Joos van Cleve Paintings & Artwork for Sale | Joos van Cleve Art Value Price Guide

Oct. 16, 2024
JOOS VAN CLEVE (1485 KLEVE - 1540 ANTWERP) (WORKSHOP), CHRIST AND JOHN THE BAPTIST AS CHILDREN, 16TH CENTURY
Est: €6,000 - €8,000
Joos van Cleve (1485 Kleve - 1540 Antwerp) (workshop), Christ and John the Baptist as children, 16th century, Oil on timber. 28.0 x 39.5 cm (plate), 41.5 x 52.5 cm (frame).,
Quittenbaum Kunstauktionen GmbH
Jul. 03, 2024
Workshop of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) The Madonna of the Cherries
Est: £15,000 - £25,000
Workshop of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) The Madonna of the Cherries oil on panel 60.9 x 44.2cm (24 x 17 3/8in).
Bonhams
Jun. 27, 2024
Joos van Cleve, um 1485 – um 1540, Nachfolge des
Est: €8,000 - €12,000
MADONNA MIT KIND Öl auf Holz. 24,5 x 19 cm. In Flammleistenrahmen. Vor dunklem Hintergrund das Halbbildnis der Madonna mit langem, goldblonden Haar, mit beiden Händen das Kind an sich und ihre Wange gedrückt haltend. Dabei blickt sie mit halbgeschlossenen Augen nach unten, wie dies auf weiteren Werken des Künstlers zu finden ist. Das Kind liebkost jedoch nicht mit seiner rechten Hand ihre Wange, sondern erfasst den Kragen des Gewandes. Feine Malerei, die auch an andere Vorbilder denken lässt. (1400331) (2) (18)
Hampel Fine Art Auctions
Jun. 19, 2024
Salvator Mundi
Est: €20,000 - €30,000
Studio of Joos van Cleve Kleve 1485 - 1541 Antwerp Salvator Mundi Oil on panel 29,5 x 23,3 cm ; 11⅝ by 9⅛ in. ____________________________________________ Atelier de Joos van Cleve Clèves 1485 - 1541 Anvers Salvator Mundi Huile sur panneau 29,5 x 23,3 cm ; 11⅝ by 9⅛ in.
Sotheby's
May. 08, 2024
Joos van Cleve, Nachfolge 2nd half of the 16th century Mary with the Child
Est: €4,000 - €5,000
Joos van Cleve, Nachfolge 2nd half of the 16th century um 1485 wohl Cleve - 1540/41 Antwerpen Mary with the Child Oil auf panel. 44.5 x 31.5 cm. Inserted into another panel (45.7 x 32.8 cm). Cradling. Restored. Minor damage to frame (64 x 50.5 cm). Joos van Cleve schuf verschiedene kompositionell vergleichbare Versionen einer Darstellung der "Heiligen Familie". Auch die Darstellung Mariens als "Maria lactans" ist dabei nachzuweisen. Aus diesem Kontext der "Heiligen Familie" wurde die Darstellung Mariens mit dem Kind bisweilen herausgenommen. So auch im vorliegenden Fall. Die "Maria lactans" mit dem stehenden Kind findet sich äußerst vergleichbar auf einem Gemälde in der Erimetage zu St. Petersburg wieder. Der Hl. Joseph wurde hier jedoch durch einen Blumenstrauß ersetzt. Vgl. zum St. Petersburger Gemälde Hand, John Oliver, Joos van Cleve. The complete paintings. New Haven u. a. 2004, WVZ-Nr. 33.2. provenance: according to the information given by the previous owners, it was acquired from the art dealer Rudolf Sturm. - Collection of Hans Constantin Faußner, Munich. Wir danken Dr. Micha Leeflang, Amsterdam, für ihre freundliche Unterstützung im Rahmen der Katalogisierung.
Neumeister
Apr. 18, 2024
RITRATTO DI NOBILUOMO JOOS VAN CLEVE (MANIERA DI) (1485 - 1541) RITRATTO DI NOBILUOMO
Est: €2,500 - €3,500
olio su tavola L'opera è una ripresa dalla composizione conservata alla galleria degli Uffizi a Firenze. Entro cornice. Provenienza : Bollo a ceralacca al retro "Galerie Sedelmeyer, Paris".
