Wilhelm (1751) Tischbein Paintings & Artwork for Sale | Wilhelm (1751) Tischbein Art Value Price Guide

Nov. 29, 2024
Tischbein, Johann Heinrich Wilhelm: Bacchus und Ariadne
Est: €600 - €800
Bacchus und Ariadne. Feder in Schwarz, Pinsel in Grau und Braun über Bleistift. 15,4 x 16,8 cm. Wz. undeutlich mit Nebenmark "MP". - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 18, 2024
Johann Heinrich Wilhelm Tischbein (1751 Haina/Hessen – Eutin 1829) – Die Auferstehung Christi
Est: €300 - €400
Radierung auf Velin mit Wz.-Schriftzug „GR.h.hEA“. (1763). 43,6 x 29,7 cm (Blattgröße 46,6 x 33 cm). Nagler 2; Le Blanc 2. Ganz ausgezeichneter, wirkungsreicher Druck mit einem bis zu 1,8 cm breiten Rand um die Plattenkante. Das radierte Hauptblatt des „Goethe-Tischbeins“ nach seinem Altargemälde in der Hauptkirche Sankt Michaelis in Hamburg aus demselben Jahr, das 1906 einem Brand zum Opfer fiel. – Entlang der Plattenkante rechts minimal lichtrandig. Vereinzelt feine Quetschfältchen (im Bereich der unteren linken Ecke außerhalb der Darstellung). In guter Erhaltung. Taxation: differenzbesteuert (VAT: Margin Scheme)
Karl & Faber
Nov. 15, 2024
Johann Heinrich Wilhelm Tischbein (1751 Haina/Hessen – Eutin 1829) – Jagdhunde greifen einen Bären an (Hunting dogs attacking a bear)
Est: €1,600 - €2,000
Black chalk, graphite stick and brown ink, watercolour highlighted in white on laid paper. Size of depiction: 20 x 32.7 cm (sheet: 27.5 x 40.2 cm). With a broad laid paper margin painted green with watercolour, presumably by the artist, numbered "4" upper right. Enclosed: Idem, Hunting dog fighting a bear, black chalk on laid paper with watermark "crowned GR with vines in a circle", 33.1 x 20.6 cm (sheet).
Karl & Faber
Nov. 09, 2024
Tischbein, wohl Johann Heinrich I, Tableau mit 9 von ursprünglich mehreren Zeichnungen um 1780, Menschen in Landschaften, sign., gerahmt
Est: €900 - €1,200
Tischbein, wohl Johann Heinrich I, Tableau mit 9 von ursprünglich mehreren Zeichnungen um 1780, Menschen in Landschaften, sign., gerahmt Johann Heinrich Wilhelm Tischbein, genannt Goethe-Tischbein,1751 Haina (Kloster) - 1829 Eutin, wohl, deutscher Maler aus der hessischen Malerfamilie Tischbein, hier: Tableau mit 9 von ursprünglich wohl12 Monatsbildern: Nach der Reihe der Nummerierung wie folgt: 1.) Bauer beim Pflügen, im Hintergrund ein Gehöft // 2.) Zwei junge Frauen und ein Amor beim Badespaß in einem Gewässer, im Hintergrund eine Wassermühle // 3.) Jagdszene mit einer Frau und einem Mann, zwei Hirsche verfolgend, die von zwei Jägern erlegt werden // 5.) Frauen und Männer mit Musikanten beim Tanz im Freien // 6.) Zwei junge Hirtinnen mit Ziege und Schaf in einer romantischen Landschaft // 7.) Zwei Mönche passieren ein Kreuz, im Hintergrund ein Kloster // 8.) Bauer mit zwei Rindern in einer Furt, im Hintergrund eine Burg // 9.) Personen und ein Boot bei einer Stadt am Fluss // 11.) Kutsche auf einer Bogenbrücke, vor einem Schlagbaum haltend, dahinter ein Zollgebäude, Bleistiftzeichnungen, je 6 x 8,5 cm, auf Blatt 1 signiert, alle zusammen gerahmt Tischbein, probably Johann Heinrich I, tableau with 9 of originally several drawings around 1780, people in landscapes, signed, framed Johann Heinrich Wilhelm Tischbein, called Goethe-Tischbein,1751 Haina (monastery) - 1829 Eutin, probably, German painter from the Hessian Tischbein family of painters, here: Tableau with 9 of probably originally 12 monthly pictures: According to the numbering sequence as follows: 1.) Farmer ploughing, a farmstead in the background // 2.) Two young women and a cupid bathing in a body of water, a watermill in the background // 3.) Hunting scene with a woman and a man pursuing two stags that are being shot by two hunters // 5.) Women and men with musicians dancing outdoors // 6.) Two young shepherdesses with a goat and a sheep in a romantic landscape // 7.) Two monks passing a cross, a monastery in the background // 8.) Farmer with two cattle in a ford, a castle in the background // 9.) People and a boat near a town on a river // 11.) Carriage on an arched bridge, stopping in front of a barrier, behind it a customs building, pencil drawings, each 6 x 8.5 cm, signed on sheet 1, all framed together
K&K – Auktionen in Heidelberg
Oct. 16, 2024
Johann Heinrich Wilhelm Tischbein (1751 – 1829) – Attributed
Est: €400 - €800
Johann Heinrich Wilhelm Tischbein (1751 – 1829) – Attributed, couple with armor. Oil on wooden panel. Framed. 48 x 38 cm.
