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Giovanni Battista Tiepolo Sold at Auction Prices

Painter, Etcher, b. 1696 - d. 1770

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  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    May. 08, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    May. 08, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • TIEPOLO, GIOVANNI BATTISTA (AUCH GIAMBATTISTA): Cavaliere presso il suo cavallo.
    May. 08, 2025

    TIEPOLO, GIOVANNI BATTISTA (AUCH GIAMBATTISTA): Cavaliere presso il suo cavallo.

    Est: CHF400 - CHF800

    TIEPOLO, GIOVANNI BATTISTA (AUCH GIAMBATTISTA) (Venedig 1696 - 1770 Madrid) : Cavaliere presso il suo cavallo; Radierung; 14,3x18,5 cm (LM), gerahmt; i.d. Platte sig. "Tiepolo" u.M.

    Dobiaschofsky Auktionen AG
  • GIOVANNI B. TIEPOLO (1696 - 1770) La Famiglia del Satiro con l'Obelisco.
    Apr. 15, 2025

    GIOVANNI B. TIEPOLO (1696 - 1770) La Famiglia del Satiro con l'Obelisco.

    Est: $2,500 - $3,500

    GIOVANNI B. TIEPOLO (1696 - 1770) La Famiglia del Satiro con l'Obelisco. Etching, circa 1740. 230x180 mm; 9x7⅛ inches, narrow margins. First state (of 2), before the number. From Scherzi. DeVesme 23; Rizzi 13.

    Swann Auction Galleries
  • GIOVANNI B. TIEPOLO (1696 - 1770) Mago seduto, fanciullo e quattro figure.
    Apr. 15, 2025

    GIOVANNI B. TIEPOLO (1696 - 1770) Mago seduto, fanciullo e quattro figure.

    Est: $2,500 - $3,500

    GIOVANNI B. TIEPOLO (1696 - 1770) Mago seduto, fanciullo e quattro figure. Etching, circa 1740. 225x177 mm; 8⅞x7 inches, wide margins. First state (of 2), before the number. From Scherzi. DeVesme 17; Rizzi 8.

    Swann Auction Galleries
  • GIOVANNI B. TIEPOLO (1696 - 1770) Due Astrologhi ed un Ragazzo.
    Apr. 15, 2025

    GIOVANNI B. TIEPOLO (1696 - 1770) Due Astrologhi ed un Ragazzo.

    Est: $2,500 - $3,500

    GIOVANNI B. TIEPOLO (1696 - 1770) Due Astrologhi ed un Ragazzo. Etching, circa 1740. 230x175 mm; 9x6⅞ inches, full margins. First state (of 2), before the number. From Scherzi. DeVesme 25; Rizzi 16.

    Swann Auction Galleries
  • Tiepolo Giambattista - Man and Soldier with an Urn - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - Man and Soldier with an Urn - Etching on paper (1785)

    Est: £1,800 - £2,000

    Man and soldier with an urn  is an etching realized by Giambattista Tiepolo in 1785.  A woman looks out of the print. Two characters, a man and a soldier, are in front of a funeral element. Sheet 23 x 30 cm. Good impressions on paper, with wide margins. Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50.  It belongs to the edition of "Varii Capriccj" dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733  and 1735.

    L'Autographe Auctions
  • Tiepolo Giambattista - The Night and His Horse - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - The Night and His Horse - Etching on paper (1785)

    Est: £1,800 - £2,000

    The knight and his horse is an etching realized by Giambattista Tiepolo, in 1785.  Sheet 23 x 30 cm. Good impressions on paper, with wide margins. Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50.  It belongs to the edition of "Varii Capriccj" dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733  and 1735.

    L'Autographe Auctions
  • Tiepolo Giambattista - Chained Woman and Four Figures - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - Chained Woman and Four Figures - Etching on paper (1785)

    Est: £1,600 - £1,800

    Chained woman and four figures is an etching realized by Giambattista Tiepolo, in 1785. Signed on plate.

    L'Autographe Auctions
  • Tiepolo Giambattista - The Young Man Sitting - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - The Young Man Sitting - Etching on paper (1785)

    Est: £1,200 - £1,400

    The young man sitting is an etching realized by Giambattista Tiepolo in 1785. Signed on plate. Good impressions on paper, with wide margins. Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50. It belongs to the edition dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733 and 1735.

