Troost, Willem Troost (Dutch, 1812-1893), Tropical Landscape with Two Figures and River (probably Indonesia), oil on canvas, 25 x 33 inches, signed lower right W. Troost Jr., framed measuring 32.5 x 40 inches.
WILLEM TROOST (DUTCH, 1812-1893) COASTAL SCENE WITH DUNES AND HUNTERS IN THE FOREGROUND Oil on canvas: 24 x 30 in. Framed; lower right signed: W. Troost Provenance: Georgetown Estate Collection
Willem Troost Dutch, 1812-1893) Country Road in Gelderland Oil on canvas 15 1/8 x 18 1/8 inches (38.5 x 46 cm) We are grateful to Jeroen Kapelle of the RKD (Netherlands Institute for Art History), The Hague, for his help in cataloguing this work. C
Troost, W. (1812-1893). (Woman doing needlework). Drawing, pencil, 34x27 cm., signed "W. Troost fecit 1856" (yellowed). - AND a similar portrait of a woman by the same, also signed in pencil (yellowed). - AND 2 etchings and a brush and black ink sketch by H.A. VAN TRIGT (1829-1899).
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Phantastische Rheinlandschaft mit einer Stadt und einem Flusshafen. Feder in Grau, grau laviert. 21,5 x 30,3 cm. Signiert "W: Troost. D. F". Um 1712-16. Die Zeichnung entstand wahrscheinlich kurz nach Troosts Übersiedelung nach Düsseldorf im Jahr 1712. Dort arbeitete er zunächst für den kurfürstlichen Hof als Landschaftsmaler. Ab 1716, nach dem Tod des Kurfürsten Johann Wilhelm, wirkte Troost dann hauptsächlich als Bildnismaler. - Aufgezogen. - Provenienz: Aus der Sammlung Freiherr Carl Rolas du Rosey (Lugt 2237).
In 1712 Willem Troost went to Düsseldorf to work as court painter to the Elector. After the death of Johann Wilhelm in 1716 Troost began to work largely as a portraitist in Düsseldorf, Cologne, Essen and Duisburg. In 1735 he returned to Holland and started to create small landscapes in gouache, for which he is best known today. Such works can be found, for example, in the Rijksmuseum, Amsterdam, the Kupferstichkabinett, Berlin, and in Windsor Castle (Thieme/Becker).
Willem Troost (1812-1893). An Oil on Canvas, Salt Extraction on an Indonesian coast. 9¾ ins x 29½ ins (50 cms x 75 cms). In a carved giltwood frame 56½ ins x 27 ins (93 cms x 69 cms).
The garden facade of the Old Palace of the Governor-General at Buitenzorg (Bogor) before the earthquake of 1834, viewed from the far side of the ornamental lake in the botanic gardens oil on canvas 24 x 32 in. (62 x 82 cm.) In an original 19th century gilded frame Painted between 1836-1839 as one of the series of five works commissioned by J.C. Baud after his return from the Dutch East Indies. Two other paintings of the palace forming part of the series are in the collection of the Rijksmuseum, Amsterdam. PROVENANCE Baron J.C. Baud (1789-1859), governor-general of the Dutch East Indies 1833-1836, Minister of Colonies 1840-1848. His widow Ursula Suzanna Baud-van Braam (1801-1884), bequeathed to her son, Jonkheer J.A.A. Baud, The Hague (1836-1901), bequeathed to his son, Jonkheer J.C.A. Baud (1893-1978). Mak van Waay, Amsterdam, 15 October 1963, lot 195 (classified as Dutch School; vendor Jonkheer J.C. Baud, Baarn). H.A. Daendels, Amsterdam, great-grandson of governor-general H.W. Daendels (Hattem 1762-1818 St.George d'Elmina). Daendels Trust (until December 2001). LITERATURE P.J. Veth et al., Catalogus der afdeeling Nederlandsche Kolonikn van de Internationale Koloniale en Uitvoerhandel Tentoonstelling Amsterdam, 1883, Groep I, Leiden, 1883, pp. 67-68, no. 31c (lent by Jonkheer A. Baud, The Hague). J. de Loos-Haaxman, Verlaat rapport Indik: drie eeuwen westerse schilders, tekenaars, grafici, zilversmeden en kunstnijveren in Nederlands-Indik, The Hague, 1968, p. 125 (Ch. 16, note 9: partly incorrect information). J. de Loos-Haaxman, Dagwerk in Indik, Franeker, 1972, pp. 99-100 (as attributed to A.A.J. Payen, "it is the work of an experienced artist, a pleasing picture filled with charm"), nos. 34 (reproduction in colour) and 35 (detail, reproduction in black and white). J. Bastin and B. Brommer, Nineteenth Century Prints and Illustrated Books of Indonesia, with Particular Reference to the Print Collection of the Tropenmuseum, Amsterdam: A Descriptive Bibliography, Utrecht/Antwerp 1979, p. 325 (as attributed to A.A.J. Payen). L. Haks and G. Maris, Artists Who Visualized Indonesia (1600-1950), Utrecht/Singapore, 1995, pp. 232, 269. M.O. Scalliet et al., Indik Omlijst, vier eeuwen schilderkunst in Nederlands Indik, exhib. cat., Koninklijk Instituut voor de Tropen, Amsterdam, 1998, pp. 52-53, 59, 67. (as by Willem Troost). English edition: Pictures from the Tropics. Paintings by Western Artists During the Dutch Colonial Period in Indonesia, Pictured Publishers, Wijk and Aalburg, 1999, pp. 52-53, 59, 67. EXHIBITION Amsterdam, Nederlandsche afdeeling Nederlandsche Kolonikn van