Joseph Mallord William Turner Paintings & Artwork for Sale | Joseph Mallord William Turner Art Value Price Guide

Mar. 12, 2025
Joseph Mallord William Turner (1775-1851). The Castle above the Meadows, circa 1814
Est: £500 - £800
Joseph Mallord William Turner (1775-1851). The Castle above the Meadows, circa 1814 * After Joseph Mallord William Turner (1775-1851). The Castle above the Meadows, circa 1814, pen and brown ink, brown wash with traces of pencil, on paper, single rule in brown ink to outer edges of the sheet, two small pinholes to upper left and right corners, sheet size 181 x 263 mm (7 3/16 x 10 3/8 ins), laid down on modern backing card, with original blue backing card affixed to verso, bearing a contemporary inscription in brown ink '4/2/14 Maria's I believe. Lady Polwarth's née Brühl', and a later (probably 20th century) inscription below: 'Turner's original of Okehampton engraved in Liber Studiorum...left hand corner...' , (partly undecipherable), framed and glazed (38 x 45.5 cm) QTY: (1) NOTE: Provenance: Harriet Brühl Scott, Lady Polwarth (1767-1853), inscription on backing card; Private Collection, Derbyshire. The contemporary inscription on the back of the original mount for this skilful copy after Turner's Liber Studiorum plate, often thought to depict Okehampton Castle, suggests that it may have been executed by the second of Lady Polwarth's four daughters, Maria Annabel Scott (1798-1844). Lady Polwarth had a close connection with Petworth in Sussex, due to her mother Alicia's position as the Countess of Egremont, having married Charles Wyndham, 2nd Earl of Egremont. It is possible therefore that both Harriet and her daughter Maria enjoyed the company of Turner during his many visits to the Egremonts' home at Petworth. The Castle above the Meadows, drawn in sepia watercolour and then etched in outline by Turner, was engraved in mezzotint (under Turner's direction), and published by Charles Turner in 1808, as plate 8 of the second part of Turner's Liber Studiorum (Finberg 8 i/iv; Rawlinson 8 i/iv).
Dominic Winter Auctions
Mar. 05, 2025
Follower of Joseph Mallord William Turner (1775-1851) Saarbrücken, watercolour, 24 x 33.5cm Provenance: Mallams, 25th June 2020
Est: £80 - £120
Follower of Joseph Mallord William Turner (1775-1851) Saarbrücken, watercolour, 24 x 33.5cm Provenance: Mallams, 25th June 2020
Mallams
Feb. 25, 2025
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Feb. 25, 2025
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Feb. 22, 2025
Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843, hochwertiger Offset-Druck.
Est: €100 - €200
Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843, hochwertiger Offset-Druck. Der Druck des Original-Gemäldes zeigt die mystische Atmosphäre rund um die Kathedralen in Venedig. Durch die goldgelbe Farbgebung entsteht ein ruhiges, fast nebliges Ambiente und verdeutlicht noch mehr die ruhige Stimmung auf dem Kanal. Das Original befindet sich in der National Gallery of Art in Washington, D.C.. Druck 61 x 90,5 cm. Rahmen 76,5 x 106,5 cm. Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843, high-quality offset print. The print of the original painting shows the mystical atmosphere around the cathedrals in Venice. The golden yellow colouring creates a calm, almost misty ambience and further emphasises the tranquil mood on the canal. The original is in the National Gallery of Art in Washington, D.C.. Print 61 x 90.5 cm. Frame 76.5 x 106.5 cm.
Auktionshaus Karrenbauer
Feb. 04, 2025
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Feb. 04, 2025
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). Binger Loch and the
Est: $200,000 - $300,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). Binger Loch and the Mäuseturm. watercolor and bodycolor with scratching out, on paper prepared with gray wash7 7/8 x 12 1/8 in. (20 x 30.4 cm).
Christie's
Feb. 04, 2025
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). The approach to Ven
Est: $300,000 - $500,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). The approach to Venice or Venice from the lagoon, circa 1840. watercolor, pen and red and brown ink8 11/16 x 12 ½ in. (22.1 x 31.8 cm).