    L'Autographe Auctions
  • Tiepolo Giambattista - The Nynph and the Centaur - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - The Nynph and the Centaur - Etching on paper (1785)

    Est: £1,600 - £1,800

    The nynph and the centaur is an etching realized by Giambattista Tiepolo, in 1785. Signed on plate. Good impressions on paper, with wide margins. Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50. It belongs to the edition dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733 and 1735.

    L'Autographe Auctions
  • Tiepolo Giambattista - Woman Soldiers - Etching on paper (1785)
    Apr. 15, 2025

    Tiepolo Giambattista - Woman Soldiers - Etching on paper (1785)

    Est: £1,800 - £2,000

    Woman soldiers is an etching realized by Giambattista Tiepolo, in 1785. Signed on Plate. Good impressions on paper, with wide margins. Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50. It belongs to the edition dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733 and 1735.

    L'Autographe Auctions
  • Tiepolo Giambattista - Filosofo in piedi e due Figure - Etching on paper (-)
    Apr. 15, 2025

    Tiepolo Giambattista - Filosofo in piedi e due Figure - Etching on paper (-)

    Est: £1,800 - £2,000

    Etching on copper. Signed on plate: Tiepolo. Very good conditions. Beautiful Artist's proof. Sixth Sheet from “Vari Capricci”, the most important series by Giambattista Tiepolo including 10 etchings (uncertain dating). A Perfect example of Capriccio painting with religious, historical, mythological and allegorical subjects, inspired by philosophical and literary suggestions. Giambattista Tiepolo (Venezia, 1696 – Madrid, 1770) was a famous Italian painter and printmaker from the Republic of Venice. Ref: A. Rizzi,  Mostra del Tiepolo, Disegni e Acqueforti, Milano, Electa, 1971, pag. 84, imag. n. 34; Nagler, 1847, 13; De Vesme, 1906, 8; Sack, 1910, 13; Hind, 1921, 8; Pallucchini, 1941, 302; Pittalunga, 1952, p. 135; Pignatti, 1970, p. 306; Rizzi, 1971, 34.

    L'Autographe Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Apr. 10, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Apr. 10, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • Tiepolo, Giovanni Battista: Anbetung des Jesuskindes durch die Heiligen Drei Könige
    Mar. 28, 2025

    Tiepolo, Giovanni Battista: Anbetung des Jesuskindes durch die Heiligen Drei Könige

    Est: €30,000 - €60,000

    Tiepolo, Giovanni Battista - Adoration of the Infant Jesus by the Magi (Venice 1696-1770 Madrid) Pen and India ink and red chalk/paper. Signed verso. 'Di Giovanni Batt. Tiepolo Veneziano 88 Dipinto al sig Sandro Varota da Gat' (?). Visible size 48 x 35.5 cm; framed in passepartout and under glass - According to the accompanying expert opinion by Privy Councillor Dr Heinrich Zimmermann (Director General of the Staatliche Museen Berlin) from 1962, the red chalk drawing was created during his work in Würzburg around 1753. There are similarities to the altarpiece for the Benedictine monastery of Münsterschwarzach. See the 1996 exhibition catalogue 'Heaven on Earth - Tiepolo in Würzburg', pp. 128-131. /// Tiepolo, Giovanni Battista Anbetung des Jesuskindes durch die Heiligen Drei Könige (Venedig 1696-1770 Madrid) Tuschfeder und Rötel/Papier. Verso sign. ''Di Giovanni Batt. Tiepolo Veneziano 88 Dipinto al sig Sandro Varota da Gat'' (?). Sichtmaß 48 x 35,5 cm; in Passepartout und unter Glas ger. - Laut beiliegendem Gutachten des Geheimrats Dr. Heinrich Zimmermann (Generaldirektor der Staatlichen Museen Berlin) aus dem Jahr 1962 entstand die Rötelzeichnung während seiner Tätigkeit in Würzburg um 1753. Ähnlichkeiten bestehen zu dem Altarbild für das Benediktinerkloster Münsterschwarzach. Vgl. Ausstellungskatalog 1996 ''Der Himmel auf Erden - Tiepolo in Würzburg'', S. 128-131.

