Enoch (1694) Seemann Paintings & Artwork for Sale | Enoch (1694) Seemann Art Value Price Guide

Jan. 09, 2025
ATTRIBUTED TO ENOCH SEEMAN (Germany/Poland/England, c. 1694-1745), Portrait of a young woman., Oil on canvas, 29" x 24.75". Framed 31" x 25.5".
Est: $500 - $1,000
ATTRIBUTED TO ENOCH SEEMAN Germany/Poland/England, c. 1694-1745 Portrait of a young woman. Unsigned.
Eldred's
May. 01, 2024
ENOCH SEEMAN (DANZIG c.1694-1744 LONDON)
Est: £4,000 - £6,000
ENOCH SEEMAN (DANZIG c.1694-1744 LONDON) ENOCH SEEMAN (DANZIG c.1694-1744 LONDON) Portrait of Ms. Gybbon-Monypenny, seated three-quarter length, holding a Lamb and flowers in a landscape, an allegory of innocence signed and dated Enoch Seeman 1738 (lower right) oil on canvas 126.6 x 101 cm Property of a private collection. Enoch Seeman was brought to London by his father in 1704 and established himself as a great portraitist from a young age. Seeman was heavily inspired by European artists such as Van Dyck and Holbein, whose influence can be admired throughout his portraits. Seeman established royal patronage throughout his career, painting sitters such as George II and Queen Caroline (whose portrait is now held by the Royal Collection Trust). The sitter in the present portrait is traditionally held to be Ms. Elizabeth Monypenny (1716-1761), the daughter of James Monypenny of Maytham and Mary Nee Gybbon. The presence of a lamb in this work could be traditionally interpreted as symbolic of a gentle nature and childhood innocence.
Chiswick Auctions
Feb. 25, 2024
Enoch Seeman (Circa 1694-1745). An 18th Century Oil on Canvas: Half Length Portrait of a Gentleman p
Est: £1,500 - £2,500
Enoch Seeman (Circa 1694-1745). An 18th Century Oil on Canvas: Half Length Portrait of a Gentleman painted in a feigned oval, wearing a white cravat and velvet coat, 30'' x 25'' (76 cm x 64 cm). In an elaborately decorated gilt frame 37¾'' x 32'' (96 cm x 81.5 cm).
Wilkinson's Auctioneers
Feb. 21, 2024
ENOCH SEEMAN (BRITISH CIRCA 1694-1744), SELF PORTRAIT AGED EIGHTEEN
Est: £7,000 - £10,000
ENOCH SEEMAN (BRITISH CIRCA 1694-1744)SELF PORTRAIT AGED EIGHTEEN Signed and inscribed 'AETATIS.18.' (lower right)Oil on canvas53.3 x 43.1cm (20 x 16¾ in.)Provenance:Denis Cowell Collection, Lewes, Sussex The self-portraits of Enoch Seeman ''in the finical manner of [Balthasar] Denner'' [1] that he painted in the early 1700s are impressive statements of the artist's virtuosity. The combination of elegance of execution, personal beauty and exceptional talent is no doubt intended to recall the early self-portraits of Van Dyck in the previous century, whilst alluding further to the intellectual inner life of the Rembrandt School. This painting, which, with the ambitious Colonel Andrew Bisset and his family, appears to be the painter's earliest datable work in this country is a striking demonstration of excellence in such a young painter. Indeed the prominence of the inscription suggests that this painting may well have acted as an advertisement for the painter as he began to build a portrait practice in London. The exceptional precocity of these self-portraits was recognised by no less a connoisseur than the Earl of Burlington. George Vertue [2] records that Seeman ''did his own picture in that finished manner extremely well, when he was about 19 years old this picture was much admired. & Sig Ricci when he was here advised Lord Burlington to give him 100 guineas for it but understanding he had a mind to make another therefore bought it not. Since that Lord bought it and is in his pose.'' This entry of 1723 refers to events a decade previously, as Sebastiano Ricci was working for Burlington in 1713 - 1714. As a comparison with the price suggested by Ricci it is worth noting that at the same date Sir Godfrey Kneller, the most fashionable of portraitists, was charging around sixty guineas for a privately commissioned full-length.That Seeman was particularly taken with painting himself at this date is confirmed by the number of self-portraits that exist from the period. A contemporary example (Historical Portraits, exhibited Southampton City Art Gallery 2001) is of similar composition and dimensions, and the untraced three-quarter-length self-portrait engraved by J. Faber (example National Portrait Gallery) must likewise be close in date, and is a dynamic suggestion