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T. Selvaratnam Sold at Auction Prices

b. 1920 - d. 2008

T. Selvaratnam did not have formal training in art but was fortunate to be apprenticed under India’s N.N. Nambiar, who was stranded in Malaya during the Japanese Occupation from 1942 to 1945. He learnt from Nambiar mainly portraits in oil. His other sources were Informal lessons in sculpture under Anthony Gray, and the odd evening classes at the Stanhope Institute and the Hammersmith College of Art, London, in 1966 when studying transport management in London. Selvaratnam lectured at the Mara Institute of Technology from 1975 to 1986, after retiring from the Malayan Railway as chief administrative officer and secretary of the Railway Board (1946-1975). He had solos at the Creative Centre in 1991, Maybank Art Gallery in 1994 and 1996, as well as The Art Gallery, Penang in 1995. He became a fulltime artist in 1988. Before that, he took part in group shows of the Selangor Art Society and the Malayan Arts Council during the 1950s and 1960s. Writing in The New Straits Times (July 11, 1994) on his 1994 solo, Ooi Kok Chuen remarked: “His works are almost always clean, neat and compositionally and texturally balanced with an inclination for balance, harmony and symmetry – the smooth even layers of paint, the ‘clinical’ touch-ups, the cohesive lines and forms of his sculptures – a fount of symmetry and grace.”

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      • T. Selvaratnam (b. Kuala Lumpur, 1920 - d. 2008) Untitled, 1966
        Aug. 23, 2020

        T. Selvaratnam (b. Kuala Lumpur, 1920 - d. 2008) Untitled, 1966

        Est: RM4,000 - RM8,000

        Human figure is a favourite subject to paint for T. Selvaratnam. The artist was interested in the movements of their tasks and expressed the simple poetry of daily life. T. Selvaratnam did not have formal training in art but was fortunate to be apprenticed under India’s N.N. Nambiar, who was stranded in Malaya during the Japanese Occupation from 1942 to 1945. He learnt from Nambiar mainly portraits in oil. His other sources were informal lessons in sculpture under Anthony Gray, and the odd evening classes at the Stanhope Institute and the Hammersmith College of Art, London, in 1966 when studying transport management in London. Selvaratnam lectured at the Mara Institute of Technology from 1975 to 1986, after retiring from the Malayan Railway as chief administrative officer and secretary of the Railway Board (1946-1975). He had solos at the Creative Centre in 1991, Maybank Art Gallery in 1994 and 1996, as well as The Art Gallery, Penang in 1995. He became a full time artist in 1988. Before that, he took part in group shows of the Selangor Art Society and the Malayan Arts Council during the 1950s and 1960s. Writing in The New Straits Times (July 11, 1994) on his 1994 solo, Ooi Kok Chuen remarked: “His works are almost always clean, neat and compositionally and texturally balanced with an inclination for balance, harmony and symmetry — the smooth even layers of paint, the ‘clinical’ touch-ups, the cohesive lines and forms of his sculptures — a fount of symmetry and grace.”

        Henry Butcher Art Auctioneers
      • T. SELVARATNAM (b. 1920 - d. 2008) Untitled, 1994
        Oct. 28, 2018

        T. SELVARATNAM (b. 1920 - d. 2008) Untitled, 1994

        Est: RM2,000 - RM3,500

        People at work provided inspiration for T. Selvaratnam. The artist was interested in the movements of their tasks and expressed the simple poetry of daily life. T. Selvaratnam did not have formal training in art but was fortunate to be apprenticed under India's N.N. Nambiar, who was stranded in Malaya during the Japanese Occupation from 1942 to 1945. He learnt from Nambiar mainly portraits in oil. His other sources were informal lessons in sculpture under Anthony Gray, and the odd evening classes at the Stanhope Institute and the Hammersmith College of Art, London, in 1966 when studying transport management in London. Selvaratnam lectured at the Mara Institute of Technology from 1975 to 1986, after retiring from the Malayan Railway as chief administrative officer and secretary of the Railway Board (1946-1975). He had solos at the Creative Centre in 1991, Maybank Art Gallery in 1994 and 1996, as well as The Art Gallery, Penang in 1995. He became a fulltime artist in 1988. Before that, he took part in group shows of the Selangor Art Society and the Malayan Arts Council during the 1950s and 1960s. Writing in The New Straits Times (July 11, 1994) on his 1994 solo, Ooi Kok Chuen remarked: “His works are almost always clean, neat and compositionally and texturally balanced with an inclination for balance, harmony and symmetry — the smooth even layers of paint, the ‘clinical' touch-ups, the cohesive lines and forms of his sculptures — a fount of symmetry and grace.”

        Henry Butcher Art Auctioneers
      • T. SELVARATNAM (b. 1920 - d. 2008) UNTITLED, 2000, Oil on canvas
        Apr. 29, 2018

        T. SELVARATNAM (b. 1920 - d. 2008) UNTITLED, 2000, Oil on canvas

        Est: RM4,000 - RM7,000

        Mould it while hot in the fire and then on the anvil, when things could still be shaped at will and to the desired effect. What is the norm for a blacksmith is the same with moulding a child’s character when still young, not when older when one is set on his ways and hardened. Here, T. Selvaratnam showed the blacksmith with back turned, indicating anonymity and a profession that was dying off. This little workshop was presumably around Brickfields where he stayed during his teens after coming back from Sri Lanka at the age of 16 after spending 10 years there. Blacksmithing is a tough job as can be seen by the man’s sturdy body and strong arms despite looking advanced in years. Blacksmiths doing the old traditional way of forging and iron-mongering are a rarity nowadays because it’s tough, dirty and laborious. T. Selvaratnam did not have formal training in art but was fortunate to be apprenticed under India’s N.N. Nambiar, who was stranded in Malaya during the Japanese Occupation from 1942 to 1945. He learnt from Nambiar mainly portraits in oil. His other sources were Informal lessons in sculpture under Anthony Gray, and the odd evening classes at the Stanhope Institute and the Hammersmith College of Art, London, in 1966 when studying transport management in London. Selvaratnam lectured at the Mara Institute of Technology from 1975 to 1986, after retiring from the Malayan Railway as chief administrative officer and secretary of the Railway Board (1946-1975). He had solos at the Creative Centre in 1991, Maybank Art Gallery in 1994 and 1996, as well as The Art Gallery, Penang in 1995. He became a fulltime artist in 1988. Before that, he took part in group shows of the Selangor Art Society and the Malayan Arts Council during the 1950s and 1960s. Writing in The New Straits Times (July 11, 1994) on his 1994 solo, Ooi Kok Chuen remarked: “His works are almost always clean, neat and compositionally and texturally balanced with an inclination for balance, harmony and symmetry – the smooth even layers of paint, the ‘clinical’ touch-ups, the cohesive lines and forms of his sculptures – a fount of symmetry and grace.”

        Henry Butcher Art Auctioneers
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