Keith Tyson Sold at Auction Prices

Keith Tyson (b. 1969), "Studio Wall Drawing: Lecture to Mark Titchner on the origins of the unit...," 2001

Keith Tyson (b. 1969) "Studio Wall Drawing: Lecture to Mark Titchner on the origins of the unit...," 2001 Mixed media on paper Signed and dated in ink on the label affixed to the verso of the frame: K. Tyson 01

Keith Tyson (b. 1969), "Table," 2001

Keith Tyson (b. 1969) "Table," 2001 Mixed media Dated and signed illegibly to tabletop underside

KEITH TYSON (B. 1969). Geno Pheno Sculpture: Covert Polyhedron. mild steel

KEITH TYSON (B. 1969). Geno Pheno Sculpture: Covert Polyhedron. mild steel polyhedron on punched steel block 68 1⁄8 x 22 1⁄8 x 23 5⁄8 in. (173 x 56.2 x 60 cm.).

Studio Wall Drawing: Thinking About Things (Less than Zero A Cube with a Side Length of Minus 8)

Art House: The Collection of Chara Schreyer Keith Tyson b. 1969 Studio Wall Drawing: Thinking About Things (Less than Zero A Cube with a Side Length of Minus 8) signed and dated 01 (on a label affixed to the reverse of the frame) mixed media on paper   59 ½ by 48 in.   151.1 by 121.9 cm. Executed in 2001. Please note that this lot will not be on view during the sale exhibition. It is located at our Long Island City, New York storage facility. If you would like to examine it in person before the sale please contact Montserrat Palacios at Montserrat.Palacios@sothebys.com

Keith Tyson, Nothing More To Say

Keith Tyson Nothing More To Say 2000 mixed media on paper 60.25 h x 47.75 w in (153 x 121 cm) Titled and dated to upper right 'July 2000 Nothing More To Say'. Signed, titled and dated to verso 'Nothing More To Say K. Tyson 2000'. Provenance: Galerie Krinzinger, Vienna | Acquired from the previous in 2001 by the present owner This work will ship from Chicago, Illinois.

KEITH TYSON (b. 1969) Nature Painting resin on aluminum 36 x 72 in. (91.4

KEITH TYSON (b. 1969) Nature Painting resin on aluminum 36 x 72 in. (91.4 x 182.8 cm.)

Studio Wall Drawing: Tried and Tested Techniques, Traps and Strategems

Art House: The Collection of Chara Schreyer Keith Tyson b. 1969 Studio Wall Drawing: Tried and Tested Techniques, Traps and Strategems acrylic, gouache and felt-tip pen on paper 60 by 47½ in. 152.4 by 120.7 cm. Executed in 2001.

The Logic of Games (Design for Playground Architecture)

Art House: The Collection of Chara Schreyer Keith Tyson b. 1969 The Logic of Games (Design for Playground Architecture) signed (on the label) mixed media on paper 59½ by 40 in. 151.1 by 101.6 cm. Executed in 2001. Please note that this lot will not be on view during the sale exhibition. It is located at our Long Island City, New York storage facility. If you would like to examine it in person before the sale please contact Montserrat Palacios at Montserrat.Palacios@sothebys.com

Studio Wall Drawing: Primordial Soup Tester for Outlook Athens.....

Keith Tyson b. 1969 Studio Wall Drawing: Primordial Soup Tester for Outlook Athens..... titled and dated Jun 2003 (along the upper edge) mixed media on paper 59½ by 47¾ in.  151.1 by 121.3 cm. Executed in 2003.

Keith Tyson (English b. 1969) Parkett Paperweight, 2004

Keith Tyson ( English b. 1969 ) Parkett Paperweight, 2004 Parkett Special Edition no 71 16/75 Pebble on copper plate, partly painted in enamel, mounted on rubber base. 3 15/16 in. square. Keith Tyson is an English artist. In 2002, he was the winner of the Turner Prize. Tyson works in a wide range of media, including painting, drawing and installations.

Studio Wall Drawing: Domestic Pairs - Lamps

Art House: The Collection of Chara Schreyer Keith Tyson b. 1969 Studio Wall Drawing: Domestic Pairs - Lamps signed (on the reverse of the frame) acrylic, gouache, felt-tip pen, tape and paper collage on paper, in artist's chosen frame 61 ¾ by 49 ½ in. 80.6 by 125.7 cm. Executed in 2000.