Deutsch Auktionen
Aug. 17, 2024
J. TISCHBEIN (*1751) attributed, Shepherd with staff, around 1790, Pen drawing
Est: €1,050 - €1,400
Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin) attributed: Shepherd leaning on his staff, c. 1790, Pen drawing Technique: Pen drawing on Paper Watermark: Fauna - Quadruped - Date: 18th century Date: c. 1790 Description: The drawing shows the detailed rear view of a shepherd leaning on his staff and gazing into the distance. Keywords: Germany, drawing, tables, pen, shepherd, staff, man, repoussoir, back, 18th century, Classicism, People, Germany, Size: Paper: 21,2 cm x 15,4 cm (8,3 x 6,1 in)
Fichter Kunsthandel
Jul. 27, 2024
After TISCHBEIN (*1751), Excitement about an evening guest, Etching
Est: €75 - €125
After Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Excitement about an absent evening guest, 19th century, Etching Technique: Etching on Paper Date: 19th century Description: The hosts seem to receive their evening guest with eager anticipation. He seems to have just left the sparsely set table. His coat still lies next to the chair and the bread untouched in front of the plate. Keywords: 19th century, Romanticism, Costumes, Germany, Size: Paper: 26,8 cm x 21,7 cm (10,6 x 8,5 in), Plate: 20,0 cm x 15,0 cm (7,9 x 5,9 in), Depiction: 16,7 cm x 13,7 cm (6,6 x 5,4 in)
Fichter Kunsthandel
May. 30, 2024
Johann Heinrich Wilhelm Tischbein Haina 1751 – 1829 Eutin - A leopard and a leopardess with two cubs at the entrance to a cave. Circa 1810/20
Est: €20,000 - €30,000
Johann Heinrich Wilhelm Tischbein Haina 1751 – 1829 Eutin A leopard and a leopardess with two cubs at the entrance to a cave. Circa 1810/20 Black chalk, brown washed and watercolour, on paper 12 5/8 × 16 in.
Grisebach
May. 30, 2024
Tischbein, Johann Heinrich Wilhelm: Idyllische Landschaft mit zwei Quellnymphen
Est: €3,600 - €4,500
Idyllische Landschaft mit zwei Quellnymphen. Öl auf Holz. 38 x 50 cm. Verso signiert (?) "Wilh Tischbein" (undeutlich), sowie darunter Fragmente eines Klebeetiketts mit handschriftl. Bez. "in Eut... / ... Nymphen erg... / ...Quell.". Um 1820. Bei vorliegendem Gemälde handelt es sich um eine Variante zu den "Quellnymphen" des Idyllen-Zyklus im Schloss in Oldenburg (s. Gerhard Wietek: 200 Jahre Malerei im Oldenburger Land, Ausst. Kat. Oldenburg 1986, S. 70 mit Abb. S. 71). Das Oldenburger Gemälde im Hochformat zeigt einen engeren, lediglich auf die beiden Nymphen fokussierten Bildausschnitt, während bei unserem Werk im Querformat die Landschaft eine genauso große Rolle spielt, wie die beiden mythischen Quellnymphen in der rechten Bildhälfte. Herzog Peter Friedrich Ludwig beauftragte seinen Hofmaler Tischbein 1819 mit einem Idyllenzyklus, der heute als Schmuckstück der Beletage und des gesamten Oldenburger Schlosses gilt. Die Idee zu diesen Kompositionen von Nymphen und Göttern der griechischen Antike hatte Tischbein bereits 1786 mit Johann Wolfgang von Goethe entwickelt. Nach Vollendung des Zyklus suchte Tischbein erneut den Kontakt zu Goethe, der zu jedem Bild Prosatexte und Verse schrieb. Dr. Hermann Mildenberger, Weimar, bestätigte die Autorschaft Tischbeins nach Begutachtung des Originals am 27. Dezember 2023 (mdl.). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 25, 2024
H. PFENNINGER (*1749) after TISCHBEIN (*1751), Joh. Jakob Bodmer, around 1800, Etching
Est: €300 - €400
