vitalità emotiva ai suoi ritratti. Nel nostro caso possiamo cogliere altresì l'analogia con il volto di Taddeo Barberini, personalità dell'importante e potente famiglia romana, che il pittore ha più volte dipinto come attestano le fonti e l'incisione a noi giunta di Cornelius Bloemaert (cfr. Sutherland Harris, pp. 92 ; 93, n. 67-1, fig. 141). Bibliografia di riferimento: A. Sutherland Harris, Andrea Sacchi. Complete edition of the paintings with a critical catalogue, Oxford 1977, ad vocem F. Petrucci, Pittura di Ritratto a Roma. Il Seicento, Roma 2008, vol. III, ad indicem
Wannenes Art Auctions
Mar. 05, 2022
Andrea Sacchi (copia da) (Italian 1599-1661) - The intoxication of Noah, XVIII Century
Est: -
Oil painting on canvas Ancient collection of Notary Cav. Fazio. The surface of the painting is affected by the presence of a layer of oxidized and yellowed paint. Copy by Andrea Sacchi.
ArtLaRosa
Feb. 22, 2022
Andrea Sacchi (Roma 1599 - 1661) cerchia di
Est: €400 - €600
Andrea Sacchi (Roma 1599 - 1661) cerchia di Testa di vegliardo Olio su tela 44 x 36 cm L'opera in esame, giunta in patina, va iscritta nell'ambito della pittura romana della prima metà del Seicento. L’ottima tecnica che si intravede sotto la vernice oramai ingiallita e la ricca materia pittorica palesano la mano di un artista influenzato dallo stile di Sacchi, con riferimenti, nella naturalezza ed espressiva del volto, alla cultura dei Carracci. Andrea Sacchi (Rome 1599 - 1661) circle of Head of an old man Oil on canvas 44 x 36 cm
Lucas Aste
Nov. 30, 2021
Andrea Sacchi (Roma 1594 - 1661)
Est: €1,000 - €1,500
Andrea Sacchi (Roma 1594 - 1661) L’angelo lascia Tobi e Tobia Penna, inchiostro bruno, acquerello In alto a destra, a penna: "(…) And.a Sacchi" In basso a destra, timbro della collezione Paul Sandy (Lugt 2112). Sul montaggio, in basso a destra, a penna: "from the collection / of Paul Sandby"; in basso al centro, a penna: "Andrea Sacchi / a D 1594-1661"; in basso a destra, a penna: "Rugby School art museum / ex dono Matt: H. Bloxam" 223 x 202 mm Andrea Sacchi (Rome 1594 - 1661) The Angel Leaves Toby and Tobias Pen, brown ink, watercolour Upper right, in pen: "(...) And.a Sacchi". Bottom right, Paul Sandy collection stamp (Lugt 2112). On the mount, bottom right, in pen: "from the collection / of Paul Sandby"; bottom centre, in pen: "Andrea Sacchi / a D 1594-1661"; bottom right, in pen: "Rugby School art museum / ex dono Matt: H. Bloxam". 223 x 202 mm
Lucas Aste
Nov. 26, 2021
Sacchi, Andrea - Umkreis: Anna lehrt Maria das Lesen
Est: -
Sacchi, Andrea - Circle of — Anna teaches Mary to read (Nettuno 1599-1661 Rome) In an interior with a laundry basket and a lapdog, at the right side a view into the clouds with a dove as a symbol for the Holy Spirit. Oil on canvas. 30 x 26 cm. // Sacchi, Andrea - Umkreis — Anna lehrt Maria das Lesen — (Nettuno 1599-1661 Rom) In einem Interieur mit Wäschekorb und Schoßhündchen, rechts Ausblick in die Wolken mit der Taube als Symbol für den Heiligen Geist. Öl/Lwd. 30 x 26 cm.
