David (1610) Teniers Paintings & Artwork for Sale | David (1610) Teniers Art Value Price Guide

Nov. 19, 2024
TENIERS DAVID (1610 - 1690) - Copy by. Smokers and drinkers
Est: €100 - €200
TENIERS DAVID (1610 - 1690). Copy by. Smokers and drinkers. 29 x 23 cm.
Capitolium Art
Nov. 16, 2024
David Teniers the Younger Jacques D' Arthois, View of the Old Hôtel de Nassau in Brussels with two Falconers and Dogs in the Foreground
Est: €26,000 - €30,000
Certificate Dr Margret Klinge, 17 November 1993 The painting shows the Hôtel Nassau, built in the 15th century on the Coudenberg near Brussels, which offered a magnificent view of the city. A very similar work by Jacques d'Arthois, painted from a slightly different angle, is housed in the Royal Palace in Brussels. In her expertise, Dr Klinge attributes the figures and the dogs to David Teniers the Younger and the landscape to the Flemish landscape painter Jacques d'Arthois. A collaboration between these two artists is attested by numerous works.
Kunsthaus Lempertz KG
Nov. 15, 2024
DAVID TENIERS THE YOUNGER (1610-1
Est: -
David Teniers the Younger (1610-1690) (attrib.), Tavern Scene with a Man Playing a Fiddle Observed by an Elderly Woman, oil on oak panel, unsigned, 13 x 17 cm, framed (bumped) 25 x 27 cm
Historia Auctionata
Nov. 15, 2024
DAVID TENIERS THE YOUNGER (1610-1
Est: -
David Teniers the Younger (1610-1690) (attrib.), Inn scene with a man sitting on a low stool with a jug and pipe and a man peeing in the background, oil on oak panel, monogrammed ''DT'' (joined) on the right edge of the bench, 13 x 17 cm, framed 25 x 27 cm
Historia Auctionata
Nov. 14, 2024
David Teniers the Younger: Old Lady, Enjoying the Rose Scent, next to her a Dog
Est: €15,000 - €25,000
TENIERS, DAVID THE YOUNGER 1610 Antwerp - 1690 Brussels Title: Old Lady, Enjoying the Rose Scent, next to her a Dog. Technique: Oil on wood. Measurement: 15.5 x 12.5cm. Notation: Monogrammed lower left on a stone: "T in D". Frame: Framed. Provenance: Private ownerhisp, Germany. We are grateful to Margret Klinge, Düsseldorf, who examined the painting in the original, for her kind support while cataloguing it. David Teniers the Younger is perhaps the Flemish artist of the 17th century who, alongside Peter Paul Rubens, who was a generation older, shaped our view of the art of his time. He learnt his craft in Antwerp from his father, David Teniers the Elder, and became a member of the Guild of St Luke there in 1633. David Teniers II mastered all areas of painting and was extremely innovative and influential. His extensive oeuvre includes portraits, history paintings and religious themes, but he is still particularly popular today as a painter of genre paintings of peasant life. From 1647, the artist, whose works can be found in all the leading collections of his time, was in the service of the governor of the Netherlands and became court painter from 1651. This position also involved looking after the archducal art collection and David Teniers created the first ever illustrated catalogue of the collection with his 'Theatrum pictorium'. His paintings of the archduke's picture rooms, in which he shows the actual objects, are also a completely new and still unrivalled documentation of their time. David Teniers, who maintained a large workshop with pupils, is also regarded as the initiator of the founding of the Antwerp Academy of Arts. Allegorical thematic sequences occur frequently in David Tenier's work. The artist has symbolised the four seasons, the four elements or even the five senses in small-format individual panels. It can be assumed that the small monogrammed panel shown here is part of such a context. The old lady smelling a rose symbolises the sense of smell, which is also the best sense of the dog at her side. Outside, in front of a vast but reduced landscape, she sits on a chair behind which stands the rose bush from which she probably plucked the stems that now lie on her lap. An implied architectural element delimits the pictorial space to the right and lends the scene a certain intimacy. Even without the context of the sensory depiction, the picture is captivating and conveys a quiet melancholy: savouring the scent of the roses, the old lady is perhaps thinking of the past; the faithful dog remains by her side. It is precisely this four-legged friend that also appears in another painting by David Tenier II: in a kitchen interior dated 1644 (now Mauritshuis, The Hague), he stands prominently in the foreground. The Herzog Anton Ulrich Museum in Braunschweig has a portrait of an old woman in an armchair (around 1650), which is very similar to the lady in the present painting. These two comparative pieces could be used to date the work. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue David d.J. Teniers The Netherlands 17th C. Old Masters Framed Allegory Painting Stages of life
Van Ham Kunstauktionen
Nov. 13, 2024
TENIERS David II (1610 - 1690). Entourage de. Tableaux Huile sur toile maro
Est: €400 - €600
TENIERS David II (1610 - 1690). Entourage de. Tableaux Huile sur toile marouflée sur toile "Les fumeurs de pipe dans la taverne". Entourage de David Teniers. Ecole flamande. Epoque: XVIIème. Dim.:+/-36,5x56cm.
Vanderkindere
Nov. 13, 2024
Teniers, David d.J. (nach/after)
Est: €1,300 - €2,000
Teniers, David d.J. (nach/after) Antwerpen 1610- Brüssel 1690 21,5 x 16 cm Landscape with a castle, in the foreground peasants at the castle moat. Oil/panel, at the lower margin in the middle monogrammed. Teniers, David d.J. (nach/after) Antwerpen 1610- Brüssel 1690 21,5 x 16 cm Landschaft mit Schloss, im Vordergrund Bauern am Schloßgraben. Öl/Holz, unten mittig monogrammiert.
Nagel Auction
Nov. 13, 2024
Teniers, David d.J. (Nachfolger/Follower)
Est: €600 - €800
Teniers, David d.J. (Nachfolger/Follower) Antwerpen 1610 - Brüssel 1690 22 x 30 cm Peasants playing boules. Oil/panel. Old Franconian private collection. Teniers, David d.J. (Nachfolger/Follower) Antwerpen 1610 - Brüssel 1690 22 x 30 cm Bauern beim Boule-Spiel. Öl/Holz. Alte fränkische Privatsammlung.