Heinrich Pfenninger (1749 Zurich - 1829 ) after Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Portrait of the Swiss scholar Johann Jakob Bodmer, c. 1800, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Bodmer | H. Pfeninger fecit | Tischbein pinxit", unten mittig von fremder Hand in Bleistift bezeichnet: "das Bild von T. verloren gegangen | zuletzt in Gotha | Anton Graff gemalt". Date: c. 1800 Description: After the lost painting by the portrait painter Wilhelm Tischbein (1751 Haina - 1829 Eutin). Shows the half-profile bust of the Swiss philologist, historian and writer Johann Jakob Bodmer (1698 Greifensee - 1783 Gut Schönenberg near Zurich). Keywords: Portrait, Fashion, Philosophy, Switzerland, 19th century, Classicism, Portraits, Switzerland, Size: Paper: 23,2 cm x 14,6 cm (9,1 x 5,7 in), Plate: 12,7 cm x 8,0 cm (5 x 3,1 in), Depiction: 9,3 cm x 7,3 cm (3,7 x 2,9 in)
Fichter Kunsthandel
May. 07, 2024
Johann Heinrich Wilhelm Tischbein, Haina 1751 - 1829 Eutin, circle of, The Galan
Est: €1,300 - €2,600
Johann Heinrich Wilhelm Tischbein Haina 1751 - 1829 Eutin, circle of The Galan Oil on wood 37 x 29 cm, with frame 49 x 42 cm
Tiberius Auctions
May. 07, 2024
Johann Heinrich Wilhelm Tischbein, Haina 1751 - 1829 Eutin, circle of, The Voyeur
Est: €1,300 - €2,600
Johann Heinrich Wilhelm Tischbein Haina 1751 - 1829 Eutin, circle of The Voyeur Oil on wood 37 x 29 cm, with frame 49 x 42 cm
Tiberius Auctions
May. 04, 2024
Tischbein, Johann Heinrich Wilhelm
Est: €550 - €800
(1751 Haina - Eutin 1829) zugeschrieben. Gestalten aus Homers Epos Ilias (Hektor, Paris, Nestor, Odysseus). Sepia auf Papier (Nicht geöffnet). 19 x 30 cm (Sichtmaß). Nicht signiert. Rahmen mit Glas. Wohl eine Vorzeichnung für die Darstellung der sieben Haupthelden der Ilias. D
Kiefer Buch- und Kunstauktionen
Apr. 27, 2024
Four: Johann Heinrich Wilhelm Tischbein (German 1751-1829) after Sir William Hamilton (British 1730-1803), Terracotta, black, and white engravings to include, Plate 12, Plate 5, Plate 15, Plate 36, each 7 1/2" x 12", ...
Est: $300 - $500
Four: Johann Heinrich Wilhelm Tischbein (German 1751-1829) after Sir William Hamilton (British 1730-1803) Terracotta, black, and white engravings to include Plate 12 Plate 5 Plate 15 Plate 36 each 7 1/2" x 12" Provenance: Estate of William J Levy Park Avenue, New York O'Shea Gallery, London, England
Nadeau's Auction Gallery
Apr. 09, 2024
TISCHBEIN, Johann Heinrich Wilhelm, der "Goethe-Tischbein", 1751 – 1829.
Est: €900 - €1,200
TISCHBEIN, Johann Heinrich Wilhelm, der "Goethe-Tischbein", 1751 – 1829. E. Br. m. U. Eutin 25.III.1813. 1 S. 4o. Mit Oblatensiegel und Adresse. An den Verleger Friedrich Perthes in Hamburg, von dem er ein Manuskript zurückerbittet. "... Gleich nach Ihrer Abreise war ich den andern Tag bey H. Platte ihm einen Gruß von Ihnen zu bringen. Und fragte ihn das wen er Bücher von Ihnen komen lasse, auch etwas für mich mit Bey Gepackt werden könde … Nun findet sich aber eine Gute Gelegenheit. H. Mentz und sein Schwiegersohn H. von Boulgu" (der oldenburgische Staatsminister Wilhelm Ernst von Beaulieu-Marconnay) "komen nach Hamburg und werden Ihnen Grüsse par wörder bringen. Da bitte ich Ihnen das Manusckript Von Meiner Schweizerreise und Aufenthalt zu geben das sie es mir mitbringen. Nach unserer abrede wolden Sie mir es aus vorsorge erst abschreiben lassen, und dan schiken … ich möchte es gerne haben, weil ich noch Manches dazuschreiben mus …" Mit Perthes’ Empfangsvermerk auf der Adresse. – Aus der Autographensammlung Annette von Droste-Hülshoff.
