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Erwin Steiner Sold at Auction Prices

Painter, b. 1893 - d. 1953

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  • Erwin Steiner (German,1893-1953) oil painting antique
    Apr. 13, 2025

    Erwin Steiner (German,1893-1953) oil painting antique

    Est: $450 - $575

    ARTIST: Erwin Steiner (Germany, 1893 - 1953) TITLE: Cloudy Mountain Landscape YEAR: 1926 MEDIUM: oil on canvas CONDITION: Relined. Some scratches/paint losses. Some craquelure. Some scattered inpaintings. Normal wear along edges. ART SIZE: 44 x 32 inches / 111 x 81 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right LOCATION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 135001 US SHIPPING: $269 + insurance. BIOGRAPHY: Erwin Steiner was born in 1893 and was largely influenced by the 1900s and 1910s. The Fauves are widely considered to be the first major Post-Impressionist group, working in the beginning of the 20th century. With artists such as Henry Matisse within their ranks, the Fauves believed that intense, other worldly colours and vibrant brushstrokes were a key component of painting. At the same time, a young Pablo Picasso, still in his youth, created his famous Blue and Rose periods in Paris, and by the end of the 1920s he had established the first ideas of depicting fractured views of reality alongside his contemporary Georges Braque. This movement became known as Analytical Cubism. The dynamic development of pictorial art defined the first decades of the twentieth century. It was an era of experimentation and post-Impressionism, with artists first delving into Expressionism and Abstraction. A variety of collectives and communities of artists across the world developed many ways of expressing these crucial innovations. The De Stijl group in the Netherlands, under the leadership of Piet Mondrian, started to practice important theories concerning Abstraction. Alongside this, Kasimir Malevich and his contemporaries developed Constructivism and Suprematism in the Soviet Union. These radical styles of art were demanding and politicised, and looked to serve a new world order. In the meantime, Expressive painting was being further established and explored in a number of places across the world. the Nabis in France were the first to truly explore this movement at the turn of the century, and German groups such as Die Brucke and Der Blaue Reiter soon followed suit, developing the careers of famous artists such as Kirchner, Franz Marc, and Wassily Kandinsky. The psychological uses of art began to be further explored and developed following the horrors of the First World War. Dadaism, a nonsensical and absurdist movement inspired directly by the war, appeared in Paris, Berlin, Zurich and Hannover, and launched the careers of artists such as Marcel Duchamp, Francis Picabia, Hannah Hoch and Kurt Schwitters. The vital philosophies behind Dadaism would go on to find ground in Surrealism, which was the first art movement to fully incorporate psychology and ideas about the subconscious, and took great inspiration from the work of Sigmund Freud and Carl Jung. The first twenty years of the 20th century can be viewed to be the most productive, and are considered as the era in art history when modern and modernist ideas initially began to take hold culturally. Mechanisation in production and ideas of order and rationality ensured the discipline of architecture to develop at an astounding rate, and was defined by in the work of Le Corbusier and Gerrit Rietveld. Bauhaus was predominant during this era and defined the idea of a common discipline across all modes of creative art. Most, if not all, of the ideologies of significant art movements that we associate with modern and contemporary art can be traced back to the diverse range of work made during this time.