Nagel Auction
Nov. 12, 2024
David Teniers II (1610-1690)
Est: €15,000 - €25,000
Figures outside a cottage, a town beyond, signed with monogram 'DT' (lower centre), oil on panel, 24x34,5 cm, Provenance:-With Galerie Guy Stein, Paris, before 1938.-Private Collection, U.S.A. -With Koetser Gallery, Zürich, inv. no. 21 (label attached to the frame), where acquired by the family of the present owners,
Venduehuis der Notarissen
Nov. 09, 2024
* TENIERS, DAVID II, Kopie - Copy: Bäuerliche Festgesellschaft beim Tanz.
Est: CHF450 - CHF900
TENIERS, DAVID II (Antwerpen 1610 - 1690 Brüssel); Kopie - Copy * : Bäuerliche Festgesellschaft beim Tanz; Öl auf Leinwand, doubliert; 85x104 cm
Dobiaschofsky Auktionen AG
Oct. 28, 2024
Flemish school of the seventeenth century. Circle of DAVID TENIERS "The Young Man" (Antwerp, ca. 1610 - Brussels, 1690). "Pipe smoker." Oil on canvas. In its original canvas. Presents faults.
Est: €2,000 - €2,500
Flemish school of the seventeenth century. Circle of DAVID TENIERS "The Young Man" (Antwerp, ca. 1610 - Brussels, 1690). "Pipe smoker." Oil on canvas. In its original canvas. Presents faults. Measurements: 36 x 29 x 1,5 cm. This canvas shows a tavern scene with similar morphological characteristics to "The Merry Soldier", a canvas by David Teniers the Younger housed in the Prado Museum. Teniers' production of tavern works is based on that of his master Adriaen Brouwer. Son of David Teniers I, in his youth he remained faithful to his father's style. However, he soon specialized in genre painting, closely linked to the Flemish tradition. In 1638 he joined the Guild of Saint Luke, of which he would later become dean. Among his patrons were the Bishop of Ghent and the Archduke Leopold William. Teniers was also artistic director of the archduke's collection, a position that included not only the conservation of paintings, but also the responsibility of choosing and acquiring new works for what was one of the most important painting collections of the 17th century. Thanks to this, the painter had the opportunity to get to know and study first-hand works by both contemporary and earlier masters, from different schools and genres. In 1651 he moved to Brussels on the occasion of his appointment as court painter, a position he retained with the arrival of the new archduke, John Joseph of Austria. He enjoyed the freedom to work for other patrons, among whom were the greatest art connoisseurs of the 17th century: Christina of Sweden, William II of Orange and Philip IV. Supported by the latter, in 1669 he succeeded in realizing his project to create the Antwerp Academy. His influence reached the 18th century, and his works were part of the collections of the first Bourbons of Spain. His compositions were copied in tapestries that adorned the royal palace of Madrid, giving rise to a genre of great popularity, called "a la Teniers". Works by Teniers are kept in the most important museums of the world, such as the Prado, the Hermitage, the Louvre, the Metropolitan of New York, the National Galleries of London, Washington and Prague, the Rijksmuseum, the Royal Collection of London, the Ashmolean of Oxford, the Poldi Pezzoli of Milan, the Western Art Museum of Tokyo, the Thyssen-Bornemisza, or the Fine Arts Museums of Brussels, Vienna, Antwerp and Dresden.
Setdart Auction House
Oct. 26, 2024
TENIERS, DAVID II (1610-1690), "In der Wirtsstube",
Est: €1,400 - €2,000
TENIERS, DAVID II (1610-1690), ‘In der Wirtsstube’, two gentlemen sitting at a table and lighting a pipe, the landlord standing next to the table with a potting jug, signed ‘Teniers’ lower left, oil/metal plate, HxW: approx. 20.5x17 xm (27x23 cm with frame). Signs of age and wear, small chips to colour, restored. With frame.
Auktionshaus Eppli
Oct. 26, 2024
TENIERS, David the Younger, ATTRIBUIERT/Umkreis (D. T. II: 1610-1690), "Great Feast by the River",
Est: €2,800 - €4,000
TENIERS, David the Younger, ATTRIBUTED/Circle (D. T. II: 1610-1690), "Großes Fest am Fluss", numerous people on both banks of the river in front of an inn and busy ferry traffic on the river, oil/canvas relined, HxW: approx. 82x112 cm (99x128 cm with frame). Signs of age and wear, craquelure, colour flaking/scratches, restored and retouched. With frame (edges partially damaged).
Auktionshaus Eppli
Oct. 23, 2024
Circle of David Teniers the Younger (1610 - 1690), A workman holding a staff, with a village beyond
Est: £400 - £600
David Teniers the Younger (1610 - 1690) A workman holding a staff, with a village beyond Oil on bevelled panel With labels and a chalk inscription verso Provenance: Phillips, 27 October 1998, Lot 112 Dimensions: (Panel) 10.25 in. (H) x 6.25 in. (W) (Frame) 17.25 in. (H) x 13.25 in. (W)
Sloane Street Auctions
Oct. 22, 2024
TENIERS David II (1610 - 1690). Entourage de. TABLEAUX
Est: €400 - €600
Huile sur toile marouflé "La partie de cartes". Entourage de David Teniers. Ecole flamande. Epoque: XVIIème. Dim.:+/-31x38cm.
Vanderkindere
Oct. 19, 2024
A successor to David Teniers, the Younger (1610 Antwerp - 1690 Brussels), a
Est: -
A successor to David Teniers, the Younger (1610 Antwerp - 1690 Brussels), attributed (17th/18th century) "Archers", rural scene with shooting target, archers and houses, oil on wood, 24x33cm, 38.5x49cm with frame, parquetry on the reverse, framing loose Nachfolger von David Teniers, der Jüngere (1610 Antwerpen - 1690 Brüssel), zugeschrieben (17./18. Jahrhundert) "Bogenschützen", ländliche Szene mit Schießscheibe, Schützen und Häusern, Öl auf Holz, 24x33cm, 38,5x49cm mit Rahmen, rückseitige Parkettierung, Rahmung locker
Auktionshaus am See
Oct. 15, 2024
DAVID TENIERS (1610-1690) FOLLOWER OF - ‘THE OIL DRINKER’ OIL ON OAK PANEL, 17TH CENTURY.