Parkett Paperweight (for Parkett 71)

TYSON, KEITH 1969 ULVERSTON Title: Parkett Paperweight (for Parkett 71). Date: 2004. Technique: Pebble stone on copper plate, partially painted with enamel. Measurement: 4 x 10 x 10cm. Notation: Signed on enclosed sample sheet. Publisher: Parkett-Verlag, Zurich (publisher). Number: 2/75. Frame/Pedestal: On rubber base. Condition: The work is in very good condition. Each object is unique in its combination of plate, pattern, pebble stone and position. Each piece with signed sample sheet showing the respective design among 100 different possibilities. With Parkett magazine. "Faced with the contradiction inherent in the notion that the infinitude of all possibilities should be grasped by the structures of our minds and, consequently, that the expanding universe is purely an extrapolation of a finite universe, Keith Tyson devises strategies to invent rules. He neither comes up with static 'world pictures' nor with linear sequences of pictures. Instead he seeks completely new rules by which a major player could generate his own worlds." Hans Rudolf Reust, Parkett Nr. 71, 2004. Article on the work and artist from Parkett edition no. 71. Explanations to the Catalogue

KEITH TYSON (B. 1969) Nature Painting mixed media on aluminium 61 x 61 cm.

KEITH TYSON (B. 1969) Nature Painting mixed media on aluminium 61 x 61 cm. (24 x 24 in.)

KEITH TYSON (°1969)

'Flight Path'. Print. One of 20 copies (according to label). Published by 'Parasol unit, London'. Description FR 'Flight Path'. Sérigraphie digitale. Un des 20 exemplaires (selon l'étiquette). Publiée par 'Parasol unit, London'. Beschrijving NL 'Flight Path'. Print. Een van de 20 ex. (volgens label). Uitgave van 'Parasol unit, London'.

Keith Tyson, Studio Wall Drawing: Portrait of Someone I Have Never Seen - "Raymond French"

Keith Tyson Studio Wall Drawing: Portrait of Someone I Have Never Seen - "Raymond French" 2001 acrylic, ink and watercolor on paper 60 h × 48 w in (152 × 122 cm) Signed and dated to gallery label to verso 'K.Tyson 01'. Titled to upper edge 'Portrait of Someone I Have Never Seen - "Raymond French"'. Provenance: Anthony Reynolds Gallery, London | Private Collection | Christie's, New York, Post-War and Contemporary Art, 27 September 2016, Lot 392 | Private Collection This work will ship from LAMA in Los Angeles, California.

Keith Tyson (born in 1969) Studio Wall drawing: A toral interface (V.1.1.) repressing an isotrophic cluster of torus multiverses spinni

Keith Tyson (born in 1969) Studio Wall drawing: A toral interface (V.1.1.) repressing an isotrophic cluster of torus multiverses spinning in the void..., April 19, 2004 Mixed media on paper Titled and annotated on the work 157 x 126 cm Provenance : - Galerie Georges-Philippe & Nathalie Vallois, Paris - Acquired from the latter by the current owner - Private collection, Paris Keith Tyson (né en 1969) Studio Wall drawing: A toral interface (V.1.1.) represting an isotrophic cluster of torus multiverses spinning in the void..., 19 avril 2004 Technique mixte sur papier Titré et annoté sur l'oeuvre 157 x 126 cm Provenance : - Galerie Georges-Philippe & Nathalie Vallois, Paris - Acquis auprès de cette dernière par l'actuel propriétaire - Collection particulière, Paris

Keith Tyson, Panoramic Drawing (Showing the Interior Facets of a Contradiction Tolerant Lens)

Keith Tyson Panoramic Drawing (Showing the Interior Facets of a Contradiction Tolerant Lens) 1998 lithograph on vellum parchment paper 5.75 h × 50.25 w in (15 × 128 cm) Signed, dated and numbered to lower right 'K Tyson 98 3/100'. This work is number 3 from the edition of 100. This work will ship from Rago in Lambertville, New Jersey. condition: Excellent condition. Unframed.