DAMS Casa d'Aste
Mar. 23, 2024
Holy Family
Est: €30,000 - €35,000
Oil and tempera painting on wood depicting the "Holy Family", dating back to the first quarter of the 16th century. The work is attributed to a Genoese painter belonging to Joos Van Cleve's circle (Kleve, 1485 – Antwerp, 1540), and accompanied by expertise by Dr. Mia Alsina. Accompanied by a large, richly crafted frame dating back to the 18th century. Measures: 64.5 x 48.5 cm
Arte Movi Auctions
Mar. 21, 2024
Flämische Schule des 16. Jahrhunderts, Nachfolge des Joos van Cleve (1485-1541)
Est: €5,000 - €7,000
MARIA LACTANS Öl auf Holz. 40 x 30 cm. In breitem Rahmen. Vor dunklem Hintergrund Halbbildnis der nach rechts geneigten Madonna mit teils goldglänzendem langem Haar, die dem in ihren beiden Händen gehaltenen Jesusknaben die Brust reicht. Dieser ebenfalls mit goldglänzenden Haaren und einem Nimbus um sein Haupt, blickt mit seinen hellen Augen aus dem Bild heraus. Darstellungen des Bildmotivs der stillenden Maria sind häufig in der Malerei der Kunstgeschichte zu finden, zahlreiche auch bei Joos van Cleve. Malerei in reduzierter Farbigkeit. Holzplatte leicht gewölbt. (1391693) (18)
Hampel Fine Art Auctions
Mar. 20, 2024
JOOS VAN CLEVE (1485 KLEVE - 1540 ANTWERP) (WORKSHOP), CHRIST AND THE JOHN THE BAPTIST AS CHILDREN, 16TH CENTURY
Est: €6,000 - €8,000
Joos van Cleve (1485 Kleve - 1540 Antwerp) (workshop), Christ and the John the Baptist as children, 16th century, Oil on wood. 28.0 x 39.5 cm (plate), 41,5 x 52,5 cm (frame).,
Quittenbaum Kunstauktionen GmbH
Mar. 20, 2024
JOOS VAN CLEVE (1485 KLEVE - 1540 ANTWERP) (SURROUNDING), MADONNA LACTANS, AROUND 1500
Est: €3,000 - €5,000
Joos van Cleve (1485 Kleve - 1540 Antwerp) (Surrounding), Madonna lactans, around 1500, Oil on wood. 40.2 x 31.7 cm (plate), 52.0 x 43.4 cm (frame). Framed. ,
Quittenbaum Kunstauktionen GmbH
Jan. 31, 2024
WORKSHOP OF JOOS VAN CLEVE (?CLEVE 1485-1540 ANTWERP) The Holy Family oil o
Est: $100,000 - $150,000
WORKSHOP OF JOOS VAN CLEVE (?CLEVE 1485-1540 ANTWERP) The Holy Family oil on panel 23 ¾ x 18 ½ in. (60.5 x 47 cm.)
Christie's
Jan. 31, 2024
Joos van Cleve: Maria Lactans
Est: €800 - €1,000
CLEVE, JOOS VANu m 1485 Kleve - 1541 Antwerpen Nachfolge Titel: Maria Lactans. Technik: Öltempera auf Holz. Maße: 21,5 x 15,5cm. Rahmen: Rahmen. Provenienz: Privatbesitz, Deutschland. Joos van Cleve Flanders Flemish School 16th C. Old Masters Framed Life of Virgin Mary Painting Explanations to the Catalogue Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Jan. 25, 2024
Virgin of the Milk, attributed to Joos Van Cleeve (Cleveris, c. 1485 - Antwerp, 1540 or 1541), Flemish school of the 16th century. Certificate of Dr Ramón Triado
Est: €12,000 - €15,000
No reserve lot, property of a Gentleman, estate liquidation. Oil on panel, measurements: 37 x 29. Joos van Cleve (Cleveris?, c. 1485-Antwerp, 1540 or 1541), member of a family of artists, since the surname Cleef is repeated among the painters of Antwerp, it is little what is known about his life and his artistic career. He could have been born in Cleves (Cleve in German, Kleef in Dutch), currently a German city but in the 16th century in the duchy of Cleves, which is part of the Netherlands. He dedicated his career to portraiture and religious painting, sometimes repeating his compositions of variegated figures, backgrounds of Renaissance architecture, and easy sales. The Death of the Virgin from the Wallraf-Richartz Museum in Cologne, dated 1515 on its frame and signed with a monogram, served as a starting point for the recognition of his initial style and thus attributing to him the works that until then had been assigned to the Master of the Death of the Virgin. Since 1524, with The Lamentation at the Städelsches Kunstinstitut in Frankfurt, there is a shift in his painting towards Italian models, although there is no documentary evidence of any trip to that country. It is possible, however, that he did so in France, where according to Guicciardini he was called by Francis I to work as a portraitist at court. Between 1528 and 1535 Joos van Cleve does not appear in the records of the guild of Saint Luke, a period that he may have actually spent in France, from where he perhaps traveled to England to portray Henry VIII, at this time numerous portraits are attributed to him, always of a sober nature. . In Spain he is represented in the Thyssen-Bornemisza Museum in Madrid, which houses two of his works: a Self-portrait painted around 1519, and a Child of the Passion on the Globe, from around 1530. In the Prado Museum a Portrait of old man from the royal collection, which was attributed to Hans Holbein the Younger, whose work Cleve was able to see in England, and a Savior of the World of dubious attribution, which repeats a model from the Louvre Museum. In Gran Canaria, specifically in the Hermitage of Nuestra Señora de las Nieves, the Snow Triptych is attributed to him. Reference bibliography: Pita Andrade, José Manuel and Borobia Guerrero, María del Mar, Old Masters of the Thyssen-Bornemisza Museum, Madrid, 1992, pp. 246-247, ISBN 84-88474-02-4 In his image. Art, culture and religion, exhibition catalogue, Madrid, 2014-2015, ISBN 978-84-15931-14-0
Templum Fine Art Auctions
Dec. 13, 2023
JOOS Circle of VAN CLEVE (Cleveris?, around 1485 – Antwerp, 1540 or 1541). "Saint Jerome in his study." Oil on oak panel. Presents repaints. Needs restoration.
