Paul Adolf Seehaus Paintings & Artwork for Sale | Paul Adolf Seehaus Art Value Price Guide

Nov. 16, 2024
Seehaus, Paul Adolf. Wallfahrt. Radierung auf gelblichem Velin, signiert. 1917. Motivmaße: 15
Est: €200 - €300
Seehaus, Paul Adolf. Wallfahrt. Radierung auf gelblichem Velin, signiert. 1917. Motivmaße: 15,5 x 23,5 cm. Blattmaße: 31 x 40,5 cm. Eins von 100 Exemplaren. - Rave 34 - Aus: Die Schaffenden. Jahrgang 1, Mappe 2. Weimar, Kiepenheuer, 1918. - Mit Trockenstempel "Die Schaffenden". - Untere rechte Ecke geknickt.
Nosbüsch & Stucke GmbH
Nov. 02, 2024
Paul Seehaus "Russisches Dorf". 1917.
Est: €350 - €400
Paul Seehaus 1891 Bonn – 1919 Hamburg Radierung auf wolkigem Papier. Unterhalb der Darstellung re. in Blei signiert "Seehaus". U.li. datiert und nummeriert "1919 / 101", darüber mit dem Trockenstempel "Die Schaffenden". Aus: Die Schaffenden, 1. Jahrgang, 2. Mappe. Mappe mit 10 Arbeiten von 8 Künstlern und Textbeilage, Euphorion-Verlag, Berlin 1919. WVZ Dering DG 45, dort betitelt "Russische Stadt", Söhn HDO 72702–10. Paul Seehaus 1891 Bonn – 1919 Hamburg
Schmidt Kunstauktionen Dresden OHG
Jun. 22, 2024
Seehaus, Paul Adolf 2 Arbeiten. Nachlassabzüge von 1919 nach den Drucken vo…
Est: - €300
Online - Modern and Contemporary Art Klassische Moderne - Expressionismus Seehaus, Paul Adolf 2 Arbeiten. Nachlassabzüge von 1919 nach den Drucken von 1917. Je Radierung auf Japan. Blattmaße je 35 x 24,7 cm. Je bezeichnet "Nachlass Seehaus", nachlassnummeriert und signiert durch Seehaus' Ehefrau Gertrud Drascher. Zusätzlich in der Platte vom Künstler signiert. Mit Bezeichnungen von fremder Hand in Bleistift, auch verso. - Mit leichten Griffspuren, in Rändern kaum merklich angebräunt, mit Bleistiftannotationen. Punktuell mit leichtem Papierabrieb, auch verso. 1 Arbeit unten links leicht fleckig. Insgesamt gut. Azusgezeichnete, gratige Drucke mit klar zeichnender Plattenkante und sehr breitem Rand. Je eines von 25 Exemplaren, die im Nachlass des Künstlers posthum erschienen sind für die Mappe "In Memoriam Paul A. Seehaus. Düsseldorf", hg. von Alfred Flechtheim 1919. - Enthält: - Weg mit Obelisk - Straße mit Schiene. 2 works. Estate prints from 1919 after the prints from 1917. Each etching on Japan. Each inscribed "Nachlass Seehaus", estate numbered and signed by Seehaus' wife Gertrud Drascher. Additionally signed by the artist in the plate. - With slight handling marks, hardly noticeably browned in margins, with pencil annotations. Light paper abrasion in places, also on the verso. 1 work slightly stained on lower left. Overall good. Superb, burr-like impressions with finely drawn plate mark and very wide margin. - Each one of 25 copies published posthumously by the artist's estate for the portfolio "In Memoriam Paul A. Seehaus. Düsseldorf", published by Alfred Flechtheim in 1919 - With works as mentioned above.
Jeschke Jádi Auctions Berlin GmbH
Jun. 02, 2024
Paul Adolf Seehaus. Russische Stadt.
Est: €300 - €450
Radierung. 1917. 11,6 : 17,3 cm (30,8 : 40,5 cm). Signiert. Aus »Die Schaffenden«, Mappe 2 des ersten Jahrgangs. – Eins von 100 Exemplaren auf gelblichem Velin. – Dazu drei weitere Radierungen: I. Eisenbahnkurve. Radierung. 1916. Signiert. – II. Vorstadt. Radierung. Signiert. – III. Keltisches Fischerdorf. Exemplar 6/25, mit der »Nachlaß Seehaus«-Signatur von Gertrud Drascher. Rave/Söhn 41 sowie 29, 35 und 17. – Söhn HDOG 72702-10 [Keywords: Modern Art]
Christian Hesse Auktionen
Jun. 02, 2024
Paul Adolf Seehaus. Wallfahrt. - Russische Stadt.