of the artist in the very moment of inspiration. The most conceptually daring of these self-portraits is the artist's placing of himself in the background of Colonel Andrew Bisset and his family. Behind the Colonel and his wife and daughters there is a further shadowy figure, which was long believed to be a posthumous depiction of Bisset's son. Comparison with this Self Portrait suggests that it is a further image of Seeman himself. In confirmation of this, the figure gestures towards a pedestal on which is inscribed Enoch Seeman. Pinx. AE. 18 1708.The continental manner that Seeman employs in these self-portraits would, nonetheless, seem not to have been congenial to his clients for their own images. He sufficiently impressed Society to be able to pursue a career into the 1740s - in 1723 Vertue remarks that ''Enoch. for portrait painting. is in the greatest vogue'' [3] - and his aristocratic and royal patronage makes him a rival to Charles Jervas, but his portraits are painted in a solid version of the prevailing London manner, plainly more to the public taste.1. Horace Walpole Anecdotes of Painting ed. Dallaway 1876 vol II p2942. Notebooks III p 15 - 163. ibid.
Dreweatts 1759 Fine Sales
Jan. 17, 2024
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)
Est: £7,000 - £10,000
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Property of a private collection. ENOCH SEEMAN (DANZIG c.1694-1744 LONDON) Portrait of Mary Gybbon, standing three-quarter length alongside an organ holding the sheet music for Aria dallâamor piu sventurato signed and dated with initials 'E. S/ pix. 1738' (lower right) oil on canvas 126.6 x 101 cm Property of a private collection. The sitter is shown in the present work, possibly about to perform and is represented as a talented young female artist. Enoch Seeman was brought to London by his father in 1704 and established himself as a great portraitist from a young age. Seeman was heavily inspired by European artists such as Van Dyck and Holbein, whose influence can be admired throughout his portraits. Seeman established royal patronage throughout his career, painting sitters such as George II and Queen Caroline (whose portrait is now held by the Royal Collection Trust). The sitter in the present portrait is traditionally held to be Mary Gybbon, daughter of Phillips Gybbon and Catherine Bear, and sister of Elizabeth Jordell. She stands poised by an organ holding a sheet of music which is believed to be a section of Aria dallâamor piu sventurato which is typically sung by a female mezzo-soprano, perhaps therefore, the present sitter is preparing to sing. The piece originates from L'Orfeo, an opera by Claudio Monteverdi. The piece tells the story of Orpheus, recalling his decent to Hades and his unsuccessful attempt to bring his deceased bride, Eurydice, back to life.
Chiswick Auctions
Jan. 17, 2024
ENOCH SEEMAN (DANZIG c.1694-1744 LONDON)
Est: £5,000 - £7,000
ENOCH SEEMAN (DANZIG c.1694-1744 LONDON) Property of a private collection ENOCH SEEMAN (DANZIG c.1694-1744 LONDON) Portrait of Ms. Gybbon-Monypenny, seated three-quarter length, holding a Lamb and flowers in a landscape, an allogory of innocence signed and dated Enoch Seeman 1738 (lower right) oil on canvas 126.6 x 101 cm Property of a private collection Enoch Seeman was brought to London by his father in 1704 and established himself as a great portraitist from a young age. Seeman was heavily inspired by European artists such as Van Dyck and Holbein, whose influence can be admired throughout his portraits. Seeman established royal patronage throughout his career, painting sitters such as George II and Queen Caroline (whose portrait is now held by the Royal Collection Trust). The sitter in the present portrait is traditionally held to be Ms. Elizabeth Monypenny (1716-1761), the daughter of James Monypenny of Maytham and Mary Nee Gybbon. The presence of a lamb in this work could be traditionally interpreted as symbolic of a gentle nature and childhood innocence.
Chiswick Auctions
Nov. 29, 2023
ATTRIBUTED TO ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Portrait of a gent
Est: £1,200 - £1,800
ATTRIBUTED TO ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Portrait of a gentleman, three-quarter-length, in a red jacket with gilt... oil on canvas, unlined 50 x 40 in. (127 x 101.6 cm.)