Est: €1,400 - €1,600
JOOS Circle by VAN CLEVE (Trier, ca. 1485 - Antwerp, 1540 or 1541). "Saint Jerome in his Study". Oil on oak panel. It has repainting. In need of restoration. Measurements: 65 x 86 cm; 73 x 95 cm (frame). The present canvas presents a typical iconography of the 17th century, whose protagonist is Saint Jerome. He became very popular during the Counter-Reformation, due to his repentance and contemplative life, useful values to move the faithful. It is a devotional portrait, set against a neutral background that allows the main subject to be centralised. The long bust of the saint can be seen, scantily clad in a red cloak, with his head bent down contemplating a skull, which is placed on the blank papers, alluding to the saint's work as a translator. He is also touching the skull with his hand, one of the most representative attributes of the saint. Saint Jerome is one of the four great Doctors of the Latin Church, born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician and polyglot. Baptised at the age of nineteen, between 375 and 378 he withdrew to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. In the second half of the 16th century a new iconography emerged in which the saint listens to the trumpet of the Apocalypse, an iconography widely used by the Counter-Reformation Church. The distinguished saint is usually depicted inside a cave or in the middle of the desert, and is usually, though not always, accompanied by his characteristic attributes: the stone symbolising the rigour of penance, with which he beats his chest; the skull, symbolising death; and the red cloak, which reflects the tradition that made him a cardinal. The accumulation of books and parchments next to the saint alludes to the saint's translation of the Bible into Latin, which since the Council of Trent has been considered the only official translation. Finally, the theme of St Jerome hearing the trumpet of the Last Judgement became fashionable in Counter-Reformation Europe, and gradually took hold, displacing earlier interpretations of the saint as a sage or penitent. Joos Van Cleeve was presumably born in Kleve and moved to Bruges in the early 16th century due to the influence of this school on his style, later moving to Antwerp where he enrolled as a master in the city's Guild of Saint Luke. Various pupils of his workshop are known. He is also thought to have been at court in France in 1529 or 1535 and is thought to have travelled to Italy and London. Until a monogram was discovered and identified with the master, his works were attributed to the Master of the Death of the Virgin due to the triptych (now in the Wallraf-Richartz-Museum, Cologne) on which the signature was discovered. His style reveals influences from a variety of sources, including iconographic ideas of Jan van Eyck and Robert Campin, themes and techniques of Leonardo da Vinci, etc. His work is preserved only in a few important private collections around the world and in institutions such as the Metropolitan Museum of Art in New York, the National Museum in Warsaw, the Alte Pinakothek in Munich, the Louvre in Paris, the Galleria degli Uffizi in Florence, the Hermitage in St. Petersburg, the Royal Museum of Fine Arts in Brussels, the National Gallery in Prague, etc.
Setdart Auction House
Dec. 08, 2023
CIRCLE OF JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) - An allegory of death
Est: £10,000 - £15,000
CIRCLE OF JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) An allegory of death oil on panel 17 ¾ x 13 1⁄8 in. (45.1 x 33.3 cm.)
Christie's
Oct. 03, 2023
JOOS VAN CLEVE (1485-1540) (FOLLOWER)
Est: €12,000 - €15,000
Penitent Jerome in his study. Antwerp. Mid 16th century. Oil on panel. Provenance: Madrid, sighted in 1914 Private collection Heverlee Restored in 1914 in Madrid and in 1982 in Brussels by Mr. Masson. This iconic composition with the Penitent Jerome in his study room is usually linked to the studio of Joos van Cleve. Nevertheless, notes by M. J. Friedländer show that he attributed a variant to 'Hemessen od[er] Massis,' indicating the artists Jan Sanders van Hemessen (c. 1500-1556/57) and Quinten Massijs I (1455/65-1530) (cf. RKDimages 42328). The possible prototype of this composition is/was in a private collection in Milan (Modono) (cf. RKDimages 42327). Whereas in earlier variants the background consists of an interior with a view of a vast landscape in the window, in the present version it is occupied by a red curtain. The muscular figure of Hieronymus and the magnified movement with his left hand, situate this painting during the heyday of Antwerp Mannerism. Description FR Saint Jérôme méditant dans son cabinet. Anvers. Milieu du 16ème siècle. Huile sur panneau. Provenance: Madrid, signalé en 1914 Collection privée Heverlee Restauré en 1914 à Madrid et en 1982 à Bruxelles par Mr. Masson. Cette composition emblématique avec le saint dans son étude est généralement associée à l'atelier de Joos van Cleve. Pourtant, les notes de M. J. Friedländer montrent qu'il a attribué une variante à 'Hemessen od[er] Massis' indiquant les artistes Jan Sanders van Hemessen (c. 1500-1556/57) et Quinten Massijs I (1455/65-1530) (cf. RKDimages 42328). Le prototype possible de cette composition se trouve/ trouvait dans une collection privée à Milan (Modono) (cf. RKDimages 42327). Alors que dans les variantes précédentes, l'arrière-plan se compose d'un intérieur avec une vue sur un vaste paysage dans la fenêtre, ici, il est occupé par un rideau rouge. La figure musclée de Hieronymus et le mouvement amplifié de sa main gauche situent ce tableau à l'apogée du maniérisme anversois. Beschrijving NL Boetvaardige Hiëronymus in studievertrek. Antwerpen. Midden 16de eeuw. Olie op paneel. Herkomst: Madrid, gesignaleerd in 1914 Privé-verzameling Heverlee Gerestaureerd in 1914 in Madrid en in 1982 in Brussel door de heer Masson. Deze iconische compositie met de Boetvaardige Hiëronymus in zijn studievertrek wordt meestal gelinkt aan het atelier van Joos van Cleve. Toch blijkt uit notities van M. J. Friedländer dat hij een variant toeschreef aan 'Hemessen od[er] Massis', duidend op de kunstenaars Jan Sanders van Hemessen (ca. 1500-1556/57) en Quinten Massijs I (1455/65-1530) (cf. RKDimages 42328). Het mogelijke prototype van deze compositie bevindt/ bevond zich in een private collectie in Milaan (Modono) (cf. RKDimages 42327). Waar de achtergrond in vroegere varianten bestaat uit een interieur met een doorkijk op een weids landschap in het raam, is deze in de huidige versie ingenomen door een rood gordijn. De gespierde figuur van Hiëronymus en de uitvergrote beweging met zijn linkerhand, situeren dit schilderij tijdens de hoogdagen van het Antwerpse maniërisme.