Stargardt Autographenhandlung
Mar. 08, 2024
JOHANN HEINRICH WILHELM TISCHBEIN (ATTR.)
Est: €600 - €1,200
JOHANN HEINRICH WILHELM TISCHBEIN (ATTR.) 1751 Haina - 1828 Eutin TWO WORKS: TWO WOMEN IN ANTIQUE WALLS. MISTRESS AND SERVANT Each ink on paper. 27.5 x 17.5 cm, 16 x 17.5 cm (P. 44 x 35 cm). Each slightly stained, rubbed margins. Each in passepartout. Provenance: Private collection. JOHANN HEINRICH WILHELM TISCHBEIN (ATTR.) 1751 Haina - 1828 Eutin ZWEI ARBEITEN: ZWEI FRAUEN IN ANTIKEN GEWÄNDERN. HERRIN UND DIENERIN Jew. Tusche auf Papier. 27,5 x 17,5 cm, 16 x 17,5 cm (P. 44 x 35 cm). Jew. min fleckig, am Rände ber. Jew. im Passepartout. Provenienz: Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 24, 2024
F. BOLLINGER (*1777) after TISCHBEIN (*1751), Portrait of A. G. Kaestner, Etching
Est: €60 - €100
Friedrich Wilhelm Bollinger (1777 Berlin - 1825 ibid.) after Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Portrait of A G Kaestner, 19th century, Etching Technique: Etching on Paper Inscription: Signed "Tischbein del" on the left and "Bollinger sc." on the right below the picture. Inscribed below with the sitter's name "A.G.KAESTNER". Date: 19th century Keywords: 19th century, Romanticism, Portraits, Germany,
Fichter Kunsthandel
Feb. 17, 2024
JOHANN HEINRICH WILHELM TISCHBEIN, GERMANIA 1751 – 1829
Est: €1,500 - €2,000
Pastello raffigurante gentil donna, 1779. Tischbein fu attivo a Berlino come ritrattista nella seconda metà del XVIII Secolo, dopo una borsa di studio in Italia ritornò in Germania per studiare le opere di Albrecht Durer. Ritornò in Italia aderendo al movimento neoclassico grazie a Goeth si ispirò alla cultura di Jacques Louis David. Fu direttore dell’Accademia di Napoli. Importante il suo dipinto di Goethe nella campagna romana nel 1787, oggi al Stadelsches Kustinsitut. MISURE: B40cm XH50cm
Giusti Aste
Dec. 30, 2023
H. PFENNINGER (*1749) after TISCHBEIN (*1751), Joh. Jakob Bodmer, around 1800, Etching
Est: €300 - €400
Heinrich Pfenninger (1749 Zurich - 1829 ) after Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Portrait of the Swiss scholar Johann Jakob Bodmer, c. 1800, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Bodmer | H. Pfeninger fecit | Tischbein pinxit", unten mittig von fremder Hand in Bleistift bezeichnet: "das Bild von T. verloren gegangen | zuletzt in Gotha | Anton Graff gemalt". Date: c. 1800 Description: After the lost painting by the portrait painter Wilhelm Tischbein (1751 Haina - 1829 Eutin). Shows the half-profile bust of the Swiss philologist, historian and writer Johann Jakob Bodmer (1698 Greifensee - 1783 Gut Schönenberg near Zurich). Keywords: Portrait, Fashion, Philosophy, Switzerland, 19th century, Classicism, Portraits, Switzerland,
Fichter Kunsthandel
Dec. 30, 2023
J. TISCHBEIN (*1751) attributed, Shepherd with staff, around 1790, Pen drawing
Est: €1,050 - €1,400
Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin) attributed: Shepherd leaning on his staff, c. 1790, Pen drawing Technique: Pen drawing on Paper Watermark: Fauna - Quadruped - Date: 18th century Date: c. 1790 Description: The drawing shows the detailed rear view of a shepherd leaning on his staff and gazing into the distance. Keywords: Germany, drawing, tables, pen, shepherd, staff, man, repoussoir, back, 18th century, Classicism, People, Germany,
Fichter Kunsthandel
Nov. 29, 2023
Conradino, duque de Suabia, y Federico I de Baden-Baden escuchando su sentencia muerte
Est: -
Copia de época de original realizado en 1784 por el pintor alemán Johann Heinrich Wilhelm Tischbein (1751 - 1829).
