Vincent Sellaer Paintings & Artwork for Sale | Vincent Sellaer Art Value Price Guide

May. 22, 2024
Susanna and the Elders
Est: $8,000 - $12,000
Attributed to Vincent Sellaer active in Mechelen before 1538 - after 1544 Susanna and the Elders oil on panel panel: 30 ½ by 42 ¾ in.; 77.5 by 109.0 cm. framed: 38 ½ by 50 ¾ in.; 97.8 by 128.9 cm.
Sotheby's
Jun. 14, 2022
VINCENT SELLAER 1490 - 1544 - ALLEGORY OF PERFECT LOVE
Est: -
Vincent Sellaer excelled among Flemish painters in his ability to combine Flemish and Italian influences into monumental allegorical works. It is believed that his refined manuscript was influenced by two main Italian traditions - Lombard-Leonardian, represented by Moretto da Brescia and Girolamo Romani, and Florentine-Roman, namely represented by Andrea del Sarto and Rafael Santi's school. The work is marked: "PERFECTA CHARITAS / FORAS MITTIT / TIMOREM / IOH, ACA". The designation refers to the biblical text - IOH - John, First Epistle of John: "Love does not know fear, perfect love dispels fear, for fear causes torment, and he who fears has not perfected in love." Love - charitas, belongs to the seven Christian virtues, Vincent Sellaer portrayed her in the traditional form of a naked woman surrounded by children, similar to, for example, Lucas Cranach. The theme of charitas is one of the author's iconical. Restored. Technique: Oil on wood
Arthouse Hejtmánek
Dec. 10, 2020
VINCENT SELLAER (ATTRIBUTED) 1490 - 1544 - ALLEGORY OF PERFECT LOVE
Est: -
Vincent Sellaer excelled among Flemish painters in his ability to combine Flemish and Italian influences into monumental allegorical works. It is believed that his refined manuscript was influenced by two main Italian traditions - Lombard-Leonardian, represented by Moretto da Brescia and Girolamo Romani, and Florentine-Roman, namely represented by Andrea del Sarto and Rafael Santi's school. The work is marked: "PERFECTA CHARITAS / FORAS MITTIT / TIMOREM / IOH, ACA". The designation refers to the biblical text - IOH - John, First Epistle of John: "Love does not know fear, perfect love dispels fear, for fear causes torment, and he who fears has not perfected in love." Love - charitas, belongs to the seven Christian virtues, Vincent Sellaer portrayed her in the traditional form of a naked woman surrounded by children, similar to, for example, Lucas Cranach. The theme of charitas is one of the author's iconical. Restored. Technique: Oil on wood
Arthouse Hejtmánek
Apr. 02, 2020
Vincent Sellaer, Tätig 1538 – 1544, zug.
Est: €40,000 - €60,000
SUSANNA UND DIE BEIDEN ALTEN Öl auf Holz. Parkettiert. 105 x 84 cm. Das Thema des Alten Testaments ist hier in unüblicher Weise als auffallend ruhige Szene wiedergegeben, sodass nicht die körperlich drängende Gewalt der beiden Alten, sondern vielmehr das Nachdenken der Susanna nach der Überredung des Alten rechts im Bild Thema geworden ist. Wie immer, so ist auch hier das biblische Thema Anlass und Vorwand, den weiblichen Akt ins Bild zu bringen. Die schön dargestellte schlanke Frauenfigur, hier nur dürftig bekleidet, eine Brust zwischen den gelben Tüchern freigelassen, entspricht dem eleganten manieristischen Geschmack der Zeit, auch was die weichen Konturen, das Sfumato, das hier ausschließlich der weiblichen Figur zukommt, betrifft. Der Oberkörper der Susanna nahezu diagonal ins Bild gesetzt, im Gegensatz zu den beiden nahezu senkrecht wiedergegebenen Männergestalten im Hintergrund. Der rechte bärtige Alte blickt auf die junge Schönheit herab mit hochgehaltener Hand, was sein Überreden andeuten soll. Einzig die linke Männerfigur nimmt Blickkontakt zum Betrachter auf. In eleganten Grautönen sind die übrigen Bildinhalte gezeigt, hier überwiegend die Steinreliefs am Brunnen in antiken Formen sowie eine links oben stehende Gewandfigur, Allegorie der Pomona. Farblich hier die Trias Rot, Gelb und Weiß als überwiegende Kontraste ins Bild gesetzt. (1221462) (10) Vincent Sellaer, active 1538 – 1544, attributed SUSANNA AND THE ELDERS Oil on panel. Parquetted. 105 x 84 cm. This is an unusual depiction of the Old Testament subject as a remarkably quiet scene. Instead of the usual physically pressing presence of the two Elders, this painting’s subject matter is rather Susanna’s reflection after the persuasion of the Elder on the right. The colour scheme emphasizes the contrasts of the triad of red, yellow and white.
