Charles Schreyvogel Paintings & Artwork for Sale | Charles Schreyvogel Art Value Price Guide

Nov. 19, 2024
Schreyvogel, Charles - "The last drop"
Est: $10,000 - $15,000
Schreyvogel, Charles (1861-1912) "The last drop" Description (FR): Sculpture en bronze, droits d'auteur a la base "Copyrighted 1900 by Chas. Schreyvogel 2/3". Coulee par "Roman Bronze Works N-Y-" a partir du plaÃ¢tre original de l'artiste, inscriptions a la base. Numero 2/3. Description (EN): Bronze sculpture, copyright on base âCopyrighted 1900 by Chas. Schreyvogel 2/3â. Cast by âRoman Bronze Works N-Y-â from the artist's original plaster, inscriptions on base. Number 2/3. Dimension (PO): 11.5" x 18" x 4.5" Dimension (CM): 29 x 46 x 11.5 cm Rapport de condition: Sur demande, nous nous ferons un plaisir de rÃ©pondre Ã vos questions de maniÃ¨re dÃ©taillÃ©e. Condition report: Upon request, We will gladly answer all your inquiries in a detailed manner.
Champagne Auctions
Aug. 27, 2024
CHARLES SCHREYVOGEL (American, 1860-1912) "SAVING
Est: $300 - $500
THE MAIL". Circa 1900. Platinum print of a stagecoach fleeing from a band of Indians on horseback. Housed in oak frame under glass. Signed lower left. SIZE: overall 25" x 19", sight 20 1/2" x 15". CONDITION: toning, otherwise good. PROVENANCE: Martin Lane Historic & Western Americana Lifetime Collection. (02-21594/TG). $300-500.
Poulin Antiques & Auctions
Jul. 18, 2024
CHARLES (CARL) SCHREYVOGEL (New Jersey/New York, 1861-1912), Western cowboy scene., Lithograph of a painting, 14.25" x 19.25". Framed 22" x 27".
Est: $400 - $600
CHARLES (CARL) SCHREYVOGEL New Jersey/New York, 1861-1912 Western cowboy scene. Housed in a rosewood frame.
Eldred's
Jul. 13, 2024
Charles Schreyvogel White Eagle Bronze
Est: $6,000 - $8,000
10" by 19" by 23". Title is White Eagle. Copyright 1899, number 16/18. Charles (Carl) Schreyvogel (1861 - 1912) was active/lived in New Jersey, New York. Charles Schreyvogel is known for Indian, cowboy and military genre painting, miniatures. One of the better known painters of Western subject matter, Charles Schreyvogel was especially interested in military life in the days of the disappearing frontier. His western scenes were usually subjects with landscape as the backdrop, and his depictions of Indians were that of people with dignity and pride. "His favorite theme was warfare between intruding whites and Indians defending their ancestral homelands." (Baigell, 321) He spent most of his life as an impoverished artist and then earned what seemed like overnight fame. "When Remington died in 1909, Schreyvogel wore the mantle of premier Western artist for the brief remainder of his life." (Zellman, 557) Schreyvogel was born in New York City and grew up in a poor family of German immigrant shopkeepers on the Lower East Side and also spent much of his childhood in Hoboken, New Jersey. He found work in art-related trades including as a Meerschaum pipe carver, goldsmith, and lithographer. He taught himself to draw, but he studied with H. August Schwabe at the Newark Art League. By 1880, he was teaching drawing and painting and used the roof of his apartment in Hoboken as his studio. In 1887, with the help of several patrons, especially Dr. William Redwood Fisher, he went to Munich, Germany for three years and studied with Carl Von Marr and Frank Kirchbach. Dr. Fisher encouraged the artist to take an interest in western subject matter. Returning to the United States, he had bad health and was advised to go West to regain strength, but he didn't have the money for several years so he satisfied his aroused interest by sketching cowboys and Indians he saw in Buffalo Bill's Wild West Show. In 1893, Schreyvogel first went West, visiting Arizona and the Ute Reservation in southwest Colorado. He quickly regained his health and excelled as a horseman. He also learned sign language to communicate with the Indians to persuade them to pose for him. But the resulting paintings didn't sell in the East, so he, having married Louise Walther, earned money with portrait painting of miniatures on ivory while continuing to do western painting. In the 1890s and 1900s, he made additional trips West, including the Blackfeet Reservation in Montana. In 1901, his work, My Bunkie, won the first place honor, the Thomas B. Clarke Prize, at the National Academy of Design, and a market for his western paintings and sculpture was set. My Bunkie was a rejected painting that even his local cafe owner had refused to hang, and despairing, he had left it at the Academy. He was so sure he would get no recognition that he had not even bothered to leave his address. He worked from studios in Hoboken, New Jersey, and from a farm in West Kill, New York, and his Academy success was followed by winning a bronze medal in Paris and another at the Pan-American Exposition in Buffalo. The money he earned from this recognition allowed him to do more traveling in the West where he gathered material for his studio painting, many of them military scenes. Most of his canvases were large, but he was such a meticulous painter that he only completed about seventy-five western paintings. He also did some watercolors, and many of his paintings were reproduced during his lifetime. He died in Hoboken from blood poisoning from a chicken bone lodged in his gum. His studio and collection are on permanent display at the Cowboy Hall of Fame in Oklahoma City.
