James Stephanoff Sold at Auction Prices

JAMES O STEPHANOFF WATERCOLOR OF AN INDIAN TRIUMPHAL PROCESSION

STEPHANOFF, James O. W. S. (1787-1874). An Indian Triumphal Procession. Black chalk, watercolor and bodycolor on paper. 13 1/2" x 21 1/4" sheet. Provenance: Acquired from Henry Sotheran Ltd., London, March 1998; Christie's 2010, The Collections of Walter Lees and Mr NC, Lot 192 - 1,500 GBP.

JAMES STEPHANOFF (1787-1874) THE KING AND THE CARDINAL

JAMES STEPHANOFF (1787-1874) THE KING AND THE CARDINAL Signed Watercolour (35cm x 47.5cm)

JAMES STEPHANOFF WATERCOLOR, AN INDIAN TRIUMPHAL PROCESSION

STEPHANOFF, James O. W. S. (1787-1874). An Indian Triumphal Procession. Black chalk, watercolor and bodycolor on paper. 13 1/2" x 21 1/4" sheet. Provenance: Acquired from Henry Sotheran Ltd., London, March 1998.

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the C...

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the Coronation of George IV, including: "The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition, July 19, 1821," "The King: Seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, July 19, 1821," "The Ceremony of the Homage, 19th July 1821," and "A Duke in the Coronation in Dress and Robes of Estate, 19th July 1821," published in London by Sir George Nayler Garter or R. Bowyer, three presented in matching gilt frames and the third presented in a brown linen mat and red and gilt decorated frame, all glazed, Three - H.- 15 1/2 in., W.- 20 1/4 in., Framed 18 3/8 in., W.- 23 in.; Small- H- 16 1/4 in., W.- 12 in., Framed H.-22 1/4 in., W- 18 3/8 in., (4 Pcs.)

James Stephanoff (British, 1784-1874) An eastern market

James Stephanoff (British, 1784-1874) An eastern market signed and dated 'J. Stephanoff 1855' (lower left) watercolour heightened with white 22.2 x 29.6cm (8 3/4 x 11 5/8in).

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the C...

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the Coronation of George IV, including: "The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition, July 19, 1821," "The King: Seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, July 19, 1821," "The Ceremony of the Homage, 19th July 1821," and "A Duke in the Coronation in Dress and Robes of Estate, 19th July 1821," published in London by Sir George Nayler Garter or R. Bowyer, three presented in matching gilt frames and the third presented in a brown linen mat and red and gilt decorated frame, all glazed, Three - H.- 15 1/2 in., W.- 20 1/4 in., Framed 18 3/8 in., W.- 23 in.; Small- H- 16 1/4 in., W.- 12 in., Framed H.-22 1/4 in., W- 18 3/8 in., (4 Pcs.)

JAMES STEPHANOFF (BRITISH, 1787-1874) An armourer's shop pencil, watercolou

JAMES STEPHANOFF (BRITISH, 1787-1874) An armourer's shop pencil, watercolour and bodycolour heightened with touches of gum arabic 7 3/8 x 10 3/8 in. (18.7 x 26.4 cm.)

PAIR OF GEORGE IV CORONATION MEZZOTINTS, 1824

After James Stephanoff (British c. 1786-1874), "A Prince Of The Blood Royal: In the Coronation Dress and Robes of Estate attended by his Trainbearer ", engraved by Samuel William Reynolds I (British 1773-1835) and "The Lord High Chancellor Of Great Britain: bearing the Purse with the Great Seal, and attended by a Page" engraved by Samuel William Reynolds I (British 1773-1835) and Edward Scriven (British 1775-1841), both published by Sir George Naylor (British active 1824), 1824, hand-colored stipple mezzontint book illustrations, framed. Sight approx. h. 20.5", w. 15.75"; Overall h. 22.75", w. 18".

* Stephanoff (James, 1787-1874). Six scenes of country customs

* Stephanoff (James, 1787-1874). Six scenes of country customs Stephanoff (James, 1787-1874). Country Customs, six pencil drawings, pen and grey ink, with grey wash, depicting various country customs, comprising: Villagers gathering for the Beating the Bounds ceremony; The Dunmow Flitch; Riding the Stang; Laying a Ghost; Smock Racing; Heaving and Blessing the Wine, versos with Christies' stencil WY732, sheet size 9.4 x 13.4cm (3 6/8 x 5 2/8ins), mounted, matching frames, glazed (26.2 x 29cm) Qty: (6) Footnote: Provenance: Collection of Denis Gamberoni; offered at Christie's, London, 'British Art on Paper', 21st November 2007, lot 189. "Stephanoff was among the first to paint historical scenes as pictures rather than as engravers material. His paintings show a good eye for costume and ceremonial detail and are elegant and highly finished." (Mallalieu, Dictionary of British Watercolour Artists up to 1920, p.322) These drawings are illustrative of rural customs and country life. The Dunmow Flitch is a custom which is continued today and requires couples to demonstrate their marital harmony through a series of trials, the successful couple winning a flitch of bacon (half a pig). Riding the Stang was a New Years Day custom of making a man ride a pole called a cowlstaff or a woman ride in a basket, payment being demanded for release. Laying a Ghost is a celebration of All Hallows Eve (Halloween) on the 31st October, a festival rooted in pagan times. Smock Racing was a custom which allowed girls and women to race against each other for the chance to win a smock of fine linen. Heaving was a custom which took place at Easter: on Easter Monday the men would be lifted in a chair in turn and kissed by the womenfolk, whereupon the following day the roles would be reversed, payment being demanded for the treat. Blessing the Wine has origins from the pagan tradition of 'wassailing' a twelfth night tradition of visiting orchards to sing to the trees and spirits in the hope of ensuring a good harvest the following season.

