Michael Sandle Sold at Auction Prices

Sandle, Michael

(1936 Weymouth). Ohne Titel. Flugzeug. Radierung 1973. 49 x 64,5, Blgr. 66,5 x 78,5 cm. Sign., dat. u. num. - Ex. 88/150. - W. Rd. etw. angestoßen u. stellenw. etw. fleckig. D

Sandle, Michael

Sandle, Michael Weymouth, 1936 55 x 75,5 cm, R. "Study for a sculpture", 1969. Ink and gouache on inch paper. Signed and dated. Fischer Fine Art Ltd., London (reverse with galerie label). Collection, Baden-Württemberg. Sandle, Michael Weymouth, 1936 55 x 75,5 cm, R. "Study for a sculpture", 1969. Tusche und Gouache auf Inchpapier. In Bleistift unten rechts signiert und datiert sowie rückseitig auf einem Galerieetikett betitelt. Fischer Fine Art Ltd., London (rückseitig mit Ausstellungsetikett). Sammlung, Baden-Württemberg.

Sandle, Michael

(1936 Weymouth). Hedge /I.o.M. Tusche u. Aquarell 1981. 25 x 35 cm. Unt. re. sign., dat. u. betitelt. Unter Glas gerahmt (nicht ausgerahmt). D

Michael Sandle, (British b.1936), Shrouded Figure, 1981, bronze, 56 x 40 x 14 cm

Michael Sandle (British b.1936) Shrouded Figure, 1981 bronze inscribed to base

Michael Sandle, (British b.1936), Bowl 7, painted brass, 52 x 42 x 10 cm

Michael Sandle (British b.1936) Bowl 7 painted brass inscribed to base 'B7'

SANDLE, MICHAEL (*1936 WEYMOUTH). "U BOOT IM BUNKER".

SANDLE, Michael(*1936 Weymouth) "U Boot im Bunker" Radierung. Bleistiftsignatur. Künstlerexemplar "A/P.". Platte: 45 x 61,5 cm. Gerahmt & hinter Glas60,5 x 80 cm. Blatt gebräunt, Wasserflecken. Britischer Bildhauer, gilt als wichtiger Vertreter der zeitgenössischen Bildhauerei. SANDLE, Michael(*1936 Weymouth) "U Boat in Bunker" Etching. Pencil signature. Artist's copy "A/P." Plate: 45 x 61.5 cm. Framed & behind glass60.5 x 80 cm. Sheet browned, water stains. British sculptor, considered an important representative of contemporary sculpture. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MICHAEL SANDLE RA (born 1936) British, Homage to Constable, limited edition

MICHAEL SANDLE RA (born 1936) British, Homage to Constable, limited edition print, numbered 2/100. 91 x 70.5 cm.

MICHAEL SANDLE Weymouth 1936 - tätig in London: Study for a Sculpture.

MICHAEL SANDLE Weymouth 1936 - tätig in London Study for a Sculpture. Tuschfeder- und -pinselzeichnung mit Lavis und Gouache 1969. Signiert, datiert und undeutlich bezeichnet. Auf chamoisfarbenem Inch-Papier. 55 x 75,5 cm. Ränder teils leicht wellig und schwach fleckig. Sandles bildhauerisches Werk kennzeichnet „die Verbindung von Surrealismus und Konstruktivismus, die Integration ornamentaler Verzierungen und die Verwendung archit. Elemente (z.B. die stufig angelegte Sockelfläche)“ (Saur, AKL online), erkennbar an dieser Entwurfsstudie. Provenienz: Fischer Fine Art Ltd., London. [bg]

Michael Sandle RA, British b.1936 - Mad Meg, 1986;

Michael Sandle RA, British b.1936- Mad Meg, 1986; etching with aquatint on wove, signed, dated, titled and inscribed W.P in pencil, a working proof aside from the edition of 50, published by Fischer Fine Art, sheet 66 x 89cm; together with two further etchings by the same, with aquatint on wove, each signed, dated 1985 and inscribed P/P in pencil, all sheets printed by Alan Cox at Sky Editions, London, with their blindstamp, each sheet 45.9 x 37.8cm (unframed) (3) (ARR) Please refer to department for condition report

MICHAEL SANDLE Weymouth 1936 - tätig in London: Study for a Sculpture.

