Max (1871) Schroeder Sold at Auction Prices

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      • Schröder, Max (1871 Berlin 1935)
        Jun. 22, 2024

        Schröder, Max (1871 Berlin 1935)

        Est: €100 - €120

        Röhrender Hirsch in Landschaft, Öl/Karton, li. u. sign. und dat. (19)37. Ca. 32,5x 27,5 cm. Goldstuckrahmen.

        Dannenberg
      • Max Schröder, Easter egg with orchids for the KPM Berlin
        May. 04, 2024

        Max Schröder, Easter egg with orchids for the KPM Berlin

        Est: €1,800 - €2,700

        Easter egg with orchids by Max Schröder for KPM Berlin, 1899. Porcelain, white, glazed, overglaze in light green, enamel in yellow and violet with relief gold, brass mount. H. 8 cm. Included: contemporary stand from the goldsmith Cottmann/Ludwig, Berlin (2017, with signature). Provenance: Kunsthandel, Berlin.

        Kunst und Design Auktionshaus Schops Turowski
      • Schröder, Max (1871 Berlin 1935)
        Mar. 23, 2023

        Schröder, Max (1871 Berlin 1935)

        Est: €1,200 - €1,440

        Jugendstil-Deckelvase. Porzellan. Geschweifte, sich konisch erweiternde Form mit seitlich je vom Fuß aufsteigendem, reliefplastischen Blattstängel, in plastischem Blattwerk (beidseitig l. best.) endend. Haubendeckel (rest.) mit plastischer Blütenbekrönung (best.). Schau- und rückseitig in goldkonturierten Reserven großflächige Blumenarrangements in feiner, polychromer Weichmalerei. Staffage in Grün, Hellviolett, Hellgelb und Gold. Szeptermarke mit rotem Reichsapfel über KPM, Maler(?)-Nr. 22568 und Jahresbuchstabe "F" für 1906. 1. Wahl. H. 41 cm. Lit.: Kat.alog von Treskow, "Die Jugendstil-Porzellane der KPM", S. 40, Abb. 285 und Dietz "Sammlung Sabet", S. 223.

        Dannenberg
      • Schröder, Max (geb. 1879 Berlin)
        Jun. 18, 2020

        Schröder, Max (geb. 1879 Berlin)

        Est: €150 - €180

        Baden verboten Badender am Ufer des Grunewaldsees, vom Wachtmeister zum Verlassen des Wassers aufgefordert. "Herr Wachtmeister ick schäme mir!" Sign. Sperrholz. 40×60 cm. (58906)

        Leo Spik
      • Max Schröder, Tureen on Presentoir, KPM, 1901
        Aug. 17, 2016

        Max Schröder, Tureen on Presentoir, KPM, 1901

        Est: €2,800 - €3,640

        Porcelain with white glaze and polychrome paint, partly heightened with gold, enamel paint Germany, Berlin, 1901 Model: Max Schröder (1871-1935) – Sculptor and porcelain painter Royal Porcelain Manufactory (KPM), established in 1763 in Berlin Underglaze blue scepter mark, red orb mark, year mark, décor and painter’s signet, further impressed mark Oval présentoir with ascending lip towards the center and raised well Tureen with detached foot, body above the belly tapering, opposing handles Slightly vaulted oval cover, centric grip recess Delicately rendered floral décor and gold lined rim, additionally applied enamel décor with stylized flowers Overall dimensions: 24 x 39 x 28.4 cm Very good condition Richly embellished tureen in the curved design vocabulary of Art Nouveau Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The tureen is in a very good condition with minimal signs of age and wear. One lateral handle with small production related crack. Cancel mark below the scepter mark. The overall dimensions measure 24 x 39 x 28.4 cm. Max Schröder (1871-1935) The sculptor and porcelain painter was born on the 01st of August 1871 in Berlin. From the 15th of May 1885 onwards, he was working for the Berlin manufactory. In 1900, he participated in the World Exhibition in Paris with the decorative vase ‘Kastanie’. Königliche Porzellan-Manufaktur Berlin The first porcelain manufactory at Berlin was founded on the suggestion of Frederick the Great by Wilhelm Caspar Wegely and J. Benckgraff in 1752, yet already 5 years later production was stopped because the king was not satisfied with the porcelain. With the invasion of Meissen by the Prussian army, many modelers and porcelain painters came to Berlin, where in 1761 the merchant Johann Ernst Gotzkowsky founded a new factory. This was finally bought in 1763 by Frederick the Great, who named it ‘Royal Porcelain Factory’ and introduced the cobalt blue scepter mark. During this time, the factory began producing exquisite tableware in a late Rococo style, which was painted with flowers, birds and scenes after Watteau Boucher and Dutch masters in vivid colors. Famous porcelain painters of the manufactory were K. W. Böhme, B. Böhme and K. J. C. Klipfel; master modelers were Friedrich Elias Meyer and his brother Wilhelm Christian. Typical Berlin porcelain patterns on tableware were moldings, scale-ground borders, landscapes, birds and animals, molded basketwork patterns and pierced rims. After Theodor Schmuz-Baudiß took over as artistic director in 1798, the tableware was decorated in underglaze painting with landscapes and cityscapes in delicate colors. In 1871 the factory was moved to its present location at the Tiergarten near the Spree, so that the raw materials and finished products were finally able to be transported by ship. In 1886 the painting of porcelain tiles was added as a new line of production under the direction of Professor Alexander Kips. After the destruction of the factory during WWII, KPM was taken over in 1988 by the state of Berlin and since 2006 has been in the possession of Berlin based private banker Jörg Woltmann. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
      • Max Schröder, Tureen on Presentoir, KPM, 1901
        Apr. 04, 2016