Est: €800 - €1,000
David TENIERS (1610-1690) follower of - ‘The Oil Drinker’ Oil on oak panel, 17th century. Normal wear - Weight: 1.84 kg - Shipping unavailable - Region: Belgique - Sizes: H 280MM X L 295MM AVEC CADRE // H 105MM X L 115MM
Goldfield Auction
Oct. 12, 2024
David Teniers The Younger (Flemish, 1610-1690) Pair Of Antique 17th C. Etchings
Est: $275 - $500
David Teniers The Younger (Flemish, 1610-1690) Pair Of Antique 17th C. Etchings. Measures approximately 17" x 21-1/4" and 13-3/4" x 17-1/4"
RB Fine Arts
Oct. 09, 2024
The Triumph of Bacchus, in the manner of David Teniers the Younger (Antwerp, 1610-1690), 17th century Flemish school
Est: €25,000 - €35,000
Oil on canvas, measures: 128 x 100 cm, framed measures: 165 x 127 cm. David Teniers the Younger (Antwerp, December 15, 1610 – Brussels, April 25, 1690) was a painter and engraver, son of David Teniers the Elder (or David Teniers I) and father of David Teniers III. He was a Flemish artist of great fame among his contemporaries thanks to his scenes of villagers and other common people (peasants, farmers, smokers), which allow us to compare him with Dutch masters such as Adriaen van Ostade, although he opted for a more refined costumbrismo. Another of his specialties was that of painter monkeys, where he showed these animals doing human tasks; theme also known as "macacadas" and "monerías", and called in Europe with the French term singeries. Six Centuries of Art. Hundred Great Masters. Mexico: Soumaya Museum-Carso Foundation. 2006. p. 58. ISBN 968-7794-30-5. Origin: old family collection, Navarra.
Templum Fine Art Auctions
Oct. 09, 2024
Characters in the interior of a Flemish Tavern, by/attribution to David Teniers the Younger, Antwerp (1610-Brussels, April 25, 1690)
Est: €1,200 - €1,500
Oil on canvas. Flemish school, 17th century. Total framed dimensions: 60 x 45 cm. Reference bibliography: David Teniers, Jan Brueghel and the painting cabinets, cat. exp., Madrid, Museo del Prado, 1992. Peyre, Roger, David Teniers, Paris, Henri-Laurens, 1910.
Templum Fine Art Auctions
Oct. 09, 2024
Attrib. to David II Teniers (1610-1690), village with an inn and peasants feasting and dancing, oil on canvas, 82 x 107 cm. (32.2 x 42.1 in.), Frame: 100 x 128 cm. (39.3 x 50.3 in.)
Est: €3,000 - €5,000
Attrib. to David II Teniers (1610-1690), village with an inn and peasants feasting and dancing, oil on canvas Popular theme of village feast and dancing and drinking groups of peasants. School of David II Teniers.
Carlo Bonte Auctions
Sep. 26, 2024
DAVID TENIERS D. J., 1610 ANTWERPEN – 1690 BRÜSSEL, ZUGESCHRIEBEN
Est: €4,500 - €6,000
FANTASTISCHE FELSENLANDSCHAFT MIT DEN EINSIEDLERN PAULUS UND ANTONIUS Öl auf Leinwand. Doubliert. 62,5 x 63,5 cm. In vergoldetem Prunkrahmen. Die Darstellung geht auf die nicht belegte Lebensgeschichte des Heiligen Paulus von Theben (angeblich 228-341) zurück und wird um 376 von Hieronymus in der verfassten „Vita Pauli Primi Eremitae“ überliefert. Demnach ging Paulus während der Christenverfolgungen als erster christlicher Einsiedler und Asket in die ägyptische Wüste. Dort lebte er jahrzehntelang alleine von einer Quelle und einem Raben, der ihm täglich ein halbes Brot brachte. Auf dem Gemälde ist eine hohe fantastische Felsenhöhle zu erkennen, in deren unterem rechten Bereich vor einer einfachen Hütte der Heilige Paulus mit einem Buch sitzt, neben dem Heiligen Antonius (Antonius der Große 251-356), von dem er kurz vor seinem Tod aufgesucht wurde. Paulus weist mit ausgestreckter Hand auf einen fliegenden Raben hin, der ein Brot in seinem Schnabel hält und der durch einen hohen Höhlenausschnitt zu erkennen ist, vor einer weiten Landschaft mit einem Flusslauf, einem Wanderer und einem hohen Rundturm auf einer bergigen Anhöhe. Erzählerische Darstellung in überwiegend beige-brauner Farbigkeit mit gekonnter Hell-Dunkel-Inszenierung. (14114715) (1) (18)
Hampel Fine Art Auctions
Sep. 26, 2024
FLÄMISCHER MALER DES 17. JAHRHUNDERTS, KREIS DES DAVID TENIERS II, 1610 – 1690
Est: €15,000 - €25,000
DAS BAUERNFEST Öl auf Leinwand. 75 x 92 cm. Links unten Restsignatur. In hellem akanthusblattreliefierten Rahmen. In einer sanfthügeligen Landschaft mit vereinzeltem Baumbestand die Kulisse eines architektonisch verschachtelten Dorfes mit niedriger Kirche mit Dachreiter und einem zwischen Häusern stehendem Turm. Davor im Sonnenschein des Tages teils an Tischen teils an Holzfässern sitzende Personen den Freuden eines Festes nachgehend. Das Thema auf eine Bilderfindung David Teniers II (1610-1690) zurückgehend. (1411491) (1) (13) Flemish school of the 17th century, circle of David Teniers II, 1610 – 1690 PEASANT FESTIVAL Oil on canvas. 75 x 92 cm. Remains of a signature lower left.