Isbilya Subastas
Nov. 03, 2023
Johann Heinrich Wilhelm Tischbein, Doppelbildnis der Prinzessinnen Luise und Friederike von Preußen, Farb-Kupferpunktierstich um 1800 in originaler Rahmung des 19. Jhs.
Est: €350 - €400
Johann Heinrich Wilhelm Tischbein, Doppelbildnis der Prinzessinnen Luise und Friederike von Preußen, Farb-Kupferpunktierstich um 1800 in originaler Rahmung des 19. Jhs. Johann Heinrich Wilhelm Tischbein, genannt Goethe-Tischbein, 1751 Haina - 1829 Eutin, deutscher Maler aus der hessischen Malerfamilie Tischbein, hier: Die preußische Kronprinzessin und spätere Königin Luise zusammen mit ihrer jüngeren Schwester Friederike in inniger Zuneigung inmitten einer klassizistischen Parklandschaft, Kupferpunktierstich, 52,3 x 38,1 cm, in schöner Schleifenrahmung des 19. Jhs. (linke untere Ecke zu ergänzen), verso alter Aufkleber der Königlichen Hofkunsthandlung Ludwig Schaller, Stuttgart Johann Heinrich Wilhelm Tischbein, Double Portrait of the Princesses Luise and Friederike of Prussia, colour copperplate engraving c. 1800 in original 19th century framing Johann Heinrich Wilhelm Tischbein, called Goethe-Tischbein, 1751 Haina - 1829 Eutin, German painter from the Hessian Tischbein family of painters, here: The Prussian Crown Princess and later Queen Luise together with her younger sister Friederike in intimate affection in the midst of a classicist park landscape, copper dot engraving, 52.3 x 38.1 cm, in beautiful 19th century ribbon frame (lower left corner to be added), verso old label of the Royal Hofkunsthandlung Ludwig Schaller, Stuttgart.
K&K – Auktionen in Heidelberg
Oct. 14, 2023
After TISCHBEIN (*1751), Excitement about an evening guest, Etching
Est: €75 - €125
After Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Excitement about an absent evening guest, 19th century, Etching Technique: Etching on Paper Date: 19th century Description: The hosts seem to receive their evening guest with eager anticipation. He seems to have just left the sparsely set table. His coat still lies next to the chair and the bread untouched in front of the plate. Keywords: 19th century, Romanticism, Costumes, Germany,
Fichter Kunsthandel
Jun. 17, 2023
Tischbein, Johann Heinrich Wilhelm (1751-1829) „Die Stärke des Mannes - Vernunft Bild" 1813, Feder/Gouache, weiß gehöht, u.r. sign./dat., späte Version zum gleichnamigen Ölgemälde, auf Holzplatte bez./Leihgeberinformationen, gezeigt in der Ausstellu
Est: -
Tischbein, Johann Heinrich Wilhelm (1751-1829) „Die Stärke des Mannes - Vernunft Bild" 1813, Feder/Gouache, weiß gehöht, u.r. sign./dat., späte Version zum gleichnamigen Ölgemälde, auf Holzplatte bez./Leihgeberinformationen, gezeigt in der Ausstellung "Johann Heinrich Wilhelm Tischbein - Goethes Maler und Freund", Schleswig-Holsteinisches Landesmuseum, 1986/1987, im Passepartout montiert, 44,5x55cm, leicht wellig, kleine Defekte, Provenienz: Slg. Karin Szekessy u. Paul Wunderlich/Hbg. Tischbein, Johann Heinrich Wilhelm (1751-1829) "The Strength of Man - Reason Picture" 1813, pen-and-ink/gouache, heightened with white, b.r. sign./dat., late version of the oil painting of the same name, inscr./loaned on wooden panel, shown in the exhibition "Johann Heinrich Wilhelm Tischbein - Goethes Maler und Freund", Schleswig-Holsteinisches Landesmuseum, 1986/1987, mounted in passepartout, 44,5x55cm, slightly wavy, small defects, Provenance: Coll. Karin Szekessy u. Paul Wunderlich/Hbg.