Attributed to James Stephanoff (British, 1784-1874) Bonnie Prince Charlie at Holyrood House, receiving the clan chiefs

Attributed to James Stephanoff (British, 1784-1874) Bonnie Prince Charlie at Holyrood House, receiving the clan chiefs watercolour 19.5 x 25cm (7 5/8 x 9 13/16in). For further information on this lot please visit the Bonhams website

JAMES STEPHANOFF (BRITISH 1789-1874)

JAMES STEPHANOFF (BRITISH 1789-1874) The death of Marmion Watercolour 6.5 x 10.5cm (2 3/4 x 4 1/4in)

James Stephanoff (1788-1874):The Kings Library, Buckingham House; Guard Chamber, Hampton Court; The Kings Library, Buckingham House; and The Queen's Library, St. James's, from The History of the Royal Residences

Four engravings with hand-coloring on wove paper, 1817-1819, published by W.H. Pyne, London.Each 10 1/4 x 12 1/2 in. (sight), 17 3/4 x 19 1/4 in. (frame).

James Stephanoff (English 1788-1874)

DESCRIPTION: A James Stephanoff color print titled:"The King's Library Buckingham House Plate II". Features a rendering of the library with a figure reading from a book. Marked along bottom left of plate:"J Stephanoff del." Marked along the right: "R. Reeves. sculpt". Marked along center of plate: "The King's Library Buckingham House Plate II London Pub. Feb 1 1818 by W.H. Pyne Nafsau St. Soho". CIRCA: Early 19th Ct. ORIGIN: England DIMENSIONS: (With Frame) H:15 7/8" L:17.75" (Without Frame) H:10.25" L:11 1/8" CONDITION: Fair condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.

James STEPHANOFF (Londres 1784-Bristol 1874)

Vue du foyer du téâtre de Drury Lane à Londres Plume et encre grise et brune, aquarelle et rehauts de blanc, pierre noire 10,5 x 16,7 cm Titré au dos Foyer du théâtre Drury Lane à Londres / par Stephanoff Provenance : Neuville et Vivien, Paris. Le théâtre de Drury Lane est considéré comme le plus vieux théâtre de Londres. Construit en 1663, il fut détruit par un incendie et reconstruit en1672. En 1791, Sheridan qui en avait la direction, le fit détruire et un nouveau bâtiment fut construit en 1794. Ce nouveau bâtiment fut à nouveau victime des flammes en 1809. L’édifice actuel date de 1812.

James Stephanoff

(Um 1788 London - 1874 Bristol) Von einer fröhlichen Jagdgesellschaft gestörte Hl. Messe Vielfigurige, erzählerische Darstellung des Tumults, die ein Prinz mit einer Falkenjagdgesellschaft im 16. Jh. auslöste. Stephanoff, der auschließlich als Aquarellmaler tätig war, stellte 1819-1859 als Mitglied der "Old Watercolour Society" sowie 1812-1849 in der Royal Academy aus. Aquarell/Papier. L. u. sign. u. dat. 1853. Verso alter Klebezettel mit französischer Provenienzangabe zu einer Versteigerung der Collection A. Francois, Liege, 7. April 1932. 66,5 cm x 85 cm. Rahmen. Hunting company disturbing a Holy Mass. Watercolour on paper. Signed and dated 1853.

JAMES STEPHANOFF (British 1778-1874) The King-1881 and The Ceremony of Homage-1821A Pair Aquatint etchings Titled

JAMES STEPHANOFF (British 1778-1874) The King-1881 and The Ceremony of Homage-1821A Pair Aquatint etchings Titled, dated and signed on lower margin 14.25 inches x 18.8 inches (36.2 x 47.75 cm)

JAMES STEPHANOFF (British, 1778-1874) The Lord High Cha

JAMES STEPHANOFF (British, 1778-1874) The Lord High Chancellor of Great Britain Bearing the Purse, July 19, 1821, 1824 Hand-colored stipple and mezzotint 31 x 26-1/2 inches (78.7 x 67.3 cm) The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library.