Davis Brothers Auction
Jun. 08, 2024
Charles Schreyvogel White Eagle Bronze
Est: $6,000 - $8,000
10" by 19" by 23". Title is White Eagle. Copyright 1899, number 16/18. Charles (Carl) Schreyvogel (1861 - 1912) was active/lived in New Jersey, New York. Charles Schreyvogel is known for Indian, cowboy and military genre painting, miniatures. One of the better known painters of Western subject matter, Charles Schreyvogel was especially interested in military life in the days of the disappearing frontier. His western scenes were usually subjects with landscape as the backdrop, and his depictions of Indians were that of people with dignity and pride. "His favorite theme was warfare between intruding whites and Indians defending their ancestral homelands." (Baigell, 321) He spent most of his life as an impoverished artist and then earned what seemed like overnight fame. "When Remington died in 1909, Schreyvogel wore the mantle of premier Western artist for the brief remainder of his life." (Zellman, 557) Schreyvogel was born in New York City and grew up in a poor family of German immigrant shopkeepers on the Lower East Side and also spent much of his childhood in Hoboken, New Jersey. He found work in art-related trades including as a Meerschaum pipe carver, goldsmith, and lithographer. He taught himself to draw, but he studied with H. August Schwabe at the Newark Art League. By 1880, he was teaching drawing and painting and used the roof of his apartment in Hoboken as his studio. In 1887, with the help of several patrons, especially Dr. William Redwood Fisher, he went to Munich, Germany for three years and studied with Carl Von Marr and Frank Kirchbach. Dr. Fisher encouraged the artist to take an interest in western subject matter. Returning to the United States, he had bad health and was advised to go West to regain strength, but he didn't have the money for several years so he satisfied his aroused interest by sketching cowboys and Indians he saw in Buffalo Bill's Wild West Show. In 1893, Schreyvogel first went West, visiting Arizona and the Ute Reservation in southwest Colorado. He quickly regained his health and excelled as a horseman. He also learned sign language to communicate with the Indians to persuade them to pose for him. But the resulting paintings didn't sell in the East, so he, having married Louise Walther, earned money with portrait painting of miniatures on ivory while continuing to do western painting. In the 1890s and 1900s, he made additional trips West, including the Blackfeet Reservation in Montana. In 1901, his work, My Bunkie, won the first place honor, the Thomas B. Clarke Prize, at the National Academy of Design, and a market for his western paintings and sculpture was set. My Bunkie was a rejected painting that even his local cafe owner had refused to hang, and despairing, he had left it at the Academy. He was so sure he would get no recognition that he had not even bothered to leave his address. He worked from studios in Hoboken, New Jersey, and from a farm in West Kill, New York, and his Academy success was followed by winning a bronze medal in Paris and another at the Pan-American Exposition in Buffalo. The money he earned from this recognition allowed him to do more traveling in the West where he gathered material for his studio painting, many of them military scenes. Most of his canvases were large, but he was such a meticulous painter that he only completed about seventy-five western paintings. He also did some watercolors, and many of his paintings were reproduced during his lifetime. He died in Hoboken from blood poisoning from a chicken bone lodged in his gum. His studio and collection are on permanent display at the Cowboy Hall of Fame in Oklahoma City.
Davis Brothers Auction
Jun. 08, 2024
Charles Schreyvogel Sheridan's Campaign Print
Est: $50 - $75
28" by 37" framed.
