James Guilford (Jimmy) Swinnerton (1875 - 1974) "The Mirage" Oil on Board. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: "The Mirage" Medium: Oil on Board Signature Type: Hand Signed Signature Location: Lower Left Site Measurement: 30" x 40" Keywords: Southwestern, Western Artwork, Art; Ref: BD2024
[AMERICAN POLITICS.] Artist: James Swinnerton (1875-1974). Title/Description: Satirical Cartoon: Republican Mark Hanna looms over presidential candidate WilliamMcKinley, "The Major" (Mckinleydepicted as under the control of Hanna/industrialists). Signature: Signed lower right. Date Created: c. 1896. Medium/Ground: Ink on board. Size: 19 3/4in x 17in. Condition: Laid down on board; toned, light soiling/spotting.
Title: James Swinnerton (1875-1974), Agathla Needle, Monument Valley, Arizona, 1956 Dimensions: 26 1/8 x 19 7/8 Framed Dimensions: 30 3/8 x 24 1/4 x 2 1/4 Signature: signed lower right: Swinnerton verso: dated and titled
James Swinnerton California, (1875 - 1974) rocky seascape oil on canvas Artist name plate on frame. Biography from the Archives of askART: A pioneer comic artist, James Swinnerton is most often credited in histories of the funnies for things he never did. He never drew anything titled Little Bears and Tigers, and the feature he did draw about bears was not the first newspaper strip. In fact, it wasn't a comic strip at all. A talented artist, Swinnerton did, however, contribute significantly to the development of comics in the more than 60 years he worked as a cartoonist. His most successful strip was Little Jimmy, and he's the one who introduced his friend George Herriman to the Arizona desert that became the permanent locale for Krazy Kat. Swinnerton, too, put the desert country to good use in his own work. James Guilford Swinnerton was born in Eureka, California, where his father was a judge, a publisher of a weekly paper, and a staunch Republican. Swinnerton studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. In 1887 Hearst had taken over the faltering little Examiner daily, and most of the tricks that became Hearst trademarks were first tried out it it. As a boy, Hearst had become interested in German humor magazines, and while at Harvard he had worked on the Lampoon. For his new paper he wanted drawings and funny pictures, which was where Swinnerton came in. At first Swinnerton was only a part-time comic artist. It was not until he got back to New York several years later that he was allowed to do comics full time. Because there was still no practical way to use photographs in a newspaper in 1892, all pictorial reporting was done by sketch artists. These artists, Swinnerton included, covered parades, crimes, trials, sports, etc. Swinnerton even had to go out to sketch high school field days. Once, to cover a hotel fire down the coast in Monterey, Hearst hired a train and shipped a whole carload of reporters and artists to cover the event. The Little Bears, one of the earliest comic art features in an American newspaper, started out as spot drawings to decorate the weather reports, inspired by the bear on the California state flag. His little bears multiplied and began to show up throughout the paper, to be used in promotion stunts. In the mid 1890s, Swinnerton also started turning out large quantities of drawings of his small kids, whom he liked to call tykes. Often the bears and the tykes would get together in parades that stretched across the bottom of a page. They were sometimes referred to editorially as Little Bears and Tykes, but they never appeared in an actual comic strip. Impressed by the public response to his work, Swinnerton asked for a raise of $2.50 a week, but the editors didnt feel he was worth the extra money. He quit and headed for New York City, where Hearst had bought the New York Journal in 1895. Hearst was involved in circulation wars with Pulitzer's New York World, and most of the many other local dailies, and one of the results of the battles with Pulitzer was the Sunday comic section. Cartoonists were brought back and forth, and for a time The Yellow Kid ran in both the Journal and the World. Finally, Hearst produced a color comics section. Swinnerton's little bears had always been favorites of Hearst. For the Journal, however, Hearst suggested they be transformed into tigers. Gradually the tigers developed -- from a pantomime strip into a Sunday page complete with dialogue balloons. This version, titled Mr. Jack from 1903 on, dealt with a domesticated tiger that had an office job, a wife, and quite a few lady friends. During this early trial period, when color comics were expensive and there was some doubt that they would ever catch on enough to turn a profit, Swinnerton continued to do sports cartoons on the side. In 1904, he turned again to tykes and introduced Little Jimmy, a very small boy who shared his first name. Originally titled just