Emilio Sanchez-Perrier Sold at Auction Prices

Emilio Sanchez-Perrier (Spanish, 1855-1907) A couple in a punt along the banks of a river 10 1/4 x 13 3/4in (26.1 x 35cm)

Emilio Sanchez-Perrier (Spanish, 1855-1907) A couple in a punt along the banks of a river signed 'E Sanchez Perrier' (lower right) oil on panel 10 1/4 x 13 3/4in (26.1 x 35cm)

EMILIO SÁNCHEZ-PERRIER (SPANISH, 1855-1907) - A Midday's Rest

EMILIO SÁNCHEZ-PERRIER (SPANISH, 1855-1907) A Midday's Rest signed 'E Sanchez Perrier.' (lower left) oil on panel 6 1/4 x 8 5/8 in. (15.8 x 21.9 cm.)

Emilio Sanchez-Perrier (Spanish 1855-1907), Father and Child Fishing Beside the Oise River, Signed Oil on Board, 9 x 19 inches

Emilio Sanchez-Perrier (Spanish 1855-1907) Father and Child Fishing Beside the Oise River Signed E. Sanchez-Perrier l.r.; also located L'Oise on verso Oil on board 9 x 19 in (22.9 x 48.3 cm)

Emilio Sanchez-Perrier (Spanish, 1855-1907) Anvers

Emilio Sanchez-Perrier (Spanish, 1855-1907) Emilio Sanchez-Perrier (Spanish, 1855-1907)Anverssigned and titled 'E. Sanchez Perrier Anvers' (lower right)oil on cradled panel16 x 211⁄2 in. (40.6 x 54.6 cm.)

Emilio Sánchez Perrier (Spanish, 1855-1907) L'étang à Friaucourt, Ault (Picardie) oil on panel 22 x 15 7/8 in. (55.9 x 40.3 cm.)

Emilio Sánchez Perrier (Spanish, 1855-1907) L'étang à Friaucourt, Ault (Picardie) signed, inscribed, and dated 'E. Sanchez-Perrier/Ault/87' (lower left) oil on panel 22 x 15 7/8 in. (55.9 x 40.3 cm.)

Painting, Emilio Sanchez-Perrier

Emilio Sanchez-Perrier (Spanish, 1855 - 1907), "Boating Along a Quiet River, Acala," 1886, oil on panel, signed and dated lower left, panel: 13.75"h x 8.75"w, overall (with frame): 19.25"h x 14.25"w. Provenance: Groupil & Cie., New York; Donald and Adelaide Woodward, LeRoy, New York; Sale, Chase Maas, Mendon, New York, 1985; Macconal-Mason, London, 2014; private collection Berkeley, CA. Note: Macconnal-Mason Invoice Accompanies lot.

Emilio Sanchez-Perrier Oil on Panel, Landscape

Emilio Sanchez-Perrier (Spanish, 1855-1907). An oil on panel of a wooded landscape, titled "Alcala". Titled and signed lower left "E. Sanchez Perrier". 16 x 9-1/4 in.

Emilio Sanchez-Perrier (Spanish 1855-1907), Figure with Boat in a Landscape, Signed Oil on Canvas, 8 x 11-1/2 inches

Emilio Sanchez-Perrier (Spanish 1855-1907) Figure with Boat in a Landscape Signed E. Sanchez-Perrier l.l. Oil on canvas 8 x 11-1/2 in (20.3 x 29.2 cm)Property of Various Owners

Emilio Sanchez-Perrier Oil on Panel, Landscape

Emilio Sanchez-Perrier (Spanish, 1855-1907). An oil on panel of a wooded landscape, titled "Alcala". Titled and signed lower left "E. Sanchez Perrier". 16 x 9-1/4 in.

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Emilio Sanchez-Perrier (Spanish, 1855-1907), "The Path by a Grove of Trees", oil on canvas, signed lower right, 17 in. x 24 in., framed; accompanied by copies of Sotheby Parke Bernet 1979 letters and Christie's 1989 letter. Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Emilio Sanchez-Perrier (Spanish, 1855-1907), "The Path by a Grove of Trees", oil on canvas, signed lower right, 17 in. x 24 in., framed. Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent. Note: Emilio Sánchez-Perrier studied at the School of Fine Art in Seville and the San Fernando School of Art in Madrid before moving to Paris in 1880, where his works were greatly influenced by the Barbizon School and subsequent Impressionists, while studying under the artists Félix Ziem and Auguste Boulard. The influence of these styles is clearly visible in the majestic landscape offered here. The composition is distinctly Barbizon in its predilection of the plein air study of natural scenery over the Neoclassical tradition that painted indoors as backdrops for dramatic events. Here, the drama is nature; the focal point, much like in the work of Barbizon artist Rousseau, is a grove of craggy trees accentuated by a path “less traveled” along a mountain hollow. In lieu of Barbizon reverse lighting (darker foreground offset by a luminescent background), Sánchez-Perrier plays upon the airier palettes of the Impressionists, visible in the cerulean blue of the sky and the painterly rendering of the lavender flowers as purple dots in a field of Siena brush, to capture the same hazy atmospheric perspective as the Barbizon painters. This landscape is an extraordinary piece of the artist’s mature style, which was first recognized at the Paris Salon in 1880, where Sánchez-Perrier exhibited “Seville’s Alcazar Garden,” “Winter” and “Andalusia.” This unique blend of styles held Salon-goers spellbound throughout the 1880s and 1890s, and earned him appointments to the Société Générale des Beaux Arts and Seville’s Academy of Fine Arts. More than a century later, Sànchez-Perrier’s sublime landscapes of the Spanish, French and Italian countrysides continue to enthrall viewers.