Davis Brothers Auction
Jan. 18, 2024
CHARLES SCHREYVOGEL (1861-1912) - The Last Drop
Est: $40,000 - $60,000
CHARLES SCHREYVOGEL (1861-1912) The Last Drop bronze with black patina 12 in. (30.5 cm.) high
Christie's
May. 18, 2023
Charles Schreyvogel, The Last Drop, Reproduction of 1903 Edition
Est: $1,000 - $2,000
Charles Schreyvogel (1861 - 1912) The Last Drop, Reproduction of 1903 Edition bronze inscribed: Copyrighted 1903 by / Chas Schreyvogel
Santa Fe Art Auction
Apr. 29, 2023
Attributed to Charles Schereyvogel (1861 - 1912) American
Est: $800 - $1,500
Attributed to Charles Schereyvogel (1861 - 1912) Oil on Board , measures 11" x 9" ,w/frame 13.5" x 11.5"
Cutler Bay Auctions
Mar. 04, 2023
CHARLES SCHREYVOGEL (AMERICAN, 1861-1912) PLATINUM PRINTS
Est: $200 - $300
CHARLES SCHREYVOGEL (AMERICAN, 1861-1912) PLATINUM PRINTS, LOT OF TWO, comprising "The Skirmish Line" and "An Unexpected Enemy". Housed under glass in original frames. Dated 1900. One 13" x 19" sight, 23 1/2" x 28" OA. Provenance: From a private Richmond, VA collection.
Jeffrey S. Evans & Associates
Jan. 28, 2023
3 Piece Charles Schreyvogel Western Artwork
Est: $2,000 - $4,000
Charles Schreyvogel, 1861-1912 who's work 'My Bunkie' hangs in 'The Met'. Three piece set includes two framed and matted under glass platinum prints titled, "How Kola" and" "A Beeline for Camp" as well as a framed under glass Shaw Prize Dinner for the Salmagundi Club of New York. Beginning in 1904 and continuing for forty years, Samuel T. Shaw sponsored a purchase prize for the Salmagundi Club's Annual Exhibition of Oil Paintings. He proved a lithographic print of the winning painting signed by all members of the club attending the informal dinner in honor of the winner, and each member received a copy. This piece contains over 3 dozen signatures of members from the US's oldest Arts Club (see photos) After sketching for Buffalo Bill's Wild West Show in NY, he was able to spend 1893 in the West. For 5 months he sketched at the Colorado Ute reservation. He then continued as a lithographic artist while his paintings of Western Army life did not sell. One of these paintings " My Bunkie" he could not dispose of either as a painting or lithograph. He offered a restaurant on consignment, where it was hung in a corner. Later Schreyvogel took it back and entered it in the 1900 National Academy Exhibition. "My Bunkie" won the highest prize of $300. Until then no one had heard of Schreyvogel, however now he was immediately famous. He went back out west again sketching troopers and Native Americans in the Dakotas. His output was limited to a few major works a year due to the number of research trips and the size of the paintings. Some of his illustrations were marketed in the form of "platinum prints", . Please see photos. The group has been individually framed and matted. and measure approx 3" X 28" each
Donley Auction Services
Nov. 10, 2022
Charles Schreyvogel, The Last Drop
Est: $50,000 - $70,000
Charles Schreyvogel The Last Drop 1903 patinated bronze 12 h × 18.625 w × 5 d in (30 × 47 × 13 cm) This work is one of only three bronzes created by the artist and served as a model for a painting of the same subject. It remains one Schreyvogel's most enduring images. Incised signature and date to base 'Copyrighted 1903 by Chas Schreyvogel' with foundry mark. Impressed number to underside 'No 57'. This work is number 57 from the edition produced at the Roman Bronze Works, New York. This work will ship from Rago in Lambertville, New Jersey.