de Internationale Koloniale en Uitvoerhandel Tentoonstelling Amsterdam, 1883 (Exposition Universelle Coloniale et d'Exportation Ginirale (Group I, third class, cat. no. 31c (full description: "Het paleis van den Gouverneur Generaal te Buitenzorg, op grooten afstand bij den grooten vijver gezien"), May-October 1883. NOTES Lithographed Vue de Palais de Buitenzorg prise du parc, hand-coloured lithograph, 32,2 x 49,6 cm, by W.J. Gordon, in J.J. van Braam, Vues de Java, published by Francois Buffa&Fils, Amsterdam, 1842 Related works Willem Troost, The garden facade of the Buitenzorg palace before the earthquake of 10 October 1834, 52.5 x 77.5 cm; pendant to The fagade of the Buitenzorg palace during the earthquake of 10 October 1834, signed, canvas 52 x 77 cm, Rijksmuseum, Amsterdam, inv. nos. A 4024, A 4025. The present work is a recently rediscovered painting by Willem Troost. It is part of a well-documented series of five pictures of Buitenzorg (now Bogor) and its surroundings made for the retired governor- general J.C. Baud after his return from the East Indies in 1836. Only one work (now in the Rijksmuseum, Amsterdam) of the series was signed. The entire group was exhibited together in the large Colonial Exhibition in Amsterdam in 1883. The present picture represents the old palace of the governor-general and the gardens surrounding it. The works in the Rijksmuseum show the palace seen from the other side and during the actual earthquake of 1834. In the 1830's there were only 3 academically trained artists who painted Indonesian subjects, A. A. J. Payen, Raden Saleh and Willem Troost. Raden Saleh and Troost knew each other well. They were of approximately the same age and were both pupils of the landscape painter Andreas Schelfhout in The Hague. It is thus very likely that Raden Saleh saw the actual work in Schelfhout's studio or perhaps later in Baud's house. Troost and Payen met in the winter of 1833-1834, when Payen spent 3 months in The Hague. The three artists were all friends with J.C. Baud, who commissioned the present work as a tangible memento of his stay in Indonesia. Baud was also an important patron of Raden Saleh and paid him an allowance. In 1839 Troost submitted an application to the King requesting to be favoured to work as an official landscape painter in the East Indies. In his application Troost wrote that he had "practised the copying of East Indies landscape" and had learned much from Professor C.L. Blume concerning [East Indies] plant life". Furthermore he stated that his work found favour with J.C. Baud, who purchased several oil paintings. It may therefore be concluded that the Buitenzorg series were painted before 1839. Given the fact that Baud returned to Holland in 1836, the works must have been painted between 1836 and 1839. It is fascinating to realise that Baud, Payen and Raden Saleh had actually all lived in the old palace of Buitenzorg. Troost based the picture on a print in Blume's rumphia, a botanical standard work, and on sketches of the actual situation made by Baud's adjutant, Captain de Salis. But Troost will obviously have discussed this picture with his friends who lived in the palace and knew the gardens at first hand. The work is clearly infused with a deeply romantic tone consistent with the ideas current in early 19th century Romanticism. Early 19th century paintings with Indonesian subjects are rare. Not many were made and the majority is in museums. Troost's three pictures of the palace are the only known oil paintings of the old palace at Buitenzorg before the earthquake. The present painting is of exceptional quality and still in the original gilded frame. It is the largest of the three and in much better condition than the works in the Rijksmuseum. It is the only one still in private hands. The work is a memento of the first palace at Buitenzorg, the residence of the highest official in the former Dutch East Indies. The palace in Buitenzorg (Bogor) remained the official residence of the governors-general up to the transfer of sovereignty to the Republic of Indonesia. It is now the country residence of the President of Indonesia. The work can be regarded as a symbol of the shared history of Indonesia and The Netherlands. It is also one of the earliest known representations of the botanical gardens laid out around the palace. The Kebun Raya, one of the oldest and most celebrated gardens in Asia, still enjoys world-wide fame today. Sold with a letter of authenticity by Drs. W. F. Rappard of the Rijksbureau voor Kunsthistorische Documentatie in The Hague. Christie's wishes to thanks Drs. W.F. Rappard for his inspection of the work. To be included in the forthcoming book on 19th century Indonesian painting currently being prepared by Drs. Jop Ubbens.