Bernaerts Auctioneers
Sep. 28, 2023
Flämische Schule des 16. Jh., Nachfolge des Joos van Cleve (1485 – 1541)
Est: €6,000 - €8,000
MARIA LACTANS Öl auf Holz. 40 x 30 cm. In breitem Rahmen. Vor dunklem Hintergrund Halbbildnis der nach rechts geneigten Madonna mit teils goldglänzendem langem Haar, die dem in ihren beiden Händen gehaltenen Jesusknaben die Brust reicht. Dieser ebenfalls mit goldglänzenden Haaren und einem Nimbus um sein Haupt, blickt mit seinen hellen Augen aus dem Bild heraus. Darstellungen des Bildmotivs der stillenden Maria sind häufig in der Malerei der Kunstgeschichte zu finden, zahlreiche auch bei Joos van Cleve. Malerei in reduzierter Farbigkeit. Holzplatte leicht gewölbt. (13715012) (18)
Hampel Fine Art Auctions
Sep. 12, 2023
MANNER OF JOOS VAN CLEVE (CLEVE C. 1485-C. 1540 ANTWERP)
Est: £5,000 - £7,000
MANNER OF JOOS VAN CLEVE (CLEVE C. 1485-C. 1540 ANTWERP) Property from a private collection. MANNER OF JOOS VAN CLEVE (CLEVE C. 1485-C. 1540 ANTWERP) Saint Jerome in His Study oil on panel 31.5 x 24 cm Joos van Cleve painted several images of Saint Jerome, the present panel draws close comparison to the composition "Saint Jerome in His Study by Joos van Cleve," Record of the Art Museum, held by Princeton University 49, no. 2 (1990). Jerome translated Greek and Hebrew biblical texts into the standard Latin versions that eventually formed the Vulgate. This melancholy attitude, and his gesture toward the skull suggest that he emulated Albrecht DÃ¼rerâs Saint Jerome panel of 1521. The skull presents the specter of death, and the motto homo bvlla (âMan is a bubbleâ) a motif of mortality. Joos van Cleve painted a picture of Saint Jerome in his study surrounded by objects and is associated with more than a dozen versions of this image. Grasping his head, Jerome points at a skull, beside him is a snuffed-out candle; reminders of the passage of time. The present composition is derived from Albrecht Durer's Saint Jerome painted for Ruy FernÃ¡ndez de Almeida, Ambassador of King John III of Portugal, in Antwerp in 1521, now in the Museu Nacional de Arte Antiga, Lisbon. Copies and versions exist by artists such as Quentin Matsys and notably Joos van Cleve. see: John Oliver Hand, "Saint Jerome in His Study by Joos van Cleve," Record of the Art Museum, Princeton University 49, no. 2 (1990): p. 2-10, pp. 2â3, figs. 1â3; p. 7, fig. 7.
Chiswick Auctions
Jul. 05, 2023
Workshop of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) The Madonna and Child
Est: £8,000 - £12,000
Workshop of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) The Madonna and Child oil on panel 25.4 x 18.6cm (10 x 7 5/16in).
Bonhams
Jun. 29, 2023
Joos van Cleve, Nachfolge Mary with the sleeping child on her breast
Est: €3,000 - €4,000
Joos van Cleve, Nachfolge um 1485 Kleve - 1540 o. 1541 Antwerpen Mary with the sleeping child on her breast Carved monogram PW verso. Oil auf panel. 56 x 42.5 cm. Restored. Damage to frame (80 x 66 cm). The painting is listed in the database of the Rijksbureau voor Kunsthistorische Dokumentatie, RKD, under number 41672. According to a note in the Max J. Friedländers photo archive, former collection of "Wilm / München".