Est: €400 - €600
– Zwei Radierungen. 1917. 15,9 : 23,8 bzw. 11,6 : 17,3 cm (30,8 : 40,5 cm). Signiert. Aus »Die Schaffenden«, Mappe 2 des ersten Jahrgangs. – Je eins von 100 Exemplaren auf gelblichem Velin. – Ediert vom Gustav Kiepenheuer Verlag, Weimar. – Der Macke-Meisterschüler Seehaus hatte 1913 mit großem Erfolg in der »Ausstellung Rheinischer Expressionisten« debütiert. – Tadellos. Rave/Söhn 34 und 41. – Söhn HDOG 72702-9 und -10 [Keywords: Modern Art]
Christian Hesse Auktionen
Aug. 27, 2022
Paul Adolf Seehaus
Est: -
(Bonn 1891 - 1919 Hamburg, deutscher expressionistischer Maler, Grafiker u. Zeichner, Meisterschüler von August Macke) Rheinischer Bub Grafitzeichnung, 10 x 15 cm, ungerahmt, verso signiert Seehaus
Auktionshaus Schwerin
May. 07, 2022
PAUL ADOLF SEEHAUS Bonn 1891 - 1919 Hamburg: Wallfahrt.
Est: €160 - €200
PAUL ADOLF SEEHAUS Bonn 1891 - 1919 Hamburg Wallfahrt. Radierung 1916. Rave-Söhn 34, b. - Eines von 125 Expl. Signiert sowie mit dem Namenszug und Datum „17“ in der Platte. Auf bräunlichem Simili-Japan mit dem Trockenstempel „Die Schaffenden“. 15,7 x 23,9 cm. Mit kleinen Randläsuren. Erschienen in „Die Schaffenden“, 1. Jg., 2. Mappe, 1919. [ms]
Winterberg-Kunst
Mar. 26, 2022
Paul Adolf Seehaus (1891-1919) figurative composition 1913, Figürliche Komposition von 1913,
Est: -
Kohle auf Papier im Passepartout, u. rechts monogrammiert und datiert PAS 13, Blattsicht H 25 cm x B 43 cm, Galerierahmen verglast 54,5 x 68 cm
Antikauktion Krefeld
Dec. 02, 2021
- Seehaus, Paul Adolf (Bonn 1891-1919 Hamburg),
Est: - €180
Wallfahrt. Radierung. Sign., nicht dat. (1916/1919). Plattenmaß: 16 x 23,8 cm; Blattmaß: 29 x 38,5 cm. - - Unter Passepartout. - Rave 34, b. - Aus der Mappe "Die Schaffenden" (Blindstempel).
Zisska & Lacher
Jul. 15, 2021
Seehaus, Paul
Est: €250 - €400
Seehaus, Paul Bonn, 1891 - Hamburg, 1919 Blattgröße: 30,5 x 40 cm; 11,5 x 17 cm, o. R. Russian town, 1917. Etching on wove paper. Signed. Blind stamp: "Die Schaffenden". Private collection, Baden-Württemberg.
Nagel Auction
Jun. 11, 2021
Seehaus, Paul Adolf: Keltische Küste; Keltisches Schloss
Est: €360 - €500
Keltische Küste; Keltisches Schloss 2 Radierungen auf Japan. 1915-1916. Bis 38 x 53 cm (Blattgröße). Signiert "PASeehaus" bzw. "Seehaus" und datiert. Söhn 28a (von b) und 30 a (von b). Hervorragende, gratige Drucke mit leicht zeichnender Plattenkante und breitem Rand, an jeweils zwei Seiten mit dem Schöpfrand. Jeweils einer von nur wenigen handsignierten Probedrucken vor den Nachlassdrucken. Selten. - Provenienz: Galerie Stangl, München - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 05, 2020
* Seehaus (Paul Adolf, 1891-1919). Street with tramrails, 1917
Est: £150 - £200
* Seehaus (Paul Adolf, 1891-1919). Street with tramrails (Strasse mit Schienen) , 1917, etching and drypoint on cream wove japan paper, artist's studio signature 'Seehaus' (by Gertrud Drascher) lower right, titled in pencil to lower left corner of the sheet, some light creases to margins, plate size 90 x 70 mm (3.5 x 2.8 ins), sheet size 358 x 272 mm (14.1 x 10.75 ins) (Qty: 1)
Dominic Winter Auctions
Dec. 07, 2019
PAUL ADOLF SEEHAUS (German, 1891-1919)
Est: $200 - $400
PAUL ADOLF SEEHAUS (German, 1891-1919), harbor with lighthouse and boats, etching, pencil signed, inscribed, and numbered ''14/25'' to lower right. Mat burn, toning, waving. Plate 5-1/4''h, 6-5/8''w. (Fine Art)
South Bay Auctions Inc
Oct. 22, 2019
* Seehaus (Paul Adolf, 1891-1919). Street with tramrails, 1917
Est: £200 - £300
* Seehaus (Paul Adolf, 1891-1919). Street with tramrails (Strasse mit Schienen) , 1917, etching and drypoint on cream wove japan paper, artist's studio signature 'Seehaus' (by Gertrud Drascher) lower right, titled in pencil to lower left corner of the sheet, some light creases to margins, plate size 90 x 70 mm (3.5 x 2.8 ins), sheet size 358 x 272 mm (14.1 x 10.75 ins) (Qty: 1)
Dominic Winter Auctions
Oct. 22, 2019
* Seehaus (Paul Adolf, 1891-1919). Rotating Lighthouse, circa 1913
Est: £200 - £300