MICHAEL SANDLE Weymouth 1936 - tätig in London Weymouth 1936 - tätig in London Study for a Sculpture. Tuschfeder- und -pinselzeichnung mit Lavis und Gouache 1969. Signiert, datiert und undeutlich bezeichnet. Auf chamoisfarbenem Inch-Papier. 55 x 75,5 cm. Ränder teils leicht wellig und schwach fleckig. Sandles bildhauerisches Werk kennzeichnet „die Verbindung von Surrealismus und Konstruktivismus, die Integration ornamentaler Verzierungen und die Verwendung archit. Elemente (z.B. die stufig angelegte Sockelfläche)“ (Saur, AKL online), erkennbar an dieser Entwurfsstudie. Provenienz: Fischer Fine Art Ltd., London. [ms]

MICHAEL SANDLE (né en 1936) Antennal System, 1974. Encre sur papier. Signée et d

MICHAEL SANDLE (né en 1936) Antennal System, 1974. Encre sur papier. Signée et datée en haut à gauche. Inkt op papier. Gesigneerd en gedateerd linksboven. 29 x 35 cm Provenance / Herkomst : Galerie Fred Lanzenberg, Bruxelles. Collection privée / Prive collectie, Belgique

Michael Sandle, W.W.1 Ghosts VI, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. The soldiers are even more ghostly in V

Michael Sandle, W.W.1 Ghosts V, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. The soldiers are even more ghostly in VI, where splintered trees shaft the darkness and the black of the foreground river is of an oily depth only etching can achieve.

Michael Sandle, W.W.1 Ghosts IV, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. Etchings IV shows a soldier in the last split-second of life as the bomb blasts. 100% of the proceeds from the sale of this item go towards Island Mountain Arts (Wells, BC) (www.imarts.com).

Michael Sandle, W.W.1 Ghosts III, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. The figures in III are larger and the leading man has been shot. 100% of the proceeds from the sale of this item go towards Island Mountain Arts (Wells, BC) (www.imarts.com).

Michael Sandle, W.W.1 Ghosts II, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. Etching II features soldiers under fire cross a damaged metal bridge. In figure II soldiers are larger and the leading man has been shot. The dramatic diagonals of the bridge gleam in the enfolding darkness. 100% of the proceeds from the sale of this item go towards Island Mountain Arts (Wells, BC) (www.imarts.com).

Michael Sandle, W.W.1 Ghosts I, 2005

Michael Sandle (1936-) is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death or destruction. His work has been critical of what he describes as the "heroic decadence" of capitalism and its involvement in global conflict. The Ghost Series, a profoundly moving reflection on the First World War, was an inspired commission by the Canadian Cascadia Publications Group. The ‘ultimate’ three-dimensional form to emerge from the Ghost Series would be a memorial foot-bridge to one of the war’s ‘pals’ regiments’. Pals’ regiments were a British way of encouraging recruitment and esprit de corps by letting friends who volunteered together fight in the same units. It often led to communities being decimated for a generation. Sandle had in mind a group of pals from a district of the Yorkshire city of Leeds, who were killed almost to a man on the infamous first day of the battle of the Somme, 1 July 1916. Etchings I shows a soldier in the last split-second of life as the bomb blasts. 100% of the proceeds from the sale of this item go towards Island Mountain Arts (Wells, BC) (www.imarts.com).

Sandle, Michael

Sandle, Michael Stooks & Bushes. Mit 6 signierten und nummerierten Original-Kaltnadelradierungen von M. Sandle. Baden-Baden, Galerie Suzanne Fischer, 1979. 3 Bl. 32,2 x 26 cm. Lose in Original-Leinenkassette (Dermont-Duval, Paris) mit Rücken- und Deckeltitel (minimal angestaubt). Eins von 10 (GA 30) römisch nummerierten Exemplaren, die nicht für den Handel bestimmt sind. Jedes Blatt vom Künstler signiert und nummeriert. - International bekannt ist Sandle vor allem als Bildhauer zahlreicher Denkmäler und Skulpturen im öffentlichen Raum, die thematisch meist um Krieg, Tod und Zerstörung kreisen. Sandle, der ab 1973 in Deutschland lebte, wo er u.a. von 1980-1999 an der Akademie der Bildenden Künste in Karlsruhe lehrte, realisierte auch Projekte in Mannheim (Denkmal zur Erinnerung an das Hubschrauberunglück 1982) oder Heidelberg (Kopfklinik 1987). - Sehr guter Zustand.