Kendzia
Jun. 08, 2023
Tischbein, Johann Heinrich Wilhelm: Bildnis der Dichterin Engel Christine Westphalen
Est: €10,000 - €12,000
Bildnis der Dichterin Engel Christine Westphalen. -- Öl auf Leinwand, doubliert. 54 x 47,2 cm. Unten rechts im Hintergrund signiert und datiert "W. Tischbein / 1808". -- -- Die Hamburger Dichterin Engel Christine Westphalen (1758-1840), geborene von Axen, begann 1802 zunächst unter einem Pseudonym Gedichte zu veröffentlichen. Ihr Salon gehörte zu den Treffpunkten des geistigen Lebens in der Hansestadt und auch Tischbein, der seit 1801 dort ansässig war, zählte zu ihren Freunden. Westphalen verfasste einige Gedichte zu seinen Gemälden. Tischbein hält die Schriftstellerin hier 1808 fest, kurz bevor er nach Eutin übersiedelte. In einem weiteren Portrait der Dichterin stellt Tischbein Christine Westphalen am Schreibtisch sitzend dar (Hamburger Kunsthalle, Inv. HK-567). -- -- - Provenienz: Sammlung Fritz Busche, Dortmund (Sammlungsaufkleber verso auf dem Rahmen). -- Privatsammlung Süddeutschland. -- -- - Ausstellung: Blick aus dem Fenster, Gemälde und Zeichnungen der Romantik und des Biedermeier, Museum für Kunst und Kulturgeschichte, Schloss Cappenberg, Dortmund 1956, Nr. 172. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 25, 2023
Johann Heinrich Wilhelm Tischbein (1751 Haina/Hessen – Eutin 1829) – Jagdhunde greifen einen Bären an (Hunting dogs attacking a bear)
Est: €2,000 - €2,400
Black chalk, graphite stick and brown ink, watercolour highlighted in white on laid paper. Size of depiction: 20 x 32.7 cm (sheet: 27.5 x 40.2 cm) With a broad laid paper margin painted green with watercolour, presumably by the artist, numbered "4" upper right. Enclosed: Idem, Hunting dog fighting a bear, black chalk on laid paper with watermark "crowned GR with vines in a circle", 33.1 x 20.6 cm (sheet).
Karl & Faber
May. 25, 2023
Johann Heinrich Wilhelm Tischbein (1751 Haina/Hessen – Eutin 1829) – „Wie ich meine Briefe verbrannte“ (“How I burnt my letters”)
Est: €2,500 - €3,000
Pen in brown over traces of graphite, grey wash and partially with watercolour, on laid paper with watermark inscription "C & I HONIG". Titled lower centre.
Karl & Faber
May. 23, 2023
Johann Heinrich Wilhelm Tischbein (1751 - 1829) - attributed
Est: €400 - €800
Birds by the water. Oil on canvas. Signed bottom left. On the reverse described. In a gilded collectors frame. 43 x 30 cm.
Deutsch Auktionen
May. 13, 2023
Tischbein, Johann Heinrich
Est: -
Tischbein, Johann Heinrich 1751 Haina - 1829 Eutin Portrait der Gräfin S. Pastell. 32 x 26 cm.
Dusseldorfer Auktionshaus
Apr. 22, 2023
JOHANN HEINRICH WILHELM TISCHBEIN, gen. GOETHE-TISCHBEIN : Hektors Abschied.
Est: €600 - €750
JOHANN HEINRICH WILHELM TISCHBEIN, gen. GOETHE-TISCHBEIN Haina 1751 - 1829 Eutin Hektors Abschied. In Grau lavierte und stellenweise weißgehöhte Federzeichnung in Braun. Verso alt bezeichnet. 17,5 x 17,5 cm. Schwach stockfleckig. J. H. W. Tischbeins vielseitiges Talent zeigt sich auch in seinen Zeichnungen. Neben Porträts und landschaftlichen Motiven beschäftigte sich der Künstler mit historischen und mythologischen Themen. So schuf er das große klassizistische Werk „Homer nach Antiken gezeichnet“, welches in mehreren Heften erschien und für das Tischbein ab 1791 Vorstudien betrieb. Provenienz: Sammlung Dr. M. K. Rech, Bonn (Lugt 2745 a und b). [bg]