    Broward Auction Gallery LLC
  • Erwin Steiner, »Sandgrube«
    Feb. 22, 2025

    Erwin Steiner, »Sandgrube«

    Est: -

    Erwin Steiner, »Sandgrube« lichte Sommerlandschaft mit Sandgrube am Dorfrand, pastose Landschaftsmalerei mit breitem Pinselduktus in kraftvoller Farbigkeit, Öl auf Leinwand, um 1930, links unten signiert "Erwin Steiner", rückseitig auf dem Keilrahmen betitelt »Sandgrube« und undeutliche Ortsangabe, wohl "Moosthaan", gering reinigungsbedürftig, schön im Goldstuckrahmen gerahmt, Falzmaße ca. 40 x 54 cm. Künstlerinfo: dt. Maler, Graphiker, Illustrator, Szenograph, Filmenthusiast und Schriftsteller (1893 München bis 1953 München), der Hochbegabte unterrichtete bereits als 13-Jähriger die Zeichenklasse am Ludwigsgymnasium München, noch vor dem Abiturabschluss ab 1910 Schüler der Kunstgewerbeschule München, studierte ab 1914 an der Akademie München bei Hermann Groeber und Carl von Marr, beschickte 1910–38 die Ausstellungen der Kunstvereine Augsburg, Nürnberg und München und ab 1914 den Münchner Glaspalast, ab 1913 Mitglied der Münchner Künstlergenossenschaft, Mitglied im Reichsverband Bildender Künstler Deutschlands, 1922 Eheschließung mit der Jüdin Gisela Ehrlich, 1931 Mitglied im Bund der Film-Amateure München, 1938 wegen seiner "Mischehe" Ausschluss aus der Reichskulturkammer, was de facto einem Berufsverbot gleichkam, er durfte seine Werke nicht mehr ausstellen und seine Gemälde lediglich durch Sondergenehmigung an Privatpersonen verkaufen, 1944 Zerstörung des Wohnhauses und Verlust eines Großteils des Frühwerks, 1951 Rückkehr ins wiedererrichtete Wohnhaus, tätig in München, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, Homepage zum Maler und Wikipedia. Erwin Steiner, "Sandgrube" light summer landscape with sand pit on the edge of the village, impasto landscape painting with broad brushstrokes in powerful colours, oil on canvas, c. 1930, signed "Erwin Steiner" lower left, titled "Sandgrube" and indistinct location on the reverse of the stretcher, probably "Moosthaan", in need of minor cleaning, beautifully framed in a gilt stucco frame, rebated dimensions c. 40 x 54 cm. Artist information: dt. Painter, graphic artist, illustrator, scenographer, film enthusiast and writer (1893 Munich - 1953 Munich), the highly talented artist taught the drawing class at the Ludwigsgymnasium in Munich at the age of 13, and was a student at the Kunstgewerbeschule Munich from 1910 before graduating from high school, studied at the Munich Academy under Hermann Groeber and Carl von Marr from 1914, exhibited at the Augsburg, Nuremberg and Munich Art Associations from 1910-38 and at the Munich Glaspalast from 1914, member of the Munich Artists' Co-operative from 1913, Member of the Reichsverband Bildender Künstler Deutschlands, 1922 marriage to the Jewess Gisela Ehrlich, 1931 member of the Bund der Film-Amateure München, 1938 expelled from the Reichskulturkammer because of his "mixed marriage", which was de facto equivalent to a professional ban, he was no longer allowed to exhibit his works and was only allowed to sell his paintings to private individuals with special permission, 1944 destruction of his home and loss of a large part of his early work, 1951 return to his rebuilt home, active in Munich, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, homepage on the painter and Wikipedia.

    Auktionshaus Mehlis GmbH
  • Erwin Steiner, »Über dem Rheintal«
    Feb. 22, 2025

    Erwin Steiner, »Über dem Rheintal«

    Est: -

    Erwin Steiner, »Über dem Rheintal« sommerliche Landschaft mit altehrwürdigem Bauernhof am steilen Hang hoch über dem Rhein, pastose Landschaftsmalerei mit breitem Pinselduktus in kraftvoller Farbigkeit, Öl auf Leinwand, links unten signiert und datiert "Erwin Steiner 1929", rückseitig auf dem Keilrahmen betitelt »Über dem Rheintal« und Künstleranschrift "Erwin Steiner – München, Türkenstr. 103/III." und neuzeitliches Rahmungsetikett München, im schönen Goldstuckrahmen gerahmt, Falzmaße ca. 36 x 38 cm. Künstlerinfo: dt. Maler, Graphiker, Illustrator, Szenograph, Filmenthusiast und Schriftsteller (1893 München bis 1953 München), der Hochbegabte unterrichtete bereits als 13-Jähriger die Zeichenklasse am Ludwigsgymnasium München, noch vor dem Abiturabschluss ab 1910 Schüler der Kunstgewerbeschule München, studierte ab 1914 an der Akademie München bei Hermann Groeber und Carl von Marr, beschickte 1910–38 die Ausstellungen der Kunstvereine Augsburg, Nürnberg und München und ab 1914 den Münchner Glaspalast, ab 1913 Mitglied der Münchner Künstlergenossenschaft, Mitglied im Reichsverband Bildender Künstler Deutschlands, 1922 Eheschließung mit der Jüdin Gisela Ehrlich, 1931 Mitglied im Bund der Film-Amateure München, 1938 wegen seiner "Mischehe" Ausschluss aus der Reichskulturkammer, was de facto einem Berufsverbot gleichkam, er durfte seine Werke nicht mehr ausstellen und seine Gemälde lediglich durch Sondergenehmigung an Privatpersonen verkaufen, 1944 Zerstörung des Wohnhauses und Verlust eines Großteils des Frühwerks, 1951 Rückkehr ins wiedererrichtete Wohnhaus, tätig in München, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, Homepage zum Maler und Wikipedia. Erwin Steiner, "Über dem Rheintal" summer landscape with a venerable farmhouse on a steep slope high above the Rhine, impasto landscape painting with broad brushstrokes in powerful colours, oil on canvas, signed and dated "Erwin Steiner 1929" lower left, titled "Über dem Rheintal" on the reverse of the stretcher and artist's address "Erwin Steiner - München, Türkenstr. 103/III." and modern framing label Munich, framed in a beautiful gilt stucco frame, folded dimensions approx. 36 x 38 cm. Artist information: dt. Painter, graphic artist, illustrator, scenographer, film enthusiast and writer (1893 Munich - 1953 Munich), the highly talented artist taught the drawing class at the Ludwigsgymnasium Munich at the age of 13, and was a student at the Kunstgewerbeschule Munich from 1910 before graduating from high school, studied at the Munich Academy under Hermann Groeber and Carl von Marr from 1914, exhibited at the Augsburg, Nuremberg and Munich Art Associations from 1910-38 and at the Munich Glaspalast from 1914, member of the Munich Artists' Co-operative from 1913, Member of the Reichsverband Bildender Künstler Deutschlands, 1922 marriage to the Jewess Gisela Ehrlich, 1931 member of the Bund der Film-Amateure München, 1938 expelled from the Reichskulturkammer because of his "mixed marriage", which was de facto equivalent to a professional ban, he was no longer allowed to exhibit his works and was only allowed to sell his paintings to private individuals with special permission, 1944 destruction of his home and loss of a large part of his early work, 1951 return to his rebuilt home, active in Munich, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, homepage on the painter and Wikipedia.