Hampel Fine Art Auctions
Sep. 26, 2024
DAVID TENIERS D. J., 1610 ANTWERPEN – 1690 BRÜSSEL
Est: €45,000 - €60,000
ÄLTERE DAME IN EINER SCHEUNE MIT KÜCHENUTENSILIEN Öl auf Holz. 42 x 63 cm. Links unten signiert „D TENIERS f“, verso das Brandzeichen der Antwerpener Tafelmacherzunft. Für die Bestätigung der Zuweisung an den genannten Künstler ist Dr. Fred G. Meijer zu danken. Die vorliegende Szene ist ein typisches Beispiel für die Genregemälde des Künstlers, für die er so bekannt ist. Im Inneren einer Scheune eine rechtsseitig sitzende, wohl schlafende Frau in einfacher Kleidung mit weißer Kopfbedeckung und Kragen. Ihr gegenüber, teils stilllebenhaft präsentiert, eine Reihe von prachtvollen Küchen- und Haushaltsobjekten, dazu gehören: ein gold glänzender Kupferkessel, ein übergroßer, ebenfalls glänzender Krug auf einem weißen Tuch in einem Waschbottich, eine Keramik mit Fisch, ein Blasebalg, ein Kohlkopf und Zwiebeln, sowie auf einem Holzblock eine Sanduhr und ein wertvoller Deckelpokal. Das Licht fällt von links in den Raum und hebt diese Objekte, sowie das Gesicht der Frau besonders hervor. Der Reichtum an Ojekten der linken Vorderseite steht in starkem Kontrast zu den zurückhaltenden neutralen Töne der Kleidung der Frau und ihrer Umgebung. In der Mitte des Hintergrundes fällt der Blick durch eine geöffnete Tür in einen weiteren Raum, in dem zwei Männer in angeregter Diskussion sind und sie verweisen zugleich auf Teniers‘ genaue Beobachtung von zeitgenössischen Lebens und menschlichen Ausdrucks. Bekanntlich war Teniers einer der bedeutendsten Erneuerer der Genremalerei seiner Zeit. Neben Genreszenen und religiösen Historien malte er auch Dorflandschaften, beeinflusst von Paul Brill (um 1553/54-1626) und in seinen Berglandschaften vor allem von Joos de Momper d. J. (1564-1635). Besonders bekannt ist er für die Entwicklung des Bauerngenres und Wirtshausdarstellungen. Vielfältig bis weit ins 18. Jahrhundert durch die Druckgrafik verbreitet lassen die Kompositionen Teniers ihn als einen der populärsten Künstler des 17. Jahrhunderts erscheinen, der eine Vielzahl von Nachfolgern fand. David Teniers wichtigster Lehrer war sein Vater David Teniers d. Ä. (1582-1649). Während er im Frühwerk noch in der Art von Adrieaen Brouwer (1605/06-1638) arbeitete, fand er nach dessen Tod seinen eigenen Stil, der bestimmt war durch einen helleren Gesamtton sowie einen gefälligeren Bildaufbau. Ende der 30er-Jahre entwickelt er eine eigene, sehr feintonige Art der Malerei. 1633 wurde er in die Antwerpener Lukasgilde aufgenommen und war 1645 bereits Dekan der Gilde. 1664 begründete er die Antwerpener Akademie. Als er 1637 Anna, Tochter von Jan Brueghel d. Ä. (1568-1625), heiratete, war Peter Paul Rubens (1577-1640) ihr Zeuge. Provenienz: Sammlung von Ludwig Zatzke. Kunstmarkt, London. Galerie Caretto, Turin, 1991. Privatsammlung, Mailand. Kunstmarkt, Italien. Dort von jetzigem Besitzer erworben. (1410953) (18) David Teniers the Younger, 1610 Antwerp – 1690 Brussels OLDER LADY IN A BARN WITH KITCHEN UTENSILS Oil on panel. 42 x 63 cm. Signed “D TENIERS f” lower left, pyrography mark of the Antwerp panel maker guild on the reverse. We would like to thank Dr Fred G. Meijer for identifying the above mentioned artist as the creator of this panel painting. Provenance: Ludwig Zatzke collection. Art trade, London. Gallerie Caretto, Turin, 1991. Private collection, Milan. Art trade, Italy. Acquired there by current owner.
Hampel Fine Art Auctions
Sep. 21, 2024
David Teniers the Younger Flemish Tavern Scene
Est: $200 - $15,000
David Teniers the Younger (Flemish, 1610 - 16190) Tavern Scene, depicting figures dancing with a man playing a fiddle and bar keep behind. Initialled D.T. in bench, painted on canvas, measures 13 inches H x 17 W, modern frame measures 21 inches H x 25 W.
Kavanagh Auctions
Sep. 20, 2024
DAVID TENIERS the Younger
Est: CHF25,000 - CHF35,000
DAVID TENIERS the Younger (Antwerp 1610–1690 Brussels) A broad landscape with a soothsayer. Oil on panel. Monogrammed lower right: DT F. 37.3 × 63 cm. Provenance: - Private collection, Great Britain. - With David M. Koetser Galerie Zurich (label verso). - Private collection, Switzerland. Exhibited: - New York / Maastricht 1982, Adriaen Brouwer & David Teniers the Younger: A loan exhibition of paintings, Gallery Noortman & Brod, New York 7.-30.10.1982 / Maastricht 19.11.-11.12.1982, no. 31. - Antwerp 1991, David Teniers the Younger, Koninklijk Museum voor Schone Kunsten, 12.5.-1.9.1991, no. 51 (label verso). Literature: - Margret Klinge: Adriaen Brouwer & David Teniers the Younger: A loan exhibition of paintings, Gallery Noortman & Brod, New York / Maastricht 1982, no. 31. - Margret Klinge: David Teniers the Younger, Koninklijk Museum voor Schone Kunsten, Antwerp 1991, no. 51. Dr Margret Klinge has dated this painting to the 1640s. ------------------------------------------------- DAVID TENIERS d. J. (Antwerpen 1610–1690 Brüssel) Weite Landschaft mit Wahrsagerin. Öl auf Holz. Unten rechts mongrammiert: DT F. 37,3 × 63 cm. Provenienz: - Britische Privatsammlung. - David M. Koetser Galerie Zürich (verso mit Etikett). - Schweizer Privatbesitz. Ausstellungen: - New York / Maastricht 1982, Adriaen Brouwer & David Teniers the Younger: A loan exhibition of paintings, Gallery Noortman & Brod, New York 7.-30.10.1982 / Maastricht 19.11.-11.12.1982, Nr. 31. - Antwerpen 1991, David Teniers the Younger, Koninklijk Museum voor Schone Kunsten, 12.5.-1.9.1991, Nr. 51 (verso mit Etikett). Literatur: - Margret Klinge: Adriaen Brouwer & David Teniers the Younger: A loan exhibition of paintings, Gallery Noortman & Brod, New York / Maastricht 1982, Nr. 31. - Margret Klinge: David Teniers the Younger, Koninklijk Museum voor Schone Kunsten, Antwerpen 1991, Nr. 51. Der weitläufige Landschaftsausschnitt dieses Gemäldes von David Teniers d. J. zeichnet sich durch seine malerische Feinheit aus, wobei das Blattwerk an den Bäumen und Sträuchern besonders detailliert dargestellt ist. Während die wahrsagende Zigeunerin ein für das 17. Jahrhundert eindeutig unchristliches Motiv ist, weisen das Holzkreuz im Vordergrund und die Kirche im Hintergrund auf das christliche Denken der Zeit hin. Dr. Margret Klinge datiert das hier angebotene Gemälde in die 1640er-Jahre. Zu dieser Zeit beschäftigte sich der Künstler zunehmend mit der künstlerischen Erforschung seiner Heimatlandschaft um Antwerpen, die wahrscheinlich auch hier abgebildet ist.