Winterberg-Kunst
Mar. 11, 2023
H. PFENNINGER (*1749) after TISCHBEIN (*1751), Joh Jakob Bodmer, around 1800, Etching
Est: €300 - €400
Heinrich Pfenninger (1749 Zurich - 1829 ) after Johann Heinrich Wilhelm Tischbein (1751 Haina - 1829 Eutin): Portrait of the Swiss scholar Johann Jakob Bodmer, c. 1800, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Bodmer | H. Pfeninger fecit | Tischbein pinxit", unten mittig von fremder Hand in Bleistift bezeichnet: "das Bild von T. verloren gegangen | zuletzt in Gotha | Anton Graff gemalt". Date: c. 1800 Description: After the lost painting by the portrait painter Wilhelm Tischbein (1751 Haina - 1829 Eutin). Showing the half-profile portrait of the Swiss philologist, historian and writer Johann Jakob Bodmer (1698 Greifensee - 1783 Gut Schönenberg near Zurich). Keywords: Portrait, Fashion, Philosophy, Switzerland, 19th century, Classicism, Portraits, Switzerland,
Fichter Kunsthandel
Mar. 11, 2023
JOHANN HEINRICH WILHELM TISCHBEIN (ATTR.) SELBSTBILDNIS DES JOHANN HEINRICH TISCHBEIN UND (WAHRSCHEINLICH) SEINE ZWEITE FRAU JULIE MARIANNE PERNETTE (GEB. ROBERT)
Est: €4,000 - €8,000
ATTRIBUTED TO JOHANN HEINRICH WILHELM TISCHBEIN 1751 Haina - 1828 Eutin SELF-PORTRAIT OF JOHANN HEINRICH TISCHBEIN AND (PROBABLY) HIS SECOND WIFE JULIE MARIANNE PERNETTE (NÉE ROBERT) Oil on canvas (old relned). Each: 64 x 52 cm (F. 71 x 59 cm). Verso: One inscribed and dated on the reverse of the canvas: 'Tischbein Penxit Cellis Hannovero 1760'. Part. slightly old rest., old retouching. Frame. Provenance: Rhenish private collection. JOHANN HEINRICH WILHELM TISCHBEIN (ATTR.) 1751 Haina - 1828 Eutin SELBSTBILDNIS DES JOHANN HEINRICH TISCHBEIN UND (WAHRSCHEINLICH) SEINE ZWEITE FRAU JULIE MARIANNE PERNETTE (GEB. ROBERT) Öl auf Leinwand (altdoubl.). Jedes: 64 x 52 cm (R. 71 x 59 cm). Verso: Eines rückseitig auf der Leinwand bezeichnet und datiert: 'Tischbein Penxit Cellis Hannovero 1760'. Part. leicht altrest., Altretuschen. Rahmen. Provenienz: Rheinische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Dec. 08, 2022
Portrait of a boy, half-length, wearing a gold-trimmed green robe
Est: £30,000 - £40,000
Johann Heinrich Wilhelm Tischbein Haina 1751 - 1829 Eutin Portrait of a boy, half-length, wearing a gold-trimmed green robe signed center right: W. Tischbein / 1782. oil on panel unframed: 55 x 42.5 cm.; 21⅝ x 16¾ in. framed: 71 x 58.5 cm.; 28 x 23 in. Bid on Sotheby's
Sotheby's
Dec. 02, 2022
Tischbein, Johann Heinrich Wilhelm: Zwei Römer mit einem geschmückten Stier
Est: €1,800 - €2,400
Zwei Jünglinge mit einem Opferstier: Studie nach einem antiken römischen Relief. -- Feder in Schwarz, grau laviert, auf Bütten. 18,8 x 23,5 cm. -- -- -- -- - Provenienz: Nachlass der Familie Tischbein. -- Galerie Biedermann, München. -- Sammlung Dr. Klaus Parlasca (1925-2017), Frankfurt a. Main. -- -- - Literatur: Hinrich Sieveking: Johann Heinrich Wilhelm Tischbein: Zeichnungen - Aquarelle. Ausst. Kat. Galerie Biedermann, München 1976. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 19, 2022
Johann Heinrich Wilhelm Tischbein, Drinkers in a Rustic Interior
Est: €2,000 - €3,000
Presumably an early piece created by the artist during his study sojourn to the Netherlands in 1772-1773.