* Seehaus (Paul Adolf, 1891-1919). Rotating Lighthouse (Rotierender Leuchtturum), circa 1913, etching and drypoint on cream wove japan paper, artist's estate signature in pencil 'Nachlass Seehaus G.S.-D.' by Gertrud Simka-Drascher, closed tear to right blank margin, repaired to verso with adhesive tape (discoloured), a few other minor marks to margins, plate size 5 1/16 x 5 1/8" (12.9 x 13 cm), sheet size 12 5/16 x 17 7/16" (31.2 x 44.3 cm) (Qty: 1)
Dominic Winter Auctions
Dec. 02, 2016
Paul Adolf Seehaus, Herbstfeuer, 1917
Est: €6,000 - €8,000
Signed and dated 'Seehaus 17' in black India ink sideways in the depiction lower right. Titled and inscribed "4 Herbstfeuer" in black pencil verso.Light smoke seems to be coming from the two fireplaces diffusing into the landscape, forming a brighter contrast to the muted colours in blue, green, and brown red that characterise the clods in front of the mountains. The abstract interpretation of the small pictorial elements may formally be reminiscent of Paul Klee's graphic abbreviations as the planar rhythm can be compared to the watercolour structures of his friend August Macke. Seehaus himself commented: “I have been producing small watercolours for some time now: visionary landscapes, half Russian, half Chinese, hieroglyphs that are almost indecipherable.” (cited after: Dering, op. cit., p. 112)
Kunsthaus Lempertz KG
Nov. 27, 2015
Paul Adolf Seehaus, Wallwitzhafen (Elblandschaft), 1917
Est: €8,000 - €12,000
Signed, dated and inscribed 'Wallwitzhafen - / Dessau. April - Mai/ Düren 1917/ Seehaus' in black pen and ink lower right in the image. - Verso on the cardboard inscribed "Paul" by an unknown hand upper left in blue pen and "Wallwitzhafen Elblandschaft/ Dessau" lower right and numbered "21". The small castle motif in the center of the watercolour is apparently taken from the "Wallwitzburg" in the Dessau-Wörlitz park, an artificial miniature castle which was built within the park landscape by Prince Johann Georg von Anhalt-Dessau between 1796-1800.
Kunsthaus Lempertz KG
Nov. 27, 2015
Paul Adolf Seehaus, Schiffe im Hafen, 1914
Est: €20,000 - €30,000
Signed 'Seehaus 14.' in black in the image lower right. In a darkly glowing colour harmony of blue, brownish orange and yellow as well as red and green - mixed heavily with grey and black - Seehaus has developed a nearly abstract composition that is Cubist in character: “What is seen is the left part of a harbour, with anchored ships whose masts soar upward. Together with their reflections in the water, they establish the dominant vertical orientation of the composition. At the left, along the shore, there are houses formed out of clear, cubic forms. The background cannot be interpreted in representational terms: a great number of splintered forms tapering upwards recall cliff formations - those of a fjord, for example - broken up by clouds of smoke” (Peter Dering, op. cit., p. 74). Suggested figurative elements on the quays or docks are virtually insignificant, and the effects of the reflections and the abstract-formal correspondences between the background and foreground are thus all the more dominant: the bluish, steeply soaring mountainous landscape finds its pendant in the prismatically refracted reflections of the seemingly deep water of the harbour. The result is a remarkably fanciful, boundary-dissolving, expressive vortex, which is stabilisingly countered by the more strongly representational vertical and horizontal elements in the middle ground. The selected detail of the motif as well as the almost square format are concentrated, even if Dering mentions that this could possibly be a fragment of a canvas (see p. 74, note 427, p. 150). “Schiffe im Hafen” is dated to 1914; its suggestive, formally abstract as well as expressive sense of depth clearly distinguish it from more strongly descriptive, topographically defined works of this period. The composition, interpreted as “Nordic-'Celtish'” in terms of its expression, builds on key works from 1913. The chiaroscuro contrasts applied in the colours and shading underscore the immanent structure within the painting and the independent formal life of this image.