Christie's
Nov. 29, 2023
ENOCH SEEMAN (DANZIG, NOW GDANSK C. 1694-1744 LONDON) Portrait of a gentle
Est: £5,000 - £8,000
ENOCH SEEMAN (DANZIG, NOW GDANSK C. 1694-1744 LONDON) Portrait of a gentleman, half-length, probably The Hon. Montague Blundell, in a... oil on canvas 30 1⁄8 x 24 7⁄8 in. (76.5 x 63.3 cm.)
Christie's
Nov. 29, 2023
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Portrait of Letitia, Lady Sandys
Est: £8,000 - £12,000
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Portrait of Letitia, Lady Sandys, née Tipping (1699-1779),... oil on canvas 50 x 40 in. (127 x 101.6 cm.)
Christie's
Nov. 29, 2023
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Group portrait of Letitia, Lady S
Est: £30,000 - £50,000
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON) Group portrait of Letitia, Lady Sandys, née Tipping (1699-1779) with her two... oil on canvas 60 ¾ x 74 ½ in. (154.3 x 189 cm.)
Christie's
Jun. 01, 2023
ATTRIBUTED TO ENOCH SEEMAN (Germany/Poland, c. 1694-1745), Portrait of a young woman., Oil on canvas, 29" x 24.75". Framed 31" x 25.5".
Est: $1,000 - $1,500
ATTRIBUTED TO ENOCH SEEMAN Germany/Poland, c. 1694-1745 Portrait of a young woman. Unsigned.
Eldred's
Apr. 14, 2023
CIRCLE OF ENOCH SEEMAN (BRITISH 1694-1744), A PARTRIDGE IN A SCULPTED CARTOUCHE, WITH A SPANIEL
Est: £700 - £1,000
CIRCLE OF ENOCH SEEMAN (BRITISH C.1694-1744)A PARTRIDGE IN A SCULPTED CARTOUCHE, WITH A SPANIELOil on canvas76.2 x 64.8cm (30 x 25½ in.)Provenance:Sale, Christie's, South Kensington, 5 July 2013, lot 37
Dreweatts 1759 Fine Sales
Dec. 07, 2022
Enoch Seeman (Danzig circa 1694-1745 London) Portrait of Sir John Shuckburgh, 3rd. Bt, three-quarter-length, in a blue velvet coat, holding a crop, standing in a landscape with his hound
Est: £6,000 - £8,000
Enoch Seeman (Danzig circa 1694-1745 London) Portrait of Sir John Shuckburgh, 3rd. Bt, three-quarter-length, in a blue velvet coat, holding a crop, standing in a landscape with his hound bears inscription 'Sir John Shuckburgh B art' (lower left) oil on canvas 126.6 x 103.5cm (49 13/16 x 40 3/4in).
Bonhams
Sep. 27, 2022
Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a Gentleman, Possibly Sir John Molesworth of Pencarrow
Est: £500 - £800
Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a Gentleman, Possibly Sir John Molesworth of Pencarrow Oil on canvas 76 x 63.5cm (29 15/16 x 25in). For further information on this lot please visit the Bonhams website
Bonhams
Mar. 22, 2022
Circle of Enoch Seeman, Polish / English c.1694-1745- Portrait of a Millington Hayford Esq. and
Est: £700 - £1,000
Circle of Enoch Seeman, Polish / English c.1694-1745- Portrait of a Millington Hayford Esq. and his wife; oils on canvas, each 26.2 x 21.5 cm., a pair (2). The first bears inscriptions 'Millington Hayford Esq, born about the year 1700, died about the year 1745 Eight months before the birth of his only child, who subsequently became Lady Thorold: She died in the year 1807' (on an old label attached to the reverse), 'Charles Thorold given to him by his mother in law at Whittington Rectory Dec. 1849' (on an old label attached to the reverse of the stretcher), 'Left to my son Algernon G. Thorold' (on an old label attached to the reverse of the frame). The second bears inscriptions 'Mrs Beardsley, wife of George Beardsley Esq....' with details concerning her becoming a widow in her nineteenth year before then marrying 'Millington Hayford Esq. of Millington Hall' (on an old label attached to the reverse), 'Charles Thorold given to him by his mother in law at Whittington Rectory Dec. 1849' (on an old label attached to the reverse of the stretcher), 'Left to my son Algernon G. Thorold' (on an old label attached to the reverse of the frame). Provenance: Private Collection, UK. Please refer to department for condition report
Roseberys
Oct. 26, 2021
Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a gentleman, half-length, in a green coat, within a painted oval
Est: £2,000 - £3,000
Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a gentleman, half-length, in a green coat, within a painted oval signed and dated 'Enoch Seeman fec/ 1734' (lower left) oil on canvas 76.7 x 63.5cm (30 3/16 x 25in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 14, 2021
ATTRIBUTED TO ENOCH SEEMAN (DANZIG C.1694-1745 LONDON) Portrait of a gentle
Est: £6,000 - £10,000
ATTRIBUTED TO ENOCH SEEMAN (DANZIG C.1694-1745 LONDON) Portrait of a gentleman, traditionally identified as Thomas Ward,... oil on canvas 49 ¾ x 40 ½ in. (126.5 x 102.8 cm.)