Neumeister
May. 15, 2023
Joos van Cleve: Madonna of the Cherries
Est: €20,000 - €30,000
CLEVE, JOOS VAN ca. 1485 Cleves - 1541 Antwerp Workshop/Circle Title: Madonna of the Cherries. Date: Ca. 1540-1550. Technique: Oil on wood. Measurement: 45,5 x 31 cm. Provenance: Private ownership, Germany. Separated from the viewer by a railing, a mother gazes lovingly at her child and hands him cherries. This could be an everyday scene from the 16th century, if certain elements did not indicate that it was the Virgin Mary and Jesus. The cherries lying on the parapet and offered by the mother to the child are, by their heart-shaped form and colour, a symbol of Christ's love and his blood shed on the cross. The cherry, juicy and sweet, is also an allusion to the fruit of the tree of Eden, which led to the expulsion of Adam and Eve from the Garden of Eden. The rose also has the double meaning of the blood shed on the cross but at the same time of God's goodness and the grace he bestows on man. Finally, the green parrot that the child holds in his right hand is another Christian symbol: the animal is often used as a symbol for the Annunciation of the Archangel Gabriel to Mary because, according to one tradition, the parrot could say the Ave because of its ability to speak, which would connect it to the Annunciation. This, then, is a small-format painting peppered with symbols that the 16th-century viewer could effortlessly decipher, whereas they are more difficult to contextualise in the eyes of modern people. The author of this magnificent depiction of the Madonna and Child is to be found in the workshop or under in the circle of Joos (or Joost) van Cleve. Van Cleve was one of the most important artists of the Antwerp School, mainly active in the years 1515-1530. He is best known for his portraits and paintings with religious themes: his works were in great demand for public and private devotion. Some of his Madonnas with Child bear a strong resemblance to the present painting, which can therefore be assumed to date from around 1540-1550. It seems that at least two artists were involved in the execution of this painting, or at least there were two phases of execution, since microscopic analysis revealed non-negligible differences in the way the yellow pigment was applied. It is likely that a very experienced painter from the workshop of Joos van Cleve painted the Madonna while the child is the work of a pupil or another artist who took over the work (perhaps due to the death of the first painter). Infrared reflectography revealed an underlying drawing of a dry, dark-coloured material depicting Adam and Eve with the seductive serpent. Eve stands in a landscape and takes an apple from the snake with her right hand; in her left hand she holds a second apple. Adam sits in front of her and stretches out his right arm towards Eve. The x-ray revealed that the composition with Adam and Eve was not painted in oil while the Madonna and the child were painted separately without significant pentimenti. Identifying the underlying drawing reveals a very common practice of reusing material, where the initial idea was abandoned and the material was reused afterwards to save money. Curiously, the two subjects, original sin and the Madonna handing the cherries to the child, are closely linked by the symbolism of the fruits - apple and cherries - which allude to sin and the redemption of man through the sacrifice of the Son of God. The painting was examined at the Technische Schule Köln using various non-destructive methods of analysis to gain a better understanding of the materials and techniques used, as well as its condition: Stereomicroscopy, Infrared reflectography (Osiris, 900-1700nm) in 2018, UV light examination and X-ray (Seifert ERESCO 150KV/0.5mA / Examion CR 3X-pro) XRF analysis (Niton XLt). The examination report, prepared in Cologne on 10.03.2020, is available. We are grateful to Suzanne Laemers, RKD, The Hague, and Maryan Ainsworth, New York, for their kind assistance in cataloguing the present painting. Explanations to the Catalogue
Van Ham Kunstauktionen
Apr. 08, 2023
JOOS VAN CLEVE (1485-1541), D'APRES Saint Jérôme dans son cabin
Est: €2,000 - €3,000
JOOS VAN CLEVE (1485-1541), D'APRES Saint Jérôme dans son cabinet Huile sur panneau de chêne Pays Bas, fin du XVIe siècle H. 39 cm x L. 27,5 cm Une oeuvre similaire quoique plus grande a été vendue sous le lot 177 de la vente du 27/03/2015 chez ARTCURIAL.
Osenat
Apr. 04, 2023
Studio of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) Saint Jerome in his study
Est: £10,000 - £15,000
Studio of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) Saint Jerome in his study oil on panel 68.7 x 54.2cm (27 1/16 x 21 5/16in).
Bonhams
Mar. 30, 2023
Joos van Cleve, um 1485 – um 1540, Kreis des
Est: €20,000 - €25,000
HIERONYMUS IN SEINEM STUDIERZIMMER Öl auf Holz. 70 x 52 cm. Der Kirchenvater in roter Kardinalskleidung mit blauem Brett vor einem geöffneten Buch sitzend, seine Hand mit dem Zeigefinger auf einen vor ihm liegenden Schädel deutend. Hinter dem Pult eine Türöffnung mit Landschaftsausblick und einem mehrstöckigen Gebäude mit Turm nebst Bäumen. Das Studierzimmer empfängt sein Licht durch eine Fensteröffnung auf der linken Seite, in der die Butzenscheiben schimmern und vor dem ein Kruzifix steht mit danebenstehender Sanduhr. In der oberen Mitte ein scheinbar an die Rückwand gehefteter ausgerollter Zettel mit der Aufschrift „Cogita mori“ mit manieristischer Umrandung. Rechts im Vordergrund eine erloschene Kerze in bronzenem Kerzenständer. Anmerkung: Vergleiche „Hieronymus in seinem Studierzimmer“ Joos van Cleve, Ausstellung „Leonardo des Nordens, Joos van Cleve“, Suermondt-Ludwig-Museum, Aachen 2011. (1351892) (18) Joos van Cleve, ca. 1485 – ca. 1540, circle of SAINT JEROME IN HIS STUDY Oil on panel. 70 x 52 cm.
Hampel Fine Art Auctions
Jan. 25, 2023
JOOS VAN CLEVE (?CLEVE 1485-1540 ANTWERP) Portrait of a gentleman holding gloves, half-length
Est: $1,000,000 - $1,500,000
JOOS VAN CLEVE (?CLEVE 1485-1540 ANTWERP) Portrait of a gentleman holding gloves, half-length oil on panel 21 x 17 1/4 in. (53.3 x 43.8 cm.) Read more
Christie's
Dec. 08, 2022
COASTAL LANDSCAPE WITH ANTIQUE RUIN.
Est: €300 - €400
Drawing, brown ink, grey wash, 13,0 x 28,2 cm, laid paper, unsigned (few spots). - Landscape drawing of a harbour town with remnants of an antique temple. The composition is influenced by the Antwerp Hendrick van Cleve (ca. 1525-1591), who travelled to Italy. Attributed on the passe-partout to Adriaen Collaert (ca. 1560-1618), who engraved a series of similar landscapes with ruins after Van Cleve (cf. Hollstein IV.170.39-50).