Kunsthaus Lempertz KG
May. 29, 2015
Paul Adolf Seehaus, Segelboot vor Brücke, 1913
Est: €15,000 - €20,000
Monogrammed and dated 'PAS 13' in black lower left. Paul Adolf Seehaus was a part of the narrower circle of the “Rhineland Expressionists” gathered around August Macke, who had also grown up in his hometown of Bonn and with whom he had been bound by friendly and artistic ties since 1910. Macke had included the art history student in the 1913 exhibition “Rheinischer Expressionisten” presented by Cohen, and the work of the artist, who had just turned 22 at the time, was also presented at the “Erster Deutscher Herbstsalon” in Berlin. The painted oeuvre of Seehaus, who died young in 1919, is largely unknown in terms of its full range and it remained inaccessible to the public. Paul Ortwin Rave, a boyhood friend, paid homage to Seehaus with a first overview of his work in 1925 (Wallraf-Richartz-Jahrbuch, vol. 2, 1925, pp. 181 ff.) and introduced his essay with these lines: “Those painters of a new visual conviction whom Germany lost in the disastrous years of the war, a Franz Marc and August Macke - Seehaus is to be included among them as their equal. Young and full of that sense of life felt by a new generation believing in its calling, building up a different - its own - world against the ossified and antiquated attitudes: it was in this first flush of their flowering that one after the other sank to the ground. As the last of them - the din of the war's tumult had scarcely faded away - Seehaus died.” “Segelboot vor Brücke” presents a work from a private collection, a work that was significant for the artist and one that was not catalogued by Rave - coming out of the former private milieu of the artist, it is one of the rare works from his oeuvre to enter the market at all. Seehaus, who felt a thorough bond to nature, was above all an intensive landscape painter. The element of water was rarely permitted to be absent from his paintings - the sailor was lastingly fascinated by rivers, rocky coasts and ships and boats under way - Rave speaks of a “lyric poet of the landscape”. In the present abstract composition, individual motifs like the boats, bridge, shore and hills are indivisibly united with the artist's new, formally abstract will to create form. In only a few years, following the formative experience of the 1912 exhibition of the Sonderbund and under the path-breaking aegis of August Macke, Seehaus enthusiastically took in the tendencies of the contemporary international art scene and sought to deal with them in his own way. In the present example of his work he sets out from the motif and develops the abstract-spatial composition out of the objective form of the subject, utilising a luminous, prism-like tonality in the manner of Delaunay. The different colours are optically bound together in the luminous brightness of the white sections of planes, here in the pure white of the sails. We sense the artistic aspiration that linked him with his friend August Macke in that decisive year of 1913. 53.4 x 42.1 cm 1913
Kunsthaus Lempertz KG
Nov. 28, 2014
Paul Adolf Seehaus, Wiecker Bote (Ball), 1913/14
Est: €8,000 - €12,000
Signed 'PASeehaus' and dedicated 'à Charles' in black ink lower right within the depiction. Accompanied by a photo-certificate by Peter Dering, Bonn, dated 15 October 2014. The work will be included in the supplement of the catalogue raisonné of works by Paul Adolf Seehaus. The person shown at the centre, with a black shock of hair, round spectacles and a cigarette is Rudi Börsch, an editor of the progressive magazine "Wiecker Bote", published from mid-1913 to mid-1914. Börsch was also acquainted with Paul Adolf Seehaus. The dedication "à Charles" refers to a press event held by the editorial team in the fishing village of Wieck on the Baltic Sea which was also attended by Seehaus and where Börsch gave his name as 'Charles de Rouen'. 75.5 x 45.5 cm
Kunsthaus Lempertz KG
Dec. 08, 2012
SEEHAUS, PAUL ADOLF - 1891 Bonn - Hamburg 1919
Est: - €100
SEEHAUS, PAUL ADOLF 1891 Bonn - Hamburg 1919 Wallfahrt Radierung auf chamoisfarbenem Papier, Blattmaß 30,5 cm x 40,5 cm, Druckmaß 15,5 cm x 23,5 cm, mit Bleistift signiert 'Seehaus', Blindstempel 'Die Schaffenden', hinter Glas gerahmt.