Christie's
Jun. 29, 2021
Attributed to Enoch Seeman (c.1694-1745)
Est: £1,500 - £2,000
Attributed to Enoch Seeman (c.1694-1745) Attributed to Enoch Seeman (c.1694-1745) Portrait of Admiral Charles Elphinstone Fleming of Cumberland, three-quarter length, in a brown coat and blue mantle, in a coastal landscape oil on canvas 127 x 103cm
Sworders
Apr. 23, 2021
ENOCH SEEMAN (DANZIG, NOW GDANSK C. 1694-1744 LONDON) Portrait of Katherine
Est: $10,000 - $15,000
ENOCH SEEMAN (DANZIG, NOW GDANSK C. 1694-1744 LONDON) Portrait of Katherine Watson Southwell (d. 1765) holding a book,... oil on canvas 46 x 36 in. (116.8 x 91.4 cm.)
Christie's
Sep. 22, 2020
ATTRIBUTED TO ENOCH SEEMAN (1694-1744)
Est: £2,000 - £3,000
ATTRIBUTED TO ENOCH SEEMAN (1694-1744) PORTRAIT OF THE POET JOHN GAY (1685-1732) oil on canvas 73.0 x 58.0 cm / 28 3/4 x 22 3/4in Provenance: The Earl of Darnley By whom sold at his sale^ Christie~s^ London^ 01.05.1925^ Lot 4 (as John Gay^ by William Aikman^ bought Hugh Blaker for £31.10) Christie~s^ London^ Anonymous Sale^ 29.06.1934^ Lot 107 (sold as above) Christie~s^ London^ Anonymous Sale^ 17.02.1984^ Lot 120 (as Gay by Circle of Jonathan Richardson) The present work may relate to an unfinished portrait^ thought to be of John Gay^ that was sold at Christie~s^ South Kensington^ Old Masters & 19th Century Art^ 10.12.2010^ Lot 2071. There is also another version of the present work at Marble Hill House^ Twickenham (Acc. No. 88029593). William Aikman~s portrait of circa 1720 (Scottish National Portrait Gallery^ Acc. No. PG 718) is the work to which other portraits must be compared. Other important portraits of Gay with good claims to authenticity are the miniature by Christian Friedrich Zincke^ now known only from engravings^ and a portrait by Michael Dahl^ both of which are directly comparable in their likenesses to the present work.