Christie's
Jan. 19, 2025
Attributed to Joseph Mallard William Turner (1775-1851) British
Est: $1,000 - $2,000
Attributed to Joseph Mallard William Turner (British 1775-1851). A Packet Ship unloading cargo. Oil on canvas. Condition: Slight damage on left side of painting. Crackling paint. Cracks on frame. Overall Size: 33 x 42 in. Sight Size: 23 x 31 in. #4932
Sarasota Estate Auction
Jan. 14, 2025
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jan. 14, 2025
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Dec. 23, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Dec. 23, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Dec. 08, 2024
A WILLIAM TURNER ATTRUBUTED WATERCOLOR PAINTING, 1836
Est: $12,000 - $15,000
Watercolor on paper drawing depicting Ancient Rome; Agrippina Landing with the Ashes of Germanicus. The Triumphal Bridge and Palace of the Caesars Restored, 1836 on wove paper, bearing the signature and inscription "J M W Turner "EA" lower left and date "1836" lower right. Matted, housed in a gilded wooden frame. Attributed to William Turner. Joseph Mallord William Turner (1775-1851), known as William Turner, was an English Romantic painter, printmaker, and watercolorist. He is known for his expressive colorizations, imaginative landscapes, and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolors, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin in 1840 and is today regarded as having elevated landscape painting to an eminence rivaling history painting. Provenance: Sold in 1841 at the Turner one-man show in London to the Merode family, then to Antoinette de Cluzel, then to Peter Kaufman in 2012, then to the current owner in 2014. Please make all inquiries before bidding. All lots are sold "as-is", refer to our T&C. Helios Auctions does not ship in-house. A list of recommended shippers will be provided.
Helios Auctions
Dec. 07, 2024
James M. W. Turner (British, 1775-1851) etching
Est: $100 - $200
Christ and the Woman of Samaria etching, 1819, drawn and etched by J. M. W. Turner, engraved by S. W. Reynolds. 8 1/4 x 11 1/2"
Rachel Davis Fine Arts
Dec. 04, 2024
Joseph Mallord William Turner RA (London 1775-1851) Mountainous landscape with a lake
Est: £6,000 - £8,000
Joseph Mallord William Turner RA (London 1775-1851) Mountainous landscape with a lake graphite and watercolour 21 x 42cm (8 1/4 x 16 9/16in).
Bonhams
Dec. 04, 2024
Joseph Mallord William Turner RA (London 1775-1851) The Reichenbach Falls, Switzerland
Est: £6,000 - £8,000
Joseph Mallord William Turner RA (London 1775-1851) The Reichenbach Falls, Switzerland watercolour 37.5 x 23.5cm (14 3/4 x 9 1/4in).
Bonhams
Dec. 04, 2024
Joseph Mallord William Turner RA (London 1775-1851) Kenilworth Castle seen from the south-east
Est: £12,000 - £18,000
Joseph Mallord William Turner RA (London 1775-1851) Kenilworth Castle seen from the south-east graphite and watercolour 26.5 x 37cm (10 7/16 x 14 9/16in).
Bonhams
Dec. 04, 2024
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). The Falls at Tivoli
Est: £25,000 - £35,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). The Falls at Tivoli, Italy. pencil and watercolour, with scratching out on paper 11 1⁄8 x 16 3⁄8 in. (28.4 x 41.5 cm.).
Christie's
Dec. 04, 2024
Mallord Turner ( 1775-1851)- circle
Est: €100 - €200
Mallord Turner ( 1775-1851)- circle, Venice , oil on canvas, 62 x 78 cm , framed
Deutsch Auktionen
Dec. 03, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Dec. 03, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Nov. 22, 2024
Turner, Joseph Mallord William - Kreis des: ''Arundel Castle''
Est: €6,500 - €13,000
Turner, Joseph Mallord William - Circle of the - 'Arundel Castle' (London 1775-1851 Chelsea) England, 19th century Summer landscape with the stone Stopham Bridge over the River Arun and a view of the castle in the background. Watercolour/paper. Verso inscribed and titled on label and label of the art dealer 'Ryman & Co. Ltd. Oxford'. Visible size 13 x 20 cm; in passepartout and framed under glass. // Turner, Joseph Mallord William - Kreis des ''Arundel Castle'' (London 1775-1851 Chelsea) England, 19. Jh. Sommerlandschaft mit der steinernen Stopham-Brücke über den Fluss Arun und Blick auf die Burg im Hintergrund. Aquarell/Papier. Verso auf Etikett bez. und betitelt sowie Etikett des Kunsthändlers ''Ryman & Co. Ltd. Oxford''. Sichtmaß 13 x 20 cm; in Passepartout und unter Glas ger.