Keith Tyson, Nature Painting

Keith Tyson Nature Painting 2005 mixed media on aluminium 24 h × 24 w in (61 × 61 cm) Signed, titled and dated to verso 'Nature Painting K. Tyson '05'. Provenance: Haunch of Venison, London | Private Collection This work will ship from Rago in Lambertville, New Jersey. condition: Work is in very good overall condition and presents as artist intended. Unframed.

Keith Tyson, Nature Painting

Keith Tyson Nature Painting 2005 mixed media on aluminium 24 h × 24 w in (61 × 61 cm) Signed, titled and dated to verso 'Nature Painting K. Tyson '05'. Provenance: Haunch of Venison, London | Private Collection This work will ship from Rago in Lambertville, New Jersey. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.

Keith Tyson (né en 1969) - Nature painting

Keith Tyson (né en 1969) Nature painting peinture aérosole, huile, résine et acrylique émaillée sur aluminium 183 x 183 cm.

KEITH TYSON - Nature Painting

KEITH TYSON - Nature Painting ♠

Keith Tyson (né en 1969) Tabletop tales - Nature's Love and Fear of Entropy peinure aérosol, huile, résine et acrylique émaillée sur panneau 245 x 245 cm.

Keith Tyson (né en 1969) Tabletop tales - Nature's Love and Fear of Entropy signé, titré et daté '"Table Top tale" K. Tyson 2006' (au dos) peinure aérosol, huile, résine et acrylique émaillée sur panneau 245 x 245 cm. Réalisé en 2006. signed, titled and dated '"Table Top tale" K. Tyson 2006' (on the reverse) aerospray, oil, resin and enameled acrylic on board 96 ½ x 96 ½ in. Executed in 2006.

Keith Tyson (né en 1969) Geno Pheno Painting ‘Mutual Attraction’ (i) huile et mine de plomb sur aluminium (ii) acrylique et encre sur aluminium chaque: 244 x 167.5 cm.

Keith Tyson (né en 1969) Geno Pheno Painting ‘Mutual Attraction’ titré 'Geno Pheno' (au dos) (i) huile et mine de plomb sur aluminium (ii) acrylique et encre sur aluminium chaque: 244 x 167.5 cm. Réalisé en 2005. titled 'Geno Pheno' (on the reverse) (i) oil and graphite on aluminium (ii) acrylic and ink on aluminium each: 96 1/8 x 66 in. Executed in 2005.

Keith Tyson (born 1969) Studio Wall drawing: A toral interface (V

Keith Tyson (born 1969) Studio Wall drawing: A toral interface (V.1.1.) represting an isotrophic cluster of torus multiverses spinning in the void..., April 19th 2004 Mixed media on paper 61.8 x 49.6 in Provenance: - Galerie Georges-Philippe & Nathalie Vallois, Paris - Private collection, Paris Keith Tyson (né en 1969) Studio Wall drawing: A toral interface (V.1.1.) represting an isotrophic cluster of torus multiverses spinning in the void..., 19 avril 2004 Technique mixte sur papier 157 x 126 cm Provenance: - Galerie Georges-Philippe & Nathalie Vallois, Paris - Collection particulière, Paris

KEITH TYSON - Studio Wall Drawing: MAY 2003/ APR 2004 - Designs for Chicago Hyatt Centre

KEITH TYSON - Studio Wall Drawing: MAY 2003/ APR 2004 - Designs for Chicago Hyatt Centre ♠

KEITH TYSON - The Seven Wonders (Part II) (Index)

KEITH TYSON - The Seven Wonders (Part II) (Index)

KEITH TYSON (B. 1969)

KEITH TYSON (B. 1969) Northumbrian Chronicle and Bishop Inscribed “A)The Country NeedsYou! B) But He is Evil! A) SoWhat? B) O.K.Then A) AboutTurn!This Side Vanitas Bishop” (on the reverse) Oil and photographic collage on canvas 75 x 77.2 cm (29 1/2 x 30 3/8in.) Executed in 1997 Provenance : Acquired directly fro the artist Phillips de Pury & Co., New York, Friday, November 16, 2007 [Lot 386] Karl Hutter Fine Art Private collection, Los Angeles British artist Keith Tyson began his earliest career as an apprentice engineer working on nuclear submarines, before he made the leap to art. Systems of logic, scientific methodology, and elements of chance have since continued to inform his intriguing practice, and his diverse artistic output stems from the view that his practice is akin to scientific experimentation. For Tyson, his studio is a laboratory where he uses scientific, philosophical or other modes of enquiry to explore questions of human existence. Northumbrian Chronicle reflects Tyson's interests in systems and machines, and is meant to be installed from the ceiling so that both sides of the work can be seen, so that this work could be seen as either a two-dimensional or a three-dimensional piece.