JAMES STEPHANOFF (British, 1778-1874) The Court of Clai

JAMES STEPHANOFF (British, 1778-1874) The Court of Claims, in the Painted Chambers of the Palace at Westminster, 1821 Engraving 20-1/2 x 17-1/2 inches (52.1 x 44.5 cm) S.W. Reynolds, engraver The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library.

JAMES STEPHANOFF (British, 1778-1874) The Coronation of

JAMES STEPHANOFF (British, 1778-1874) The Coronation of His Majesty, George IV, July 19, 1821 Hand-colored engraving 23 x 27-1/2 inches (58.4 x 69.9 cm) The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library.

JAMES STEPHANOFF (British, 1778-1874) The Supreme Court

JAMES STEPHANOFF (British, 1778-1874) The Supreme Court of Judicature in the Island of Ceylon, 19th Century Engraving 18 x 25-1/2 inches (45.7 x 64.8 cm) Engraved by W. Bennett

JAMES STEPHANOFF (British, 1778-1874) The Court of Clai

JAMES STEPHANOFF (British, 1778-1874) The Court of Claims: In the Painted Room of the Palace of Westminster, 19th century Engraving 13-1/2 x 16 inches (34.3 x 40.6 cm) Engraved by S.W. Reynolds

James Stephanoff (1784-1874), The Bridal morning,

James Stephanoff (1784-1874), The Bridal morning, watercolour, 18cm x 13.5cm.

Manner of James Stephanoff (1787-1874) Portrait of

Manner of James Stephanoff (1787-1874) Portrait of an odalisque Watercolour 19cm x 21.5cm

James Stephanoff (1787-1874) A group portrait of

James Stephanoff (1787-1874) A group portrait of five children, traditionally identified as Queen VictoriaOs children Watercolour 33 x 44 cm (13 x 17? in)

James Stephanoff (1787-1874). A group portrait of

James Stephanoff (1787-1874). A group portrait of five children, traditionally identified as Queen Victoria's children. Watercolour. 33 x 44cm (13 x 17 1/4in)

James Stephanoff, O.W.S. (1787-1874)

James Stephanoff, O.W.S. (1787-1874) An Indian triumphal procession black chalk, watercolour, bodycolour 13¼ x 21¼ in. (32 x 54 cm.)

James Stephanoff, O.W.S. (1787-1874)

James Stephanoff, O.W.S. (1787-1874) Portrait of five childen in historical fancy-dress pencil and watercolour heightened with touches of white 12¾ x 17 1/8 in. (32.4 x 43.6 cm.)

Attributed to James Stephanoff (British, 1784-1874) A young Turk

A young Turk watercolour with bodycolour 21 x 14.5cm (8 1/4 x 5 11/16in).

James Stephanoff (British, 1784-1874) John Knox addressing the Scottish Reformists

John Knox addressing the Scottish Reformists signed and dated 1820 pencil and watercolour 24 x 29.5cm (9 7/16 x 11 5/8in).

Stephanoff (James, O.W.S., 1788-1874). A Middle

Stephanoff (James, O.W.S., 1788-1874). A Middle Eastern delegation being received at a European court, possibly a scene from 'The Merchant of Venice', watercolour on board, unsigned, but annotated and described on verso, 22.5 x 30 cms, (8.75 x 12 ins), unframed Stephanoff was among the first to paint historical scenes as pictures rather than as engravers material. His paintings show a good eye for costume and ceremonial detail and are elegant and highly finished. Mallalieu. Dictionary of British Watercolour Artists up to 1920. Page 322. (1)

James Stephanoff (British, 1784-1874) Fete gallante 28 x 31.5cm.

Fete gallante Watercolour and bodycolour over traces of pencil heightened with white on brown tinted paper 28 x 31.5cm.

Six scenes of country customs, including Villagers gathering for the Beating the Bounds ceremony; 'Heaving', a man lifted in a chair by women; A young couple before a church (illustrated); A woman carried in a basket by a crowd; A women's

James Stephanoff, O.W.S. (1787-1874) Six scenes of country customs, including Villagers gathering for the Beating the Bounds ceremony; 'Heaving', a man lifted in a chair by women; A young couple before a church (illustrated); A woman carried in a basket by a crowd; A women's running-race; and Halloween (illustrated) pencil, pen and grey ink with grey wash 3¾ x 5¼ in. (9.5 x 13.4 cm.) (6)

The iconoclasts of the Middles Ages

James Stephanoff, O.W.S. (1787-1874) The iconoclasts of the Middles Ages signed and dated 'J. Stephanoff/1857' (lower left) pencil and watercolour 12¼ x 20 in. (31.1 x 50.8 cm.)

James Stephanoff (British, 1784-1874)

'The arrival'; 'The royal greeting' each signed 'J.Stephanoff' (lower left), one dated '1859', a pair of watercolours each 24 x 21cm (9 7/16 x 8 1/4in) (2).

James Stephanoff British, 1788-1874 CHRISTOPHER COLUMBUS BEFORE THE COUNCIL OF SALAMANCE, EXPLAINING HIS VIEWS FOR THE DISCOVERY OF THE