Kunstauktionshaus Schlosser
Nov. 20, 2024
British School, late 18th century- View of the White Cliffs of Dover; pencil, grey, and brown w
Est: £150 - £250
British School, late 18th century- View of the White Cliffs of Dover; pencil, grey, and brown wash on paper, bears modern inscription 'Monro School, 1750-1833 / Joseph Mallord William Turner, R.A. 1775-1851 / and Thomas Girtin, 1775-1802. / (Pencil by Girtin, Washes by Turner) / circa. 1794/7' to the reverse of the frame, 11.4 x 18.4 cm.
Roseberys
Nov. 20, 2024
Robert Brandard, after Joseph Mallord William Turner, British 1805-1862- and British 1775-1851-
Est: £150 - £250
Robert Brandard, after Joseph Mallord William Turner, British 1805-1862- and British 1775-1851- Rain, Steam and Speed; and Snow-Storm; coloured engravings on paper, each 21.3 x 26.7 cm., two (2).
Roseberys
Nov. 16, 2024
JOSEPH MALLORD WILLIAM TURNER RA (1775-1851), landscape, watercolour with the authorized blind stamps of Wedlake Letts & Burns, with the Turner number W5134, initial of JOHN RUSKIN, noted from the Collection of EDWARD BELLAIS no.45, 8.5 x 12cm, 34 x
Est: $3,000 - $5,000
JOSEPH MALLORD WILLIAM TURNER RA (1775-1851), landscape, watercolour with the authorized blind stamps of Wedlake Letts & Burns, with the Turner number W5134, initial of JOHN RUSKIN, noted from the Collection of EDWARD BELLAIS no.45, 8.5 x 12cm, 34 x 31cm
Leski Auctions Pty Ltd
Nov. 13, 2024
After Joseph Mallord William Turner (1775-1851). St Benedetto, Looking towards Fusina, c. 1870
Est: £200 - £300
After Joseph Mallord William Turner (1775-1851). St Benedetto, Looking towards Fusina, c. 1870 * After Joseph Mallord William Turner (1775-1851). St Benedetto, looking towards Fusina, circa 1870, watercolour heightened with bodycolour on wove, some scattered spotting, mount aperture 46.5 x 68 cm (18 1/4 x 26 3/4 ins), framed and glazed (74 x 97 cm), printed George Rowney & Compy. label to backboard QTY: (1) NOTE: The original oil painting on canvas by Turner was exhibited at the Royal Academy in 1843, measuring 62.5 × 92 cm. It was accepted by the nation as part of the Turner Bequest in 1856 and transferred to the Tate Gallery in 1968 (Ref: N00534). Ruskin commented that the title was partly imaginary, with no church of San Benedetto being visible in reality. Several buildings to the right in the painting were also imaginary in their detail. An engraving of the original by Turner was by James Charles Armytage published 1859-61, captioned 'Approach to Venice'. An example of the print held at the Tate has a manuscript correction to the title 'St Benedetto, looking towards Fusina RA 1843'.
Dominic Winter Auctions
Nov. 12, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Nov. 09, 2024
Joseph Mallord William Turner Marine Painting
Est: $100 - $10,000
Oil on canvas painting by esteemed artist J.M.W. Turner. A ship is shown through the mist in heavy seas. Back of canvas is inscribed "Shipwreck - Wales, J.M.W. Turner, 1805, To my friend the Earl of ?". There is also an interesting wax seal on the stretcher. 26" x 21 1/2", framed 38" x 33". 26 lbs.
Kaminski Auctions
Oct. 27, 2024
Joseph Mallord William TURNER Paiting
Est: $2,000 - $3,000
Joseph Mallord William TURNER (1775-1851) Engraving 4 1/8" x 5 1/2" Frame: 15.5" x 19.5" Black and white engraving. Framed under glass. In good condition.