Koller Auctions
Sep. 18, 2024
FOLLOWER OF DAVID TENIERS JNR. (1610 - 1690)
Est: £800 - £1,200
FOLLOWER OF DAVID TENIERS JNR. (1610 - 1690) FOLLOWER OF DAVID TENIERS JNR. (1610 - 1690) The Temptation of St Anthony watercolour 11.5 x 8.5 cm (4.5 x 3 1/8 in.) overall framed: 24.5 x 22 cm. (9 1/2 x 8 1/2 in.)
Chiswick Auctions
Sep. 14, 2024
DAVID TENIERS DER JÜNGERE (UMKREIS) BAUERNPAAR IM WIRTSHAUS
Est: €400 - €800
CIRCLE OF DAVID TENIERS THE YOUNGER 1610 Antwerp - 1690 Brussels PEASANT COUPLE IN AN INN Oil on oak panel (cradled). 22.5 x 19.5 cm (F. 34.5 x 31.5 cm). Part. slightly old rest., min. old retouching. Frame. Provenance: North German private collection. DAVID TENIERS DER JÜNGERE (UMKREIS) 1610 Antwerpen - 1690 Brüssel BAUERNPAAR IM WIRTSHAUS Öl auf Eichenholztafel (parkettiert). 22,5 x 19,5 cm (R. 34,5 x 31,5 cm). Part. leicht altrest., min. Altretuschen. Rahmen. Provenienz: Norddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 12, 2024
David Teniers d.J.: Zwei Männer, an einem flachen Tisch sich unterhaltend, links mit einem Raucher auf einem Stuhl sitzend
Est: CHF4,800 - CHF6,000
David Teniers d.J. (Antwerpen 1610 - 1690 Brüssel) Zwei Männer, an einem flachen Tisch sich unterhaltend, links mit einem Raucher auf einem Stuhl sitzend Schwarzer Stift, mit Einfassungslinie in Feder in Tusche auf Bütten / Black pen, with framing line in pen and ink on laid paper Um 1660 8,8x14,8 cm, Blattgrösse / 8.8x14.8 cm, sheet size Signatur / Signature Unten rechts alt bezeichnet "D. Teniers" Old inscription "D. Teniers" lower right Provenienz / Provenance Slg. R. Dalton (wohl Richard Dalton, um 1715-1791), Lugt 782 Slg. Eberhard W. Kornfeld, Bern, Lugt 913b Collection R. Dalton (probably Richard Dalton, c. 1715-1791), Lugt 782 The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Zustand / Condition Die horizontale Falte entlang des unteren Blattrandes wohl Teil der Papierstruktur; etwas fingerfleckig, insgesamt in guter Erhaltung The horizontal fold along the lower margin probably part of the paper structure; somewhat fingerstained, overall in good condition Erläuterungen / Comments David Teniers war der Schwiegersohn von Jan Breugel d. Ä. und Verwalter der Kunstsammlungen des Erzherzogs Leopold Wilhelm in Brüssel, wohin er 1651 als Hofmaler berufen wurde. Die reizvolle Figurenstudie war ursprünglich wohl Teil eines Skizzenbuchs. David Teniers was the son-in-law of Jan Breugel the Elder and administrator of the art collections of Archduke Leopold Wilhelm in Brussels, where he was appointed court painter in 1651. This charming figure study was probably originally part of a sketchbook. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 20:45 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-
Galerie Kornfeld Auktionen AG
Sep. 08, 2024
David Teniers der Jüngere
Est: €240 - €480
(1610 Antwerpen - 1690 Brüssel) Nachfolger des 19. Jhs.; Versuchung des Hl. Antonius Mit schnellem, lockerem Duktus in tonigem Kolorit gemalte Szene, die stilistisch auf das 19. Jh. hindeutet, als Wilhelm Busch sowie viele andere deutsche und europäische Maler die niederländische und flämische Kunst des 17. Jhs. wiederentdeckten. Öl/Papier, alt auf Eichenholtztafel kaschiert. 25,2 cm x 21,5 cm. Rahmen. Provenienz: aus der über Generationen gewachsenen Slg. Michahelles, Hamburg. Follower of David Teniers the Younger (1610 - 1690), active 19th C.; Oil on paper, laid down on oak panel.