Jimmy, the feature began life as a Sunday page. With some lapses, and a hiatus or two, Swinnerton drew the feature until 1958. A daily was added in 1920, at which time the name was changed to Little Jimmy. Swinnerton drew in a simple, uncluttered style, using very little shading and favoring long shots to close-ups. When comics began to pay off, the Journal decided to let Swinnerton draw them to the exclusion of everything else, which meant the paper needed a new sports cartoonist. Asked to recommend a replacement, Swinnerton said, "Theres a fellow named Dorgan out in San Francisco, calls himself Tad. But if youre going to get him, you'd better send for his friend, Hype Igoe." The paper sent for the pair, and both became successful sports cartoonists and reporters. Swinnerton once estimated he had helped over three dozen artists get started, ranging from illustrators such a Harold Von Schmidt to newspaper cartoonists such as Darrel McClure and Robert Ripley. In the first decade of the century, doctors advised Swinnerton that his days were limited. Resigned, he moved to Arizona to await the end. He kept right on waiting, but he didn't die; instead he fell in love with the desert country. He used the scenery in Canyon Kiddies, a handsome color page he drew for Hearst's Good Housekeeping from the early 1920s to the middle of the 1940s. He didn't relocate the diminutive Jimmy to Navajo country until the late 1920s. The Canyon Kiddies also became frequenters of the strip. Swinnerton started painting desert landscapes, too, and remained a painter even after he was no longer able to cartoon. (Information on the biography above is based on writings from the book, The Encyclopedia of American Comics, edited by Ron Goulart.)
James Guilford Swinnerton (1875 - 1974) Death Valley Sink, 1938 oil on canvas signed lower right: SWINNERTON - inscribed verso: 25x25 -1938 / "DEATH VALLEY / SINK"
James Guilford (Jimmy) Swinnerton (1875 - 1974) "Canyon Landscape" Oil on Board. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: "Canyon Landscape" Medium: Oil on Board Signature Type: Hand Signed Signature Location: Lower Right Site Measurement: 9.5" x 7.75" Image Keywords: Southwestern, Western Artwork, Art; Ref: BD1994
James Guilford (Jimmy) Swinnerton (1875 - 1974) "Old Bridge" Oil on Board. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: "Old Bridge" Medium: Oil on Board Signature Type: Hand Signed Signature Location: Lower Left Site Measurement: 9" x 12" Image Keywords: Southwestern, Western Artwork, Art; Ref: BD1767
James Swinnerton California, (1875 - 1974) rocky seascape oil on canvas Artist name plate on frame. Biography from the Archives of askART: A pioneer comic artist, James Swinnerton is most often credited in histories of the funnies for things he never did. He never drew anything titled Little Bears and Tigers, and the feature he did draw about bears was not the first newspaper strip. In fact, it wasn't a comic strip at all. A talented artist, Swinnerton did, however, contribute significantly to the development of comics in the more than 60 years he worked as a cartoonist. His most successful strip was Little Jimmy, and he's the one who introduced his friend George Herriman to the Arizona desert that became the permanent locale for Krazy Kat. Swinnerton, too, put the desert country to good use in his own work. James Guilford Swinnerton was born in Eureka, California, where his father was a judge, a publisher of a weekly paper, and a staunch Republican. Swinnerton studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. In 1887 Hearst had taken over the faltering little Examiner daily, and most of the tricks that became Hearst trademarks were first tried out it it. As a boy, Hearst had become interested in German humor magazines, and while at Harvard he had worked on the Lampoon. For his new paper he wanted drawings and funny pictures, which was where Swinnerton came in. At first Swinnerton was only a part-time comic artist. It was not until he got back to New York several years later that he was allowed to do comics full time. Because there was still no practical way to use photographs in a newspaper in 1892, all pictorial reporting was done by sketch artists. These artists, Swinnerton included, covered parades, crimes, trials, sports, etc. Swinnerton even had to go out to sketch high school field days. Once, to cover a hotel fire down the coast in Monterey, Hearst hired a train and shipped a whole carload of reporters and artists to cover the event. The Little Bears, one of the earliest comic art features in an American newspaper, started out as spot drawings to decorate the weather reports, inspired by the bear on the California state flag. His little bears multiplied and began to show up throughout the paper, to be used in promotion stunts. In the mid 1890s, Swinnerton also started turning out large quantities