1stBid
Oct. 26, 2024
E. FINDEN (*1791) after TURNER (*1775), The Sinai Desert, 1834, Steel engraving
Est: €60 - €100
Edward Finden (1791 London - 1857 ibid.) after Joseph Mallord William Turner (1775 London - 1851 ibid.): The Sinai Desert, rocky landscape, 1834, Steel engraving Technique: Steel engraving on Paper Date: 1834 Description: Steel engraving by Edward Finden, inscribed: "Drawn by J. M . W. Turner, R. A. from a sketch by Major Felix Engraved by E. Finden The Desert of Sinai: With the Rock by the Arabs to be that which Moses struck. "That great and terrible Wilderness. Deut. VIII. 16. London Published 1834 by J. Murry & Sold by C. Tilt, 86, Flect Street". Very impressive view of a large rock in the desert of Sin, on which Moses is said to have struck to get water. A huge mountain range towers in the background, making the staffage figures of the foreground look dainty and small. Edward Finden (London 1791 - ibid. 1857) was a British copper and steel engraver. Finden was apprenticed to James Mitan from 1806, in 1810 he won the Silver Palette of the Soc. of Arts for a drawing of Laocoon. Participates in exhibitions, engravings for the publisher John Murray. From c. 1829 he runs a studio with his brother William and illustrates numerous books. Keywords: 19th century, Romanticism, Landscape, Egypt, Size: Paper: 15,3 cm x 23,0 cm (6 x 9,1 in)
Fichter Kunsthandel
Oct. 17, 2024
Mezzotint Engraving by Joseph Mallord William Turner
Est: $150 - $300
Mezzotint Engraving Printed on Wove Paper by Joseph Mallord William Turner (1775-1851). Entitled "Ramsgate". Plate executed by Thomas Lupton C. 1825. Comes with Global Fine Art COA. Measures 19.25" tall x 22.25" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping options please read the shipping terms to understand your options. We also offer Pick-Ups Thursday, Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.
Bodnar's Auction Sales
Oct. 17, 2024
Mezzotint Engraving by Joseph Mallord William Turner
Est: $150 - $300
Mezzotint Engraving Printed on Wove Paper by Joseph Mallord William Turner (1775-1851). Entitled "Dover". Plate executed by Thomas Lupton C. 1825. The edge of the engraving is coming loose on one corner. Comes with Global Fine Art COA. Measures 19.25" tall x 22.25" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping -options please read the shipping terms to understand your options. We also offer Pick-Ups Thursday, Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.
Bodnar's Auction Sales
Oct. 11, 2024
Two Colored Engravings by Joseph Mallard William Turner (English, 1775-1851)
Est: $200 - $400
Dido Building-Carthage & Crossing The Brook Colored Engravings on Paper 7 x 10.25 inches (sight) & 10 x 8 inches (sight) 18 x 22 inches (frame) Overall good condition. E.T. Newell Auction labels.Â
Lewis & Grant Auctions
Oct. 11, 2024
Two Rare Pencil Drawings by Joseph Mallord William Turner (English, 1775-1851)
Est: $200 - $400
Knowle Park & Lake Lucerne Pencil Drawing on Paper each signed l.l. 5 x 8.5 inches (sight) & 5.5 x 8.5 inches (sight) 12.5 x 15.5 (frame) Lake Lucerne in good overall condition. Knowle Park with stains to paper and possible vertical tear.Â
Lewis & Grant Auctions
Oct. 01, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Bridge if Sighs, Ducal Palace and Custom-House, after the original which was painted in 1833, and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 2004. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Oct. 01, 2024
ORIGINAL WILLIAM TURNER (1775-1851) TATE BRITAIN EXHIBITION POSTER, 29.5IN x 3.5IN (75cm x 90cm)
Est: $1,500 - $2,000
William Turner (1775-1851) color lithograph for an exhibition at the Tate Britain in London in 1985. The underlying piece used for the poster is titled Peace Burial at Sea, after the original which was painted in 1842 and is now on display in the Tate Britain in London. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 29.5 inches x 35.5 inches. It is matted and framed under acrylic in a simple black tone frame. It was produced in 1985. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Sep. 26, 2024
JOSEPH MALLORD WILLIAM TURNER, 1775 – 1851, ZUG.