Kunstauktionshaus Schlosser
Nov. 10, 2021
Andrea Sacchi Italian, 1599-1661 Study for the Centenary of the Jesuit Order
Est: $3,000 - $5,000
Andrea Sacchi Italian, 1599-1661 Study for the Centenary of the Jesuit Order Bears collector's stamp of William Mayor, London (Lugt 2799) Black chalk with brown ink and wash on paper 5 3/4 x 7 5/8 inches (14.8 x 19.4 cm) Provenance: William Mayor, London (d. 1874; Lugt 2799) [Sale] Christie's London, April 5, 1977, lot 27 (as Circle of Nicolas Poussin) [Sale] Christie's New York, January 30, 2018, lot 38 Exhibition: Pittsburgh, Frick Art & Historical Center, Pittsburgh Collects: European Drawings 1500-1800, 2004-2005, no. 35 Literature: Anne Sutherland Harris, "New Drawings by Andrea Sacchi: Addenda," The Burlington Magazine, vol. 120 no. 906, Sept. 1978, p. 601, fig. 81 In 1640 Andrea Sacchi received a commission from the Jesuit Order for a large painting to commemorate the festivities at the church of the Gesu in Rome to celebrate the 100th anniversary of their founding. This drawing, whose subject was identified by Anne Sutherland Harris, is a study for the central group of figures in the painting. Here the Jesuit Father General and other members of the order, are shown kneeling before Pope Urban VIII and his cardinal nephews. C
DOYLE Auctioneers & Appraisers
May. 19, 2021
Andrea Sacchi Italian, 1599-1661 Study for the Centenary of the Jesuit Order
Est: $8,000 - $12,000
Andrea Sacchi Italian, 1599-1661 Study for the Centenary of the Jesuit Order Bears collector's stamp of William Mayor, London (Lugt 2799) Black chalk with brown ink and wash on paper 5 3/4 x 7 5/8 inches (14.8 x 19.4 cm) Provenance: William Mayor, London (d. 1874; Lugt 2799) [Sale] Christie's London, April 5, 1977, lot 27 (as Circle of Nicolas Poussin) [Sale] Christie's New York, January 30, 2018, lot 38 Exhibition: Pittsburgh, Frick Art & Historical Center, Pittsburgh Collects: European Drawings 1500-1800, 2004-2005, no. 35 Literature: Anne Sutherland Harris, "New Drawings by Andrea Sacchi: Addenda," The Burlington Magazine, vol. 120 no. 906, Sept. 1978, p. 601, fig. 81 In 1640 Andrea Sacchi received a commission from the Jesuit Order for a large painting to commemorate the festivities at the church of the Gesu in Rome to celebrate the 100th anniversary of their founding. This drawing, whose subject was identified by Anne Sutherland Harris, is a study for the central group of figures in the painting. Here the Jesuit Father General and other members of the order, are shown kneeling before Pope Urban VIII and his cardinal nephews. C
DOYLE Auctioneers & Appraisers
May. 19, 2021
SACCHI. Architectural study with portal and mask on the reverse Portrait of a Faun.