    Auktionshaus Mehlis GmbH
  • Erwin Steiner, »Weiden in Blumenwiese«
    Feb. 22, 2025

    Erwin Steiner, »Weiden in Blumenwiese«

    Est: -

    Erwin Steiner, »Weiden in Blumenwiese« Blick über blühende Wiese zur Weidengruppe am Horizont, pastose Landschaftsmalerei, Öl auf Leinwand, um 1950, links unten signiert "Erwin Steiner", rückseitig auf dem Keilrahmen bezeichnet »Weiden in Blumenwiese«, reinigungsbedürftig, schön im Goldstuckrahmen gerahmt, Falzmaße ca. 27,5 x 48 cm. Künstlerinfo: dt. Maler, Graphiker, Illustrator, Szenograph, Filmenthusiast und Schriftsteller (1893 München bis 1953 München), der Hochbegabte unterrichtete bereits als 13-Jähriger die Zeichenklasse am Ludwigsgymnasium München, noch vor dem Abiturabschluss ab 1910 Schüler der Kunstgewerbeschule München, studierte ab 1914 an der Akademie München bei Hermann Groeber und Carl von Marr, beschickte 1910–38 die Ausstellungen der Kunstvereine Augsburg, Nürnberg und München und ab 1914 den Münchner Glaspalast, ab 1913 Mitglied der Münchner Künstlergenossenschaft, Mitglied im Reichsverband Bildender Künstler Deutschlands, 1922 Eheschließung mit der Jüdin Gisela Ehrlich, 1931 Mitglied im Bund der Film-Amateure München, 1938 wegen seiner "Mischehe" Ausschluss aus der Reichskulturkammer, was de facto einem Berufsverbot gleichkam, er durfte seine Werke nicht mehr ausstellen und seine Gemälde lediglich durch Sondergenehmigung an Privatpersonen verkaufen, 1944 Zerstörung des Wohnhauses und Verlust eines Großteils des Frühwerks, 1951 Rückkehr ins wiedererrichtete Wohnhaus, tätig in München, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, Homepage zum Maler und Wikipedia. Erwin Steiner, "Weiden in Blumenwiese" View over a flowering meadow to a group of willows on the horizon, impasto landscape painting, oil on canvas, c. 1950, signed "Erwin Steiner" lower left, inscribed "Weiden in Blumenwiese" on the reverse of the stretcher, in need of cleaning, beautifully framed in a gilt stucco frame, folded dimensions approx. 27.5 x 48 cm. Artist information: dt. Painter, graphic artist, illustrator, scenographer, film enthusiast and writer (1893 Munich - 1953 Munich), the highly talented artist taught the drawing class at the Ludwigsgymnasium Munich at the age of 13, from 1910 pupil at the Kunstgewerbeschule Munich even before graduating from high school, studied at the Munich Academy under Hermann Groeber and Carl von Marr from 1914, exhibited at the Augsburg, Nuremberg and Munich Art Associations from 1910-38 and at the Munich Glaspalast from 1914, member of the Munich Artists' Co-operative from 1913, Member of the Reichsverband Bildender Künstler Deutschlands, 1922 marriage to the Jewess Gisela Ehrlich, 1931 member of the Bund der Film-Amateure München, 1938 expelled from the Reichskulturkammer because of his "mixed marriage", which was de facto equivalent to a professional ban, he was no longer allowed to exhibit his works and was only allowed to sell his paintings to private individuals with special permission, 1944 destruction of his home and loss of a large part of his early work, 1951 return to his rebuilt home, active in Munich, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Matrikel der Akademie München, homepage on the painter and Wikipedia.

