Ernst Scheel Paintings & Artwork for Sale | Ernst Scheel Art Value Price Guide

Jun. 16, 2021
Scheel, Ernst: Stairwell in Grindelhochhaus, Hamburg
Est: €200 - €300
Stairwell in Grindelhochhaus, Hamburg. Circa 1950. Vintage gelatin silver print. 17,2 x 23,2 cm. Photographer's (24) Hamburg 19. Rellinger Str. 1 stamp on the verso - - A few light handling marks, a few small retouched spots, otherwise in very good condition. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.
Bassenge Auctions
Jun. 19, 2020
Ernst Scheel, Untitled (Typenmöbel), Late 1920s
Est: €1,000 - €1,500
Each print titled in pencil and with photographer's stamp on the verso, one print with photographer's and architect's stamps on the verso. Design: Karl Schneider
Kunsthaus Lempertz KG
Jun. 19, 2020
Ernst Scheel, Trabrennbahn Farmsen, Hamburg, 1929/30
Est: €3,000 - €4,000
Each print with photographer's stamp and annotated in pencil on the verso. 5 prints additionally with marks for publication in pencil on the verso, 1 print additionally with architect's stamp as well as detailed notes on the subject on a label affixed to the verso. Architect: Gustav Meves Supplement: 6 vintage gelatin silver prints (reproductions of floor plans and front elevations)
Kunsthaus Lempertz KG
Jun. 19, 2020
Ernst Scheel, Wochenendhaus in Reinbek, 1927
Est: €800 - €1,000
Each print titled in pencil and with photographer's stamp on the verso, the first print annotated in pencil 'Frau und Heim, Seite 3, Bild 1'. Architect: Gottfried Schramm Supplement: Blueprint with floor plans of the house
Kunsthaus Lempertz KG
Jun. 19, 2020
Ernst Scheel, Wochenendhaus, Hamburg, 1928
Est: €900 - €1,200
Two prints titled in pencil and with photographer's stamp on the verso. The third print with photographer's and architect's stamps on the verso. Architect: Karl Schneider
Kunsthaus Lempertz KG
Jun. 19, 2020
Ernst Scheel, Neue Hamburg-Altonaer Großwohnbauten, 1928/1929
Est: €3,000 - €4,000
14 prints titled in pencil and with photographer's stamp, some also annotated in an unknown hand in pencil and crayon, on the verso. Architects: Hinsch & Deimling, Friedrich Ostermeyer, Gustav Oelsner, E. Schröder Supplement: 12 vintage gelatin silver prints by Ernst Scheel, partly collaged, with views of floor plans and front elevations of the projects. 4 Vintage gelatin silver prints of the Aerial Photography Department of the Luftverkehrsgesellschaft Hamburg m.b.H. Moderne Bauformen. Monatshefte für Architektur und Raumkunst, Volume XXVIII, Issue 12, December 1929 (editor Julius Hoffmann, Stuttgart), documenting the projects. Blueprint of the ground plan of the "Selbsthilfe" building blocks in Altona. 2 pages from the Bau-Rundschau, No. 24, 1927, documenting the projects. The architecture in Hamburg and Altona took on a special role in the architectural scene of the 1920s in Germany due to its strong regional character and its preferential use of brick. The urban development of the two cities, first unified in 1938, is strongly characterised by the work of the friends and heads of municipal planning Gustav Oelsner and Fritz Schumacher. Co-founder of the 'Deutscher Werkbund' (German Association of Craftsmen) in 1907 and Hamburg municipal planner from 1909 to 1933, Schumacher was a determined promotor of brick architecture. He was a promotor of the Neuen Bauen in the 1920s, but also propagated a moderate Modernism oriented towards regional traditions. The most enduring effect was achieved through his residential constructions. Numerous large housing estates were built in a ring-shaped arrangement around the city centre, in particular in the north and north-east of the city. Under his aegis, around 65,000 apartments were built in Hamburg between 1918 and 1933. With their plans for large estates in a relaxed, light-flooded block arrangment in the spirit of reform architecture, Fritz Schumacher in Hamburg and Gustav Oelsner in Altona laid the foundations for a modern, state-subsidised, mostly cooperative housing construction. Many architects took part in the large estate projects such as Hinsch & Deimling, Oskar Gerson, Friedrich Ostermeyer and Karl Schneider, Ostermeyer being one of the most productive architects in housing construction of the 1920s in Hamburg and Altona who worked through to the post-war period. His preferred architectural design tools ranged from bricks used sculpturally and featuring decorative elements, to simple facades and cubes of brick. His apartment block on the Fuhlsbütteler Strasse in North Barmbek which follows the curve of the street is a good example of that first, more decorative type of architecture. The “Selbsthilfe Block” with its somewhat stricter façade design on Pinneberger Chaussee (today Kieler Strasse) in Altona is comparable in scale. A large part of this estate, originally consisting of five building complexes of irregular ground plan with open courtyards, is still preserved. Karl Schneider was also intensively occupied with questions of (small) housing construction, often choosing rather a more functional formal language closer to that of the 'Neuen Bauen'. His free building projects, such as the cubic, white-plastered weekend house shown here, were characterised by the idea of flowing space and the infiltration of interior and exterior. Ernst Scheel came - as a trained typographer - via a detour to photography. Asked by Karl Schneider to take test shots of his buildings, Schneider subsequently made him his house photographer because of his graphically sophisticated pictorial language, influenced by the Neues Sehen (New Vision). In the late 1920s, he worked for many Hamburg architects and his architecture shots were published in leading construction magazines.