Emilio Sanchez-Perrier (Spanish, 1855-1907) Stillness on a lily pond 15 3/4 x 22in (40 x 56cm)

Emilio Sanchez-Perrier (Spanish, 1855-1907) Stillness on a lily pond signed and inscribed "Sanchez Perrier/ Sevilla' (lower right) oil on cradled panel 15 3/4 x 22in (40 x 56cm) Footnotes Provenance Marshall Solberg, Chicago (acquired before 1930s); By descent to the present owner.

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Emilio Sanchez-Perrier (Spanish, 1855-1907), "The Path by a Grove of Trees", oil on canvas, signed lower right, 17 in. x 24 in., framed. Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent. Note: Emilio Sánchez-Perrier studied at the School of Fine Art in Seville and the San Fernando School of Art in Madrid before moving to Paris in 1880, where his works were greatly influenced by the Barbizon School and subsequent Impressionists, while studying under the artists Félix Ziem and Auguste Boulard. The influence of these styles is clearly visible in the majestic landscape offered here. The composition is distinctly Barbizon in its predilection of the plein air study of natural scenery over the Neoclassical tradition that painted indoors as backdrops for dramatic events. Here, the drama is nature; the focal point, much like in the work of Barbizon artist Rousseau, is a grove of craggy trees accentuated by a path “less traveled” along a mountain hollow. In lieu of Barbizon reverse lighting (darker foreground offset by a luminescent background), Sánchez-Perrier plays upon the airier palettes of the Impressionists, visible in the cerulean blue of the sky and the painterly rendering of the lavender flowers as purple dots in a field of Siena brush, to capture the same hazy atmospheric perspective as the Barbizon painters. This landscape is an extraordinary piece of the artist’s mature style, which was first recognized at the Paris Salon in 1880, where Sánchez-Perrier exhibited “Seville’s Alcazar Garden,” “Winter” and “Andalusia.” This unique blend of styles held Salon-goers spellbound throughout the 1880s and 1890s, and earned him appointments to the Société Générale des Beaux Arts and Seville’s Academy of Fine Arts. More than a century later, Sànchez-Perrier’s sublime landscapes of the Spanish, French and Italian countrysides continue to enthrall viewers.

Emilio Sanchez-Perrier. By the Stream, oil/panel

(Spanish, 1855-1907). Signed "E. Sanchez Perrier" ll, 9 x 12 1/2 in., framed

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Emilio Sanchez-Perrier (Spanish, 1855-1907), "The Path by a Grove of Trees", oil on canvas, signed lower right, 17 in. x 24 in., framed. Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent. Note: Emilio Sánchez-Perrier studied at the School of Fine Art in Seville and the San Fernando School of Art in Madrid before moving to Paris in 1880, where his works were greatly influenced by the Barbizon School and subsequent Impressionists, while studying under the artists Félix Ziem and Auguste Boulard. The influence of these styles is clearly visible in the majestic landscape offered here. The composition is distinctly Barbizon in its predilection of the plein air study of natural scenery over the Neoclassical tradition that painted indoors as backdrops for dramatic events. Here, the drama is nature; the focal point, much like in the work of Barbizon artist Rousseau, is a grove of craggy trees accentuated by a path “less traveled” along a mountain hollow. In lieu of Barbizon reverse lighting (darker foreground offset by a luminescent background), Sánchez-Perrier plays upon the airier palettes of the Impressionists, visible in the cerulean blue of the sky and the painterly rendering of the lavender flowers as purple dots in a field of Siena brush, to capture the same hazy atmospheric perspective as the Barbizon painters. This landscape is an extraordinary piece of the artist’s mature style, which was first recognized at the Paris Salon in 1880, where Sánchez-Perrier exhibited “Seville’s Alcazar Garden,” “Winter” and “Andalusia.” This unique blend of styles held Salon-goers spellbound throughout the 1880s and 1890s, and earned him appointments to the Société Générale des Beaux Arts and Seville’s Academy of Fine Arts. More than a century later, Sànchez-Perrier’s sublime landscapes of the Spanish, French and Italian countrysides continue to enthrall viewers.

