Ahmed Shahabuddin Sold at Auction Prices

Ahmed Shahabuddin (born 1950) Untitled, 1987

Ahmed Shahabuddin (born 1950) Untitled, 1987 Oil on canvas Signed and dated on the bottom right 130 x 89 cm Provenance: Private collection, Paris Ahmed Shahabuddin (né en 1950) Sans titre, 1987 Huile sur toile Signée et datée en bas à droite 130 x 89 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (1950)

Ahmed Shahabuddin (1950) Composition Aquarelle Signée et datée 1975 en bas à gauche 28,2 x 38 cm

Ahmed SHAHABUDDIN (1950), Le Saut (1992), aus ''Olympic Centennial Suite'', Farbsiebdruck.

Ahmed SHAHABUDDIN (1950), Le Saut (1992), aus ''Olympic Centennial Suite'', Farbsiebdruck auf Arches Bütten, u.re. mit Blei sign., dat. und num., Expl. 151/250, u. Mitte Trockenstempel ''Olympische Ringe'', Bogenmaße: ca. 63 x 90 cm. ''Olympic Centennial Suite'' vereint 50 Werke internationaler Künstler. Herausgegeben vom Internationalen Olympischen Komitee, Lausanne, anlässlich dessen 100-jährigen Gründungs-Jubiläums.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Olympic Centennial Suite". Screenprint on 270 gram Vélin d’Arches paper, copy 114/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 gsm Vélin d'Arches paper, copy 114/250. Signed, dated and justified by hand. Size: 63 x 90 cm. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 gsm Vélin d'Arches paper, 202/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 gsm Vélin d'Arches paper, copy 202/250. Signed, dated and justified by hand. Size: 63 x 90 cm. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 gsm Vélin d'Arches paper, 108/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 gsm Vélin d'Arches paper, copy 108/250. Signed, dated and justified by hand. Size: 63 x 90 cm. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

Ahmed Shahabuddin (born in 1950) Untitled, 1995

Ahmed Shahabuddin (born in 1950) Untitled, 1995 Oil on canvas Signed and dated on the bottom right 41 x 24 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Sans titre, 1995 Huile sur toile Signée et datée en bas à droite 41 x 24 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (born in 1950) Untitled, 1992

Ahmed Shahabuddin (born in 1950) Untitled, 1992 Oil on canvas Signed and dated on the bottom left 41 x 24 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Sans titre, 1992 Huile sur toile Signée et datée en bas à gauche 41 x 24 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (born in 1950) L'homme dans l'espace, 1991

Ahmed Shahabuddin (born in 1950) L'homme dans l'espace, 1991 Oil on canvas Signed and dated on the bottom right Countersigned on the back 88 x 76 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) L'homme dans l'espace, 1991 Huile sur toile Signée et datée en bas vers la droite Contresignée au dos 88 x 76 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (born in 1950) Saut, 1993

Ahmed Shahabuddin (born in 1950) Saut, 1993 Oil on canvas Signed and dated on the bottom left 73 x 92 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Saut, 1993 Huile sur toile Signée et datée en bas à gauche 73 x 92 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (born in 1950) Untitled, 1993

Ahmed Shahabuddin (born in 1950) Untitled, 1993 Oil on canvas Signed and dated on the bottom left 73 x 59 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Sans titre, 1993 Huile sur toile Signée et datée en bas à gauche 73 x 59 cm Provenance : Collection particulière, Paris

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on Vélin d'Arches 270 gsm paper, 118/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on Vélin d'Arches 270 gsm paper, copy 118/250. Signed, dated and justified by hand. Size: 63 x 90 cm. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on 270 grams Vélin d'Arches paper, copy 220/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on Vélin d'Arches 270 gsm paper, copy 220/250. Signed, dated and justified by hand. Size: 63 x 90 cm. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

Ahmed Shahabuddin (b. 1950) Untitled, 1993

Ahmed Shahabuddin (b. 1950) Untitled, 1993 Oil on canvas Signed and dated on the bottom left 92 x 73 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Sans titre, 1993 Huile sur toile Signée et datée en bas a gauche 92 x 73 cm Provenance : Collection particulière, Paris

Ahmed Shahabuddin (b. 1950) Visage, 1993

Ahmed Shahabuddin (b. 1950) Visage, 1993 Oil on canvas Signed and dated on the bottom left 130 x 89 cm Provenance : Private collection, Paris Ahmed Shahabuddin (né en 1950) Visage, 1993 Huile sur toile Signée et datée en bas a gauche 130 x 89 cm Provenance : Collection particulière, Paris

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on Vélin d'Arches 270 gsm paper, copy 110/250. Signed, dated and justified by hand.