Arenberg Auctions
Oct. 27, 2022
Virgin of the Milk, circle or workshop of Joos Van Cleeve (Cleveris, c. 1485 - Antwerp, 1540 or 1541), Flemish school of the 16th century
Est: €18,000 - €22,000
Oil on panel, measurements: 37 x 29. Joos van Cleve (Cleveris?, c. 1485-Antwerp, 1540 or 1541), a member of a family of artists, since the surname Cleef is repeated among Antwerp painters, is little what is known about his life and his artistic career. He could have been born in Cleves (Cleve in German, Kleef in Dutch), now a German city but in the 16th century in the Duchy of Cleves, which is part of the Netherlands. He devoted his career to portraiture and religious painting, at times repeating his compositions of motley figures, backgrounds of Renaissance architecture, and easy sale. The Death of the Virgin of the Wallraf-Richartz Museum in Cologne, dated in its frame in 1515 and signed with a monogram, It served as a starting point for recognizing his initial style and thus attributing to him the works that until then had been assigned to the Master of the Death of the Virgin. From 1524, with The Lamentation of the Städelsches Kunstinstitut in Frankfurt, there is a noticeable shift in his painting towards Italianate models, although there is no documentary evidence of any trip to that country. It is possible, instead, that he went to France, where according to Guicciardini he was called by Francis I to work as a court portraitist. Between 1528 and 1535 Joos van Cleve does not appear in the records of the guild of San Lucas, a period that could have effectively passed in France, from where he may have traveled to England to portray Henry VIII, attributing numerous portraits to him at this time, always of a sober nature. . In Spain he is represented in the Thyssen-Bornemisza Museum in Madrid, which houses two of his works: a Self-Portrait painted around 1519, and a Child of the Passion on the globe of the world, from around 1530. In the Prado Museum a Portrait of old man from the royal collection, which was attributed to Hans Holbein the Younger, whose work Cleve was able to see in England, and a Savior of the World of dubious attribution, which repeats a model from the Louvre Museum. In Gran Canaria, specifically in the Hermitage of Our Lady of the Snows, the Triptych of the Snows is attributed to him. Reference bibliography: Pita Andrade, José Manuel and Borobia Guerrero, María del Mar, Old Masters of the Thyssen-Bornemisza Museum, Madrid, 1992, pp. 246-247, ISBN 84-88474-02-4 In his image. Art, culture and religion, exhibition catalogue, Madrid, 2014-2015,
Templum Fine Art Auctions
Oct. 20, 2022
JOOS VAN CLEVE (CLEVE 1485-1540 ANTWERP) The Madonna of the Cherries oil on
Est: $1,500,000 - $2,000,000
JOOS VAN CLEVE (CLEVE 1485-1540 ANTWERP) The Madonna of the Cherries oil on panel, in a tabernacle frame 30 1/2 x 23 3/8 in. (77.5 x 59.2 cm.)
Christie's
Oct. 06, 2022
Cleve, Martin van (Antwerpen 1520-1570) , nach
Est: €1,800 - €2,160
Kücheninterieur (19. Jh.) mit Mägden und Diener bei der Vorbereitung der Speisen. In der Taverna im Hintergrund das Abendmahl in Emmaus. Holz. 47,5×73 cm. R. (59924)
Leo Spik
Jul. 06, 2022
Studio of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) Saint Jerome in his study
Est: £20,000 - £30,000
Studio of Joos van Cleve (Cleve circa 1485-circa 1540 Antwerp) Saint Jerome in his study oil on panel 68.7 x 54.2cm (27 1/16 x 21 5/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jun. 25, 2022
CLEVE, JOOS VAN (UMKREIS) (1485 KLEVE -1540 ANTWERP). MARIA LACTANS.
Est: -
CLEVE, Joos van (periphery)(1485 Cleves -1540 Antwerp) Maria lactans Oil/wood, partly gilt. 40.5 x 34 cm. Framed49 x 43 cm. Mary with the Child before painted brocade background. While the Blessed Mother pensively looks down to the baby Jesus, this makes eye contact with the viewer Strongly arched panel, retouched, somewhat crazed. Trained by Jan Joest in Kalkar on the Lower Rhine, from 1511 master in the guild of Antwerp. Literature : Thieme/Becker.
Auktionshaus Wendl
Jun. 10, 2022
WORKSHOP OF JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Portrait of a gentlema
Est: $100,000 - $150,000
WORKSHOP OF JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Portrait of a gentleman, bust-length, wearing a slashed black doublet, a black... oil on panel, arched top 15 1/4 x 12 in. (38.8 x 30.5 cm.)
Christie's
Jun. 10, 2022
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Saint Francis Receiving the Stigma
Est: $2,000,000 - $3,000,000
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Saint Francis Receiving the Stigmata oil on panel 50 7/8 x 27 1/2 in. (129.2 x 69.8 cm.)
Christie's
May. 28, 2022
*Joos VAN CLEVE (c.1485-c.1540), Circle
Est: CHF20,000 - CHF40,000
*Joos VAN CLEVE (c.1485-c.1540), Circle Madonna with the cherries, Netherlands, probably Antwerp, oil / Panel, second half of 16th/early 17th century, circle of Joos van Cleve (1485-1541) or Cornelis van Cleve (1520-1567/1614), 77 x 60 cm, frame: 97 x 80,5cm // Provenance: Private property Cologne For items marked with an *, VAT of 7.7% will be calculated on the hammer price and Buyer’s premium.