Olympia Auctions
Aug. 27, 2020
ATTRIBUTED TO ENOCH SEEMAN (GDANSK 1694 - LONDON 1745)
Est: £2,000 - £3,000
ATTRIBUTED TO ENOCH SEEMAN (GDANSK 1694 - LONDON 1745) Portrait of a Gentleman thought to be John Gay in a black coat and red cap oil on canvas 50.8 x 41.6 cm (20 x 16 3/8 in.) PROVENANCE: Miles Wynn Cato, London; sale, Christie's, London,10th December 2010, lot 2071
Chiswick Auctions
Mar. 10, 2020
Enoch Seeman (British 1694-1745) Portrait of Lady Margaret Herbert (d. 1752)
Est: £5,000 - £8,000
Enoch Seeman (British 1694-1745)Portrait of Lady Margaret Herbert (d. 1752), daughter of Thomas, 8th Earl of PembrokeOil on canvas118 x 141cm (46¼ x 55½ in.)Provenance: The Earl of Guilford Sale, Christie's, London, 21 November 1980, Lot 88Literature: Waldershare Park catalogue, no. 188Lady Margaret Herbert was one of twelve children to come from Thomas Herbert, 8th Earl of Pembroke and 5th Earl of Montgomery's marriage to and his first wife Margaret Sawyer. Herbert, and English and later British statesman, was the third son of Philip Herbert, 5th Earl of Pembroke (1621-1669) and Catharine Villiers. Upon the death of both his brothers, the 6th and 7th Earl respectively, and without the presence of an heir, Herbert succeeded to the earldoms in 1683.Sawyer in turn was the only child of Sir Robert Sawyer (1633-1687) and Margaret Suckeley. Sir Robert Sawyer was the Attorney General for England and Wales (1681-1687) and briefly speaker of the English House of Commons. After settling in Highclere, Hampshire, Sawyer built the house which preceded the present castle. Lady Margaret Herbert's brother, Robert Sawyer Herbert (1693-1769) went on to inherit Highclere Castle in 1706, when he succeeded to his mother's estates, inheriting Highclere from his maternal grandfather. Enoch Seeman (1694-1745) was a Polish painter who travelled to England from his home in Flanders in 1704, with his father, Enoch Seeman the Elder. As a painter to the Royal Court the younger Seeman was commissioned to paint portraits of George I and George II, the latter now being held in the Royal Collection at Windsor Castle.
Dreweatts 1759 Fine Sales
Nov. 27, 2019
ENOCH SEEMAN (C. 1694-1745) PORTRAIT OF ROBERT D'ARCY, 3RD EARL OF HOLDERNESSE (1681-1721), FULL-LENGTH, IN PEER'S ROBES, HIS CORONET BESIDE HIM, IN AN INTERIOR
Est: £3,000 - £5,000
oil on canvas, in an early 18th Century acanthus enriched frame with flowered spandrels (Dimensions: 240 x 150 cm) (240 x 150 cm) Footnote: Provenance: The Dukes of Leeds, Hornby Castle, Lancashire, and by descent; Christie's, South Kensington, 1 Dec 2000, lot 10; Wood Dalling Hall, Norfolk Condition report: Oil on canvas which has been lined. There is canvas patch on the reverse repairing an old damage. The damage has been repaired from the front, the fill is uneven and the retouching mismatched. The picture is in plane with good tension. Old tears and damages have been repaired. In the lower half of the painting areas of overpaint have darkened. There are smaller touches of overpaint in the red robes which have darkened. The varnish is semi-matte and even. The mitre corners of the frame are opened and there are several losses to the black paint.
Cheffins
Oct. 15, 2019
ATTRIBUTED TO ENOCH SEEMAN (1694 - 1744)Portrait of a young boy with attendant king Charles spaniel, half-length; together with a companion portrait of a young girl in a blue dressA pair, oils on canvas, each 70.5 x 58.5cm In carved wooden frames
Est: €4,000 - €6,000
ATTRIBUTED TO ENOCH SEEMAN (1694 - 1744)Portrait of a young boy with attendant king Charles spaniel, half-length; together with a companion portrait of a young girl in a blue dressA pair, oils on canvas, each 70.5 x 58.5cm In carved wooden frames
Adam's
May. 01, 2019
James Macardell (c.1729-1765) British after Enoch Seeman (c.1694-1744) British. "Sir Isaac Newton", Engraving, Unframed, 10.5" x 7".
Est: £30 - £50
James Macardell (c.1729-1765) British after Enoch Seeman (c.1694-1744) British. "Sir Isaac Newton", Engraving, Unframed, 10.5" x 7".
John Nicholson's Fine Art Auctioneers & Valuers
Feb. 20, 2019
ATTRIBUTED TO ENOCH SEEMAN (1694-1745) FRAMED OIL ON CANVAS, half length portrait of a lady holding a peach, unsigned. 73 cm x 61 cm.
Est: £500 - £800
ATTRIBUTED TO ENOCH SEEMAN (1694-1745) FRAMED OIL ON CANVAS, half length portrait of a lady holding a peach, unsigned. 73 cm x 61 cm.