AHMED SHAHABUDDIN (Dhaka, Bangladesh, 1950). Untitled, 1992, from the "Suite Olympic Centennial". Silkscreen on Vélin d'Arches 270 gsm paper, copy 110/250. Signed, dated and justified by hand. This work is part of the "Suite Olympic Centennial", complete edition 110/250, which will be auctioned on 27 September 2022, in 50 consecutive lots numbered 35245230 to 35245280. Measurements: 63 x 90 cm. The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Ahmed Shababuddin trained at the Dhaka Academy of Fine Arts, later completing his studies at the Ecole Superieure des Beaux-Arts in Paris. He has had numerous solo and group exhibitions internationally. His work does not renounce figuration, and continues the research of the historical avant-garde on dynamism, vibration and force.

AHMED SHAHABUDDIN (1950): 'LE SAUT' (SUITE OLYMPIC CENTENNIAL), SERIGRAPH, ED. A.P. 12/50, DATED (19)92

Please note that this lot will be available for bidding exclusively on our website: www.coronariauctions.com. It will not be sold during the live auction on 17 December. On December 18, bidding on this lot will end and it will be awarded to the highest bidder, on our own website. --- Work: 89,5 x 63 cm  Frame: 122,5 x 96 cm 

Ahmed SHAHABUDDIN (1950)

Les athlètes

Ahmed Shahabuddin

Ahmed Shahabuddin, Bangladesh, b.1950, Untitled, oil on canvas, signed and dated 'Shahabuddin '91' lower left, 80 x 61cm. The Dacca born artist was a student activist during Bangladesh's 1971 War for Liberation. Though he moved to Paris in 1974, the horrors and carnage of the freedom struggle still subtly influence his paintings. Depicting figures of monumental proportions, the thick gestural brushstokes form a fleshy impasto giving a bubbling viscous quality to the finished surfaces. These 'wounded' contours are highly reminiscent of Francis Bacon. Shahabuddin's skill as an artist stems from his ability to capture the emotive qualities of his subjects as he wavers between figuration and abstraction.

Ahmed SHAHABUDDIN (1950) Fighter one, 1993

Ahmed SHAHABUDDIN (1950) Fighter one, 1993 Figurative oil on canvas signed and dated lower left 100 x 81 cm

Ahmed SHAHABUDDIN - « JONCTION S018831 », 2006

Ahmed SHAHABUDDIN « JONCTION S018831 », 2006 Huile sur toile signée et datée en bas à gauche 60 x 120 cm Provenance: Galerie Daniel Besseiche, Paris

Ahmed SHAHABUDDIN - SANS TITRE

Ahmed SHAHABUDDIN SANS TITRE Lithographie en couleurs sur papier signé en bas vers la droite et numéroté 97/300 en bas au centre 31 x 42 cm Provenance : Collection de Monsieur Z.

Ahmed SHAHABUDDIN (né en 1950) LA SOIF, 2006 Huile sur toile

Ahmed SHAHABUDDIN (né en 1950) LA SOIF, 2006 Huile sur toile signée et datée en bas à droite "Shahabuddin 06" h: 81 w: 59,50 cm

Ahmed SHAHABUDDIN (né en 1950) PORTRAIT DE FEMME Huile sur toile

Ahmed SHAHABUDDIN (né en 1950) SANS TITRE, 1987 Huile sur toile

Ahmed SHAHABUDDIN (né en 1950) SANS TITRE, 1987 Huile sur toile

Untitled

Ahmed Shahabuddin (B. 1950) Untitled signed and dated 'Shahabuddin 90' (lower right) oil on canvas 28 x 24 in. (71.1 x 61 cm.) Painted in 1990

AHMED SHAHABUDDIN (B. 1950)

Untitled (Gandhi) signed and dated 'Shahabuddin 94' (lower right) acrylic on canvas 34 x 29in. (91.2 x 75cm.) Painted in 1994

AHMED SHAHABUDDIN (B. 1950)

Untitled (Runner) signed and dated 'Shahabuddin 94'(lower left) acrylic on canvas 36 1/8 x 28in. (92 x 72.5cm.) Painted in 1994

Ahmed Shahabuddin (B. 1950)

Untitled Signed and dated lower left: Shahabuddin 94 Oil on canvas; framed 51 x 23 1/2 in. (129.5 x 59.7 cm)