Hargesheimer Kunstauktionen Düsseldorf
Nov. 30, 2012
PAUL ADOLF SEEHAUS, Hafenanlage, 1912/1913
Est: €35,000 - €40,000
Oil on canvas 70.5 x 63.5 cm, framed. Unsigned [the former monogram probably applied with thin India ink, as described by Rave and typical for Seehaus, rubbed off in the meantime].Dering G 11 with full-page illus. p. 56; Rave Verz. I. 8 (here denoted as monogrammed with an "S." and described as "Hafenanlage. 70:63, Josef Gottschalk, Düsseldorf )ProvenanceCollection Josef Gottschalk, Düsseldorf, in family possession sinceExhibitionBerlin 1912 (probably Kronprinzenpalais), Gedenkausstellung Paul Adolf Seehaus; Düsseldorf 1932 (Kunstverein), Vereinigung für junge Kunst der Gegenwart aus Düsseldorfer Privatbesitz, cat. no. 126; Düsseldorf 1946 (Hetjensmuseum), Lebendiges Erbe, cat. no. 2, without illus.LiteraturePeter Dering, Paul Adof Seehaus (1891-1919), Leben und Werk, (exhib. cat. August Macke Haus), Bonn 2004, pp. 55 ff., 169, p. 56 with full-page illus.; Paul Ortwin Rave, Paul Adolf Seehaus, in: Wallraf-Richartz-Jahrbuch 1925, vol. 2, pp. 181-212This bird's-eye-view of a harbour scene, dated 1913, indicates that Seehaus was dealing with the Cubist and Futurist styles of the time. The harbour depicted here cannot be identified as belonging to a certain topography and appears somewhat construed. Especially evident is the graduation of the various sections, which are adjoined one next to the other in an additive manner that, at first glance, appears complicated and congested. The motifs in the foreground, formed mainly of large cubes and triangles, are easily recognizable; the prismatically devided sky, with its similar handling of colour, corresponds formally to the foreground of the picture. Together the foreground and the background forge a well thought-out compositional entity made up of a multitude of separate, abstracted parts.Especially striking are the destabilising, overlapping diagonals, emphasised repeatedly by the contrasting play of light and shadow, by areas of brightness and darkness. Apparent here is not only a conscious opposition of the various elements in relation to one another, but also in many cases the doubling of motifs arranged parallel to one another, such as the hanger for the life boat, the industrial chimneys or the two sailing boats. In this very dynamic picture, Seehaus limited himself to a palette of the three primary colours red, yellow and blue, which he varied in tone through the addition of ochre. He deliberately abstained from the use of green, and the depiction of nature as well.
Kunsthaus Lempertz KG
May. 28, 2011
Seehaus, Paul Adolf: Berge mit Tannen
Est: €350 - €500
Berge mit Tannen. Radierung auf Japan. 7,2 x 8 cm (Plattenrand); 27,2 x 35,4 cm (Blattgröße). (1915). Rave/Söhn 20. Früher, fein zeichnender, gratiger Druck des extrem seltenen Blattes, mit dem vollen Rand. Geringe Gebrauchsspuren, die Ecken minimal betoßen sowie insgesamt leicht angestaubt, sonst in sehr guter Erhaltung.
Galerie Bassenge
Nov. 27, 2010
Seehaus, Paul Adolf: Russische Stadt
Est: €300 - €500
Russische Stadt. Radierung auf dickem, gelblichen Velin. 12 x 17,1 cm (Plattenrand); 34,4 x 38 cm (Blattgröße). Signiert. (19)17. Rave/Söhn 41 a (von b). Schöner Druck mit breitem Rand. Im linken äußeren Rand leicht angestaubt, schwache Gebrauchsspuren in den unteren beiden Ecken, sonst in tadellos schöner Erhaltung.
Galerie Bassenge
Oct. 25, 2008
PAUL ADOLF SEEHAUS Bonn 1891 - 1919 Hamburg
Est: - €240
PAUL ADOLF SEEHAUS Bonn 1891 - 1919 Hamburg Wallfahrt. Radierung 1916. Rave-Söhn 34, b. Eines von 25 Expl. auf Japan mit dem Trockenstempel "Die Schaffenden" (Gesamtaufl. 125). Signiert sowie mit dem Namenszug und Datum "17" in der Platte. 15,7 x 23,9 cm. Mit kleinen Eckknickspuren. [sg
Winterberg-Kunst