Rago Arts and Auction Center
Nov. 04, 2022
Charles Schreyvogel (American, 1861-1912) The Last Drop, 1903 Bronze with brown
Est: $25,000 - $35,000
Charles Schreyvogel (American, 1861-1912) The Last Drop, 1903 Bronze with brown patina 12 inches (30.5 cm) high Inscribed on base: Copyright 1903 by / Chas Schreyvogel Inscribed on underside: No. 105 PROVENANCE: Private collection; By descent from the above. LITERATURE: H. McCracken, Great Painters and Illustrators of the Old West, New York, 1952, p. 202; E. Ainsworth, The Cowboy in Art, New York, 1968, pp. 48-49, another example illustrated; J.D. Horan, The Life and Art of Charles Schreyvogel: Painter-Historian of the Indian-Fighting Army of the American West, New York, 1969, p. 27, pl. 39, another example illustrated; P. Rossi, D. Hunt, The Art of the Old West, New York, 1971, p. 230, another example illustrated; P.J. Broder, Bronzes of the American West, New York, 1974, pp. 202, 204-05, another example illustrated; H. McCracken, The West of Buffalo Bill: Frontier Art, Indian Crafts, Memorabilia from the Buffalo Bill Historical Center, New York, 1974, p. 196; Birmingham Museum of Art, Art of the American West, Birmingham, Alabama, 1983, p. 30; W.C. Foxley, Frontier Spirit: Catalog of the Collection of the Museum of Western Art, exhibition catalogue, Denver, Colorado, 1983, p. 110, no. 76, another example illustrated; G.A. Reynolds , American Bronze Sculpture: 1850 to the Present, Newark, New Jersey, 1984, p. 23; Taft Museum of Art, Home on the Range: American Western Art from a Cincinnati Collection, exhibition catalogue, Cincinnati, Ohio, 1994, p. 71; S. Campbell, The American West: People, Places, and Ideas, Corning, New York, 2001, n.p., pl. 62, another example illustrated; L.D. Rosenfeld, A Century of American Sculpture: The Roman Bronze Works Foundry, New York, 2002, p. 138; T. Tolles, The American West in Bronze: 1850-1925, exhibition catalogue, New York, 2013, pp. 116-17, 120-22, 164, 185n14, fig. 146, 152, 153, no. 70, 71, other examples illustrated. At the time of his unexpected death from blood poisoning in 1912, Charles Schreyvogel was considered one of the most popular artists of the Old West, revered for his nostalgic images of a disappearing frontier. His fame arrived late in life when his painting My Bunkie won first prize at the 1900 National Academy of Design exhibition, yet he had trained since his youth as an artist. Born in 1861 to German immigrants settled in New York City, Schreyvogel apprenticed during the 1870s to a gold engraver and a lithographer before enrolling in the Newark Art League. With the financial assistance of his brothers, he traveled abroad and studied from 1886-1890 at the Munich Royal Academy, developing an interest in realism and genre scenes. The watershed moment in Schreyvogel's career occurred back home in 1893 when he attended Buffalo Bill's Wild West Show and sketched, for the first time, the ideals of his childhood dreams: cowboys and Indians. So entranced was he with these new subjects that soon afterward, he visited the Ute Reservation in Colorado -- an opportunity to photograph and paint local legends and begin collecting western artifacts as props for compositions. He interviewed many veterans of the plains wars, including officers, cavalrymen, and Native Americans, and gathered details about their experiences. These tales deeply inspired Schreyvogel's work, leading him to focus primarily on the army of the American west. His insistence on thorough preliminary research prompted future trips to the Dakotas and limited his production, ultimately fewer than 100 paintings. Ironically, chief rival Frederic Remington in 1903 challenged the historical accuracy of his Custer's Demand; Schreyvogel, however, supported by notables including Theodore Roosevelt and the wife of
Heritage Auctions
Nov. 01, 2022
Charles Schreyvogel (1861-1912) The Last Drop 12 in. high (Conceived and cast in 1903.)
Est: $60,000 - $80,000
Charles Schreyvogel (1861-1912) The Last Drop inscribed 'Copyright 1903 / by Chas Schreyvogel' (on the base) and 'No. 13' (on the underside) and stamped 'ROMAN BRONZE WORKS N-Y-' (along the base) bronze with brown patina 12 in. high Conceived and cast in 1903.
Bonhams
Aug. 31, 2022
Charles Schreyvogel 1861-1912 Landscape Painting
Est: $1,000 - $3,000
Charles Schreyvogel (American, 1861-1912). Original dark forest landscape oil painting on canvas. Titled "Winter Ride". Features a lone figure on horseback trailing through a rural wooded forest. Retains original Chapellier Gallery NYC label on verso. Signed and dated 1883 lower left. From a private Palm Beach collection. Presented in period gilt wood frame. Work Size: 12 x 18 in. Dimensions: 22 X 28 X 3 in. Condition: Good overall antique condition with normal surface wear and aged color varnish toning. Frame having storage surface wear and areas with loss. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Jul. 09, 2022
Charles Schreyvogel (1861-1912) Chromolithograph
Est: $1,500 - $2,500
This is an outstanding rare original Charles Schreyvogel (1861-1912) chromolithograph from circa 1900 titled, A Hot Trail, in the original Helena, Montana frame. The piece features a wonderfully and professionally crafted chromolithograph construction that depicts Native American war riders faced towards the viewers. The artist signature can be seen in the chromo bottom right hand corner with the original copyright date of 1900. The frame is professionally crafted in Helena, Mont. with a tooled border that shows hand painted gilted design with the original stamp on the back marked, Quality Flaherty & Kohler Art Store Helena Mont. Charles Schreyvogel was an American painter of Western subject matter in the days of the disappearing frontier. Schreyvogel was especially interested in military life. The back also has the original title marked as shown. Charles Schreyvogel chromolightographs or photo lithographs are exceedingly rare and were done by the artist in his lifetime. Only two original examples can be found that have been offered at auction of A Hot Trail first the piece by March in Montana 2011 which sold for $2,520.00 (shown with bp) in a modern frame and an example in a gilted frame from Treadway Toomey Auctions in 2008 for $2,500. The condition of this chromolithograph is good with no obvious signs of damage and in good overall condition. The measurements of this framed chromolithograph are 23 1/2" x 18 1/8 and the visible art measures 19 1/4" x 14".