Kunstauktionshaus Schloss Ahlden
Sep. 07, 2024
Attributed to David Teniers II, Tavern Interior with Woman Smoking and Man Drinking
Est: $20,000 - $30,000
Attributed to David Teniers II (Dutch 1610-1690) Tavern Interior with Woman Smoking and Man Drinking, c.1625-90, oil on canvas, signed TeniersÂ on beam table at lower right,Â framed. Provenance: J. & S. Goldschmidt, Frankfurt, Germany Purchased from the above by Mr.Â Levi-Hermanos, Paris, January 1927, with original receipt. (Probably Maurice Levi-Hermanos)Â By descent in the family of the current owner Accompanied by original letter from Art Historian Max J. Friedlander (German 1867-1958)Â stating that in his opinion, the work is by the hand of David Teniers. This work is also pictured in the Max Friedlander Photo archive at RKD Images, although the size noted there is 19.6 x 20 in. During his lifetime Friedlander took photographs of artwork on all of this travels. His personal archive of photographs held approximately 15,000 photos of Netherlandish paintings.Â Dimensions: 14 x 20.25 in. canvas size, 22 x 28.5 in. as framed. Condition: Restored in 1990, with conservator's report. The report states that the painting was originally on panel and was transferred to canvas in the 19thc. Â Relined, signature overpaintedÂ at one time, partially revealed. Under UV light and also visible to the naked eye there is scattered touch up in a general horizontal pattern throughout the picture. There are touch ups to the figure of the smoking woman to the sleeve and bodice of her shirt and extending to her cheek and eye/nose area. Also to the skirt and along the tavern floor, to the jug on the floor at right. There is a pronounced horizontal crease in top 1/3 of painting. Fine pattern of craquelure throughout.
Neue Auctions
Sep. 07, 2024
David Teniers d. J. (flämisch, 1610 - 1690), Die Anbetung der Heiligen drei Könige, 17. Jh., Öl auf Holz, parkettiert, unten links monogrammiert (DT), Lichtmaß: 56 x 87 cm, Rahmen: 72 x 103 cm. Guter, altersbedingter Zustand, restauriert, Farbverlus
Est: -
David Teniers d. J. (flämisch, 1610 - 1690), Die Anbetung der Heiligen drei Könige, 17. Jh., Öl auf Holz, parkettiert, unten links monogrammiert (DT), Lichtmaß: 56 x 87 cm, Rahmen: 72 x 103 cm. Guter, altersbedingter Zustand, restauriert, Farbverlust, drei horizontale, durchgehende, Haarrisse.
Auktionshaus Demessieur
Sep. 07, 2024
David Teniers der Jüngere
Est: €6,000 - €12,000
(1610 Antwerpen - 1690 Brüssel) Umkreis Fischverkäufer und -händler sowie anlandende Fischer in einem Hafen Geschildert wird eine lebendige Hafenszene vor einer mächtigen Befestigungsanlage auf der linken und dem in den Hintergrund gerückten Meer auf der rechten Seite. Dominant im Vordergrund auf der Mole dargestellt wird eine kleine Gruppe aus dem Fischhändler und -verkäufer, die über den Verkauf des fangfrischen Fischs verhandeln, mit ihren Gehilfen, der eine auf das Meer und Fischerboote im Hintergrund deutend, der andere über einem Anker gebeugt stehend. Währenddessen ziehen Fischer ihr Netz ins Boot oder im Wasser an Land. Das Gemälde entstand in der 2. Hälfte des 17. Jhs. wahrscheinlich im näheren Umkreis von Teniers, von dem vergleichbare Fischer- und Hafenszenen bekannt sind. Hierzu zählen u. a. ein vom RKD in Den Haag dokumentiertes Hafenbild mit Fischern aus den 1660er Jahren und eine 1701 in Brüssel gefertigte Tapisserie mit Fischerkai nach einer Vorlage von Teniers im Schloss Mannheim, die einen fast identischen Turm wie beim vorliegenden Gemälde zeigen. Öl/Lwd., doubl.; R. u. bez. "D. TENIERS FEC.". 57 cm x 85 cm. Rahmen. Beigefügt: Gutachten von Prof. Dr. J. Müller-Hofstede, Bonn, 19.11.2011; Restaurierungsbericht von Börries Brakebusch, Düsseldorf, 21.04.2015. Vgl.: 574. Math. Lempertz'sche Kunstversteigerung, Köln 1974, Lot 261; Auktion Christie`s London, 29.11.1974, Lot 81. /P/Provenienz: Dorotheum Wien, 12.12.2012, Lot 160. Circle of David Teniers the Younger (1611-1690). Oil on canvas, relined. Accompanied by an expertise from Prof. Dr. Justus Müller-Hofstede, Bonn and a restoration report by Börries Brakebusch, Düsseldorf.
Kunstauktionshaus Schloss Ahlden
Aug. 24, 2024
DAVID (THE YOUNGER) TENIERS II (FLEMISH, 1610-1690)
Est: $6,000 - $8,000
DAVID (THE YOUNGER) TENIERS II (FLEMISH, 1610-1690) The Courtship Interrupted, oil on linen, signed lower right, depicting a young man with bagpipes and a small dog, turning to see the reaction of his girl, as a roughneck intercedes. Housed in gold cove gesso frame, OS: 16" x 14", SS: 10 3/4" x 8 3/4". Cleaned and relined. Provenance: Private Collection, London; Alexander Gallery, New York; Private Collection, Great Neck, NY.
Thomaston Place Auction Galleries
Aug. 17, 2024
B. DUNKER (*1746) after TENIERS (*1610), Farmers carousing, around 1771, Etching
Est: €150 - €200
Balthasar Anton Dunker (1746 Hall near Stralsund - 1807 Bern) after David Teniers jun. (1610 Antwerp - 1690 Brussels): Zechende Bauern, Du Cabinet de Mr Le Duc de Choiseul / Recueil d'estampes gravées d'après les tableaux du cabinet de Monseigneur le Duc de Choiseul, c. 1771, Etching Technique: Etching on Laid paper, mounted on Cardboard Inscription: Numbered "6" within the printing plate upper right. Inscribed in an unknown hand at the bottom of the support with information on Balthasar Dunker "Th-B. Vol. X, p. 144, painter etcher, diligently reproduced numerous paintings of the gallery of the Duke of Choiseul (1770-72) (Nagler, Le Blanc,..)". Date: c. 1771 Description: Signed "D. Teniers pinx. / Dunker sc." below the image, inscribed "Du Cabinet de Mr Le Duc de Choiseul" below. Keywords: 18th century, Baroque, Nature, Switzerland, Size: Laid paper: 34,0 cm x 24,0 cm (13,4 x 9,4 in), Plate: 16,7 cm x 14,5 cm (6,6 x 5,7 in), Depiction: 13,8 cm x 14,0 cm (5,4 x 5,5 in)
Fichter Kunsthandel
Aug. 17, 2024
J. WAGNER (18th) after TENIERS (*1610), The Misfortunes of War, Etching
Est: €300 - €400
Jacques Wagner (18th century) after David Teniers jun. (1610 Antwerp - 1690 Brussels): "Les Miséres de La Guerre" mit marodierenden Soldaten, 18th century, Etching Technique: Etching on Paper Date: 18th century Description: Titled "Le Miseres De La Guerre" with marauding soldiers in the centre below the depiction. Next to it signed on the left and right with "D. Tenniers pinxit" and "Jaques Wagner Sculpsit". Keywords: War, Horror, Marauder, Robbery, Plunder, Thirty Years' War, 18th century, Baroque, Military, Netherlands, Size: Paper: 22,0 cm x 31,7 cm (8,7 x 12,5 in)
Fichter Kunsthandel
Jul. 30, 2024
TENIERS DAVID (1610 - 1690) - Copy by. Smokers and drinkers
Est: €200 - €400
TENIERS DAVID (1610 - 1690). Copy by. Smokers and drinkers. 29,00 x 23,00 cm.