Kunsthaus Lempertz KG
Jun. 03, 2016
Ernst Scheel, Röntgenröhrenfabrik C.H.F. Müller in Hamburg-Fuhlsbüttel, Treppenhaus im Verwaltungsgebäude, 1929
Est: €800 - €1,000
Photographer's stamp and annotated in an unknown hand in pencil on the verso.Architect: Karl Schneider
Kunsthaus Lempertz KG
Jun. 03, 2016
Ernst Scheel, Trabrennbahn Farmsen, Wetthalle, Innenansicht, 1930
Est: €800 - €1,000
Photographer's stamp, annotated in an unknown hand in pencil and number stamp on the verso.Architect: Gustav Meves
Kunsthaus Lempertz KG
Jun. 03, 2016
Ernst Scheel, Wohnhaus an der Barmbecker Straße, Hamburg, 1929
Est: €800 - €1,000
Photographer's stamp and annotated in an unknown hand in pencil on the verso.Architects: Walter Hinsch and Erwin Deimling
Kunsthaus Lempertz KG
Jun. 03, 2016
Ernst Scheel, Wochenendhaus in Reinbek, Hamburg, 1927
Est: €800 - €1,000
Photographer's stamp and anntotated in an unknown hand in pencil on the verso.Architect: Gottfried Schramm
Kunsthaus Lempertz KG
May. 28, 2014
The Garden Show „Planten un Blomen" in Hamburg
Est: €1,200 - €1,500
Ernst Scheel The Garden Show „Planten un Blomen" in Hamburg Each with the photographer's stamp on the reverse, therein numbered in pencil, 2 photos inscribed in pencil. 3 photos additionally with stamp of the architect Konstanty Gutschow, 2 of which inscribed in black ink. Enclosure: 1 gelatin silver print with layout plan of the exhibition site (photo: Albrecht, Hamburg), 3 original articles: „Moderne Bauformen", 1935, p. 475-492; „Baugilde", vol. 23, 1935, p. 723-728; „Bauwelt", vol. 40, 1935, p. 1-8, and the text „Eingangsbauten und Kakteenhäuser" dated 28 May 1935 with stamp of the architect 11 Vintages. Gelatin silver prints 4 1/4 x 8 7/8 in. to 6 3/4 x 9 in. resp. from 8 5/8 x 6 5/8 in. to 9 x 6 1/2 in.
Grisebach
Jul. 01, 2010
Ernst Scheel, Photography "large residential block at Koßmoorweg, Hamburg", 1928
Est: €312 - €350
Vintage. Gel silver photographic print. 16 x 22.5 cm. Back side marked and dated with pencil: Großwohnhausblock am Koßmoorweg / Hamburg, 1928. Verso with photographer and architect stamps: Lichtbildwerkstatt Ernst Scheel Hamburg 1/Burchhardtstr. 11 - Architekt Karl Schneider Hamburg Spaldingstrasse 160 Alster 8029 . Stamp of the state archive of Hamburg with elimination stamp, hs. dated: 5.5.1989. In Passepartout. Glassed, framed.
Von Zezschwitz Kunst und Design
May. 29, 2008
Ernst Scheel Eimsbüttel 1903 - 1986 Hamburg
Est: €2,500 - €3,000
Ernst Scheel Eimsbüttel 1903 - 1986 Hamburg TYPENMÖBEL VON KARL SCHNEIDER, HAMBURG: SCHLAFZIMMER MIT FRISIERKOMMODE, SCHLEIFLACK, BLAU UND GRAU Around 1928. Vintage. Gelatin silver print. 6 5/8 x 8 3/4 in. (6 5/8 x 8 7/8 in.).
Grisebach
May. 29, 2008
Ernst Scheel Eimsbüttel 1903 - 1986 Hamburg
Est: €2,500 - €3,000
Ernst Scheel Eimsbüttel 1903 - 1986 Hamburg WOCHENENDHAUS IN REINBEK, ARCHITEKT: GOTTFRIED SCHRAMM, HAMBURG 1927. Vintage. Gelatin silver print. 6 3/8 x 8 3/4 in. (6 1/2 x 8 7/8 in.).
Grisebach