Est: €3,000 - €3,500
SACCHI, Andrea. Studio architettonico con portale e mascherone sul verso. Ritratto di un Fauno.1599-1661 Disegno acquarellato su carta pesante. Firmato sul verso. Foglio 274x210; Immagine 200x138 mm. Penna marrone e acquarello monocromo in tenui tonalità nocciola. Immagine riquadrata. Sul verso un Fauno, delineato a pennello con inchiostro seppia e firmato: “d’Andrea Sacchi”. Lievi tracce d’uso marginali e una piccola mancanza all’interno del disegno. Un importante disegno architettonico del celebre pittore romano, che collaborò con Guido Reni e Pietro da Cortona. Sul verso un gustoso ritratto di un vecchio fauno con un sorriso sardonico. D’Anvossa ha messo in rilievo l’importante attività di Andrea Sacchi anche come architetto, che oggi viene riconosciuta dagli studiosi. Alessandra Cosmi: “L’attività di Sacchi come architetto è documentata dal 1639 (Incisa della Rocchetta, 1924, pp. 66 s.): fu impiegato da Antonio Barberini per la supervisione dei lavori in S. Maria sopra Minerva (1638-44) e S. Agata dei Goti (1633-41), nonché per alcune scenografie delle commedie inscenate nel teatro di palazzo Barberini e per apparati effimeri (pp. 67-69). Negli anni Cinquanta, al ritorno di Antonio dalla Francia, Sacchi si occupò dei lavori di sistemazione a villa Sciarra, nel palazzo a Nemi e in quello ai Giubbonari”. Antonio D'Avossa, Andrea Sacchi, Kappa, Roma 1985; Alessandra Cosmi, DBI, Vol. 89, 2017. SACCHI, Andrea. Architectural study with portal and mask on the reverse Portrait of a Faun.1599-1661 Watercolor drawing on heavy paper. Signed on the reverse. Sheet 274x210; Image 200x138 mm. Brown pen and monochrome watercolor in soft hazelnut tones. Boxed image. On the reverse a Faun, outlined with a brush in sepia ink and signed: "d’Andrea Sacchi". Slight sign of marginal use and a small loss within the drawing. An important architectural drawing by the famous Roman painter, who collaborated with Guido Reni and Pietro da Cortona. On the reverse a tasty portrait of an old faun with a sardonic smile. D'Anvossa highlighted Andrea Sacchi's important activity also as an architect, which is now recognized by scholars. Alessandra Cosmi: "Sacchi's activity as an architect has been documented since 1639 (Incisa della Rocchetta, 1924, pp. 66 s.): He was employed by Antonio Barberini to supervise the works in S. Maria sopra Minerva (1638-44) and S. Agata dei Goti (1633-41), as well as for some sets of the comedies staged in the theater of Palazzo Barberini and for ephemeral apparatus (pp. 67-69). In the 1950s, on Antonio's return from France, Sacchi took care of the renovation work at Villa Sciarra, in the palace in Nemi and in the one at Giubbonari”.
Bado e Mart
Apr. 29, 2021
CRISTOFORO DALL’ACQUA (1734-1787) DA ANDREA SACCHI (1599 CA. - 1661) APOLLO CROWNS MERIT AND PUNISHES ARROGANCE
Est: -
The engraving reproduces in reverse a painting by Andrea Sacchi '-- the allegorical portrait of the singer Marcantonio Pasqualini (1614-1691). Apollo crowns a young man intent on playing an organ with a laurel wreath, while on the right the satyr Marsyas who had defied the god lies bound. On the bottom outside engraved a long dedicatory inscription in Italian and French. engraving and etching, 495x395mm Beautiful impression, with large margins, excellent condition.
Bertolami Fine Art s.r.l.
Mar. 26, 2021
Andrea Sacchi, 1599 Nettuno – 1661 Rom, zug.
Est: €3,000 - €5,000
BILDNIS DES FRANCESCO ALBANI Öl auf Leinwand. Doubliert. 67 x 49 cm. Ungerahmt. Brustbildnis nach rechts vor braunem Hintergrund des genannten Malers in schwarzem Gewand mit weißem glänzenden Kragen. Er hat leicht graues Haar, einen Spitzbart und mit seinen dunklen Augen schaut er interessiert seitlich aus dem Bild heraus. Retuschen. Anmerkung: Francesco Albani (1578-1660) war ein italienischer Maler der Bologneser Schule. Das Gemälde könnte auf einen Kupferstich von Sacchi zurückgehen. (1250184) (18)
Hampel Fine Art Auctions
Mar. 24, 2021
Andrea Sacchi 1599–1661, zugeschrieben
Est: CHF6,000 - CHF8,000
Andrea Sacchi 1599–1661, zugeschrieben Männerbildnis *For this lot VAT of 7,7% will also be charged on the hammer price.
Artcurial Beurret Bailly Widmer
Feb. 10, 2021
SACCHI. Architectural study with portal and mask on the reverse Portrait of a Faun.