Kunsthaus Lempertz KG
Sep. 27, 2022
Johann Heinrich Wilhelm Tischbein (1751-1829)- attributed
Est: €600 - €1,200
Johann Heinrich Wilhelm Tischbein (1751-1829)- attributed, double Portrait of a Lady and a Gentelman , pastel on paper under mouth blown glass , one signed J. Tischbein 1773, framed a pair 47x32 cn
Deutsch Auktionen
Sep. 14, 2022
Attributed to Johann Heinrich Wilhelm Tischbein (Hayna 1751-1829 Eutin) Study of a female artist at her easel
Est: £800 - £1,200
Attributed to Johann Heinrich Wilhelm Tischbein (Hayna 1751-1829 Eutin) Study of a female artist at her easel dated '1787' (upper right) pen, ink and pencil on paper 22.2 x 20.2cm (8 3/4 x 7 15/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 30, 2022
RIEPENHAUSEN, E. L. (*1762 Göttingen †1840 ebd)/
Est: -
RIEPENHAUSEN, E. L. (*1762 Göttingen †1840 ebd)/ TISCHBEIN, J.H.W. (*1751 Haina (Kloster) †1829 Eutin), Kupferstich, Klassizismus Epoche, "Die Helden des Trojanischen Krieges", orig Kartonmontage mit Papierrahmung der Zeit, über alles 15 x 23 cm, min besch, später teilkoloriert
zeitGenossen Antiquitäten - Kunst - Design
Jul. 12, 2022
JOHANN HEINRICH WILHELM TISCHBEIN (1751-1829), entourage Le sommeil d'Endymion
Est: €4,000 - €6,000
JOHANN HEINRICH WILHELM TISCHBEIN (1751-1829), entourage Le sommeil d'Endymion Importante huile sur toile. Ancienne étiquette au dos. Toile, châssis et encadrement d'origine. Ecole romantique autrichienne début 19ème siècle. Dimensions : 98 x 138 cm - Endymion sleeping, important oil on canvas. Old label on the back, original canvas, frame and chassis. Austrian romantic school, early 19th century. -
Accademia Fine Art
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 13
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 48
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 21
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 58
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 6
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jul. 09, 2022
Hamilton - Painting from a Grecian Vase. 16
Est: $200 - $500
This hand-colored engraving on laid paper is from Johann Heinrich Wilhelm Tischbein after Sir William Hamilton's collection of vases. The full title reads Collection Of Engravings From Ancient Vases Of Greek Workmanship: Discoverd In Sepulchres In The Kingdom Of The Two Sicilies But Chiefly In The Neighbourhood Of Naples During The Course Of The Years MDCCLXXXIX and MDCCLXXXX Now In The Possession Of Sir Wm. Hamilton, His Britannic Maiesty's Envoy Extry. And Plenipotentiary At The Court Of Naples. The work was published in Florence by Societe Chalcographique between 1800 and 1803. This plate is from the scarce Florence edition of Tischbein's famous work on Sir William Hamilton's second and greatest collection of antique vases. His first had been sold to the British Museum in 1772, the second nearly did not make it to Britain (about a third were lost in a shipwreck), but the collection was eventually brought by Thomas Hope, one of the great champions of the neo-classical style. The present image is both a technically brilliant record of a priceless object and a highly-pleasing graphic image that has as much appeal today as when it was produced in Florence two hundred years ago. Sir William Hamilton was the British ambassador to Naples from 1764 to 1800, during the city's golden age. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. In addition to his duties as ambassador, Hamilton was also renowned as a knowledgeable guide and congenial host to the visiting English 'Grand Tourists'. With infectious enthusiasm he would extol the wonders of Naples and the beauties of arts of the ancient world, inspiring in many of his aristocratic visitors a genuine love of the antique. This new-found enthusiasm found its expression in the new style of neo-classicism and in the collections of antiquites which found their way to many of the stately homes of England.
Trillium Antique Prints & Rare Books
Jun. 13, 2022
JOHANN HEINRICH WILHELM TISCHBEIN (1751-1829). ATTRIBUTED TO.
Est: €800 - €1,200
Johann Heinrich Wilhelm TISCHBEIN (1751-1829). Attributed to. Portrait of a man Oil on canvas, re-stretched. framed H : 65,5 cm Width : 55,5 cm
Haynault
May. 21, 2022
Johann Heinrich Wilhelm Tischbein, Genius Lyra - The Lyre of Genius
Est: €4,000 - €6,000
Inscribed "Genius Lyra" lower centre. This gouache entitled "Genius Lyra" belongs to a series of motifs in the style of classical antiquity developed around 1810. A bearded man is depicted against an olive coloured ground, with two swan necks growing out of the side of his head. Between them stand the three Graces, forming the strings of a lyre. Tischbein sent this antique-inspired motif in the form of a booklet with further scenes to Goethe in 1817 with the request that each of the pictures be accompanied by a poem. For unknown reasons, the poet did not comply with this request. Instead, Tischbein himself wrote a poem in which the unity of poetry and image is echoed: "[...] When the graces' silent round dance/embraces us with pure grace: then the genius' lyre/as Anacreon played it resounds". (Quoted from Mildenberger 1986, p. 30). Other versions, some of which are only sketches, can be found in the Landesmuseum Oldenburg, in the National Research and Memorial Sites in Weimar and in the Schleswig-Holsteinisches Landesmuseum in Schleswig.
Kunsthaus Lempertz KG
May. 21, 2022
Johann Heinrich Wilhelm Tischbein, Four young Farm Workers lying in a Field
Est: €1,000 - €1,400
Two versions of this motif exist, one of which, housed in the Hamburger Kunsthalle, is dated and inscribed "8. Sept. 1808, nach der Natur". The second, considerably larger version is in the Schlossmuseum in Weimar and depicts the spire of the Michaeliskirche in the background.
Kunsthaus Lempertz KG