Wolfgang Suschitzky (1912-2016) LYONS CORNER HOUSE, TOTTENHAM COURT ROAD, LONDON, c.1934. Silver gelatin print, printed later, image size 29.5 x 36.2cm, sheet size 30.5 x 37.7cm, signed, titled, dated, and numbered 'G44' by the photographer in pencil and crayon verso.
Wolfgang Suschitzky (1912-2016) CHARING CROSS ROAD, c.1936. Vintage silver gelatin print, image/sheet size 19.2 x 21.7cm, signed 'W. Suschitzky' in crayon with the photographer's copyright stamp verso, additionally annotated by the photographer "The row of houses in the background is gone by now, new buildings there. Beaumont (backgr.) specialized in dance books and music / H37 / VINTAGE" in crayon and pencil verso.
Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) HAMSTER, 1950s. Vintage silver gelatin print, image/sheet size 27.7 x 24 cm, titled by the photographer in pencil with the photographer's credit stamp verso.
SUSCHITZKY, Wolfgang (Wolf) (Austrian/British 1912-2016) St. Giles Circus, London, Double Decker Bus in Snow, 1936. Signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso) Silver Gelatin Photograph 29.5x37.5cm (image)
SUSCHITZKY, Wolfgang (Wolf) (Austrian/British 1912-2016) 'Charing Cross Road, London (Puddle Jumper)' c.1937. Signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso) Silver Gelatin Photograph 39.5x29cm (image)
Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) PICCADILLY, 1937. Vintage silver gelatin print, printed 1937, image/sheet 240 x 190mm, signed, dated '1937', and annotated 'G45/1' and 'VINTAGE' by the photographer in crayon verso, with the photographer's copyright stamp verso. Framed, frame size 490 x 440mm.
Archive of Photographic Work and Personal Effects of Wolfgang Suschitzky (1908-1997) Archive of Photographic Work and Personal Effects of Wolfgang Suschitzky (1912-2016) A large collection of negatives, transparencies, personal records, photographic equipment, and selection of photographs, dating between the 1960s and the early 2000s, many with Suschitzky's handwriting, captions, notes, and labels affixed to objects. (a lot). The collection comprises: CANADIAN TIMBER WOLF, WHIPSNADE, JANUARY 1963. Silver gelatin print, printed later, image/sheet size 390 x 290mm, titled, dated, numbered, and annotated 'Liverpool' by the photographer in black crayon, with Suschitzky's Maida Avenue label affixed verso. A portfolio housing approximately 100 working c-prints, many with Suschitzky's numeric annotations verso, smallest 180 x 130mm, largest 400x 280mm, of assorted subjects including an interesting reflective self-portrait, London and European landscapes, portraits of unnamed person, zoo animals, and floral studies; the portfolio bears Suschitzky's Maida Avenue labels on the interior and exterior. A strip of colour 35mm negatives, with 4 frames from the set of "Get Carter", two depicting Michael Caine having his makeup done for the final scene in which his character is shot in the head. A certificate from the Royal Photographic Society of Great Britain, naming Suschitzky an honorary member, dated 26 April 1997, measuring 357 x 280mm, signed by the President & Secretary of the RPS. A calligraphic certificate from the Association of Cinematograph, Television and Allied Technicians in recognition of Suschitzky's "valuable contribution sustained over nearly 50 years, to the Photographic Arts as cameraman on some 950 shorts, documentaries and features", dated 11 Septemer 1988, signed by the President and General Secretay of the organisation, framed, measuring 365 x 270mm. A mixed group of 35mm Kodachrome slides, (approx. 