Hannam's Auctioneers
Nov. 17, 2018
Enoch Seeman (attrib.), Portrait of Henry VIII
Est: $3,000 - $5,000
Attributed to Enoch Seeman (Polish, 1694-1754), oil on canvas, signed indistinctly with artist cipher lower left, Scottish Art Heritage exhibition card verso, 29.5"h x 22"w (sight), 38.25"h x 31"w (frame)
Millea Bros Ltd
Nov. 14, 2018
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT 76cm x 61cm (30in x 24in)
Est: £2,000 - £3,000
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT Bears signature, oil on canvas, in a framed oval 76cm x 61cm (30in x 24in)
Lyon & Turnbull
Apr. 21, 2018
Attr. Enoch Seeman (German, c.1694-1745)
Est: $1,000 - $2,000
Unsigned, oil on canvas portrait of a young woman. Canvas has stretcher marks, repair at the figures forehead, lower left and lower center, no patches or relining visible on the back. 29 x 24 inches. Stripped pine frame, measures 36 x 31 inches. Weight: 11.75 lbs.
Fontaine's Auction Gallery
Mar. 23, 2018
Attribué à Enoch SEEMAN (1694 – 1744) Portrait d’un jeune homme à l’habit rouge
Est: €3,000 - €4,000
Attribué à Enoch SEEMAN (1694 – 1744) Portrait d’un jeune homme à l’habit rouge Toile Provenance : Collection du duc de Castres ; Collection du duc d’Harcourt ; resté depuis dans sa descendance.
Leclere - Maison de ventes
Dec. 19, 2017
Circle of Enoch Seeman (Danzig circa 1694-1745 London)
Est: £1,000 - £1,500
Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a lady, half-length
Bonhams
Dec. 03, 2017
ENOCH SEEMAN (1694-1975
Est: $250 - $350
The Child. Young boy standing (Framed) Signature: SLL
Lotus International Auctions
Nov. 22, 2017
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT 76cm x 61cm (30in x 24in)
Est: £4,000 - £6,000
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT Bears signature, oil on canvas, in a framed oval 76cm x 61cm (30in x 24in)
Lyon & Turnbull
Oct. 31, 2017
ATTRIBUTED TO ENOCH SEEMAN | Portrait of a young naval officer in uniform, probably Mark Currie, half-length, with a tricorn hat under his arm
Est: £1,200 - £1,800
oil on canvas, in a painted oval
Sotheby's
May. 24, 2017
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT 76cm x 61cm (30in x 24in)
Est: £5,000 - £7,000
ATTRIBUTED TO ENOCH SEEMAN THE YOUNGER (POLISH 1694-1744) SELF PORTRAIT Bears signature, oil on canvas, in a framed oval 76cm x 61cm (30in x 24in)
Lyon & Turnbull
Jan. 27, 2017
ENOCH SEEMAN | Portrait of Mrs. Finch with her son and daughter
Est: $10,000 - $15,000
oil on canvas
Sotheby's
Jul. 07, 2016
ENOCH SEEMAN | Portrait of a gentleman, half-length, in a blue coat and red waistcoat with gold brocade
Est: £6,000 - £8,000
oil on canvas
Sotheby's
Jun. 29, 2016
ENOCH SEEMAN (POLISH/ENGLISH, 1694-1744)
Est: €12,000 - €18,000
ENOCH SEEMAN (POLISH/ENGLISH, 1694-1744) Bewigged gentleman Oil on canvas 126 x 102 cm. Worldwide shipping available. Contact shipping@sheppards.ie for quotes prior to auction.
Sheppards
Jun. 19, 2016
Attributed to Enoch Seeman the Younger (1694-1744). A Pair of Large 18th Century Oils on Canvas: Three quarter length Portraits of Lord & Lady with Child dressed in finery; the lady sat by a window with classical garden beyond, 50 ins x 40 ins (127
Est: £8,000 - £12,000
Attributed to Enoch Seeman the Younger (1694-1744). A Pair of Large 18th Century Oils on Canvas: Three quarter length Portraits of Lord & Lady with Child dressed in finery; the lady sat by a window with classical garden beyond, 50 ins x 40 ins (127 cm x 102 cms). Contained in carved giltwood frames with brass plaques engraved; 'Ritratto di Lord John Whitfeild and Ritratto di Lady Anna Whitfeild col figlio ENOCH SEEMAN (Danzioa 1694-Londra 1744)', 58 ins x 48½ ins (147 cm x 123 cms).