Est: €4,000 - €6,000
LOCH LONG VON ARROCHAR GESEHEN Graphitzeichnung aquarelliert auf Papier. Blattmaße: 10,5 x 17,9 cm. Auf dem Untersatz ein Trome L’oeil Titel „J.M.W. Turner, 1775 - 1851“; abgeschnittene Watermark „JWHATMAN 18...“. Verso mit Monogramm „J.M.W.T.“ sowie Anochar Head of Loch Long und Fremdhinweis. Auf mit Tusche alt bezeichnetem Karton, hinter Glas gerahmt. Von leicht erhöhtem Betrachterstandpunkt aus gesehen, das Ufer in des Loch Long mit seiner bescheidenen aber effizient wiedergegebenen Vegetation, dem im Sonnenlicht sich kräuselnden Gewässer, das am Ufer bricht und den Segelschiffen, die sich vor den angrenzenden Gebirgszügen abzeichnen, die mit dem Sonnenlicht verschwimmen und von rotbraun bis hellgelb variieren, während sich links über dem Gebirgszug eine mauve bis violette Himmelszone abzeichnet, die sich im Uferbereich zu spiegeln scheint. Turner scheint sich mehrfach auf Reisen in dieser Gegend aufgehalten zu haben: In der Londoner Tate Gallery werden mehrere aquarellierte Zeichnungen Turners mit Darstellungen schottischer Lochs aufbewahrt: a) in ähnlich feiner, zeichnerischer Ausführung zeigt eine Zeichnung von 1801 eine Bucht, vermutlich des Loch Lomond bei Inveruglas. Auch hier wird durch dezente Weißhöhung akzentuiert. Weitere Beispiele aus dem Skizzenbuch von 1801 bieten motivische Vergleiche. b) Auch ein Skizzenbuch zum Beispiel mit einer Zeichnung in der Tate Britain von 1831, betitelt Ben Arthur from Arrochar, mag als Beleg gelten. Weitere darin befindliche Zeichnungen von 1831 wie „Arrochar Alps Across Loch Lomond“ belegen seine Tätigkeit in dieser Gegend. c) Ein in der Tate Gallery befindliches Skizzenbuch Turners von 1834 mit zahlreichen Darstellungen etwas des Loch Ard. Anmerkung: In den Scottish Highlands gelegen, erstreckt sich Loch Long über 30 Kilometer. Bereits im 13. Jahrhundert segelten Wikinger den Loch entlang und nahmen Arrochar, eine alte keltische Siedlung, ins Visier, wurden jedoch 1263 im Battle of Largs geschlagen. Papier von J. Whatman wurde von J.M.W. Turner regelmäßig für seine komplizierten Techniken genutzt, denn das Papier hatte besondere Eigenschaften. Das Velinpapier Whatmans war stärker als Büttenpapier, da es in einem Gelantinebad aus gekochten Hufen und Knochen getränkt war, sodass es extrem stark und wenig absorbierend wurde: mehrere Farbschichten konnten so aufgetragen, abgewischt, gekratzt oder abgeschabt werden. Neben Turner nutzten auch John Robert Cozens, John Sell Cotman und Cornelius Varley dieses Papier. (14100712) (13)
Hampel Fine Art Auctions
Sep. 21, 2024
Turner, William (1775-1851) "Spithead", gestochen von W. Miller um 1835, Originalstahlstich.
Est: €100 - €120
Turner, William (1775-1851) "Spithead", gestochen von W. Miller um 1835, Originalstahlstich. Eine Bootsmannschaft holt einen Anker zurück. Mittig bezeichnet. Links und rechts unten signiert mit "J.M.W. Turner, R.A. Pinx", "W. Miller Sculpt". Druckplatte 18,5 x 25,5 cm; Passepartout, im Rahmen 38 x 43 cm. Standort: Engen Turner, William (1775-1851) "Spithead", engraved by W. Miller around 1835, original steel engraving. A boat crew retrieving an anchor. Inscribed in the centre. Signed lower left and right "J.M.W. Turner, R.A. Pinx", "W. Miller Sculpt". Print plate 18.5 x 25.5 cm; passe-partout, in frame 38 x 43 cm. (1775-1851) "Spithead", engraved by W. Miller around 1835, original steel engraving. A boat crew retrieving an anchor. Inscribed in the centre. Signed lower left and right "J.M.W. Turner, R.A. Pinx", "W. Miller Sculpt". Print plate 18.5 x 25.5 cm; passe-partout, in frame 38 x 43 cm. Location: Engen
Auktionshaus Karrenbauer
Sep. 10, 2024
J.M.W. Turner - Glacier and Source of the Arveiron Going up to the Mer de Glace - 1987 Offset Lithograph 30" x 20"
Est: $150 - $200
"Glacier and Source of the Arveiron Going up to the Mer de Glace" by J.M.W. Turner, 1987 Unsigned Offset Lithograph. Paper size is 30 x 20 inches, with an image size of 10.5 x 16 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated B: Very Good Condition, with signs of handling or age. Additional details: Exhibition poster for Wordsworth and the Borders of Romanticism whcih was held at the Yale Center for British Art in 1987.
DUMBO Auctions
Aug. 30, 2024
Joseph Mallord William Turner coloured print titled 'The Fighting Temeraire'. Good condition. All
Est: £10 - £14
Joseph Mallord William Turner coloured print titled 'The Fighting Temeraire'. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Chaucer Auctions
Aug. 08, 2024
J.M.W. Turner Regulus Leaving Carthuge Etching
Est: $100 - $200
J.M.W. Turner Regulus Leaving Carthuge Etching. Measures 12 inches x 17 inches.