Galerie Moenius
Mar. 31, 2022
Joos van Cleve, um 1485 – um 1540, Kreis des
Est: €20,000 - €30,000
DIE HEILIGE FAMILIE Öl auf Holz. Parkettiert. 50 x 37 cm. In vergoldetem Rahmen. Auf einer Steinbank steht das durch ein leichtes Velum verhüllte Jesuskind, sanft die Brust seiner Mutter berührend, die ihn mit ihren schlanken Fingern eben berührt und ihm eine Blüte darreicht. Während ihr Blick dem Kind gewidmet ist, fasst dessen Blick den Betrachter ins Auge. Durch das Ehrentuch aus Goldbrokat hinterfangen, dessen Farbigkeit in der aufgeschnittenen Zitrusfrucht auf der Steinbank wiederholt wird, wird die Bedeutungsebene der Maria mit dem Kind getrennt von Josef, der hier als Gelehrter dargestellt hinter einem Lesepult steht und den Blick in eine Schrift oder aber auf das Kind gerichtet hat und somit zwei Lesarten des Bildes miteinander verbindet: Während er das Kind ansieht, sieht er auch schon in der Heiligen Schrift die Zukunft Jesu, dessen Heilsgeschehen auch schon im Granatapfelmotiv des Vorhangs, dem Kreuzanhänger Mariae und natürlich auch in der Zitrusfrucht zum Ausdruck kommt. Minimal rest. Anmerkung: Vorbild für diese herrliche intime Komposition ist eine Gruppe von Gemälden, die aus der Hand von Joos van Cleve und dessen Werkstatt überliefert sind. So ist vor allem das Gemälde in der National Gallery zu London (Inv.Nr. 2603) zu nennen, das nur um eine Nuance kleiner ist, als das hier angebotene Gemälde, verfügt jedoch über die einzigartige in Verkürzung dargestellte Hand Mariea, die jedoch auch bei allen bekannten Replika bereits fehlt. Literatur: Vgl. John Oliver Hand, Joos van Cleve. The early and mature paintings, Princeton University 1978, S.159-299, Nr. 33, Abb. 41. Vgl. Ludwig Baldass, Joos van Cleve. Der Meister des Todes Maria, Wien 1925, S. 21, Nr. 32, Abb. 35. (1300931) (13) Joos van Cleve, ca. 1485 – ca. 1540, circle of THE HOLY FAMILY Oil on panel. Parquetted. 50 x 37 cm. In gilt frame. Notes: The model for this wonderfully intimate composition is a group of paintings that have survived by Joos van Cleve and his workshop. The painting held at the National Gallery in London (inv. no. 2603), which is only a little smaller than the painting on offer for sale here, has the unique foreshortened hand of the Virgin, which is however already missing from all known copies. Literature: cf. John Oliver Hand, Joos van Cleve. The early and mature paintings, Princeton University 1978, p. 159-299, no. 33, ill. 41. cf. Ludwig Baldass, Joos van Cleve. Der Meister des Todes Maria, Vienna 1925, p. 21, no. 32, ill. 35.
Hampel Fine Art Auctions
Feb. 24, 2022
VIRGIN OF THE MILK, CIRCLE OR WORKSHOP OF JOOS VAN CLEEVE (CLEVERIS, C. 1485 - ANTWERP, 1540 OR 1541), FLEMISH SCHOOL OF THE 16TH CENTURY
Est: €18,000 - €25,000
Oil on panel, measurements: 37 x 29. Joos van Cleve (Cleveris?, c. 1485-Antwerp, 1540 or 1541), a member of a family of artists, since the surname Cleef is repeated among Antwerp painters, is little what is known about his life and his artistic career. He could have been born in Cleves (Cleve in German, Kleef in Dutch), now a German city but in the 16th century in the Duchy of Cleves, which is part of the Netherlands. He devoted his career to portraiture and religious painting, at times repeating his compositions of motley figures, backgrounds of Renaissance architecture, and easy sale. The Death of the Virgin of the Wallraf-Richartz Museum in Cologne, dated in its frame in 1515 and signed with a monogram, It served as a starting point for recognizing his initial style and thus attributing to him the works that until then had been assigned to the Master of the Death of the Virgin. From 1524, with The Lamentation of the Städelsches Kunstinstitut in Frankfurt, there is a noticeable shift in his painting towards Italianate models, although there is no documentary evidence of any trip to that country. It is possible, instead, that he went to France, where according to Guicciardini he was called by Francis I to work as a court portraitist. Between 1528 and 1535 Joos van Cleve does not appear in the records of the guild of San Lucas, a period that could have effectively passed in France, from where he may have traveled to England to portray Henry VIII, attributing numerous portraits to him at this time, always of a sober nature. . In Spain he is represented in the Thyssen-Bornemisza Museum in Madrid, which houses two of his works: a Self-Portrait painted around 1519, and a Child of the Passion on the globe of the world, from around 1530. In the Prado Museum a Portrait of old man from the royal collection, which was attributed to Hans Holbein the Younger, whose work Cleve was able to see in England, and a Savior of the World of dubious attribution, which repeats a model from the Louvre Museum. In Gran Canaria, specifically in the Hermitage of Our Lady of the Snows, the Triptych of the Snows is attributed to him. Reference bibliography: Pita Andrade, José Manuel and Borobia Guerrero, María del Mar, Old Masters of the Thyssen-Bornemisza Museum, Madrid, 1992, pp. 246-247, ISBN 84-88474-02-4 In his image. Art, culture and religion, exhibition catalogue, Madrid, 2014-2015,
Templum Fine Art Auctions
Jul. 08, 2021
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) - Portrait of a bearded man, bust-length
Est: £300,000 - £500,000
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Portrait of a bearded man, bust-length oil on panel 20 x 19 in. (50.8 x 48.3 cm.)