MICHAEL SANDLE - STATION MAUSOLEUM

Lot 139 Michael Sandle British (b. 1936) Station Mausoleum (1972) lithograph on foil signed lower right, AP sight: 23 7/8 x 30 1/8 inches Provenance: From The Estate of Leonard Stone

Michael Sandle, British (1936- ), Silver Mine in the I.O.M., etching, A/P, 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle British (1936- ) silver mine in the i.o.m. etching, A/P signed 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle, British (1936- ), Catafulque, etching, #7/30, 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle British (1936- ) catafulque etching, #7/30 signed 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle, British (1936- ), Silver Mine in the I.O.M., etching, A/P, 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle British (1936- ) silver mine in the i.o.m. etching, A/P signed 17 3/4 x 24 in. (45.1 x 61 cm)(unframed)

Michael Sandle, Abstrakte Komposition, signierte große Aquatintaradierung von 1981 & Peter Herkenrath, Abstrakte Komposition, signierte Radierung

Michael Sandle, Abstrakte Komposition, signierte große Aquatintaradierung von 1981 & Peter Herkenrath, Abstrakte Komposition, signierte Radierung Michael Sandle, *1936 Weymouth, ab 1973 in Deutschland, 1980-99 Dozent an der Akademie der Bildenden Künste Karlsruhe, lebt in London, hier: o.T., Aquatintaradierung, 43 x 54,5 cm, sign., dat., dazu Peter Herkenrath, 1900 Köln - 1992 Mainz, als Künstler Autodidakt, 1933 erste Einzelausstellung im Kölnischen KV, Unterbrechung des künstlerischen Schaffens durch die NS-Zeit, 1945 Gründung der „Rheinischen Künstlergemeinschaft Köln“, 1952-55 Vorsitz der „Neuen Rheinischen Sezession", 1961-65 Professor an der Akademie der Bildenden Künste in Karlsruhe, hier: Abstrakte Komposition, Radierung, 46 x 36,5 cm, sign., num. 46/200, beide an d. Rändern etwas knickfaltig, o. Rahmen

Michael Sandle RA (British, b.1936). 'I.D.F. Pilot

Michael Sandle RA (British, b.1936). 'I.D.F. Pilot', etching, 2010. Signed, titled, dated and marked Stage Proof in pencil to margin. Image size: 49.5 x 62cm. Unframed, loose.

Michael Sandle R.A. (1936-), 'Skeletons, Tyres and Destruction', set of three aquatints, artist's proofs, signed and dated 1985, artist's notes recto, 12" x 12"

Michael Sandle R.A. (1936-), 'Skeletons, Tyres and Destruction', set of three aquatints, artist's proofs, signed and dated 1985, artist's notes recto, 12" x 12"

Michael Sandle R.A. (1936-) 'Israeli Defence Pilot (internet montage)', aquatint, artist's proof, signed and dated 2010, 26" x 31", and another by Sandle, etching of the Grim Reaper, unsigned but from the same portfolio, 17" x 27"

Michael Sandle R.A. (1936-) 'Israeli Defence Pilot (internet montage)', aquatint, artist's proof, signed and dated 2010, 26" x 31", and another by Sandle, etching of the Grim Reaper, unsigned but from the same portfolio, 17" x 27"

Michael Sandle R.A. (1936-), three aquatints, signed artist's proofs (BAT), printed 1986, largest 12" x 9"

Michael Sandle R.A. (1936-), three aquatints, signed artist's proofs (BAT), printed 1986, largest 12" x 9"

Michael Sandle R.A. (1936-), 'Mad Meg', aquatint, artist's proof, signed and dated 1986, 26" x 35"