Wilkinson's Auctioneers
May. 27, 2016
After Enoch Seeman (1694 - 1744), Coloured engraving of Sir Isaac Newton'(
Est: £60 - £80
After Enoch Seeman (1694 - 1744), Coloured engraving of Sir Isaac Newton'(1642-1727), by William Jeans, Signed in pencil by the engraver lower right, 10 ¾'' x 14''
Claydon Auctioneers
May. 21, 2016
Attr: Enoh Seeman O/C Portrait of a Woman
Est: $2,000 - $4,000
Enoch Seeman (c.1694-1745, Germany, Poland) oil on canvas portrait of a young woman. Canvas has stretcher marks, repair at the figures forehead, lower left and lower center, no patches or relining visible on the back. 29 in. high x 24 in. wide. Stripped pine frame, measures 36 in. high x 31 in. wide. Weight: 11.75 lbs.
Fontaine's Auction Gallery
Feb. 18, 2016
Enoch Seeman (Germany/Poland, ca.1694-1745)
Est: $2,000 - $4,000
50" x 40-1/8" canvasPortrait of a lady. The sitter is said to be Alice Cope, wife of Sir John Cope. Oil on canvas, in a magnificent period gilt wood and gesso frame with name plaque, overall 48-6/8" x 58-1/4". "Old Hall Gallery LTD. Eden Rye Sussex" and "John Hobbs & Co. Oklahoma City Individualized Interior Furnishings" labels verso. Online Bidding and additional information at AspireAuctions.com
Aspire Auctions Fine Art & Antiques
Dec. 10, 2015
ENOCH SEEMAN | Portrait of a Gentleman in Moroccan dress, probably John Montagu, 2nd Duke of Montagu (1690-1749)
Est: £50,000 - £70,000
oil on canvas, unlined
Sotheby's
Apr. 29, 2015
ENOCH SEEMAN | A set of full length portraits, one gentleman with his greyhound, and five ladies
Est: £15,000 - £20,000
a set of six, all oil on canvas
Sotheby's
Feb. 07, 2015
ENOCH SEEMAN (British, c.1694-1745)
Est: $2,000 - $4,000
ENOCH SEEMAN (British, c.1694-1745), portrait of Sir John Baynes, Serjeant-at-Law, oil on canvas, signed and dated lower right, inscribed top right ''Sergeant Baines 1733'', label to verso ''#209, Port. of Serg. Baines, 40/50, SYY''. 50''h, 40''w. Relined, small losses and inpaint around edges.
South Bay Auctions Inc
Jun. 19, 2014
Attributed to Enoch Seeman (British, 1694-1745) Portrait of a lady in a feathered hat, oil on canvas
Est: £2,000 - £3,000
Attributed to Enoch Seeman (British, 1694-1745) Portrait of a lady in a feathered hat, pearls in her hair and a blue and white dress and gem-set stomacher oil on canvas, in a carved and giltwood frame h:74 w: 62 cm Provenance: By descent from the supposed sitter to her grandson, Lieutenant General Christopher Jeaffreson of Dullingham, maternal grandfather of Christopher Pigott (d. 1889) and on the death of his widow in 1939, bequeathed to the grandmother of the present owner. An ink inscription on the stretcher, in the hand of Algernon Dunn Gardner, suggests this is a lady of the Dayrell family. If so, it is probably Elizabeth Witchcomb, co-heir of Sir Brownlow Sherrard, Bt., who married Francis Dayrell of Shudy Camps, Cambridgeshire.
Cheffins
Jun. 03, 2014
Attributed to Enoch Seeman (1694-1744), PORTRAIT
Est: £400 - £600
Attributed to Enoch Seeman (1694-1744), PORTRAIT OF A LADY, HALF LENGTH, IN A WHITE DRESS AND RED WRAP, POSSIBLY A MEMBER OF THE CONYERS FAMILY Inscribed on stretcher 'The Gift of Sophia Conyers to Hannah Warner 1742', with painted heraldic crest u.l., oil on canvas 76 x 64cm
Sworders
Jul. 05, 2013
Circle of Enoch Seeman (Dantzig c. 1694-1744 London)
Est: -
Circle of Enoch Seeman (Dantzig c. 1694-1744 London) A partridge in a sculpted cartouche, with a spaniel oil on canvas 30 x 25½ in. (76.2 x 64.8 cm.)
Christie's