Hampel Fine Art Auctions
Mar. 27, 2020
SELLAER, VINCENT
Est: CHF30,000 - CHF50,000
(um 1490 Mecheln 1564) Werkstatt Die Heilige Sippe: Maria Kleophae und ihre Familie. Öl auf Holz. 96,7x125,5 cm. - Restauriert und parkettiert.
Schuler Auktionen
Jul. 05, 2019
Vincent Sellaer (active Mechelen 1538-1544) Head of Christ oil on panel 16 7/8 x 11 3/8 in. (43 x 28.9 cm.)
Est: £10,000 - £15,000
Vincent Sellaer (active Mechelen 1538-1544) Head of Christ oil on panel 16 7/8 x 11 3/8 in. (43 x 28.9 cm.)
Christie's
Dec. 07, 2018
Vincent Sellaer (Active Mechelen 1538-1544) - Head of Christ
Est: £40,000 - £60,000
Vincent Sellaer (Active Mechelen 1538-1544) Head of Christ oil on panel 16 ¾ x 11 5/8 in. (42.5 x 29.5 cm.)
Christie's
Apr. 19, 2018
Vincent Sellaer (active Mechelen circa 1538)
Est: $80,000 - $120,000
Vincent Sellaer (active Mechelen circa 1538) The Holy Family with Saint John the Baptist, Saint Elizabeth and Zacharias oil on panel 37 5/8 x 42 3/8 in. (95.5 x 107.5 cm.)
Christie's
Dec. 06, 2017
Workshop of Vincent Sellaer (Malines circa 1539-1589) Charity
Est: -
Workshop of Vincent Sellaer (Malines circa 1539-1589) Charity
Bonhams
Sep. 24, 2016
VINCENT SELLAER
Est: -
VINCENT SELLAER ca. 1490 tätig in Flandern bis 1564 (Nachfolge) Caritas Öl auf Leinwand auf Holztafel maroufl. 29 cm x 23,5 cm. Part. altrestauriert und min. besch. Florentiner Leiste des 19. Jahrhunderts.
Hargesheimer Kunstauktionen Düsseldorf
Jun. 04, 2015
VINCENT SELLAER | Allegory of Charity
Est: $150,000 - $200,000
oil on panel
Sotheby's
Dec. 03, 2014
The Virgin and Child with the Infants Saint John the Baptist and James, before a draped curtain, a landscape beyond
Est: £40,000 - £60,000
Vincent Sellaer (active Mechelen circa 1538) The Virgin and Child with the Infants Saint John the Baptist and James, before a draped curtain, a landscape beyond oil on panel 37 x 27 in. (94 x 68.6 cm.) in a 17th century Italian carved and gilded Cassetta frame
Christie's
Nov. 30, 2014
Circle of Vincent Sellaer (Malines, circa 1539-158
Est: £3,500 - £4,000
Circle of Vincent Sellaer (Malines, circa 1539-1589) The Archangel Gabriel, oil on poplar panel, framed by applied edge moulding 48 ins x 32 ins (122 cms x 81 cms).
Wilkinson's Auctioneers
Jul. 09, 2014
Vincent Sellaer, Leda and the Swan
Est: €70,000 - €90,000
VINCENT SELLAER (attributed) (active in Mechelen in 1538) Leda and the Swan Oil on panel, 30,2 x 42,6 inches (76,8 x 108,2 cm), ancient carved and gilt frame In this wonderful panel, Leda is represented in a moment of domestic rest, while speaking lied down on soft pillows with the swan caressing her hair and almost using its wing as a cushion for her. Castor and Pollux, born from Leda's union with Jupiter in form of a swan, are resting on their mother's lying body: from the same intercourse, getting out of an egg like the Dioscuri, also Helen of Troy and Clytemnestra were born. In respect of its childlike figures, it is also comparable to Sellaer's Jupiter, Satyr, Antiope and their Children in the Musées royaux des Beaux-Arts de Belgique, Bruxelles. The iconography comes from Leonardo's famous lost composition which influenced and inspired many Dutch artists of the time, including Joos and Cornelis van Cleve, both of them painting numerous versions of the same subject.The influence of Leonardo's is clearly recognizable in the faces and the hair of the children. Vincent Sellaer (now convincingly identified as Vincent Geldersman) was, with Michiel Coxcie, the leading artist in Malines (now Mechelen), a city that had become the cultural centre of the Netherlands during the reign of Margaret of Austria. He painted several different versions of Leda and the Swan, as well as a Susannah and the Elders, a Cleopatra and a Descent from the Cross for the cathedral of his own city. Sellaer would have absorbed this stylistic innovation during his sojourn in Italian (1522-24), during which he probably worked with Moretto of Brescia (Alessandro Bonvicino). Sellaer's style is characterized by an ability to combine seamlessly Northern European and Italian sources and create paintings notable for their power and monumental quality.