North American Auction Company
Jun. 29, 2022
Charles Schreyvogel 1861-1912 Landscape Painting
Est: $5,000 - $15,000
Charles Schreyvogel (American, 1861-1912). Original dark forest landscape oil painting on canvas. Titled "Winter Ride". Features a lone figure on horseback trailing through a rural wooded forest. Retains the original Chapellier Gallery NYC label on verso. Signed and dated 1883 lower left. From a private Palm Beach Collection. Presented in period gilt wood frame. Work Size: 12 x 18 in. Dimensions: 22 X 28 X 3 in. Condition: Good overall antique condition with normal surface wear and aged color varnish toning. Frame having storage surface wear and areas with loss. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Jun. 25, 2022
CHARLES SCHREYVOGEL (AMERICAN, 1861-1912) INDIAN WARS PLATINUM PRINTS, LOT OF TWO
Est: $200 - $300
CHARLES SCHREYVOGEL (AMERICAN, 1861-1912) INDIAN WARS PLATINUM PRINTS, LOT OF TWO, "The Silenced War Whoop" and "Attack at Dawn", each depicting a clash between U.S. Cavalry and Native American forces on horse back. Each signed in print and with copyright blind-stamp lower right, dated 1904 and 1908. Housed under glass in likely original black-painted wood frames retaining labels for The Art Shop, 239 Fifth Ave., New York, NY.
Jeffrey S. Evans & Associates
Jun. 04, 2022
SCHREYVOGEL, "THE LAST DROP."
Est: $600 - $900
Schreyvogel, Charles (New Jersey, 1861-1912). "The Last Drop." Bronze. Signed "C Schreyvogel" on base. Mounted on marble. 10 1/8" x 12".
Quinn's Auction Galleries
May. 17, 2022
CHARLES SCHREYVOGEL (1861-1912) The Last Drop bronze with dark brown patina
Est: $60,000 - $80,000
CHARLES SCHREYVOGEL (1861-1912) The Last Drop bronze with dark brown patina 12 in. (30.5 cm.) high
Christie's
Jan. 19, 2022
Charles Schreyvogel (1861-1912) - The Last Drop
Est: $40,000 - $60,000
Charles Schreyvogel (1861-1912) The Last Drop bronze with golden brown patina 12 in. (30.5 cm.) high
Christie's
Aug. 15, 2021
Charles Schreyvogel signed bronze, 'The Last Drop'
Est: $1,200 - $1,500
Charles Schreyvogel (American, 1861-1912) bronze sculpture, titled 'The Last Drop,' depicting a horse drinking from the hat of his rider, signed 'Charles Schreyvogel' to base, with foundry mark for Roman Bronze Works, 11.5"h x 19.75"w x 6"d.
Great Gatsby's Auction Gallery, Inc.
May. 18, 2021
Charles Schreyvogel (1861-1912) - The Last Drop
Est: $40,000 - $60,000
Charles Schreyvogel (1861-1912) The Last Drop bronze with black and green patina 12 in. (30.5 cm.) high
Christie's
May. 13, 2021
CHARLES SCHREYVOGEL - THE END
Est: $100 - $200
Lot 128 Charles Schreyvogel American (1861-1912) The End platinotype on paper 15 x 19 5/8 inches Provenance: from a New York collection
Capsule Gallery Auction
Apr. 15, 2021
CHARLES SCHREYVOGEL - UNTITLED (HORSE DOWN)
Est: $200 - $400
Lot 132 Charles Schreyvogel American (1861-1912) Untitled (Horse down) platinotype on paper laid down to mat board 14 1/2 x 19 5/8 inches Provenance: From a private New York collection
Capsule Gallery Auction
Feb. 27, 2021
Charles Schreyvogel Print
Est: $150 - $250
C H A S Charles Schreyvogel Print inscribed to WA Miller compliments of Charles Schreyvogel 1904, 15" H x 20" W, framed, Provenance: Goldman Estate, Marblehead, MA.