Michael Sandle R.A. (1936-), 'Mad Meg', aquatint, artist's proof, signed and dated 1986, 26" x 35"

Michael Sandle R.A. (1936-) 'The Stage is Set', artist's proof monochrome/engraving, signed and dated 1986, 23½" x 20", and another artist's proof 'War', signed and dated 1985

Michael Sandle R.A. (1936-) 'The Stage is Set', artist's proof monochrome/engraving, signed and dated 1986, 23½" x 20", and another artist's proof 'War', signed and dated 1985

Michael Sandle, three engravings, workshop and printer's proof, date 1976/7

Michael Sandle, 'Mad Meg', artist's proof engraving, signed and dated 1986, 17½" x 24", and another printer's proof

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, 'The Stage is Set', pencil signed, unframed, 14" x 12"

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, 'The Stage is Set', pencil signed, unframed, 14" x 12"

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, 'The Stage is Set', pencil signed, unframed, 14" x 12"

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, 'The Stage is Set', pencil signed, unframed, 14" x 12"

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, tractor leading a marching band, pencil signed and dated, unframed, 9" x 13"

Michael Sandle, RA, 1985, monochrome artist's proof aquatint, tractor leading a marching band, pencil signed and dated, unframed, 9" x 13"

Michael Sandle RA, 1985, monochrome artist's proof aquatint, marching animal band, pencil signed and dated, unframed, 12" x 12"

Michael Sandle RA, 1985, monochrome artist's proof aquatint, marching animal band, pencil signed and dated, unframed, 12" x 12"

Michael Sandle (b.1936) - Untitled

two lithographs printed in colours, 1959-1976, each signed and dated in pencil, one numbered 18/100, the other inscribed 'lithograph, Artist's proof', each on wove paper, with full margins, overall sheet size 910 x 700 mm (35 3/4 x 27 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b.1936) - Submarine Monument with Discs (+ six others)

etching with aquatint, 1976, signed titled and dated in pencil, numbered 49/75, together with six etchings by different hands, each on wove paper, with full margins, overall size 670 x 750 mm (26 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (Weymouth/England 1936), Camouflaged/ Sandbagged Monument In The Forest, 1975

Aquarell/ Guoache/ Platte. In dunkelgrauen Tönen dargestelltes Monument in Landschaft. Wohl Entwurf für eine Skulptur. Re. u. in Blei originalsign., dat. und betitelt: 'Camouflaged/ Sandbagged Monument In The Forest (A.R.P. Water Tank)' und 'M. Sandle July 1975'. Sandle ist ein englischer Bildhauer, 1967 nahm er an der Biennale von Paris teil, ein Jahr darauf Teilnahme an der Documenta IV in Kassel; er lehrt an der Akademie der Bildenden Künste in Karlsruhe. Blattmaße 73 x 97 cm. Aus dem Nachlass Robert Häusser, erworben 1979 von der Galerie Suzanne Fischer, Baden-Baden. [ak]

Michael Sandle (Weymouth/England 1936), Skulptur 'Ohne Titel'/ Untitled

Bronze mit dunkler Patina. Rechteckige Basis mit diversen, reliefierten Versatzstücken wie zwei kissenförmigen Objekten und ein Torso auf rechteckiger, bettartiger Unterlage. Re. an Basis ritzsign. und Auflagenangabe 'M. Sandle 6/20'. Sandle ist ein englischer Bildhauer, 1967 nahm er an der Biennale von Paris teil, ein Jahr darauf an der Documenta IV in Kassel; er lehrt an der Akademie der Bildenden Künste in Karlsruhe. Die Skulptur liegt lose auf schwarzem Marmorsockel. Maße 32,5 x 20,5 cm, H. ca. 7,5 cm. Aus dem Nachlass Robert Häusser. [ak]