    Kunstauktionshaus Schlosser
  • Giambattista Tiepolo "Woman Placing Her Hands on a Vase, Soldier, and Slave", from the series "Vari Capricci" etching (137x175 mm.) signed "Tiepolo" on the base of the pyramid framed (defects)...
    Mar. 27, 2025

    Giambattista Tiepolo "Woman Placing Her Hands on a Vase, Soldier, and Slave", from the series "Vari Capricci" etching (137x175 mm.) signed "Tiepolo" on the base of the pyramid framed (defects)...

    Est: €250 - €300

    (Venezia 1696 - Madrid 1770) "Woman Placing Her Hands on a Vase, Soldier, and Slave", from the series "Vari Capricci" etching (137x175 mm.) signed "Tiepolo" on the base of the pyramid framed (defects) IT "Donna che posa le mani su un vaso, soldato e schiavo", dalla serie "Vari Capricci" acquaforte (mm 137x175) firma "Tiepolo" sul basamento della piramide in cornice (difetti)

    Il Ponte Auction House
  • Giambattista Tiepolo "Standing Philosopher and Two Figures", from the series "Vari Capricci" etching (135x173 mm.) signed "Tiepolo" on the marble slab in the foreground framed (defects)...
    Mar. 27, 2025

    Giambattista Tiepolo "Standing Philosopher and Two Figures", from the series "Vari Capricci" etching (135x173 mm.) signed "Tiepolo" on the marble slab in the foreground framed (defects)...

    Est: €250 - €300

    (Venezia 1696 - Madrid 1770) "Standing Philosopher and Two Figures", from the series "Vari Capricci" etching (135x173 mm.) signed "Tiepolo" on the marble slab in the foreground framed (defects) IT "Filosofo in piedi e due figure", dalla serie "Vari Capricci" acquaforte (mm 135x173) firma "Tiepolo" sulla lastra marmorea in primo piano in cornice (difetti)

    Il Ponte Auction House
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Mar. 13, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Mar. 13, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • Domenico Tiepolo, after Giovanni Battista Tiepolo,  The Last Supper 
    Mar. 12, 2025

    Domenico Tiepolo, after Giovanni Battista Tiepolo,  The Last Supper 

    Est: £200 - £400

    Domenico Tiepolo, after Giovanni Battista Tiepolo,  Italian 1727-1804, and Italian 1696-1770-  The Last Supper;  etching on laid paper, inscribed 'Giov. Batta Tiepolo immagino e dipinse e Giov. Dom. figlio delin scolpi e dedico quest'opera all'Illmo Sig. Antonio Zanetti di Girolamo uomo eruditissimo' and three lines of verse (within the plate, lower margin), 34.2 x 17 cm. (unframed / mounted).  Provenance: Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).

    Roseberys
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Feb. 25, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Feb. 18, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • A sheet of studies of three heads of satyrs and the head of a Bacchus
    Feb. 05, 2025

    A sheet of studies of three heads of satyrs and the head of a Bacchus

    Est: $15,000 - $20,000

    Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid) A sheet of studies of three heads of satyrs and the head of a Bacchus Pen and brown ink and wash over black chalk 229 by 135 mm; 9 by 5 ⅜ in.

    Sotheby's
  • GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770 MA
    Feb. 05, 2025

    GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770 MA

    Est: $700,000 - $1,000,000

    GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770 MADRID). A young woman in sixteenth-century costume. oil on canvas27 7/8 x 21 in. (71 x 53.3 cm.).

    Christie's
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Feb. 04, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID). Caricature of a man re
    Feb. 04, 2025

    GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID). Caricature of a man re

    Est: $8,000 - $12,000

    GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID). Caricature of a man resting his hands on his hips. pen and black ink, gray wash8 1/8 x 5 ½ in. (20.4 x 14 cm).

    Christie's
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Jan. 28, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • Attributed to GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770); XVIII century. "Biblical scene". Tempera on paper. It has faults in the frame.
    Jan. 22, 2025

    Attributed to GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770); XVIII century. "Biblical scene". Tempera on paper. It has faults in the frame.