    Auktionshaus Mehlis GmbH
  • Erwin Steiner (German,1893-1953) oil painting antique
    Feb. 02, 2025

    Erwin Steiner (German,1893-1953) oil painting antique

    Est: $450 - $575

    ARTIST: Erwin Steiner (Germany, 1893 - 1953) TITLE: Cloudy Mountain Landscape YEAR: 1926 MEDIUM: oil on canvas CONDITION: Relined. Some scratches/paint losses. Some craquelure. Some scattered inpaintings. Normal wear along edges. ART SIZE: 44 x 32 inches / 111 x 81 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 135001 US SHIPPING: $319 + insurance. BIOGRAPHY: Erwin Steiner was born in 1893 and was largely influenced by the 1900s and 1910s. The Fauves are widely considered to be the first major Post-Impressionist group, working in the beginning of the 20th century. With artists such as Henry Matisse within their ranks, the Fauves believed that intense, other worldly colours and vibrant brushstrokes were a key component of painting. At the same time, a young Pablo Picasso, still in his youth, created his famous Blue and Rose periods in Paris, and by the end of the 1920s he had established the first ideas of depicting fractured views of reality alongside his contemporary Georges Braque. This movement became known as Analytical Cubism. The dynamic development of pictorial art defined the first decades of the twentieth century. It was an era of experimentation and post-Impressionism, with artists first delving into Expressionism and Abstraction. A variety of collectives and communities of artists across the world developed many ways of expressing these crucial innovations. The De Stijl group in the Netherlands, under the leadership of Piet Mondrian, started to practice important theories concerning Abstraction. Alongside this, Kasimir Malevich and his contemporaries developed Constructivism and Suprematism in the Soviet Union. These radical styles of art were demanding and politicised, and looked to serve a new world order. In the meantime, Expressive painting was being further established and explored in a number of places across the world. the Nabis in France were the first to truly explore this movement at the turn of the century, and German groups such as Die Brucke and Der Blaue Reiter soon followed suit, developing the careers of famous artists such as Kirchner, Franz Marc, and Wassily Kandinsky. The psychological uses of art began to be further explored and developed following the horrors of the First World War. Dadaism, a nonsensical and absurdist movement inspired directly by the war, appeared in Paris, Berlin, Zurich and Hannover, and launched the careers of artists such as Marcel Duchamp, Francis Picabia, Hannah Hoch and Kurt Schwitters. The vital philosophies behind Dadaism would go on to find ground in Surrealism, which was the first art movement to fully incorporate psychology and ideas about the subconscious, and took great inspiration from the work of Sigmund Freud and Carl Jung. The first twenty years of the 20th century can be viewed to be the most productive, and are considered as the era in art history when modern and modernist ideas initially began to take hold culturally. Mechanisation in production and ideas of order and rationality ensured the discipline of architecture to develop at an astounding rate, and was defined by in the work of Le Corbusier and Gerrit Rietveld. Bauhaus was predominant during this era and defined the idea of a common discipline across all modes of creative art. Most, if not all, of the ideologies of significant art movements that we associate with modern and contemporary art can be traced back to the diverse range of work made during this time.

    Broward Auction Gallery LLC
  • Erwin Steiner (German,1893-1953) oil painting antique
    Nov. 03, 2024