Bibliopathos
Sep. 20, 2012
Vincent Sellaer, südniederländischer Maler zwischen 1538 und 1544 in Mechelen tätig, zug.
Est: €65,000 - €70,000
Vincent Sellaer, südniederländischer Maler zwischen 1538 und 1544 in Mechelen tätig, zug. ALLEGORIE DER CARITAS Öl auf Eichenholz. Parkettiert. 109,5 x 77,5 cm. Ohne Rahmen. Das allegorische Thema der Caritas oder „Maternité", hier vorgestellt in Gestalt einer jugendlichen, anmutigen Frau in rosafarbenem Seidenkleid, deren Oberkörper sich hinter einem Sockel, belegt mit blauem Seidentuch erhebt, die zwei stehende Kinder in den Armen hält. Der Würde des positiven Allegorie-Gedankens entsprechend ist die Frau höfisch geschmückt wiedergegeben, das blonde, lockige Haar krause nach hinten ziehend, zum Teil in Zöpfe geflochten, der höfischen Haarmode der Zeit entsprechend mit einem Diadem mit Goldreif, Perle und nach hinten ziehendem Kopfschmuck. Das Kleid, gegürtet durch einen goldenen Reif, ebenfalls mit Steinen besetzt. Der Bildaufbau in strenger Dreieckskomposition, unterhalb der beiden stehenden Kinder weitere sechs nackte Knaben und Mädchen in unterschiedlichen Haltungen, zum Thema Bezug nehmend. Das untere, mittlere ist im Begriff spielerisch zu kämpfen, wobei das Knäblein in dunklerem Inkarnat versucht, dem Mädchen auf das Gesäß zu klopfen. Links hebt ein Knabe eine Fruchtschale hoch, die von dem oben stehenden Knäblein in Empfang genommen wird. Das Kind an der rechten Seite der Frau umfängt ihr Gesicht liebevoll und wird von den zarten Fingern der weiblichen Allegorie umfangen. Die kindlichen Gestalten deuten in ihren Haltungen Aspekte der Caritas - in Harmonie bewiesene Liebe - und der Liebesbeweise auf. Im Hintergrund links ein Säulensockel, rechts ein weiterer Sockel mit darauf stehender, kannelierter Säule als Symbol der Macht der menschlichen Liebe. Über die Figurengruppe im Hintergrund hinwegziehender, grüner Velumvorhang. Die Malerei betont bewusst die Inkarnatfarbigkeit, in den Körperhaltungen die unterschiedlichsten Bewegungsabläufe, die Körper in Drehungen wiedergegeben, ein charakteristischer Zug des Manierismus der Fontainebleau-Schule. (8711925) Vincent Sellaer, a Painter from the South of the Netherlands, active between 1538 and 1544 in Mechelen, attributed to Oil on oak. Parquetted. 109.5 x 77.5 cm.
Hampel Fine Art Auctions
Dec. 13, 2011
Circle of Vincent Sellaer (active Malines 1538-1544)
Est: €2,500 - €3,500
Circle of Vincent Sellaer (active Malines 1538-1544) Madonna and Child with the infant Saint John the Baptist oil on panel 60.7 x 52.2 cm.
Christie's
Jan. 28, 2010
VINCENT SELLAER
Est: $40,000 - $60,000
THE MADONNA AND CHILD WITH SAINTS ELIZABETH AND OTHER MEMBERS OF THE HOLY FAMILY: THE HOLY KINSHIP
Sotheby's
Jun. 05, 2008
Vincent Sellaer , Active in Malines before 1538 - after 1544 Charity oil on panel
Est: $60,000 - $80,000
oil on panel
Sotheby's
Apr. 15, 2008
Ription Vincent Sellaer (born in Malines, active
Est: €30,000 - €40,000
Ription Vincent Sellaer (born in Malines, active between 1538 - 1544), circle of Susanna bathing, oil on panel, 104 x 85 cm, beautiful old frame, (Wo) This high-quality painting is related to the art of the Flemish painter Sellaer, who was active in Malines and Brescia. The present work reveals an Italian influence.
Dorotheum
Jan. 22, 2004
* VINCENT SELLAER ACTIVE IN MECHELEN CIRCA 1538
Est: $100,000 - $150,000
LEDA WITH THE SWAN AND HER CHILDREN
Sotheby's