Est: €3,000 - €3,500
SACCHI, Andrea. Studio architettonico con portale e mascherone sul verso. Ritratto di un Fauno.1599-1661 Disegno acquarellato su carta pesante. Firmato sul verso. Foglio 274x210; Immagine 200x138 mm. Penna marrone e acquarello monocromo in tenui tonalità nocciola. Immagine riquadrata. Sul verso un Fauno, delineato a pennello con inchiostro seppia e firmato: “d’Andrea Sacchi”. Lievi tracce d’uso marginali e una piccola mancanza all’interno del disegno. Un importante disegno architettonico del celebre pittore romano, che collaborò con Guido Reni e Pietro da Cortona. Sul verso un gustoso ritratto di un vecchio fauno con un sorriso sardonico. D’Anvossa ha messo in rilievo l’importante attività di Andrea Sacchi anche come architetto, che oggi viene riconosciuta dagli studiosi. Alessandra Cosmi: “L’attività di Sacchi come architetto è documentata dal 1639 (Incisa della Rocchetta, 1924, pp. 66 s.): fu impiegato da Antonio Barberini per la supervisione dei lavori in S. Maria sopra Minerva (1638-44) e S. Agata dei Goti (1633-41), nonché per alcune scenografie delle commedie inscenate nel teatro di palazzo Barberini e per apparati effimeri (pp. 67-69). Negli anni Cinquanta, al ritorno di Antonio dalla Francia, Sacchi si occupò dei lavori di sistemazione a villa Sciarra, nel palazzo a Nemi e in quello ai Giubbonari”. Antonio D'Avossa, Andrea Sacchi, Kappa, Roma 1985; Alessandra Cosmi, DBI, Vol. 89, 2017.
Bado e Mart
Sep. 24, 2020
Andrea Sacchi, 1599 Nettuno – 1661 Rom, zug.
Est: €35,000 - €45,000
ALLEGORIE DES TRAUMES Öl auf Leinwand. 122 x 155,5 cm. In diesem seltenen, auf den ersten Blick nicht leicht zu deutenden allegorischen Bildthema hat sich der Maler bei der Darstellung auf nur zwei Gestalten beschränkt. Gezeigt ist ein nach rechts liegender kräftiger Mann mit schon ergrautem Bart, dessen Augen noch geschlossen sind. Träumerisch greift er nach einem weiblichen Wesen, das in schwebender Haltung nach links entweicht, während es ihm eine zarte Blütengirlande zurücklässt. Das Bild ist voller allegorischer weiterer Anspielungen. So ist das Schlaflager des Mannes steinig wiedergegeben, der Hintergrund zeigt das beginnende Morgenrot, das darauf hinweist, dass der Maler hier das Ende eines erotischen Traumes andeuten möchte, der mit dem Erwachen endet. Stilistisch steht das Gemälde ganz in der Malweise des genannten Künstlers. Augenfällig ist hier die besondere Charakteristik im Werk des Andrea Sacchi, der sich – ganz entgegen dem Stil seiner Konkurrenten – in einem barock-klassizistischen Sinne zur Einfachheit der Darstellungen durch nur wenige Figuren entschieden hatte. Diese Stilauffassung wurde auch durch seinen Schüler Carlo Maratti weitergeführt und gewann schließlich die Oberhand der italienischen Malerschulen der nachfolgenden Zeit. A.R. Literatur: Antonio d'Avosssa, Antonio Sacchi, Ed. Kappa, Rom 1985. Hans Posse, Der römische Maler Andrea Sacchi. Ein Beitrag zur Geschichte der klassizistischen Bewegung im Barock. Seemann, Leipzig 1925. Roberta Rinaldi Hrsg., Antonio Sacchi, De Luca, Rom 1999. (1240241) (3) (11) Andrea Sacchi, 1599 Nettuno – 1661 Rome, attributed ALLEGORY OF DREAMS Oil on canvas. 122 x 155.5 cm. Literature: A. d´Avosssa, Antonio Sacchi, Ed. Kappa, Rome 1985. H. Posse, Der römische Maler Andrea Sacchi. Ein Beitrag zur Geschichte der klassizistischen Bewegung im Barock, Seemann, Leipzig 1925. R. Rinaldi (ed.), Antonio Sacchi, De Luca, Rome 1999.