Capitolium Art
Jul. 27, 2024
B. WINCKLERS (18th) after TENIERS (*1610), The farmer's wedding, Etching
Est: €300 - €400
Benedikt Wincklers (18th century) after David Teniers jun. (1610 Antwerp - 1690 Brussels): Petit Lendemain de Noce Flamande, The Peasant Wedding, Dance, Flanders, 18th century, Etching Technique: Etching on Paper Stamp: Collector's stamp, Lugt no.: 4314. Unknown/not identified. Mark: "V. S. Kupferstichsammlung Wien-Marburg". Vienna-Marburg. 20th century Inscription: Inscribed and numbered at the top inside the printing plate "Collection de David Tenniers. / Nu. 3". Inscribed on the verso by another hand "2nd half of the 18th century" as well as "From adhesive tape". Date: 18th century Description: Unter der Darstellung signiert "David Tenniers pinx. / grave par Wincklers", darunter bezeichnet "Gravé d'après le Tableau Original qui est dans le Cabinet de Mr. l'Abbé / de Majinville Con.er au Parlement. / a Paris chez Rosselin". Keywords: 18th century, Figurative, Landscape, France, Size: Paper: 28,0 cm x 36,0 cm (11 x 14,2 in), Plate: 25,5 cm x 33,5 cm (10 x 13,2 in), Depiction: 20,7 cm x 31,5 cm (8,1 x 12,4 in)
Fichter Kunsthandel
Jul. 27, 2024
B. WINCKLERS (18th) after TENIERS (*1610), La Bohêmiene in nappies, Etching
Est: €300 - €400
Benedikt Wincklers (18th century) after David Teniers jun. (1610 Antwerp - 1690 Brussels): La Bohêmiene in nappies, 18th century, Etching Technique: Etching on Paper Stamp: Collector's stamp, Lugt no.: 4314. Unknown/not identified. Mark: "V. S. Kupferstichsammlung Wien-Marburg". Vienna-Marburg. 20th century Inscription: Inscribed at the top inside the printing plate "Collection de D. Tenier. Verso inscribed by another hand "2nd half 18th century" as well as "Aus Klebeband". Date: 18th century Description: Unter der Darstellung signiert "David Tenniers pinx. / gravé par B.Winkler", darunter betitelt und bezeichnet "Gravé d'après le Tableau de D. Teniers de la même grandeur. / a Paris chez l'Auteur". Keywords: 18th century, Figurative, Nature, France, Size: Paper: 29,4 cm x 37,5 cm (11,6 x 14,8 in), Plate: 24,5 cm x 33,2 cm (9,6 x 13,1 in), Depiction: 21,0 cm x 32,0 cm (8,3 x 12,6 in)
Fichter Kunsthandel
Jul. 18, 2024
David Teniers il Giovane (attribuito a) (Anversa 15/12/1610-Bruxelles 25/04/1690) - The Monkey Feast, 17th century
Est: -
Oil on cardboard glued on board
ArtLaRosa
Jul. 18, 2024
"The Alchemist", circle of David Teniers II (Antwerp, 1610 - Brussels, 1690)
Est: €1,500 - €2,000
Oil on canvas, measurements: 59 x 47 cm (79 x 68 with frame).
Templum Fine Art Auctions
Jul. 04, 2024
Monks outside a grotto
Est: £12,000 - £18,000
David Teniers the Younger Antwerp 1610–1690 Brussels Monks outside a grotto bears signature lower left: DTENIERS oil on oak panel unframed: 35.7 x 52 cm.; 14 x 20½ in. framed: 47 x 63 cm.; 18½ x 24¾ in.
Sotheby's
Jul. 03, 2024
DAVID TENIERS THE YOUNGER (ANTWERP 1610-1690 BRUSSELS). The Embarkation of
Est: £30,000 - £50,000
DAVID TENIERS THE YOUNGER (ANTWERP 1610-1690 BRUSSELS). The Embarkation of Don Juan of Austria. oil on canvas 26 ½ x 31 7⁄8 in. (67.3 x 81 cm.).