Emilio Sanchez-Perrier Spanish, 1855-1907 L'Etang a Friaucourt, Ault (Picardie), 1887

Emilio Sanchez-Perrier Spanish, 1855-1907 L'Etang a Friaucourt, Ault (Picardie), 1887 Signed E. Sanchez-Perrier/Ault and dated 87 (ll); titled on the reverse Oil on panel 22 x 15 7/8 inches (55.9 x 40.3 cm) C 

Emilio Sanchez-Perrier Spanish, 1855-1907 La Riviere des Juifs, Tanger, 1887

Emilio Sanchez-Perrier Spanish, 1855-1907 La Riviere des Juifs, Tanger, 1887 Signed E. Sanchez-Perrier/Tanger and dated 87 (ll); titled on the reverse Oil on panel 13 7/8 x 21 3/4 inches (35.3 x 55.2 cm) C 

EMILIO SÁNCHEZ PERRIER | A quiet afternoon on the river

oil on panel

Emilio Sanchez-Perrier Spanish, 1855-1907 A Walk Past the Falls

Emilio Sanchez-Perrier Spanish, 1855-1907 A Walk Past the Falls Signed and inscribed E. Sanchez-Perrier/Alcala (lr); numbered A/2052 on the reverse and numbered O-109 on an old label affixed to the reverse Oil on panel 19 1/4 x 8 3/4 inches (49 x 22.3 cm) Provenance: Avery's Galleries, New York C Estate of David Levidow

Painting, Emilio Sanchez-Perrier

Emilio Sanchez-Perrier (Spanish, 1855-1907), Man in a Boat on a Lily Filled Pond, oil on panel, signed lower right, panel: 12"h x 15.5"w, overall (with frame): 18"h x 21"w

Signed E. Sanchez Perrier Landscape

DESCRIPTION: Signed E. Sanchez Perrier (Spanish, 1855-1907). Oil on board. Landscape by a river. Signed in the lower left corner "E. Sanchez Perrier". Possibly attributed to Jose Pinelo Llull (Spanish, 1861-1922). A similar landscape bearing this signature and attributed to Llull was offered by Freeman's on March 30, 2014, lot 21. In painted wood scrolled frame. MEASUREMENTS: 8" x 12". Overall with frame 14-1/4" x 18-1/4". CONDITION: Toning to painting, especially in sky area. Cracking and chipping throughout frame.

Emilio Sanchez-Perrier Spanish, 1855-1907 A Walk Past the Falls

Emilio Sanchez-Perrier Spanish, 1855-1907 A Walk Past the Falls Signed and inscribed E. Sanchez-Perrier/Alcala (lr); numbered A/2052 on the reverse and numbered O-109 on an old label affixed to the reverse Oil on panel 19 1/4 x 8 3/4 inches (49 x 22.3 cm) Provenance: Avery's Galleries, New York C Estate of David Levidow

Emilio Sanchez-Perrier Spanish, 1855-1907 A Quiet Stretch of the River

Emilio Sanchez-Perrier Spanish, 1855-1907 A Quiet Stretch of the River Signed E. Sanchez-Perrier (ll); numbered A 5213 on an old label affixed to the stretcher Oil on canvas 9 3/8 x 12 3/8 inches (23.8 x 31.4 cm) C Estate of David Levidow

Emilio Sanchez-Perrier Spanish, 1855-1907 Tranquil River, Alcala, 1886 Signed E. Sanchez Perrier and inscr...

Emilio Sanchez-Perrier Spanish, 1855-1907 Tranquil River, Alcala, 1886 Signed E. Sanchez Perrier and inscribed and dated Alcala/86 (ll) Oil on panel 13 15/16 x 8 13/16 inches (35.5 x 22.4 cm) Provenance: Donald and Adelaide Woodward, LeRoy, NY Sale: Chase Maas, Mendon, NY, acquired by the present owner August, 1985 C Property of a Greenwich Village Collector

Emilio Sanchez-Perrier (Spanish, 1855-1907) A Summer Day on the River signed 'E Sanchez Perrier' (lower right) oil on panel, unframed 12½ x 16¼ in. (31.7 x 41.2 cm.)

EMILIO SANCHEZ-PERRIER, Spanish (1855-1907), A River Landscape, oil on panel, signed lower right., 5 1/2 x 8

EMILIO SANCHEZ-PERRIER Spanish (1855-1907) A River Landscape oil on panel, signed lower right. 5 1/2 x 8 Provenance: Private collection, Texas.