Hampel Fine Art Auctions
Aug. 21, 2020
After Andrea Sacchi (1599-1661) Rome, An Early Engraving 'Placita Enim Erat Deo Anima', 24.5" x 14".
Est: £30 - £50
After Andrea Sacchi (1599-1661) Rome, An Early Engraving 'Placita Enim Erat Deo Anima', 24.5" x 14".
John Nicholson's Fine Art Auctioneers & Valuers
Jun. 24, 2020
Andrea Sacchi (1599–1661) zugeschrieben
Est: CHF10,000 - CHF15,000
Männerbildnis
Artcurial Beurret Bailly Widmer
Mar. 17, 2020
SACCHI Andrea (1599 - 1661) - Huile sur toile m…
Est: €700 - €1,000
SACCHI Andrea (1599 - 1661) Huile sur toile marouflée sur toile "L'Annonciation". Attribué à Andrea Sacchi. Ecole italienne. Dim.:40,5x33,5cm.
Vanderkindere
Dec. 03, 2019
ANDREA SACCHI (attr. a)
Est: €100 - €500
(Nettuno, 1599 - Roma, 1661) La visione di San Romualdo Olio su tela, cm 74X45 L'attribuzione di collezione deriva sicuramente dal confronto con il celebre quadro di Andrea Sacchi custodito alla Pinacoteca Vaticana (olio su tela, cm 310X175). Di questa redazione esistono diverse tele in piccolo a noi note, da considerarsi quali copie, ricordi, ci sono poi le libere interpretazioni, come quella realizzata da Pierre Subleyras oggi alla Pinacoteca di Brera (olio su tela, cm 265X170). Nel nostro caso, licenziare come mera copia l'opera é cosa stentata per la peculiare luminosità e qualità di esecuzione, che si percepisce pur con le svelature che interessa la stesura. Bibliografia di riferimento: A. Sutherland Harris, 'Andrea Sacchi. Complete edition of the paintings', London 1977, pp. 61-62
Wannenes Art Auctions
Dec. 03, 2019
ANDREA SACCHI (attr. a)
Est: €800 - €1,200
(Nettuno, 1599 - Roma, 1661) Studio di testa Olio su tela, cm 49X39 Sia pur noto per le composizioni a carattere classicista, di Andrea Sacchi conosciamo studi o modelli caratterizzati da una notevole sensibilità naturalistica. La sua formazione cortonesca e le ascendenze di gusto emiliano e guercinesco, trovarono comunque spazio nell'evoluzione della sua arte, non immune a soluzioni prossime a quelle di Pier Francesco Mola e ispirazioni berniniane. A questo proposito si veda a esempio il 'San Luca' custodito alla Galleria Nazionale di Palazzo Barberini (R. Vodret, in 'Andrea Sacchi', catalogo della mostra a cura di C. Strinati, Roma 1999, pp. 65 - 66, n. 8), o le 'Teste di Santi' della National Gallery di Londra a lui riferite e successivamente attribuite a Bernini (inv. NG 6382) e infine si osservino le teste dei protagonisti presenti nelle tele con le 'Storie del Battista' della Pinacoteca Vaticana. Bibliografia di riferimento: A. Sutherland Harris, 'Andrea Sacchi', Oxford 1977, ad vocem
Wannenes Art Auctions
Nov. 09, 2019
Andrea Sacchi (1599-1661)
Est: -
Andrea Sacchi (1599-1661), attributed to the Italian School of the 17th century, wrestling a king with a serpent (Laocoon?), Or committing suicide. Black feather on laid paper, washed, old mounted, sheet size 13.4 x 9.8 cm, collection stamp (blindstamp) Lugt 420
Historia Auctionata
May. 28, 2019
ANDREA SACCHI (attr. a)
Est: €200 - €500
(Nettuno, 1599 - Roma, 1661) Studio di testa Olio su tela, cm 51X43,5 Sia pur noto per le sue composizioni a carattere classicista, di Andrea Sacchi conosciamo studi o modelli caratterizzati da una notevole sensibilità naturalistica. La sua formazione cortonesca e le ascendenze di gusto emiliano e guercinesco, trovarono comunque spazio nell'evoluzione della sua arte, non immune a soluzioni prossime a quelle di Pier Francesco Mola. Bibliografia di riferimento: A. Sutherland Harris, 'Andrea Sacchi', Oxford 1977, ad vocem