of drawings of his small kids, whom he liked to call tykes. Often the bears and the tykes would get together in parades that stretched across the bottom of a page. They were sometimes referred to editorially as Little Bears and Tykes, but they never appeared in an actual comic strip. Impressed by the public response to his work, Swinnerton asked for a raise of $2.50 a week, but the editors didnt feel he was worth the extra money. He quit and headed for New York City, where Hearst had bought the New York Journal in 1895. Hearst was involved in circulation wars with Pulitzer's New York World, and most of the many other local dailies, and one of the results of the battles with Pulitzer was the Sunday comic section. Cartoonists were brought back and forth, and for a time The Yellow Kid ran in both the Journal and the World. Finally, Hearst produced a color comics section. Swinnerton's little bears had always been favorites of Hearst. For the Journal, however, Hearst suggested they be transformed into tigers. Gradually the tigers developed -- from a pantomime strip into a Sunday page complete with dialogue balloons. This version, titled Mr. Jack from 1903 on, dealt with a domesticated tiger that had an office job, a wife, and quite a few lady friends. During this early trial period, when color comics were expensive and there was some doubt that they would ever catch on enough to turn a profit, Swinnerton continued to do sports cartoons on the side. In 1904, he turned again to tykes and introduced Little Jimmy, a very small boy who shared his first name. Originally titled just Jimmy, the feature began life as a Sunday page. With some lapses, and a hiatus or two, Swinnerton drew the feature until 1958. A daily was added in 1920, at which time the name was changed to Little Jimmy. Swinnerton drew in a simple, uncluttered style, using very little shading and favoring long shots to close-ups. When comics began to pay off, the Journal decided to let Swinnerton draw them to the exclusion of everything else, which meant the paper needed a new sports cartoonist. Asked to recommend a replacement, Swinnerton said, "Theres a fellow named Dorgan out in San Francisco, calls himself Tad. But if youre going to get him, you'd better send for his friend, Hype Igoe." The paper sent for the pair, and both became successful sports cartoonists and reporters. Swinnerton once estimated he had helped over three dozen artists get started, ranging from illustrators such a Harold Von Schmidt to newspaper cartoonists such as Darrel McClure and Robert Ripley. In the first decade of the century, doctors advised Swinnerton that his days were limited. Resigned, he moved to Arizona to await the end. He kept right on waiting, but he didn't die; instead he fell in love with the desert country. He used the scenery in Canyon Kiddies, a handsome color page he drew for Hearst's Good Housekeeping from the early 1920s to the middle of the 1940s. He didn't relocate the diminutive Jimmy to Navajo country until the late 1920s. The Canyon Kiddies also became frequenters of the strip. Swinnerton started painting desert landscapes, too, and remained a painter even after he was no longer able to cartoon. (Information on the biography above is based on writings from the book, The Encyclopedia of American Comics, edited by Ron Goulart.)
James Guilford (Jimmy) Swinnerton (1875 - 1974) "Canyon Kiddies" Watercolor & Ink on Paper. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: "Canyon Kiddies" Medium: Watercolor & Ink on Paper Signature Type: Unsigned Site Measurement: 6.25" x 4.5" Image Keywords: Southwestern, Western Artwork, Art; Ref: BD1885
James Swinnerton (1875-1974) Near Indio indistinctly signed and titled 'Swinnerton' (lower left) oil on canvas laid to board 12 x 16 in. framed 19 1/2 x 23 1/4 in.
James Swinnerton (1875-1974) Cabin Amid Pines (In Southern Utah) signed 'Swinnerton' (lower right) oil on canvas 30 x 30 in. framed 37 1/2 x 37 1/2 in.
James Swinnerton (1875-1974) Navajo Home signed 'SWINNERTON_' (lower right) and signed again (on the reverse), and titled (on the stretcher bar) oil on canvas 30 x 30 in. framed 38 x 38 in.
James Guilford (Jimmy) Swinnerton (1875 - 1974) Blue Smoke Tree In The Desert Oil on Board. Signed on lower right. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: Blue Smoke Tree Medium: Oil on Board Signature Type: Hand Signed Signature Location: Lower Right Site Measurement: 28.5" x 34" Image Keywords: Southwestern, Western Artwork, Art; Ref: BD2022
James Swinnerton (1875-1974) Two Smoke Trees signed 'Swinnerton' (lower right) and signed again on an artist's label (affixed to the reverse) oil on canvas 18 x 28 in. framed 25 x 35 in.
James Swinnerton (1875-1974) Smoke Tree signed 'Swinnerton' (lower right) and signed again on an artist's label (affixed to the reverse) oil on canvas 24 x 18 in. framed 34 3/4 x 28 3/4 in.