    Est: €1,000 - €1,200

    Attributed to GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770); XVIII century. "Biblical scene". Tempera on paper. It has faults in the frame. Measurements: 30 x 42 cm; 61 x 74 cm (frame). The Venetian Giovanni Battista Tiepolo was one of the greatest painters of the Europe of the XVIII century, and the magnificent first master of the Great Manner, an idealized aesthetic derived from classicism. His art exalts the imagination by translating the world of ancient history, myth, scripture and sacred legends into a grandiose and theatrical language, typical of the late Baroque. Tiepolo developed an aesthetic that, starting from the convention of his formative period, evolved brilliantly, becoming increasingly splendid, celebrating the notion of Italian "capriccio" and "fantasia". He was one of the most important Italian fresco painters of his time, as well as an easel painter and engraver, considered the last great painter of the Baroque era and one of the most outstanding figures of the Italian Rococo. Especially decisive was his birth in Venice; his first teacher was Giorgio Lazzarini, who trained him in the study of the Venetian masters of the 16th century. He learned mainly the chromaticism and the violent chiaroscuro effects of Veronese. He began his career working for the Venetian Cornari and Dolfin families, and around 1718-1720 he executed his first important work, the series of canvases on Queen Zenobia for the Ca'Zenobio palace in his native Venice. He was a very active painter not only in Venice, but also in other areas of northern Italy and, in 1761, he was called to Madrid by Charles III to decorate the Throne Room of the new Royal Palace. Always supported by his sons Domenico and Lorenzo, Tiepolo worked in the palace between 1762 and 1766, and finally decided to remain working for the Spanish court, accepting various royal commissions as a chamber painter. Works by this painter are currently preserved in leading art galleries in Europe and America, such as the Prado Museum, the Metropolitan Museum in New York, the Louvre in Paris, the Academy Gallery in Venice, the Gemäldegalerie in Berlin, the Hermitage in St. Petersburg, the Kunsthistorisches in Vienna, the Thyssen-Bornemisza Museum in Madrid, the National Museum in Stockholm, the Pinacoteca de Brera in Milan and the Rijksmuseum in Amsterdam, among others.

    Setdart Auction House
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Jan. 14, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Jan. 07, 2025

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Dec. 23, 2024

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Dec. 17, 2024

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • Giambattista Tiepolo 1696 Venezia-1770 Madrid, attribuito a Sant'Ambrogio
    Dec. 12, 2024

    Giambattista Tiepolo 1696 Venezia-1770 Madrid, attribuito a Sant'Ambrogio

    Est: €4,000 - €5,000

    penna, inchiostro e acquerello bruno su carta

    Cambi Casa d'Aste
  • Tiepolo. A whim from the series "Scherzi de Fant
    Dec. 11, 2024

    Tiepolo. A whim from the series "Scherzi de Fant

    Est: -

    Etching signed in plate in the lower corners. Heavyweight linen paper.

    Duran Arte y Subastas
  • Tiepolo. Satyr family with obelisk
    Dec. 11, 2024

    Tiepolo. Satyr family with obelisk

    Est: -

    Etching signed in the plate in the lower left corner. Heavyweight linen paper.

    Duran Arte y Subastas
  • Tiepolo. Punchinello gives advice
    Dec. 11, 2024

    Tiepolo. Punchinello gives advice

    Est: -

    Etching, signed with an anagram in the lower right corner. Heavyweight linen paper.

    Duran Arte y Subastas
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
    Dec. 03, 2024

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.

    The Rug Life Auctions
  • GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770. G
    Dec. 03, 2024

    GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770. G

    Est: £1,000,000 - £1,500,000

    GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770. Guilty Punchinello. oil on canvas 40 x 64 ¾ in. (101.6 x 164.5 cm.).

