Anna Selbtritt Sold at Auction Prices

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    • Sculpture en ronde bosse représentant "Anna Selbdritt" ou "Anna te Drieën" - sainte Anne,
      Aug. 03, 2024

      Sculpture en ronde bosse représentant "Anna Selbdritt" ou "Anna te Drieën" - sainte Anne,

      Est: €8,000 - €10,000

      Sculpture en ronde bosse représentant "Anna Selbdritt" ou "Anna te Drieën" - sainte Anne, la Vierge et l'Enfant. Bois de noyer. Début du 16 eme siècle d'origine sud-néerlandaise (Brabant). Ht 73cm x long 50cm. Acquise chez Herrmann Plenge le 30/10/13.

      Exper Antic
    • A South Tyrolean carved Swiss pine wood high-relief group of Anna Selbdritt, circa 1510.
      May. 21, 2016

      A South Tyrolean carved Swiss pine wood high-relief group of Anna Selbdritt, circa 1510.

      Est: €15,000 - €17,000

      St. Anne is shown seated on a broad, block-like bench facing the beholder. She wears a white veil and a simple, floor-length gown. The dark red cloak worn over her left shoulder lies draped across her body and drawn over her knees where it falls in a rich interplay of thick vertical and compressed folds. The Virgin stands next to Her mother, and St. Anne embraces Her with her left arm whilst Mary in turn reaches out towards the Christ Child who is shown seated on His Grandmother’s lap. The drapery of the Virgin’s gown corresponds closely to that of St. Anne’s cloak, lending a harmonic impression to the entire composition. Both the overall design and details of this work, such as the facial features, display direct parallels to another Anna Selbdritt group from South Tyrol (possibly Meran) made in around 1510 - a work closely related to those of the painting and sculpture workshop of Hans Schnatterpeck in Meran and of Matheis Stöberl in Sterzing.

      Kunsthaus Lempertz KG
    • A Mechelen wooden Anna Selbdritt group, circa 1500
      May. 21, 2016

      A Mechelen wooden Anna Selbdritt group, circa 1500

      Est: €3,500 - €4,500

      A standing figure of Saint Anne dressed in a matronly gown and holding the diminutive Virgin Mary with her right arm. On her lap, Mary holds the infant Christ who has turned to gaze into the open book in Saint Anne's left hand.

      Kunsthaus Lempertz KG
    • A Mechelen wooden Anna Selbdritt group, circa 1500
      May. 21, 2016

      A Mechelen wooden Anna Selbdritt group, circa 1500

      Est: €7,000 - €8,000

      A finely carved, standing depiction of the matronly Saint Anne holding her daughter Mary in her right arm. Mary holds the nude Christ Child, who turns to face the beholder. Saint Anne presumably held an open book in her lost left hand. The back of the piece bears the city mark of Mechelen.

      Kunsthaus Lempertz KG
    • A 15th century Central Rhenish carved wood Anna Selbdritt group.
      May. 21, 2016

      A 15th century Central Rhenish carved wood Anna Selbdritt group.

      Est: €3,000 - €4,000

      A group designed for a frontal viewpoint depicting Saint Anne enthroned with her daughter Mary seated on her knee and turned towards the Christ Child held in Saint Anne's left hand. The work's composition follows the usual scheme for devotional works of this era.

      Kunsthaus Lempertz KG
    • Northern Netherlands circa 1480/1490, Anna Selbdritt in a Landscape
      May. 21, 2016

      Northern Netherlands circa 1480/1490, Anna Selbdritt in a Landscape

      Est: €18,000 - €20,000

      Since the early Renaissance, the gold backgrounds commonly used in scenes of biblical and saintly figures were increasingly replaced by realistic landscapes, until landscape painting eventually gained respect as an independent genre. However, the costly and shimmering medium of gold leaf continued to be utilised to underline the sacred qualities of images until the end of the middle ages. It connoted an otherworldly sphere, a reference to the heavens. In the present work, Jesus, Mary and Saint Anne appear to have been transported from heaven down to earth. This method of “humanising” sacred figures was to become more pronounced throughout the high Renaissance, for example when characters were shown in contemporary settings or attire. The use of so-called aerial perspective to depict distance is a typical characteristic of Netherlandish landscape painting of this era. Painters created the illusion of depth by allowing green elements in the foreground to gradually fade to blue. Mary's hair is accentuated by fine, golden highlights. The narrow, embroidered hems of the ladies gowns and the golden stools also sparkle in the sunlight. Another charming detail of this work is the detailed depiction of the vegetation in the background and lower edge of the piece, achieved by the definite but very fine highlighting of individual leaves, branches and tree trunks.

      Kunsthaus Lempertz KG
    • Anna Selbdritt (German School) Oil on Board
      Oct. 24, 2013

      Anna Selbdritt (German School) Oil on Board

      Est: $800 - $1,200

      A rare depiction of Anna Selbdritt. (St. Anne and the Virgin and Child) This type of depiction has been quite popular in Germany from the 14th century and is known as Anna te Drieën in the neighboring Low Countries. This appears to quite an older piece and was restored and stabilized many years ago. Board measuring approximately 12.25" by 9.63," framed 16.75" x 15.25".

      J Levine Auction & Appraisal LLC
    • Heiligenfigur, Anna Selbtritt, süddeutsch, Anfang
      Aug. 28, 2010

      Heiligenfigur, Anna Selbtritt, süddeutsch, Anfang

      Est: -

      Heiligenfigur, Anna Selbtritt, süddeutsch, Anfang 20.Jh., Lindenholz geschnitzt, mit gewollten Alterssp., bunt gefaßt, ber., H.36cm

      Henry's Auktionshaus
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