KEITH TYSON | Studio Wall Drawing: 27 Sept 2000: The Seven Wonders of the World (Part 1)

acrylic, spray paint, watercolour, pen, pencil and paper collage on paper

KEITH TYSON | Ricochet at Right Angles to Reality

signed, titled, dated ' 29.Nov.2002' and variously inscribed; signed and variously inscribed on the reverse pencil and ink on paper

KEITH TYSON | Synaesthetic Translation

titled, printed with the artist's name and dated ' 2007'  mixed media on watercolour paper  

Keith Tyson (b. 1969) - Nature Painting

Keith Tyson (b. 1969) Nature Painting mixed media reactions on aluminum panel 48 x 48 in. (121.9 x 121.9 cm.)

KEITH TYSON - Nature Painting (Geo)

KEITH TYSON - Nature Painting (Geo)

KEITH TYSON | Studio Wall Drawing: Idea for a Conglomerated Still Life Series

acrylic, oil, paper collage and felt-tip pen on paper

KEITH TYSON | Studio Wall Drawing (The Step Boss Daddy Pit Dream)

mixed media on paper

KEITH TYSON - Operator Painting: Shells and Sheep

KEITH TYSON - Operator Painting: Shells and Sheep

KEITH TYSON (NE EN 1969) Provenance : Galerie Georges-Philippe et Nathalie

KEITH TYSON (NE EN 1969) Provenance : Galerie Georges-Philippe et Nathalie Vallois, Paris NATURE PAINTING (FLUID DYNAMIC 2), 2009 Technique mixte sur aluminium Signée, titrée et datée au dos 122 x 122 cm

Keith Tyson (B. 1969) Studio Wall Drawing: Artmachine Pieces Sti

Keith Tyson (B. 1969) Studio Wall Drawing: Artmachine Pieces Still To Do oil, ink, ballpoint pen, oilstick, marker, tracing paper and printed paper collage on paper 59 7/8 x 47 7/8in. (152 x 121.5cm.)

KEITH TYSON | Nature Painting (Mirror)

mixed media on aluminium

Keith Tyson, (British, b. 1969), Artmachine iteration—A photograph about nothing—In and out of focus, 1998

Keith Tyson (British, b. 1969) Artmachine iteration—A photograph about nothing—In and out of focus, 1998 oil, resin and paper collage on wood 90 x 42 inches.

Keith Tyson, (British, b. 1969), Artmachine iteration—A photograph about nothing—In and out of focus, 1998

Keith Tyson (British, b. 1969) Artmachine iteration—A photograph about nothing—In and out of focus, 1998 oil, resin and paper collage on wood 90 x 42 inches.

KEITH TYSON | Nature Painting

mixed media on aluminium

KEITH TYSON | Operator Painting: Taxi Window

mixed media on aluminum

Keith Tyson, British b.1969- Untitled, Woman in ga

Keith Tyson, British b.1969- Untitled, Woman in garden; mixed media, digital print and tape, signed and dated 95 verso, 12.5x17.6cm, (may be subject to Droit de Suite)

Keith Tyson

signed, titled and dated 2008 on the reverse,mixed media on aluminum,36 by 36 1/8 in. 91.4 by 91.7 cm.

Keith Tyson (b. 1969)

Keith Tyson (b. 1969) >Studio Wall Drawing: 9th May 2004 "Painful: Refutations of Our Omnipotence... Allow for the Liberation of Our Essential Boundlessness"<br>titled and dated '9 MAY 2004 PAINFUL: REFUTATIONS OF OUR OMNIPOTENCE.......' (upper edge), titled 'ALLOW FOR THE LIBERATION OF OUR ESSENTIAL BOUNDLESSNESS.' (lower edge) >graphite, ink, gouache on printed paper <br>60 x 48 in. (152.2 x 121.7 cm.) >Executed in 2004. <br>

KEITH TYSON

Nature Painting Signed, titled and dated 'Nature Painting K. Tyson 2006' on the reverse.