    Christie's
  • GIAMBATTISTA TIEPOLO
    Nov. 27, 2024

    GIAMBATTISTA TIEPOLO

    Est: €5,000 - €8,000

    (Venezia, 1696 - Madrid, 1770) Sant'Antonio da Padova Olio su tela, cm 120X61 Provenienza: Milano, collezione Giuseppe Beltrami Milano, collezione privata (1949) Bibliografia: P. Molmenti, G. B. Tiepolo, la sua vita e le sue opere, Milano 1909, p. 341 (come Domenico Tiepolo) E. Sack, Giambattista und Domenico Tiepolo, Ihr Leben und Hire Werke, Hamburg 1910, p. 312, n. 94(come Domenico Tiepolo, ma giudicata simile ai lavori di Aranjuez) P. Molmenti, Tiepolo. La vie et l'oeuvre du Peintre, Parigi 1911, tav. 251 Nei pionieristici studi di Molmenti e di Sack, questa piccola pala fu assegnata a Giandomenico Tiepolo, quando il pittore guarda alle ultime creazioni spagnole del padre. Tuttavia, il confronto fra i due studiosi si avvaleva di una riproduzione fotografica e da allora il dipinto non fu più oggetto di studio. Il suo riapparire ha pertanto permesso a Giorgio Fossaluzza una riconsiderazione critica del dipinto, proponendo di ricondurlo al catalogo di Giambattista, ravvisandovi una data d'esecuzione al quarto decennio, vale a dire, nel momento in cui l'autore evolve con maggiore evidenza. Sono gli anni in cui Tiepolo porta a termine gli affreschi di Udine e le tele di palazzo Dolfin a Venezia, oggi conservate a Vienna, New York e Pietroburgo- ed è in questa fase che si colloca l'opera, connotata da una sciolta conduzione pittorica e una peculiare costruzione scenica, la medesima che riconosciamo negli affreschi e nelle pale d'altare di questo momento, la cui articolazione compositiva si fa accentuatamente verticale. A confronto possiamo qui ricordare la pala di Pieve di Sacco, l'Adorazione del Bambino custodita nella Sacrestia dei canonici della Basilica di San Marco, l'Educazione della Vergine di Santa Maria della Fava e la pala realizzata per la chiesa padovana di San Prosdocimo oggi custodita all'Accademia di Venezia. Rispetto a queste opere, la tela in esame presenta però una riuscita fermezza compositiva nell'enfatizzare la centralità della figura e il suo atteggiamento meditativo nel momento in cui riceve il serto di gigli. Nondimeno, l'opera condivide con le creazioni degli anni Trenta una peculiare agilità delle stesure e una più consapevole sensibilità cromatica, riconoscibile nel panneggio rosato che avvolge il Bimbo e nel tessuto blu che spicca al centro della composizione, artificio che equilibra e ravviva con le sue screziature la scena. Quanto al riscontro tipologico, il volto squadrato e teso del Santo, sapientemente costruito dalla gradazione chiaroscurale, rammenta ancora le opere degli anni Venti ma, soprattutto, indica un preciso confronto con il San Rocco della collezione Von Pannwitz a Bennebrock e di collezione Cicogna a Milano (Gemin, Pedrocco 1993, pp. 306 cat. 184, 309 cat. 196). Si ringrazia Giorgio Fossaluzza per l'attribuzione. Bibliografia di riferimento: M. Gemin, F. Pedrocco, Giambattista Tiepolo. I dipinti. Opera completa, Venezia 1993, ad vocem F. Pedrocco, Giambattista Tiepolo: gli esordi, in Giambattista Tiepolo, catalogo della mostra a cura di A. Bayer, K. Christiansen, G. Nepi Scirè, F. Pedrocco, G. Romanelli, Milano 1996, pp. 37-51 G.M. Pilo, Per la giovinezza di Giovan Battista Tiepolo, in Arte Documento, 10, 1996, pp. 168-173

    Wannenes Art Auctions
  • Tiepolo, Giovanni Battista: Nymphe mit kleinem Satyr und zwei Ziegen
    Nov. 27, 2024

    Tiepolo, Giovanni Battista: Nymphe mit kleinem Satyr und zwei Ziegen

    Est: €1,500 - €1,800

    Ninfa con un piccolo satiro - Nymphe mit kleinem Satyr und zwei Ziegen. Radierung. 14 x 17,5 cm. De Vesme 7, Rizzi (1970) 32, Rizzi (1971) 33, Succi 45. Wz. Fragment. Ganz augezeichneter, klarer Druck mit breitem Rand. Marginale Gebrauchsspuren, verso vereinzelte schwache Leimrestchen, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Tiepolo, Giovanni Battista: Der hl. Joseph und das Christuskind
    Nov. 27, 2024

    Tiepolo, Giovanni Battista: Der hl. Joseph und das Christuskind

    Est: €1,200 - €1,500

    Der hl. Joseph und das Christuskind. Radierung. 9,6 x 8,8 cm. De Vesme 2, Rizzi (1970) 27 I (von II), Rizzi (1971) 28 I (von II). Die kleine, einfühlsam beobachtete Darstellung des hl. Joseph mit dem Christkind ist von großer Seltenheit. Ausgezeichneter Druck vor der Nummer, mit feinem Rändchen um die teils mitdruckende Plattenkante. Die linke obere und untere Ecke minimal ausgerissen und hinterlegt, verso vereinzelte Montierungsreste, sonst sehr gut erhaltenes Exemplar. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
    Nov. 26, 2024

    GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)

    Est: $1,000 - $1,500

    Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.