Wannenes Art Auctions
Apr. 09, 2019
ANDREA SACCHI, workshop of
Est: €1,000 - €1,500
ANDREA SACCHI, workshop of (Rome 1599 - 1661) THE MIRACLE OF ST. ANTHONY OF PADUA, AFTER ANDREA SACCHI Oil on canvas, cm. 64 x 42,5 PROVENANCE Collection of illustrious family, Livorno CONDITIONS OF THE PAINTING Original lining. Three patched restorations bottom left FRAME Molded frame in giltwood, of the 18th century ANDREA SACCHI, bottega di (Roma 1599 - 1661) IL MIRACOLO DI SANT'ANTONIO DA PADOVA, DA ANDREA SACCHI Olio su tela, cm. 64 x 42,5 PROVENIENZA Collezione di illustre famiglia, Livorno Andrea Sacchi dipinse, tra il 1632 ed il 1635, la pala raffigurante il miracolo di sant'Antonio da Padova per la chiesa dei Cappuccini di Santa Maria della Concezione a Roma. La grande tela fu commissionata al Sacchi, assieme alla 'Visione di san Bonaventura', dal cardinale Antonio Barberini sulla base delle notizie fornite dai biografi Passeri (Passeri, ed. 1934, pp. 297-298) e Bellori (Bellori, ed 1976, pp. 549-550). In relazione alla pala d'altare esistono, sulla base degli inventari Barberini, tre riferimenti, un altro, non identificato, figura nell'inventario del pittore. (Alla scoperta del barocco italiano, la collezione Denis Mahon, (cat.mostra a cura di) Gabriele Finaldi - Michael Kitson, 1998, pp. 148-149). Il dipinto in esame, benchè mostri una buona qualità di esecuzione, comunque appare più carente sia nell'intensità degli sguardi dei personaggi, sia nel tratto pittorico dei panneggi rispetto ai modelli rinvenuti come quello su tavola, già collezione Sir Denis Mahon. Altri modelli noti sono ubicati a Roma alla Galleria Nazionale di arte antica di Palazzo Barberini e alla Galleria Corsini (Andrea Sacchi 1599 - 1661, (cat.mostra), Roma 1999, pp. 66-69) CONDIZIONI DEL DIPINTO In prima tela. Tre restauri rattoppati in basso a sinistra CORNICE Cornice modanata in legno dorato, del XVIII secolo
Casa d'Aste Babuino
Feb. 23, 2019
Andrea Sacchi, Italian (1599-1661) Attributed, Two Religious Paintings
Est: $85,000 - $100,000
Andrea Sacchi, Italian (1599-1661) Attributed, Two Religious Paintings, A) Oil on canvas painting of Pope Pius V (1504-1572) born "Antonio Ghislieri", standing looking upwards holding a white lily while at his feet is papal tiara crown, dressed in a gold decorated white robe with religious images, above his head are two winged cherub faces, unsigned, 104" tall by 46 1/2" wide including the frame, the frame appears to be an addition in the 18th/19thC probably done when the canvas was lined, now with some paint losses. B) Oil on canvas painting of St. Filippo Neri (1515-1595) known as apostle of Rome, standing in a red and gold robe gesturing with his hands with cherubs above and a young boy peering from behind, unsigned, 104" x 46 1/2" including the frame which appears to have been added in 18th/19thC probably down when the canvas was lined, now with paint losses and some restoration. Provenance: A NH collector, estate of Harold Osgood Whitney who had a home in Watertown Mass, "The Elms" and Massimo Palace in Rome, a Fogg Art Museum loan label on reverse #2776 for A) and #2775 for B), they were there January 5th-30th 1933 and at that time the painting was attributed to Andrea Sacchi.