Keith TYSON (né en 1969) TABLETOP TALES, 2001 Technique mixte, table en bois, arbre en plastique, maquette, polystiréne encre et pei...

Keith TYSON (né en 1969) TABLETOP TALES, 2001 Technique mixte, table en bois, arbre en plastique, maquette, polystiréne encre et peinture Pièce unique de la série "Contes au dessus de la table" Un certificat de l'artiste sera remis à l'acquéreur h: 99 w: 135 d: 60 cm Provenance : Galerie Georges-Philippe & Nathalie Vallois, Paris Collection Michèle et Thierry Colin, Reims Commentaire : En 2002, les Tabletop Tales de Keith Tyson contribuent à la victoire de leur auteur au prestigieux Turner Prize de 2002. Cette série est emblématique de la démarche de l'artiste, qui voit dans l'oeuvre d'art le lieu d'une rencontre entre son esprit et la réalité extérieure. Fasciné par les marques et les égratignures causées par le passage du temps sur des surfaces abandonnées, Tyson se laisse envahir par leur potentiel narratif : « Je commençais par démembrer l'objet et accrocher le dessus-de-table au mur, comme s'il se fut agi d'un tableau. Puis, calmement assis dans mon atelier, je commençais à « lire » les marques de la table et attendais qu'une forme ou qu'une histoire m'apparaisse. Sans idée ni plan préconçus, je me contentais de prêter attention à ce qui pouvait advenir. Parfois, je restais longtemps sans que rien ne se passe. Puis, soudainement, ma vision s'élargissait. Je prenais conscience de l'incroyable intrication d'événements et de temporalités disparates qu'il avait fallu pour nous amener, cette table et moi, à nous rencontrer en ce moment particulier. Souvent, alors, s'ouvraient à moi les portes d'une riche mythologie inscrite à la surface de cette table. » L'objet trouvé apparaît comme un support de rêverie. En lui s'incarne le principe du « hasard objectif » cher aux surréalistes, qui consiste dans la rencontre de la « nécessité extérieure » et de « l'inconscient humain ». Méditant sur ces tables, Tyson voit dans chacun de leurs accrocs, dans chacune de leurs taches, l'occasion de cartographier ses processus mentaux. Ainsi, pour cette pièce de 2001, on devine qu'un éclat dans le bois, qui évoque la forme d'un navire, a inspiré le poème « A drifting ship » inscrit par l'artiste dans le coin droit de la table : « Mon esprit est vide, des pensées le traversent mais je ne leur prête que peu d'attention. Je commence à imaginer que ces pensées et ces souvenirs se mettent eux aussi à flotter sur l'océan... ». Propice à la dérive imaginaire, la table se fait surface de projection : elle fournit à l'artiste des amorces de narration qui dessinent les contours d'autant de mondes possibles. Ici, ces fragments de pensées maritimes ont donné lieu à la mise en espace d'un micro-environnement en forme de paysage de bord de mer – palmier en plastique et parasol miniature, ombres projetées, plongeoir-précipice vaguement inquiétant. Cet univers énigmatique, « mélange d'écriture, de sculpture, de coïncidences, de physique, de poésie et de magie » selon son auteur, s'inscrit dans une certaine culture de l'assemblage qui emprunte aussi bien à l'humour dadaïste qu'aux propositions lo-fi des artistes californiens des années 60. Il fonctionne comme un embrayeur de fiction offert au spectateur, qui est invité à peupler à son tour ce terrain de jeu de ses propres rêveries intermittentes.

Keith Tyson (b. 1969) Studio Wall Drawing: Rough Idea for Attractors titled and dated 'FEB 2005 - ROUGH IDEA FOR ATTRACTORS' (along the upper edge) enamel, oil, acrylic and gouache on paper 59 5/8 x 47 5/8in. (151.5 x 121cm.) Executed in 2005