    The Rug Life Auctions
  • Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
    Nov. 26, 2024

    Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);

    Est: $2,500 - $3,500

    Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 13; 15), 1735-40 Two etchings on laid paper each with a partial unidentified watermark, each Rizzi's first state (of 2), each with margins. (2 works) Titles Include: The Happy Satyr and his Family; Six People watching a Snake plate 8 7/8 x 7in (22.5 x 17.8cm); 8 7/8 x 6 15/16in (22.5 x 17.6cm) sheet 11 1/4 x 8 15/16in (28.6 x 22.7cm); 15 1/4 x 10 3/4in (38.7 x 27.3cm)

    Bonhams
  • Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
    Nov. 26, 2024

    Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);

    Est: $3,000 - $5,000

    Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 8; 16), c. 1743–50 Two etchings on laid paper each with partial unidentified watermarks, each Rizzi's first state (of 2), one with margins, the other with thread margins. (2 works) Titles Include: Seated Magician, Boy and Four Figures; Two Astrologers and a Boy plate 8 7/8 x 7in (22.5 x 17.8cm); 8 15/16 x 6 7/8in (22.6 x 17.5cm) sheet 9 5/8 x 7 13/16in (24.4 x 19.8cm); 9 3/16 x 7 1/16in (23.3 x 17.9cm)

    Bonhams
  • Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
    Nov. 26, 2024

    Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);

    Est: $3,000 - $5,000

    Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 14; 17), c. 1735–40 Two etchings on laid paper one with partial unidentified watermark, each Rizzi's first state (of 2), one with thread margins, the other with margins. (2 works) Titles Include: Satyr Family with Obelisk; Two Magicians and Two Boys plate 8 7/8 x 6 15/16in (22.4 x 17.6cm); 8 11/16 x 6 15/16in (22 x 17.5cm) sheet 9 x 7 1/16in (22.9 x 17.9cm); 9 1/2 x 7 3/4in (24.1 x 19.7cm)

    Bonhams
  • Tiepolo, Giovanni Battista (1696-1770) (circle/ in the style of). (The Holy Virgin and child).
    Nov. 22, 2024

    Tiepolo, Giovanni Battista (1696-1770) (circle/ in the style of). (The Holy Virgin and child).

    Est: €700 - €900

    Tiepolo, Giovanni Battista (1696-1770) (circle/ in the style of). (The Holy Virgin and child). Drawing, pen and ink, brown wash, 25x21 cm. - Paper brittle and frayed along outer edges; browned and offsetting along edges.

    Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
  • G. TIEPOLO (1696-1770), Allegory of the glory of heroes with priestess Hero, Reproduction
    Nov. 16, 2024

    G. TIEPOLO (1696-1770), Allegory of the glory of heroes with priestess Hero, Reproduction

    Est: €45 - €75

    Giovanni Battista Tiepolo (1696 - 1770 ): Allegory of the glory of heroes With priestess Hero, her tower and tumbling angels, 18th century, Reproduction Technique: Reproduction on Paper Inscription: Lower middle signed in the printing plate: "Ioannes Batta Tiepolo inv. et pinx.". Date: 18th century Description: Heavenly scene with angels and putti. The focus is on the priestess Hero in front of a high tower. The composition has a narrative quality that suggests a divine or mythological scene. The pyramid-like structure and the splendid staging convey a transcendence reminiscent of Baroque ceiling frescoes. Keywords: Heavenly scene; Baroque; Mythology; Goddess; Angel; Pyramid; Homage; Transcendence; Figures; Clouds; Narrative; References; Work of art; Dynamics; Composition; Ceiling fresco; Sacred; Symbolism; Divinity; Splendour; Hero; Glory of heroes, 18th century, Baroque, Mythology, France, Size: Paper: 49,2 cm x 40,8 cm (19,4 x 16,1 in), Depiction: 44,4 cm x 34,3 cm (17,5 x 13,5 in)

    Fichter Kunsthandel
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