Greenwich Auction
Jul. 28, 2024
Joseph Mallord William TURNER Paiting
Est: $2,000 - $3,000
Joseph Mallord William TURNER (1775-1851) Engraving 4 1/8" x 5 1/2" Frame: 15.5" x 19.5" Black and white engraving. Framed under glass. In good condition.
1stBid
Jul. 25, 2024
Turner (Joseph Mallord William). A collection of 55 proof engravings of European views, circa 1830s
Est: £200 - £300
Turner (Joseph Mallord William). A collection of 55 proof engravings of European views, circa 1830s * Turner (Joseph Mallord William, 1775-1851). A collection of 55 proof engravings of European views after J. M. W. Turner, circa 1830s, proof engravings on India paper, mostly landscape format, many with pencil captions to lower margin, engravers include J. B. Allen, J. C. Armytage, R. Brandard, J. Cousen, S. Fisher, T. Higham, T. Jeavons, W. Miller, W. Radclyffe, J. Smith, R. Wallis, and J. T. Willmore, plate size approximately 150 x 230 mm (6 x 9 ins), sheet size 290 x 420 mm (11 1/2 x 16 5/8 ins), loosely contained together in 19th-century black morocco-backed cloth covered portfolio with brass lock clasp, portfolio titled 'Annual Tour' in gilt QTY: (55)
Dominic Winter Auctions
Jul. 24, 2024
J.M.W. Turner Graphite Sketch of Figures on Beach
Est: $4,000 - $8,000
Joseph Mallord William Turner (English, 1775-1851). Graphite on paper drawing depicting figures along a beach. Turner's artistic practice involved creating pencil sketches on location, which would later form the basis of a painting. Every summer, Turner would go on a sketching tour, recording scenes that interested him in one of the several sketchbooks he carried with him. He was thorough, consulting guidebooks, interviewing individuals, and collecting evidence to ensure that his paintings were as true to life as they could possibly be, especially for his works recording historical events.
Revere Auctions
Jul. 24, 2024
J.M.W. Turner Graphite Cloud Study Sketch
Est: $3,000 - $6,000
Joseph Mallord William Turner (English, 1775-1851). Graphite on paper drawing depicting a field with large, voluminous clouds overhead in the vast sky. Turner's artistic practice involved creating pencil sketches on location, which would later form the basis of a painting. Every summer, Turner would go on a sketching tour, recording scenes that interested him in one of the several sketchbooks he carried with him. He was thorough, consulting guidebooks, interviewing individuals, and collecting evidence to ensure that his paintings were as true to life as they could possibly be, especially for his works recording historical events.
Revere Auctions
Jul. 16, 2024
William TURNER (1775-1861)
Est: €80 - €120
William TURNER (1775-1861) , d'après Ruines d'un château au bord d'un fleuve Début du XXe siècle Aquarelle sur papier Encadrée 22,5 x 16 cm (Quelques rousseurs) .
Millon Riviera
Jul. 09, 2024
Joseph Mallord William Turner, RA, British 1775-1851- Sixteen etchings f
Est: £3,000 - £5,000
Joseph Mallord William Turner, RA, British 1775-1851- Sixteen etchings from 'Liber Studiorum'; etchings on wove paper, fourteen bearing the artist's studio blindstamp, three with watermark 'J WHATMAN / 1810', one with watermark 'J WHATMAN / 1809', 21.8 x 28.9 cm. and smaller, sixteen (16). (unframed). Provenance: Private Collection, UK. Note: Includes plate 22: 'Juvenile Tricks'; 27: 'Windmill and Lock'; 29: 'Marine Dabblers'; 32: 'Young Anglers'; 36: 'From Spensers "Fairy Queen"'; 37: 'Water Mill'; 38: 'Scene in the Campagna'; 45: 'Peat Bog, Scotland'; 47: 'Hedging and Ditching'; 48: 'River Wye, originally called Chepstow Castle'; 56: 'Dumblaine Abbey, Scotland'; 59: 'Ville de Thun, Switzerland'; 61: 'The Tenth Plague of Egypt'; 62: 'Watercress Gatherers'; 64: 'Bonneville, Savoy'; and 66: 'Aesacus and Hesperie'. 'Liber Studiorum' is a collection of seventy-one prints by Turner which he produced and printed between 1807 and 1819. The present prints are examples of Turner's etchings of the scenes, which were later worked into mezzotints by collaborating engravers.
Roseberys