James Swinnerton (1875-1974) Grey Skies signed 'SWINNERTON_' (lower right) and titled (on the reverse) oil on canvasboard 11 3/4 x 15 3/4 in. framed 17 1/2 x 21 1/2 in.
James Swinnerton (1875-1974) Desert Wash signed 'Swinnerton' (lower right) oil on canvas 30 x 40 in. framed 39 x 49 in. For further information on this lot please visit the Bonhams website
James Swinnerton (1875-1974) Yellow trees along a desert wash signed 'Swinnerton' (lower left) oil on canvas 30 x 40 in. framed 36 x 46 in. For further information on this lot please visit the Bonhams website
James Swinnerton (1875-1974) Betatakin Cliff Dwelling, Arizona signed 'Swinnerton' (lower left) oil on canvas 40 x 30 in. framed 48 x 38 in. For further information on this lot please visit the Bonhams website
James Swinnerton (1875-1974, Palm Springs, CA) "Mountain Road," 1915 Oil on board laid to foamcore Signed lower right: Swinnerton; titled and dated by repute 16" H x 14" W
James Swinnerton (1875-1974) Winter Comes to the Desert signed 'Swinnerton' (lower right) and titled (on the stretcher bar) oil on canvas 25 x 30 in. framed 33 x 38 in. For further information on this lot please visit the Bonhams website
James Swinnerton (1875-1974) Kiva in the desert signed 'Swinnerton' (lower right) oil on canvas 36 x 46 in. framed 45 x 55 in. For further information on this lot please visit the Bonhams website
JAMES SWINNERTON (California, 1875-1974) oil on canvas, "Desert Wash." Signed lower right. Image measures 25" x 30". In a wood frame; 31.25" x 36" overall.
James Guilford (Jimmy) Swinnerton (Ameriacn, 1875-1974), "Sandstone Canyon, Calif," oil on canvas board, titled and signed (faintly) lower right, board: 12"h x 16"w, overall (with frame): 17"h x 21"w
James Guilford (Jimmy) Swinnerton (Ameriacn, 1875-1974), "The Desert and Mountain Meet Bzck of La Quinta, Calif," oil on canvas board, titled and signed lower right, board: 12"h x 16"w, overall (with frame): 17"h x 21"w
James Swinnerton (1875-1974, Palm Springs, CA) Three field sketches: "Desert View Grand Canyon / S. Rim" Oil on canvas board Signed and titled lower right: J. Swinnerton; with artist's field notes verso 16" H x 12" W "Near Hope & Salome - Ariz" Oil on canvas board Signed and titled lower right: J. Swinnerton; with artist's field notes verso 12" H x 16" W "Entering Zion Park - Virgin River Following Along Under the Green Trees" Oil on canvas board Signed lower right: J. Swinnerton; titled lower left 12" H x 16" W Provenance: Gerald Peters Gallery, Santa Fe, NM Santa Fe Art Auction, Santa Fe, NM
James Swinnerton (American, 1875-1974) Desert Dusk oil on canvas signed Swinnerton (lower right) 36 x 30 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky
DESERT LANDSCAPE PRINTS - Signed: Swinnerton. (James Swinnerton, California, 1875-1974) Pair. Lithographic prints of original paintings. lmage: 15" x 19". Overall: 22" x 26".
James Guilford (Jimmy) Swinnerton (1875 - 1974) Blue Smoke Tree In The Desert Oil on Canvas. Swinnerton was born in Eureka, California, and studied at the California Art School in San Francisco and went to work for the Examiner in 1892, the first of William Randolph Hearsts newspapers. He became a famous painter of desert landscapes following a successful career as an illustrator and cartoonist. From 1907, traveling with burro, sketching pad, and sleeping in the open air, he ranged over the entire Southwest, painting the Arizona desert, Grand Canyon, and Navajo scenes as well as many California landscapes. This subject matter and lifestyle set the pattern for his career. He moved for a period to Flagstaff to be near the Navajos, and Hearst visited him there. Artist: James Swinnerton Title: Blue Smoke Tree in Desert Medium: Oil on Canvas Signature Type: Hand Signed Signature Location: Lower Right Site Measurement: 16x20 in. Keywords: Southwestern, Western Artwork, Art; Ref: BD1175
Medium: Oil On Canvas // Titled: Untitled // Signed Bottom Right // Measurements: Art 16 In. X 20 In. Frame 23.5 In. X 27.5 In. // In Good Condition. // From The Estate Of Fran And Ed Elliot // (24)