Emilio Sanchez-Perrier (1855-1907), SpanishFISHERMEN ON A RIVER; Oil on panel; signed lower right13.25" x 16" - 33.7 x 40.6 cm.Provenance: Britnell Gallery, Toronto, circa 1940's

Emilio Sanchez-Perrier (1855-1907), SpanishFISHERMEN ON A RIVER; Oil on panel; signed lower right13.25" x 16" - 33.7 x 40.6 cm.Provenance: Britnell Gallery, Toronto, circa 1940's

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Emilio Sanchez-Perrier (Spanish, 1855-1907) Fishermen on a Tranquil River signed 'E Sanchez Perrier' (lower right) oil on panel 10 x 20¼ in. (25.4 x 51.4 cm.)

EMILIO SANCHEZ-PERRIER, Spanish (1855-1907), A Orillas del Rio, Alcala, oil on panel, signed lower right and inscribed Alcala., 10 1...

EMILIO SANCHEZ-PERRIER Spanish (1855-1907) A Orillas del Rio, Alcala oil on panel, signed lower right and inscribed Alcala. 10 1/2 x 14 Provenance: Private collection, Illinois.

EMILIO SÁNCHEZ-PERRIER

EMILIO SÁNCHEZ-PERRIER SPANISH 1855-1907 A ORILLAS DEL RIO, GUILLENA (ALONG THE RIVER, GUILLENA) signed and inscribed E Sanchez-Perrier / Guillena lower right oil on panel 21.5 by 46cm., 8½ by 18¼in.

EMILIO SANCHEZ-PERRIER, Spanish (1855-1907), Fuego de Amantes Chaponval, oil on canvas, signed lower right., 24 1/4 x 18 1/2

EMILIO SANCHEZ-PERRIER Spanish (1855-1907) Fuego de Amantes Chaponval oil on canvas, signed lower right. 24 1/4 x 18 1/2

Emilio Sanchez-Perrier (Spanish, 1855-1907) Evening, looking towards the Grand Canal with Santa Maria della Salute in the distance

Evening, looking towards the Grand Canal with Santa Maria della Salute in the distance signed, inscribed and dated 'E Sanchez Perrier/Venezia 85' (lower right) oil on panel 29.5 x 45cm (11 5/8 x 17 11/16in).

SANCHEZ-PERRIER, EMILIO (Sevilla 1855 - 1907

SANCHEZ-PERRIER, EMILIO (Sevilla 1855 - 1907 Granada) Flusslandschaft in Pontoise. Öl auf Holz. Unten links signiert und bezeichnet: E. Sanchez Perrier Pontoise. 27 x 35 cm. Provenienz: - Robert B. Woodward, Brooklyn. - Museum of the Brooklyn Institute of Arts and Sciences, Brooklyn. - Auktion Christie's, New York, 29.10.2003, Lot 196. - Privatbesitz Schweiz. Ausstellung: - Brooklyn, Brooklyn Institute of Arts and Science.

Emilio Sánchez-Perrier , Spanish 1855-1907 Laundry at the Edge of the River oil on panel

signed E. Sanchez Perrier, inscribed Paris and dated 82 (lower left) oil on panel

Emilio Sánchez-Perrier , Spanish 1855-1907 A Picnic on the Riverbank oil on panel

signed E. Sanchez Perrier, inscribed Chaville and dated 86 (lower left) oil on panel

Emilio Sánchez-Perrier , Spanish 1855-1907 Fuego de Amantes ("The Lover's Fire"), Chaponval oil on canvas

signed E. SANCHEZ-PERRIER (lower right) oil on canvas

Emilio Sánchez-PerrierSpanish, 1855-1907

signed and inscribed E Sanchez Perrier / Tanger l.l. oil on panel

Emilio Sanchez-Perrier (Spanish, 1855-1907)

The Water Mill signed 'E. Sanchez-Perrier' (lower left) oil on panel 5 3/4 x 11 in. (14.5 x 28 cm.)

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Shepherds by a riverside fire signed and inscribed 'E Sanchez-Perrier Guillena' (lower left) oil on panel 8 1/2 x 10 3/4 in. (21.6 x 27.4 cm.)

Emilio Sanchez-Perrier (Spanish, 1855-1907)

A River Landscape signed 'E. Sanchez-Perrier' (lower right) oil on canvas 241/4 x 181/4 in. (61.5 x 46.5 cm.).

Emilio Sanchez-Perrier (Spanish, 1855-1907)

Figures in a Boat in a River Landscape with a Village beyond signed and inscribed 'E Sanchez Perrier Sevilla' (lower left) oil on panel 93/4 x 19 5/8 in. (24.8 x 50.4 cm.).