        Max Schröder, Tureen on Presentoir, KPM, 1901

        Est: €3,000 - €3,900

        Porcelain with white glaze and polychrome paint, partly heightened with gold, enamel paint Germany, Berlin, 1901 Model: Max Schröder (1871-1935) – Sculptor and porcelain painter Royal Porcelain Manufactory (KPM), established in 1763 in Berlin Underglaze blue scepter mark, red orb mark, year mark, décor and painter’s signet, further impressed mark Oval présentoir with ascending lip towards the center and raised well Tureen with detached foot, body above the belly tapering, opposing handles Slightly vaulted oval cover, centric grip recess Delicately rendered floral décor and gold lined rim, additionally applied enamel décor with stylized flowers Overall dimensions: 24 x 39 x 28.4 cm Very good condition Richly embellished tureen in the curved design vocabulary of Art Nouveau Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The tureen is in a very good condition with minimal signs of age and wear. One lateral handle with small production related crack. Cancel mark below the scepter mark. The overall dimensions measure 24 x 39 x 28.4 cm. Max Schröder (1871-1935) The sculptor and porcelain painter was born on the 01st of August 1871 in Berlin. From the 15th of May 1885 onwards, he was working for the Berlin manufactory. In 1900, he participated in the World Exhibition in Paris with the decorative vase ‘Kastanie’. Königliche Porzellan-Manufaktur Berlin The first porcelain manufactory at Berlin was founded on the suggestion of Frederick the Great by Wilhelm Caspar Wegely and J. Benckgraff in 1752, yet already 5 years later production was stopped because the king was not satisfied with the porcelain. With the invasion of Meissen by the Prussian army, many modelers and porcelain painters came to Berlin, where in 1761 the merchant Johann Ernst Gotzkowsky founded a new factory. This was finally bought in 1763 by Frederick the Great, who named it ‘Royal Porcelain Factory’ and introduced the cobalt blue scepter mark. During this time, the factory began producing exquisite tableware in a late Rococo style, which was painted with flowers, birds and scenes after Watteau Boucher and Dutch masters in vivid colors. Famous porcelain painters of the manufactory were K. W. Böhme, B. Böhme and K. J. C. Klipfel; master modelers were Friedrich Elias Meyer and his brother Wilhelm Christian. Typical Berlin porcelain patterns on tableware were moldings, scale-ground borders, landscapes, birds and animals, molded basketwork patterns and pierced rims. After Theodor Schmuz-Baudiß took over as artistic director in 1798, the tableware was decorated in underglaze painting with landscapes and cityscapes in delicate colors. In 1871 the factory was moved to its present location at the Tiergarten near the Spree, so that the raw materials and finished products were finally able to be transported by ship. In 1886 the painting of porcelain tiles was added as a new line of production under the direction of Professor Alexander Kips. After the destruction of the factory during WWII, KPM was taken over in 1988 by the state of Berlin and since 2006 has been in the possession of Berlin based private banker Jörg Woltmann. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
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