    Erwin Steiner (German,1893-1953) oil painting antique

    Est: $450 - $575

    ARTIST: Erwin Steiner (Germany, 1893 - 1953) TITLE: Cloudy Mountain Landscape YEAR: 1926 MEDIUM: oil on canvas CONDITION: Relined. Some scratches/paint losses. Some craquelure. Some scattered inpaintings. Normal wear along edges. ART SIZE: 44 x 32 inches / 111 x 81 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 135001 US SHIPPING: $149 + insurance. BIOGRAPHY: Erwin Steiner was born in 1893 and was largely influenced by the 1900s and 1910s. The Fauves are widely considered to be the first major Post-Impressionist group, working in the beginning of the 20th century. With artists such as Henry Matisse within their ranks, the Fauves believed that intense, other worldly colours and vibrant brushstrokes were a key component of painting. At the same time, a young Pablo Picasso, still in his youth, created his famous Blue and Rose periods in Paris, and by the end of the 1920s he had established the first ideas of depicting fractured views of reality alongside his contemporary Georges Braque. This movement became known as Analytical Cubism. The dynamic development of pictorial art defined the first decades of the twentieth century. It was an era of experimentation and post-Impressionism, with artists first delving into Expressionism and Abstraction. A variety of collectives and communities of artists across the world developed many ways of expressing these crucial innovations. The De Stijl group in the Netherlands, under the leadership of Piet Mondrian, started to practice important theories concerning Abstraction. Alongside this, Kasimir Malevich and his contemporaries developed Constructivism and Suprematism in the Soviet Union. These radical styles of art were demanding and politicised, and looked to serve a new world order. In the meantime, Expressive painting was being further established and explored in a number of places across the world. the Nabis in France were the first to truly explore this movement at the turn of the century, and German groups such as Die Brucke and Der Blaue Reiter soon followed suit, developing the careers of famous artists such as Kirchner, Franz Marc, and Wassily Kandinsky. The psychological uses of art began to be further explored and developed following the horrors of the First World War. Dadaism, a nonsensical and absurdist movement inspired directly by the war, appeared in Paris, Berlin, Zurich and Hannover, and launched the careers of artists such as Marcel Duchamp, Francis Picabia, Hannah Hoch and Kurt Schwitters. The vital philosophies behind Dadaism would go on to find ground in Surrealism, which was the first art movement to fully incorporate psychology and ideas about the subconscious, and took great inspiration from the work of Sigmund Freud and Carl Jung. The first twenty years of the 20th century can be viewed to be the most productive, and are considered as the era in art history when modern and modernist ideas initially began to take hold culturally. Mechanisation in production and ideas of order and rationality ensured the discipline of architecture to develop at an astounding rate, and was defined by in the work of Le Corbusier and Gerrit Rietveld. Bauhaus was predominant during this era and defined the idea of a common discipline across all modes of creative art. Most, if not all, of the ideologies of significant art movements that we associate with modern and contemporary art can be traced back to the diverse range of work made during this time.

    Broward Auction Gallery LLC
  • Erwin Steiner (1893-1953) "Alpine Landscape"
    Jul. 17, 2024

    Erwin Steiner (1893-1953) "Alpine Landscape"

    Est: $150 - $300

    Erwin Steiner (American, 1893-1953) "Alpine Landscape", 1926, oil painting on canvas, signed. Unframed. Size: 43.5'' x 31.75'', 110 x 81 cm (stretcher).

    Material Culture
  • Erwin Steiner (1893-1953): Alpine Landscape
    Sep. 06, 2019

    Erwin Steiner (1893-1953): Alpine Landscape

    Est: $300 - $500

    Oil on canvas, signed 'Erwin Steiner' lower left.18 1/2 x 20 1/2 in., 24 x 26 in. (frame). Property from a Distinguished New York Art Dealer

    STAIR
  • ERWIN STEINER
    Sep. 24, 2016

    ERWIN STEINER

    Est: -

    ERWIN STEINER 1893 - 1953 München Interieur mit Frau Öl auf Leinwand. 55 x 46 cm. Signiert und datiert unten rechts 'Erwin Steiner; 1914'. Verso: Auf dem Rahmen sowie dem Keilrahmen ein altes Etikett 'Münchener Jahresaustellung 1916 im Kgl. Glaspalaste zu München...'. Hinter Glas gerahmt.

    Hargesheimer Kunstauktionen Düsseldorf
  • Erwin Steiner 'Alpiner Wiesengrund', um 1920 Öl
    Apr. 14, 2011

    Erwin Steiner 'Alpiner Wiesengrund', um 1920 Öl

    Est: -

    Erwin Steiner 'Alpiner Wiesengrund', um 1920 Öl auf Leinwand. 32 x 46,5 cm. Links unten in der Ecke in Versalien sign.: Erwin Steiner. Auf dem Keilrahmen bez.: 60. Alpiner Wiesengrund (Berwang). ... Schätzpreis: $ 350.00 € 250,00

    Von Zezschwitz Kunst und Design
  • Steiner, Erwin 'Alpiner Wiesengrund', um 1920 Öl
    May. 12, 2009

    Steiner, Erwin 'Alpiner Wiesengrund', um 1920 Öl

    Est: €350 - €470

    Steiner, Erwin 'Alpiner Wiesengrund', um 1920 Öl auf Leinwand. 32 x 46,5 cm. Links unten in der Ecke in Versalien sign.: Erwin Steiner. Auf dem Keilrahmen bez.: 60. Alpiner Wiesengrund (Berwang). ...

    Von Zezschwitz Kunst und Design
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