Christie's
Jun. 27, 2024
David Teniers d. J., 1610 Antwerpen – 1690 Brüssel, zugeschrieben
Est: €5,000 - €7,000
TANZENDES AFFENPAAR MIT MUSIKUS Öl auf Kupfer. Ca. 21 x 30,5 cm. In Waldlandschaft in einer Lichtung ein paar Affen in menschlicher Kleidung mit Kopfbedeckung, sich an einer Hand in der Mitte fassend und jeweils ein Bein zum Tanz erhoben. Rechtsseitig unterhalb eines Baumes ein Affe in grünem Gewand und Kopfbedeckung, einen Behälter an der Seite hängend und auf einer Flöte aufspielend. Am Boden sitzend zwei kleine Vögel sowie auf einem Ast über dem Paar ein Papagei, gespannt das fröhliche Treiben verfolgend. Rest., teils Retuschen. (1401151) (18)
Hampel Fine Art Auctions
Jun. 26, 2024
Important Interior of a Flemish Tavern from the 17th Century - Manner of David Teniers the Younger (Antwerp c 1610-Brussels 1690)
Est: €8,000 - €12,000
Measurements: 35 x 30 cm exterior measurements with frame: 50 x 45 cm good condition (Antwerp c 1610-Brussels 1690) Flemish painter Son of David Teniers I he was baptized on December 15 1610 in the church of Saint James in Antwerp In his youth he followed the style of his father and that of Adam Elsheimer but he soon specialized in genre painting in line with the tradition of the Netherlands where the taste for this type of work was greater than in any other country European In 1638 he entered the Guild of Saint Luke of which he would become dean and was soon protected by Antonio Tries bishop of Ghent and later by Archduke Leopold William appointed by Philip IV governor of the States of Flanders Teniers collaborated in the archduke's acquisitions and contributed greatly to the formation of his fabulous art collection acting as its curator Thanks to this the painter had the opportunity to know and study works by different masters centuries schools and genres The cabinet paintings that Teniers made are a valuable instrument for locating the works that the archduke collected as well as a delight for the senses due to their quality and fidelity to the originals In them the painter appears alongside his protector and his friends something unusual and which constitutes a vindication of the dignity of painting similar to what would later appear in Las Meninas In 1651 his appointment as court painter caused him to move to Brussels The previous year he had begun work on the Theatrum Pictoricum illustrated with two hundred and forty-four etchings of Italian paintings by the most prestigious masters of the 15th 16th and 17th centuries a precursor project to the current illustrated catalogues When Leopold William left Flanders to occupy the imperial throne in 1656 this project was interrupted as were the painter's functions at court However the arrival of Leopold's successor Don Juan José of Austria - also fond of painting - gave Teniers commissions similar to the previous ones Like Rubens and Van Dyck he was free to work on projects for patrons from other countries and had the admiration of Christina of Sweden the Duke of York William II of Orange and Louis II of Condé without forgetting Philip IV who He owned his works from an early date and supported his project to create the Antwerp Academy which was finally inaugurated in 1669 His influence reached the 18th century and he contributed to the Rococo taste for the gentle subjects and themes of life and nature the charm due to the smallness and grace of things and people His paintings enriched the collections of the first Bourbons of Spain: fundamentally that of Isabel de Farnesio His compositions were copied into tapestries which adorned the royal sites of Madrid He put his brushes at the service of a world opposite to the heroic world of Rubens and the masters of history painting Everyday life was the fundamental objective of his indulgence themes and environments previously considered unworthy of rank artists and that would later be very much to the taste of 19th century society This hierarchical distinction is found in Spanish preceptists such as Pacheco and Carducho who treat with disdain those who devote their brushes to such vulgarity But the citizens of Flanders were not of the same opinion who liked to see the acts and lives of humble people immortalized with the same richness of color emotion and poetry as other subjects considered more respectable Teniers unlike Adriaen Brouwer gave a kind image of the taverns the very poor people the drunks and smokers that his teacher conveys to us with more profound and sincere drama Teniers compensates for these limitations with the freshness of a technique of surprising virtuosity drawing on the tradition of the beginning of the century in coexistence with Jan Brueghel the Elder Frans Francken II and Joost de Momper to whom he owes the liveliness of the country festivals in the open air free time fairs cabinet paintings and views of panoramic landscapes It is appropriate to remember that he married Anna daughter of Jan Brueghel the Elder and goddaughter of Rubens which gave him an enviable social level In his painting cabinets he added a series of novelties renouncing the allegorical pretexts of Jan Brueghel the Elder and Rubens to establish an environmental reality and an unquestionable documentary content His collaboration with other masters in his paintings was also frequent both in the studios and in the kermesses and landscapes David Teniers Jan Brueghel and the painting cabinets cat exp Madrid Prado Museum 1992 Provenance: important private collection Madrid to whom he owes the liveliness of open-air country festivals kermesses cabinet paintings and views of panoramic landscapes It is appropriate to remember that he married Anna daughter of Jan Brueghel the Elder and goddaughter of Rubens which gave him an enviable social level In his painting cabinets he added a series of novelties renouncing the allegorical pretexts of Jan Brueghel the Elder and Rubens to establish an environmental reality and an unquestionable documentary content His collaboration with other masters in his paintings was also frequent both in the studios and in the kermesses and landscapes David Teniers Jan Brueghel and the painting cabinets cat exp Madrid Prado Museum 1992 Provenance: important private collection Madrid to whom he owes the liveliness of open-air country festivals kermesses cabinet paintings and views of panoramic landscapes It is appropriate to remember that he married Anna daughter of Jan Brueghel the Elder and goddaughter of Rubens which gave him an enviable social level In his painting cabinets he added a series of novelties renouncing the allegorical pretexts of Jan Brueghel the Elder and Rubens to establish an environmental reality and an unquestionable documentary content His collaboration with other masters in his paintings was also frequent both in the studios and in the kermesses and landscapes David Teniers Jan Brueghel and the painting cabinets cat exp Madrid Prado Museum 1992 Provenance: important private collection Madrid
Templum Fine Art Auctions
Jun. 26, 2024
Teniers, David II d.J. (Kreis/Circle)
Est: €1,500 - €2,000
Teniers, David II d.J. (Kreis/Circle) Antwerpen 1610 - Brüssel 1690 34 x 46 cm Men in tavern playing triktrak. Oil/canvas, relined. From a Southern-German private collection. Teniers, David II d.J. (Kreis/Circle) Antwerpen 1610 - Brüssel 1690 34 x 46 cm Männer in einer Taverne beim Triktrak Spiel. Öl/Lwd., doubl. Aus einer süddeutschen Privatsammlung.
Nagel Auction
Jun. 25, 2024
DAVID TENIERS II The YOUNG Antwerp, Belgium (1610) / Brussels, Belgium (1690) "Rocky landscape with men conversing by a river"
Est: €51,000 - €68,000
Oil on canvas Signed on the lower right Provenance: -Sotheby's, "Old master paintings" , London, April 19, 1989, lot 197 -Private collection, Madrid Measurements: 49 x 58 cm
Ansorena
Jun. 24, 2024
DAVID TENIERS THE YOUNGER (1610-169
Est: -
David Teniers the Younger (1610-1690) (attrib.), Tavern Scene with a Man Playing a Fiddle Observed by an Elderly Woman, oil on oak panel, unsigned, 13 x 17 cm, framed (bumped) 25 x 27 cm
Historia Auctionata