The Cobbs
Jan. 31, 2019
Andrea Sacchi (Nettuno 1599-1661 Rome) - Saint Francis marrying Poverty while adoring the Crucifix
Est: $7,000 - $10,000
Andrea Sacchi (Nettuno 1599-1661 Rome) Saint Francis marrying Poverty while adoring the Crucifix red chalk, pen and brown ink 9 5/8 x 7 1/8 in. (24.4 x 19.4 cm)
Christie's
Dec. 05, 2018
* Andrea Sacchi (Nettuno 1599-1661 Rome) Daedalus fastening wings on his son Icarus
Est: £250,000 - £350,000
Andrea Sacchi (Nettuno 1599-1661 Rome) Daedalus fastening wings on his son Icarus oil on canvas124.5 x 106.5cm (49 x 41 15/16in). Provenance: Private Collection, FranceSale, Sotheby's, New York, 29 January 2009, lot 162, after which acquired by the current private owner, USAThis magnificent Baroque composition has recently been added to the oeuvre of Andrea Sacchi by Dr. Ann Sutherland Harris who refers to it categorically as 'an autograph work' (private correspondence between Dr. Sutherland Harris and the owner, a copy of which is available on request). This is significant since no comparable, fully authenticated work which displays Sacchi's crucial place in art history has appeared at auction in recent years. The elegant composition captures the moment of drama when Daedalus, the designer of The Labyrinth on the island of Crete, attaches to the shoulders of his son a pair of delicate wings, made of feathers. Icarus's eyes do not meet those of his father as if ignoring, or failing to comprehend, his father's warning that he should fly neither too close to the sun since the wax with which the feathers were secured would melt, nor too close to the sea since the spray from the ocean would soak the wings. A number of ancient authors, in particular Ovid in his Metamorphoses (Book VIII lines 182-235), relate that Icarus ignored these admonitions, soared towards the sun and then plunged to his death in the Aegean Sea. The juxtaposition of Daedalus's sunburnt flesh with the pale, youthful skin of Icarus illustrates a metaphorical contrast between wisdom and youth. Sacchi has, furthermore, bathed his figure of Icarus in a spotlight, referencing the familiar Baroque chiaroscuro which was first popularised by Caravaggio and continued by Guido Reni, Albani and others. Sacchi occupied an important and influential position, midway between Annibale Carracci and Carlo Maratta, in the development of an elegant classical style of painting in 17th century Rome. Sacchi's devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant aspects of the High Baroque. Certainly, the present composition elegantly combines a restrained and pure form of classicism with the theatre and sensuality of the Baroque style. In this respect, this painting of Daedalus and Icarus is one of Sacchi's most inventive and successful compositions. In the artist's celebrated debate with Pietro da Cortona, described by Missirini in his early 19th century history of the Accademia, the two artists discussed the relative virtues of compositions containing fewer figures and those with many. Missirini relates that Sacchi favoured paintings with fewer figures and the present work takes this policy to a natural, and dramatic, conclusion. A number of versions of Sacchi's Daedalus fastening wings on his son Icarus are recorded before the end of the 18th century. What had been considered to be the finest version is that in the Palazzo Rosso, Genoa, where it has been since 1766, when it was first recorded in a Brignole sale. One other version has an earlier documented history and has remained in the Doria-Pamphilj family collection in Rome. Together with the present work, these three autograph paintings differ slightly from each other in size and minor details. It is important to highlight that the present work must be recognised as on a par with the Genoa version. Dr. Sutherland Harris points out, 'the freely painted feathers of Icarus's wing are more visible in the [present] version than in the Genoa version, more of Icarus's face is in shadow, and its shorter format concentrates the viewer's attention on the two men and the fatal lack of attention by Icarus to his father's instruction. The treatment and distribution of all the shadows falling on both men have been very carefully recorded, and are not identical in these two versions'. Dr. Sutherland Harris concludes 'To summarise, the two paintings by Andrea Sacchi depicting Daedalus and Icarus in the Palazzo Rosso, Genoa and [the present painting] are both autograph works by Sacchi. The fact that there are minor differences between them also supports this conclusion as the artist himself would be more likely to continue to edit and make adjustments than a copyist working in Sacchi's studio under his supervision. During the papacy of Innocent X Sacchi lacked the steady patronage he had enjoyed during the reign of Urban VIII Barberini, especially from Cardinal Antonio, and started making copies of own compositions, among them this subject, but also of the more complex story, The Drunkenness of Noah, of which decent versions exist in Berlin, Vienna and Catanzaro'. Sacchi has combined painterly skill, compositional elegance and emotional intensity to emphasise the drama which, as all viewers know, will culminate in Icarus's fall into the sea.