Kaminski Auctions
Dec. 05, 2020
Charles Schreyvogel 1903 bronze The Last Drop
Est: $30,000 - $40,000
Schreyvogel, Charles (American 1861-1912), The Last Drop, 1903, cast bronze, 5 x 12 x 18.6 inches, signed and dated "copyrighted 1903 by Charles Schreyvogel" on base reverse, foundry mark Roman Bronze Works N.Y. 1904 on left edge of the base, inscribed Edition No 29 on underside, Provenance: Knoedler Gallery, New York; Henry Clay Frick, Pittsburgh Pa., gift from Frick to Thomas Lynch (1854-1914), Charles McKenna Lynch (1884-1963), Mary Lynch Quinn (1913-1997), Michaela Quinn Landback (1947-), and by descent to the present owner.
Concept Art Gallery
Nov. 19, 2020
Schreyvogel, Charles: The Last Drop
Est: €15,000 - €20,000
Schreyvogel, Charles 1861 New York - 1912 Hoboken Trapper with his horse. Bronze. Height: 30cm. Inscribed on the plinth: Copyrighted 1903 by / Char. Schreyvogel. On the plinth's edge Foundry mark: Roman Bronze works N.Y. As well as on the bottom numbered: No 15. Literature: Catalogue of the Collection of the Museum of Western Art, Denver 1983, p. 110, ill. 76 (illustrated is another casting from the series) G.A. Reynolds: American Bronze Sculpture: 1850 to the Present, Newark 1984, p. 23. S. Campbell: The American West - People, Places, and Ideas. New York 2001, ill. 62 (illustrated is another casting from the series) L.D. Rosenfeld: A Century of American Sculpture - The Roman Bronze Works Foundry, New York 2002, p. 138. A trapper with his horse, together they share the last remnants of the water supply. This archetypal version of the Lonesome Cowboy as a group of figures modelled and cast in bronze originally served the artist merely as a study model, after which he developed the painting of the same name, \"The Last Drop\", at the turn of the century, now in the Tacoma Art Museum (Tacoma, Washington). Charles Schreyvogel, born and died in the United States, came to Munich between 1886 and 1890 to study under his countryman Carl Marr, who later on became director of the academy of arts. Back in Hoboken he travelled from 1893 several times to the western part of the states to the Indian reservations there. The motifs he found there became his life theme, for which he is still highly regarded and sought after today. He became the painter of the Indians and cowboys, who documented the life in the American Wild West. Many of his works are exhibited in the museums there today. The bronze \"The Last Drop\", one of only very few three-dimensional pictorial works by the artist, went from being a mere study object to becoming famous in its own right. The numbered edition, produced in the New York foundry, can be found in numerous museums in the USA, including the Rockwell Museum of Western Art, Corning, New York and the Museum of Western Art, Denver, Colorado. Explanations to the Catalogue Charles Schreyvogel USA Munich School 2nd half of 19th C. Bronzes Horses Bronze Horseman / Horsewoman Estimated Shippingcost for this lot: Arrangement after the auction.
Van Ham Kunstauktionen
Sep. 23, 2020
CHARLES SCHREYVOGEL - THE END
Est: $100 - $200
Lot 17 Charles Schreyvogel American (1861-1912) The End platinotype on paper 15 x 19 5/8 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - UNTITLED (AMBUSH)
Est: $100 - $200
Lot 154 Charles Schreyvogel American (1861-1912) Untitled (Ambush) platinotype on paper laid down to mat board 14 x 19 3/4 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - SAVING THEIR LIEUTENANT
Est: $200 - $400
Lot 153 Charles Schreyvogel American (1861-1912) Saving Their Lieutenant platinotype on paper laid down to mat board 16 x 20 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - UNTITLED (HORSE DOWN)
Est: $200 - $400
Lot 110 Charles Schreyvogel American (1861-1912) Untitled (Horse down) platinotype on paper laid down to mat board 14 1/2 x 19 5/8 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - UNTITLED (RESCUE SCENE)
Est: $200 - $400
Lot 107 Charles Schreyvogel American (1861-1912) Untitled (Rescue scene) platinotype on paper laid down to mat board 14 x 19 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - UNTITLED (RESCUE SCENE II)
Est: $100 - $200
Lot 106 Charles Schreyvogel American (1861-1912) Untitled (Rescue scene II) platinotype on paper 14 x 19 3/4 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - THE END
Est: $200 - $400
Lot 105 Charles Schreyvogel American (1861-1912) The End platinotype on paper 15 x 19 5/8 inches Provenance: From a New York Collection
Capsule Gallery Auction
Aug. 26, 2020
CHARLES SCHREYVOGEL - UNTITLED (BATTLE SCENE)
Est: $200 - $400
Lot 104 Charles Schreyvogel American (1861-1912) Untitled (Battle scene) platinotype on paper laid down to mat board 14 x 20 inches Provenance: From a New York Collection
Capsule Gallery Auction
Jul. 08, 2020
CHARLES SCHREYVOGEL - THE SKIRMISH LINE
Est: $500 - $800
Lot 12 Charles Schreyvogel American (1861-1912) The Skirmish Line platinotype on paper 14 1/4 x 20 1/2 inches Provenance: From a New York Collection
Capsule Gallery Auction
Mar. 17, 2020
Charles Schreyvogel (1861-1912) The Last Drop 12in high (Modeled in 1903.)