Christie's
Jul. 07, 2021
Follower of Joos van Cleve (undefined, Cleve circa 1485-circa 1540 Antwerp) Salvator Mundi unframed
Est: £10,000 - £15,000
Follower of Joos van Cleve (undefined, Cleve circa 1485-circa 1540 Antwerp) Salvator Mundi oil on panel 44.1 x 28.4cm (17 3/8 x 11 3/16in). unframed For further information on this lot please visit the Bonhams website
Bonhams
Jun. 29, 2021
Joos Van Cleve (1485-1541) (entourage de / omgeving van) Saint Jerome in his study
Est: €8,000 - €12,000
Saint Jerome in his study Oil on panel. Saint Jérome à l'étude Huile sur panneau.
Brussels Art Auctions
Jun. 20, 2021
JOOS VAN CLEVE (C. 1485 - C.1540) D’APRES Le baise…
Est: €800 - €1,200
JOOS VAN CLEVE (C. 1485 - C.1540) D’APRES Le baiser de l’enfant Jésus et de Saint Jean-Baptiste Huile sur panneau 28.5 x 41 cm Notre version est réalisée à la manière de Joos Van Cleve dont la version originale du célèbre Baiser de l’enfant Jésus et de Saint Jean-Baptiste est aujourd’hui conservée à l’Art Institute de Chicago.
Osenat
Jun. 02, 2021
Joos van Cleve: The Holy Family
Est: €40,000 - €60,000
CLEVE, JOOS VAN ca. 1485 Cleves - 1541 Antwerp Follower 2nd H. 16th C. Title: The Holy Family. Technique: Oil on wood. Measurement: 48 x 35,5cm. Frame/Pedestal: Framed. Provenance: The painting is mentioned in the "Verzeichniss der gräflich von Eckartschen Malereiensammlung zu dem 2. Fideicomiß auf Leonberg" of 24. July 1826 under number 2 as "Sacra Familia von van Eyck auf Holz"; since then in family ownership.
Van Ham Kunstauktionen
May. 25, 2021
Joos van Cleve (Kleve 1485 - Anversa 1541) e atelier - Nativity
Est: €20,000 - €30,000
oil on copper
Finarte
Jan. 19, 2021
Huile sur toile marouflée sur toile "Saint Jérôme". Daté en haut au milieu
Est: €700 - €1,000
Huile sur toile marouflée sur toile "Saint Jérôme". Daté en haut au milieu 1578. D'après le modèle de Joos van Cleve. Ecole flamande. (*). Dim.:+/-42x34,8cm.
Vanderkindere
Dec. 17, 2020
FLEMISH SCHOOL, AFTER JOOS VAN CLEVE (CA. 1485-1540): SAINT JEROME IN HIS STUDY, OIL ON PANEL, 17TH C.
Est: €3,000 - €6,000
Work: 72 x 42 cm Frame: 92,5 x 61,3 cm The figure of Hieronymus is based on a work by Albrecht Dürer dated 1521 in the Museu Nacional de Arte Antiga, Lisbon, inv. 828, after an original by Joos van Cleve. Within the large number of paintings with this composition, different groups with similar characteristics can be distinguished. (link)
Coronari Auctions
Dec. 17, 2020
FLEMISH SCHOOL, AFTER JOOS VAN CLEVE (CA. 1485-1540): SAINT JEROME IN HIS STUDY, OIL ON PANEL, CA. 1600
Est: €8,000 - €12,000
Work: 115 x 75 cm Frame: 131 x 90 cm The figure of Hieronymus is based on a work by Albrecht Dürer dated 1521 in the Museu Nacional de Arte Antiga, Lisbon, inv. 828, after an original by Joos van Cleve. Within the large number of paintings with this composition, different groups with similar characteristics can be distinguished. (link)
Coronari Auctions
Dec. 15, 2020
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Portrait of King Christian II of D
Est: £200,000 - £300,000
JOOS VAN CLEVE (KLEEF 1485-1540 ANTWERP) Portrait of King Christian II of Denmark (1481-1559), small half-length, in a... oil on panel 8 ¼ x 6 1/8 in. (20.9 x 15.5 cm.)
Christie's
Dec. 15, 2020
Huile sur panneau de chêne "La Sainte famille". Entourage de Joos van Cleve. Ecole flamande, Anvers.
Est: €1,500 - €2,000
Huile sur panneau de chêne "La Sainte famille". Entourage de Joos van Cleve. Ecole flamande, Anvers. Epoque: XVIème. Dim.:+/-33,5x27cm.
Vanderkindere
Dec. 03, 2020
Joos van Cleve - Saint Jerome in his study
Est: €1,000 - €1,200
Old labels with references to Quentin Matsys and Marinus van Reymerswale, and various numberings verso. Oil on panel. 61 x 48 cm. Sliding battens. Restored. Damaged. Damage to frame.
Neumeister