1,000) housed in 15 slide catalogue boxes (ten measuring 235 x 125mm, five measuring 210 x 360mm), ten with annoated lists (either affixed to the box or loose and folded within the slides) referring to the subjects housed within. The contents of the three clear covered boxes refer to work from the following: Africa 1971: Marakwet Tribe, Kenya; Masai; Rift Valley, Living Free; Wolf and Masai; Thailand; Shell Station; Rockefeller Collection, Metropolitan Museum New York 1969; Simla, 1980; "Staying On"; and various family photographs dating from the late 1960s -early 1980s. The contents of the seven of the grey slide catalogue boxes refer to "C Plants, D Specials, S Places, T People, Q People, R Place, M Places, N Places, E Places, F Place, I Places, J Places, K Places, L Places" (Note that the "M Places, N Places" box is nearly empty). The contents of the five larger multi-coloured boxes refer to "Animals, A-C; Greece, Athens, Skiathos, Hydra, Yugoslavia, Venice, Austria; India, Malaya, Guiana, Barbados; Trinidad; France, Castles, Italy". (Note that in these larger boxes, many slides are titled and signed by Suschitzky in the cardboard border, and there also larger colour negatives mixed in some of these boxes, loose, unlabeled, and in various formats). A mixed group of colour transparencies (approx. 100), dating from Suschitzky's travels in Europe and Italy, the majority measuring 65 x 65mm, many with Suschitzky's handwritten caption and attribution labels affixed to transparency edges. (Unhoused and unorganised by location). Two card catalogue boxes of Suschitzky's alphabetised negative notes, the larger measuring 310 x 310mm with two drawers labeled A to G and H to Q, the other measuring 320 x 160mm, with one drawer labeled R to Z. Labels affixed to each box read in Suschitzky's hand "Red entries refer to colour negatives". An ink drawing on a cloth napkin in the style of Marcel Duchamp. 48 working print strips, many with Suschitzky's numeric annotations in crayon verso, approx.100 x 200mm silver prints, many subjects of animals; with an additional large group (approx 100) of the same type of strips mounted to construction paper (approx. 75). 12 homemade holiday cards with printed greeting best wishes for the new year and a WS photograph affixed, measuring 170 x 215. A silver gelatin print by Gerard Malanga, printed 2009, signed, dated, stamped on verso and blindstamp recto " Gerard Malanga's sitting room with the vertical display of Wolf Suschitzky's cat potraits. Hudson, New York, 2009", image size 237 x 157mm, sheet size 255 x 205mm. A large folder of assorted newspaper clippings. A small collection of 11 45rpm records, inlcuding a copy of We can Chase the Rainbows by Iran Koster, signed and dedicated "To Wolfgang, a very special, talented man. I hope we will do a film together - Iran" in Koster's hand on the upper sleeve. Two binders of sleeved 35mm colour negatives and one small Ilford box of assorted colour negatives (most 35mm), primaily dating to the early 2000s, some with corresponding index numbers and annotations in Suschtizky's hand. A small collection of printed postcards with WS' images (many dupes) from focus gallery london (approx 50), 1990s. Two digital cameras (Olympus) housed in a camera bag with Suschtizky's label affixed. A sealed calendar from 2003 featuring Suschitzky's images. 1 harbound copy of the International Zoo Yearbook, Vol.1 1959, ed. Morris, Jarvis. Two bound copies of Riders to the Sea (1986) teleplay with actor signatures, Suschitzky's stamps Seven mounted portraits of Suschitzky at the University of Brighton graudation ceremony, 2014, when he received an honorary Doctor of Arts degree from the University, each overall measuring 275 x 230, two dated in Suschitzky's hand verso. 14 sleeves of 35mm negative strips, envelopes annotated in WS's hand. Subjects include: Nakhom Pathan and Thailand, 1969; Usutu Swaziland, 1961; Swiss landscape c.1970; Israel, 1964; The River Must Live (Shell), 1964; London views, 1968; Kenya, 1966; Austria (undated). A signed and dedicated bound copy of J A Ford's Post Graduate Thesis "The Rediscovery and Recontextualisation of Photography Work From the Edith Tudor Hart Archive", The London Institute, December 1994; a signed and dedicated bound copy of J A Ford's Master of Arts Thesis "The Process of Selection and Use of Images From the Photographic Archive of Wolf Suschitzky Since 1982", The London Institute, August 1996. (water damage to one cover).
Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) CAMBRIDGE CIRCUS FROM 84 CHARING CROSS ROAD, 1936. Vintage silver gelatin print, image size 325 x 275mm, annotated 'Cambridge Circus' by the photographer in ink, annotated 'from 84 Charing Cross Rd ca 1936' and 'VINTAGE' by the photographer in crayon, signed 'W. Suschitzky' in crayon, and stamped with photographer's 45 Primrose Gdns stamp verso. Mounted and framed, with signature in crayon on mount recto, frame size 480 x 435mm. A rare vintage print of one of the most atmospheric images of Wolfgang Suschitzky's Charing Cross Road series. Taken outside of Marks & Co., the secondhand bookseller once based at number 84, Suschitzky's lens traces the foggy route down London's famous street of bookshops to Cambridge Circus. Private Collection, UK
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) BLIND MAN, c.1935. Vintage silver gelatin print, pasted down to board, image/board size 290 x 1240mm, signed, dated 'ca.1935', and annotated 'H5/2' and 'VINTAGE' by the photographer in pencil, marker, and crayon verso, with the photographer's copyright stamp verso [struck through with pencil and marker]. Framed, frame size 490 x 440mm.
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) VIEW FROM ST PAUL'S, LONDON, AUGUST 1942. Silver gelatin print, printed later, image size 385 x 295mm, sheet size 395 x 305mm, signed, titled, dated and annotated 'AM57' by the photographer in black crayon verso, with Suschitzky's Maida Avenue Studio label affixed to verso. Framed, frame size 565 x 450mm. Provenance: The Photographers' Gallery, London, 2014
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) ST PAUL'S, LONDON, 1942. Silver gelatin print, printed later, image size 390 x 282mm, sheet size 408 x 305mm, signed, titled, dated and annotated 'AM44' by the photographer in black crayon verso. Framed, frame size 565 x 450mm. Provenance: The Photographers' Gallery, London, 2014
(British, 1912-2016) London, Charing Cross Road, circa 1936, signed, titled, and dated with annotations in pencil verso, silver Gelatin print, 15-1/2 x 11-1/2 in., fine carved black wood frame 26-1/2 x 22 in. Provenance: Jackson Fine Art Atlanta (label verso); An Important Atlanta Collection
Gelatin silver print, printed later cm 24 x 30,3 (cm 22,7 x 29 picture) | 9.4 x 11.9 in. (8.9 x 11.4 in. picture) Titled, dated and signed in pencil on the verso
Wolfgang Suschitzky Prinsengracht, Amsterdam 1934 / printed later gelatin silver print 15.75 h x 12 w in (40 x 30 cm) Signed, titled, dated and inscribed to verso 'Amsterdam Prinsengracht 1934 W.Suschitzky A 4/7'. This work is number 4 from the edition of 7. Provenance: Peter Fetterman Gallery, Santa Monica | Private Collection Literature: Wolfgang Suschitzky: Photos, Omasta, Mayr and Seeber, pg. 170 This work will ship from Los Angeles, California.
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) WESTMINSTER BRIDGE, c.1935. Silver gelatin print, printed later, image size 300 x 390mm, signed and annotated 'Westminster Bridge, ca.1935' 'G9' by the photographer in crayon on verso. Mounted, with signature in crayon on mount recto, and framed, frame size: 470 x 560mm. ARR
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) HYDE PARK SHEPHERD, 1934. Vintage silver gelatin print, printed 1937, image size 235 x 285mm, signed and annotated '1937' 'D75/3' 'VINTAGE' by the photographer in crayon on verso, and annotated 'Hyde Park (Shepherd)' by the photographer in ink on verso, with photographer's stamp and handwritten address crossed out. Mounted, with signature in crayon on mount recto, and framed, frame size: 435 x 480mm. ARR
§ Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) CHARING CROSS ROAD, THE COLISEUM DAIRY, c.1935. Vintage silver gelatin print, image size 200 x 245mm, signed, annotated verso 'Charing Cross Road ca 1935' 'H58' 'VINTAGE' by the photographer in crayon on verso, with photographer's stamp verso, with address crossed out. Mounted, with signature in crayon on mount recto, and framed, frame size: 435 x 480mm. ARR
Signed, dated and titled in pencil and ink resp., inscribed 'Vintage' in crayon, as well as photographer's stamp, 'CS Association' label and annotated in an unkown hand in pencil on the verso.
Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) LONDON CHARING CROSS ROAD, THE COLISEUM DAIRY, 1936, silver gelatin print, printed later, image size 389x 289 mm, sheet size 405x305 mm, signed titled and dated verso in crayon, archively window mounted
Wolfgang Suschitzky (1912-2016) Wolfgang Suschitzky (1912-2016) WASHING STRUNG BETWEEN THE TENEMENTS, DUNDEE, 1948, silver gelatin print, printed 1980s, image size, 380x293mm, sheet size, 390x309 mm, signed titled and dated verso in crayon
WOLF SUSCHITZKY (1912–2016) | Sardinia 1948 | Vintage silver print, double-weight semi-matte paper, good condition 24,3 x 19,3 cm Photographer’s stamp and agency stamp on the reverse
WOLF SUSCHITZKY (1912–2016) | Street Scene, London 1936 | Vintage silver print, double-weight glossy paper, in excellent condition 24,1 x 18,9 cm Photographer’s stamp on reverse
WOLF SUSCHITZKY (1912–2016) | Bus Stop, London 1936 | Vintage silver print, double-weight semi-matte paper, in excellent condition 23,8 x 16,7 cm Photographer’s stamp on reverse
Wolfgang Suschitzky (British, 1912-2016) Cambridge Circus, London, 1936 Gelatin silver print, printed later, signed, titled and dated in pencil on the verso, unframed sheet 40.6 x 50.8cm (16 x 20in) For further information on this lot please visit the Bonhams website
Wolfgang Suschitzky, Fashion Shoot, Hyde Park, 1960s, Vintage gelatin silver print, 11.75" x 9.75". Matted. Signed in pen on verso. Numbered in pencil on verso.
Great Photographs Volume I: Suschitzky. Edited by Norman Hall and Basil Burton, Photography Magazine, London, 1954, inscribed to Robert Graff and signed "W. Suschitzky 1954", softcover, 28 pages, 7.5"h x 9.5"w
Wolfgang Suschitzky BSC, Austrian 1912-2016 - Views of London, Charing Cross Road, 1935; gelatin silver print signed and dated '1935/1989' lower right, 50 x 41cm; together with another gelatin silver print, signed and dated '1935/1989' on the reverse, 50 x 41cm, (2) (ARR) Provenance: Private Collection, Europe; Sotheby's, London, 29 May 2007, lot 41, where purchased by the present owner Please refer to department for condition report
Wolfgang Suschitzky (1912-2016) King's Cross, 1941 Gelatin silver print, printed later, signed, titled, dated and annotated in pencil verso, 30 x 28.5cm (11 3/4 x 11 1/4in) Provenance: The Photographers' Gallery, London This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Wolfgang Suschitzky (1912-2016) Nine Elms, 1955 Gelatin silver print, printed later, signed, titled, dated and annotated in pencil verso, 30 x 28.5cm (11 3/4 x 11 1/4in) Provenance: The Photographers' Gallery, London This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Gelatin silver print, printed later, signed, titled, dated and annotated in pencil verso, 37.5 x 29cm (14 3/4 x 11 3/8in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Gelatin silver print, printed later, signed, titled, dated and annotated in pencil verso, 29.2 x 36cm (11 1/2 x 14 1/8in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Gelatin silver print, printed later, signed, titled and dated in pencil verso, 29.2 x 37.7cm (11 5/8 x 15in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Gelatin silver print, printed later, signed, titled and dated in pencil verso, 29 x 36cm (11 3/8 x 14 1/4in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Silver print on Agfa paper, printed 1980s. Signed and dated 1935/89 in pencil and with the photographer's typewritten credit label on the reverse.,sheet: 50 by 40.7cm.; 19 5/8 by 16in.; sight area: 48.4 by 39.1cm.; 19 by 15 3/8in.
Silver print on Agfa paper, printed later. Signed, titled and dated in black crayon and with the photographer's typewritten credit label on the reverse.,image: 34.2 by 49cm.; 13½ by 19¼in.; sheet: 40.7 by 50.5cm.; 16 by 19â…žin.