Est: $20,000 - $30,000
Charles Schreyvogel (1861-1912) The Last Drop inscribed 'Copyright 1903 / Chas Schreyvogel' (on the base), 'No. 117 (under the base) and stamped 'ROMAN BRONZE WORKS N-Y-' (along the base) bronze with dark brown patina 12in high Modeled in 1903. For further information on this lot please visit the Bonhams website
Bonhams
Dec. 08, 2019
Charles Schreyvogel, (American, 1861-1912), Return from Hunt and War, circa 1890, ink and watercolor on paper, 8" x 13 1/4"
Est: $2,000 - $3,000
Charles Schreyvogel (American, 1861-1912) Return from Hunt and War, circa 1890 ink and watercolor on paper titled lower right 8" x 13 1/4" Provenance: Mongerson Gallery, Chicago, Illinois (label verso)
Toomey & Co. Auctioneers
Dec. 08, 2019
Charles Schreyvogel, (American, 1861-1912), Indian Studies, circa 1890, ink and watercolor on paper, 8" x 13 1/4"
Est: $2,000 - $3,000
Charles Schreyvogel (American, 1861-1912) Indian Studies, circa 1890 ink and watercolor on paper 8" x 13 1/4" Provenance: Mongerson Gallery, Chicago, Illinois (label verso)
Toomey & Co. Auctioneers
Oct. 26, 2019
CHARLES SCHREYVOGEL AMERICAN 1861-1912
Est: $12,000 - $18,000
Preliminary Sketch for "My Bunkie", watercolor and charcoal, 11 x 16 in (27.9 x 40.6 cm), signed lower right, PROVENANCE: From the artist to a friend of the artist in Hoboken, New Jersey area. Passed down in
Trinity International Auctions & Appraisals, LLC
Oct. 13, 2019
Charles Schreyvogel (1861-1912) "My Bunkie"
Est: $500 - $700
Charles Schreyvogel (American, 1861-1912) "My Bunkie" (1899), print on board, stamped studio seal. Framed. Size: 19.5'' x 25.5'', 50 x 65 cm (board); 23'' x 28.5'', 58 x 72 cm (frame).
Material Culture
Sep. 28, 2019
Charles Schreyvogel The Silenced War Whoop Litho
Est: $200 - $400
Included in this lot we have a Charles Schreyvogel lithograph titled "The Silenced War Whoop" originating from the early 1900's. Schreyvogel is a known western painter and artist known for his depictions of the wild west. Unfortunetly due to his early death at the age of 51, his artistic carrier was cut short only becomeing recognized 11 years before his death. Dispite that Schreyvogel is still regaurded, along with the likes of Frederic Remington and Charles Russell, one of the artists of the last frontier. This piece depicts a clash between U.S. Cavalry and Native American forces on horse back. The scene shows two cavalry soldiers and three Native American Braves at the front and shows one of the braves falling after being shot. The art work shows wonderful color with excellent attention to detail. The piece is signed in the bottom right hand corner by Charles Schreyvogel. The lithograph is set into a redin frame and shows a tag on the back reading "The Silenced War Whoop By Schreyvogel". The piece shows good condition overall with some minor wear across the frame. The frame measures 22 1/2" wide by 17 1/4" tall with the art measuring 19 1/4" wide by 14" tall.