Bonhams
Oct. 27, 2018
Andrea Sacchi, Italian (1599-1661) Attributed
Est: $50,000 - $80,000
Andrea Sacchi, Italian (1599-1661) Attributed, Oil on canvas painting of St. Filippo Neri (1515-1595) known as apostle of Rome, standing in a red and gold robe gesturing with his hands with cherubs above and a young boy peering from behind, unsigned, 104" x 46 1/2" including the frame which appears to have been added in 18th/19thC probably down when the canvas was lined, now with paint losses and some restoration. Provenance: A NH collector, estate of Harold Osgood Whitney who had a home in Watertown Mass, "The Elms" and a palace in Rome, a Fogg Art Museum loan label on reverse #2775, it was there January 5th-30th 1933 and at that time the painting was attributed to Andrea Sacchi.
The Cobbs
Oct. 27, 2018
Andrea Sacchi, Italian (1599-1661) Attributed
Est: $60,000 - $90,000
Andrea Sacchi, Italian (1599-1661) Attributed, Oil on canvas painting of Pope Pius V (1504-1572) born "Antonio Ghislieri", standing looking upwards holding a white lily while at his feet is papal tiara crown, dressed in a gold decorated white robe with religious images, above his head aret wo winged cherub faces, unsigned, 104" tall by 46 1/2" wide including the frame, the frame appears to be an addition in the 18th/19thC probably done when the canvas was lined, now with some paint losses. Provenance: A NH collector, estate of Harold Osgood Whitney who had a home in Watertown Mass, "The Elms" and palace in Rome, a Fogg Art Museum loan label on reverse #2776, it was there January 5th-30th 1933 and at that time the painting was attributed to Andrea Sacchi.
The Cobbs
May. 21, 2018
ANDREA SACCHI, workshop of ( Nettuno 1599 - Rome 1661) THE HOPE, PRUDENCE AND STRENGTH LEAD TO VICTORY
Est: €1,000 - €1,500
ANDREA SACCHI, workshop of ( Nettuno 1599 - Rome 1661) THE HOPE, PRUDENCE AND STRENGTH LEAD TO VICTORY Oil on canvas, cm. 62 x 61 PROVENANCE Roman family CONDITIONS OF THE PAINTING Recent re-lining. At the right small zone of restoration on the figure
Casa d'Aste Babuino
Jan. 30, 2018
Andrea Sacchi (Nettuno 1599-1661 Rome) Study for the 'Centenary of the Jesuit Order'
Est: $15,000 - $20,000
Andrea Sacchi (Nettuno 1599-1661 Rome) Study for the 'Centenary of the Jesuit Order' traces of black chalk, pen and brown ink, brown wash, watermark coat of arms with bees 5 7/8 x 7 5/8 in. (14.8 x 19.4 cm)
Christie's
Jan. 30, 2018
Andrea Sacchi (Nettuno 1599-1661 Rome) The Immaculate Conception
Est: $10,000 - $20,000
Andrea Sacchi (Nettuno 1599-1661 Rome) The Immaculate Conception red chalk, pen and brown ink, black chalk 13 7/8 x 10 in. (35.5 x 25.5 cm)
Christie's