Michael Sandle, Aquatint, Abstract Composition, 1961

Aquatint on J. Whatman wove paper (watermark) England, 1961 Michael Sandle (b. 1936) – British sculptor, draftsman, graphic artist and painter Lower right signed and dated in pencil ‘M. Sandle 61’ Lower left numbered in pencil ‘5/50’ Sheet size: 56.3 x 39.7 cm Very good overall impression Estimate by Auctionata Expert: 300 EUR This early aquatint impresses by its good impression and the strong embossment. The abstract composition is built up harmoniously reposing, but still has a monumental character. The later interest of the trained printmaker in sculptural, monumental work seems to be to foreshadow already. This aquatint is signed and dated lower right in pencil ‘M. Sandle 61’ and numbered lower left in pencil’5/50’. The sheet is with faint studio-stains and overall with insignificant wear, the overall impression is very good. The sheet measures 56.3 x 39.7 cm. Michael Sandle (b. 1936) The British artist Michael Sandle grew up on the Isle of Man, where he studied from 1951 to 1954 at the Douglas School of Art and Technology. After his military service, he then studied printing technology at the Slade School of Fine Arts in London. Actually trained as a printmaker Sandle turns to sculptural works in the course of the 1960s. In 1973 he went to Germany, where he first taught in Pforzheim and Berlin, before he became a professor of sculpture at the Academy of Fine Arts in Karlsruhe in 1980. Sandles sculptural works were initially small-scale bronzes, and later he produced monumental works for public space. ‘St. George and the Dragon’ in London is his first large sculpture in public places in England. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

Michael Sandle (b. 1936), Untitled, Bronze, 1980s

Bronze with blackish-brown patina Great Britain, circa 1980s Michael Sandle (b. 1936) - British sculptor, draftsman, graphic artist and painter; professor for sculpture at the Academy of Karlsruhe Dimensions: 22.5 x 21.4 x 32 cm Very good condition The highest hammer price for a bronze sculpture by Sandle is currently placed at circa €7,000 A characteristic, solid bronze cast by Michael Sandle, depicting a mechanic construction as he created it mainly in the 1980s, after having moved to Germany. Responses to his smaller bronzes were multiple times in monumental size cast sculptures that are exhibited in public space Condition: The bronze sculpture is in very good condition. The total dimensions are 22.5 x 21.4 x 32 cm. Michael Sandle (b. 1936) Michael Sandle began his artistic education at the Douglas School of Art and Technology on the Isle of Man. After completing his studies in 1954, he served for two years military service in the Royal Artillery. Afterwards he began studying at the Slade School of Fine Arts in London in the classes of e.g. Lucian Freud and Claude Rogers. Sandle moved for three years to Canada for visiting professorships at the University of Calgary in Alberta and at the University of British Columbia. He took part in the Biennale in Paris in 1967. One of his sculptures was exhibited at documenta IV in Kassel in 1968. He moved to Germany in 1973 and work as a professor for sculpture at the Academy of Fine Arts in Karlsruhe since 1980. He received the title Royal Academician in 1989. The artist lives and works in London. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good - if a protection as an original work of art or photography is given - starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

Michael Sandle - Drawings

Michael Sandle - Drawings. Titled, dated and signed upper left: Drawings Oct 1972 M. Sandle. Pencil, India ink, opaque white and coloured pencil on paper. 1972

Michael Sandle (b. 1936) - Elevating Screen, 1970

pencil and marker pen on paper, signed, titled and dated at lower right 36 1/2 x 26 in., 93 x 66 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b. 1936) - Morpheus Sleep Machine, 1975

ink, watercolour and chalk on paper, signed, titled and dated at lower left 27 x 40 1/4 in., 69 x 102 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b. 1936) - Study for monument on winding base. 1972

ink, watercolour and white chalk on paper, signed, dated and titled at lower right 25 1/4 x 38 3/4 in., 64 x 98.5 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b. 1936) - Machine Gun Barrel Assembly, 1972

coloured inks with wash on paper, signed, titled and dated at upper right 24 x 35 3/4 in., 51 x 91 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b. 1936) - Railway Station Monument Baden-Baden, 1972

india ink and watercolour, signed and dated at upper right 23 3/4 x 36 in., 60.5 x 91.5 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Sandle (b. 1936) - Railway Station Monument Baden-Baden: Transformerstation, 1973

india ink with watercolour on paper, with pencil inscriptions, signed, titled and dated at lower left 23 1/4 x 31 in., 59 x 79 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.