North American Auction Company
Jul. 11, 2019
Chas. Schreyvogel "How Kola" Painting (83545)
Est: $1,200 - $2,500
Beautiful signed painting 19.5" x 14" framed 27.5" x 22". Lots of color & action in this painting. Wood Framed. Charles Schreyvogel (January 4, 1861 - January 27, 1912) was an American painter of Western subject matter in the days of the disappearing frontier. Schreyvogel was especially interested in military life. Date: 1901 State/Country: City/County:
Holabird Western Americana
Jun. 08, 2019
CHARLES SCHREYVOGEL AMERICAN 1861-1912
Est: $20,000 - $30,000
Preliminary Sketch for "My Bunkie", watercolor and charcoal, 11 x 16 in (27.9 x 40.6 cm), signed lower right, PROVENANCE: From the artist to a friend of the artist in Hoboken, New Jersey area. Passed down in 1949. A notation on the back of the frame paper " prelim painting of the award winning "My Bunkie" National Academy 1900. My mother gave me the painting in 1949. A letter written by Henry B. Holt, noted American art expert dated June 3, 1993 will accompany this artwork. There is a full conservation report accompanying this lot. Also accompanying this lot are the original newspaper articles from the Newark, New Jersey "Evening News" which the owner preserved with the painting.
Trinity International Auctions & Appraisals, LLC
Feb. 08, 2019
Charles Schreyvogel (1861-1912) The Last Drop 12in high
Est: $60,000 - $80,000
Charles Schreyvogel (1861-1912) The Last Drop inscribed 'Copyright 1903 / Chas Schreyvogel' (on the base) and 'No. 82' (underneath the base) and stamped 'ROMAN BRONZE WORKS N-Y-' (along the base)bronze with dark brown patina12in high Provenance: Thomas Fitch Rowland, Jr. (President, Continental Iron Works), Brooklyn, New York.William E. Coykendall, New York. Sale, Sotheby Parke Bernet, New York, April 23, 1982, lot 183.(probably) Acquired by the late owner from the above.Literature: H. McCracken, Great Painters and Illustrators of the Old West, New York, 1952, p. 202.E. Ainsworth, The Cowboy in Art, New York, 1968, pp. 48-49, another example illustrated.J.D. Horan, The Life and Art of Charles Schreyvogel: Painter-Historian of the Indian-Fighting Army of the American West, New York, 1969, p. 27, pl. 39, another example illustrated.P. Rossi, D. Hunt, The Art of the Old West, New York, 1971, p. 230, another example illustrated.P.J. Broder, Bronzes of the American West, New York, 1974, pp. 202, 204-05, another example illustrated.H. McCracken, The West of Buffalo Bill: Frontier Art, Indian Crafts, Memorabilia from the Buffalo Bill Historical Center, New York, 1974, p. 196.W.C. Foxley, Frontier Spirit: Catalog of the Collection of the Museum of Western Art, Denver, Colorado, 1983, p. 110, no. 76, another example illustrated.G.A. Reynolds, American Bronze Sculpture: 1850 to the Present, Newark, New Jersey, 1984, p. 23.S. Campbell, The American West: People, Places, and Ideas, Corning, New York, 2001, n.p., pl. 62, another example illustrated.L.D. Rosenfeld, A Century of American Sculpture: The Roman Bronze Works Foundry, New York, 2002, p. 138.S.H. McGarry, Honoring The Western Tradition: The L.D. "Brink" Brinkman Collection, Kerrville, Texas, 2003, p. 36, illustrated.T. Tolles, T.B. Smith, The American West in Bronze: 1850-1925, New York, 2013, p. 122, no. 71, fig. 153, another example illustrated.Charles Schreyvogel primarily produced paintings throughout his career, The Last Drop was among only three works the artist executed in bronze. This model was the second sculpture he produced among the grouping and still remains today one of the artist's most enduring images. The Last Drop was originally created as the model for a painting of the same subject.
Bonhams
Jan. 23, 2019
Print, Standing Them Off, Charles Schreyvogel
Est: $500 - $700
(American, 1861-1912) signed in print l.r., copyright stamp and signature l.l. inscribed on l.l. "To my dear friend, Sir William R. (?), Char. Schreyvogel." Sight size: 13 3/4"h x 19 1/2"w Provenance: Gerald Peters Gallery, Santa Fe. Property from the Westervelt Company, Tuscaloosa, Alabama.
Nye & Company
Jan. 23, 2019
Oil on Canvas, After Charles Schreyvogel
Est: $4,000 - $6,000
(American, 1861-1912), sketch for "Standing Them Off," signed l.r. and dated 1912. Sight size: 17-1/2"h x 27-1/2"w Provenance: Kennedy Galleries, New York. Property from the Westervelt Company, Tuscaloosa, Alabama.
Nye & Company