Willem van Nieulandt Sold at Auction Prices

Nieulandt II, Willem van (Terranova) (±1584-1635). (Landscape with walkers and the ruins of a temple).

Nieulandt II, Willem van (Terranova) (±1584-1635). (Landscape with walkers and the ruins of a temple). Etching from the series of 36 Italian landscapes after P. BRIL, 22,5x30,7 cm. - Trimmed just outside the borderline, with the address cut off; flattened central vertical fold. = From the series Hollstein 76-111, 3rd state (of 5). With the collector's mark of Collection d'Arenberg on verso (Lugt 567).

Willem van Nieulandt: The Forum Romanum with Shepherds and Cattle

NIEULANDT, WILLEM VAN 1584 Antwerp - 1635/36 Amsterdam Title: The Forum Romanum with Shepherds and Cattle. Technique: Oil on copper. Measurement: 39.7 x 69.8cm. Notation: Signed"G.V.Nieulant". Frame: Framed. The present work is listed and documented at the online database of the RKD, Den Haag, under the ill. no. 114187. Provenance: Private ownership, Germany; Auction Sotheby's London, 8th December, 2005, lot 151; Collection Karl & Lillemor Herweg, Recklinghausen; Auction Sotheby's New York, 22th May, 1992, lot 100. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Willem van Nieulandt The Netherlands Dutch School Flemish School 17th C. Old Masters Framed Rome Painting Landscape

Scena di decollazione davanti al Colosseo (Martirio di San Restituto?)

Willem van Nieulandt II (attribuito a) (Anversa 1584-Amsterdam 1635) The beheading of a man in front of the Colosseum (The Martyrdom of San Restituto?) Oil on canvas cm. 54,5x62,5. Framed Private collection, Rome.

Nieulandt, Willem van II

(1584 Antwerpen 1636) gegens. Kopie nach. Ruine mit Gruppen von Frauen u. Kindern u. spielende Hunde. Kupferstich n. P.Bril auf Bütten, 17. Jh. 23 x 30,5 cm. Mit dem Namenszug von Bril i.d. Platte. Überwieg. auf Einfassung geschnitten, unt. wohl unter Verlust des Stechernamens. Unter re. hs. "Perelle" zugeschrieben. Aufgezogen. Aus einer unbekannten Graphischen Slg. Vgl. Rijksmuseum RP-P-1878-A-1337. - ╔Dabei: Johann Christoph Dietzsch╗ (1710-1769). Landschaft mit einem Kuhhirten. Bl. 3 aus einer Folge von 6 "Landschaften mit Baumgruppen und ländlichen Figuren". Radierung auf Bütten mit WZ "Wappen" bei G.W.Knorr, Nbg. 18. Jh. Plgr. 19,5 x 26,5, Blgr. 21,8 x 28,2 cm. Mit der Verl.-Adr. i.d. Platte. Unter Passep. mont. - Überwieg. im w. Rd. etw. fleckig. Zus. 2 Bl. R

WILLEM VAN NIEULANDT II Antwerp, Belgium (1584) / Amsterdam, Netherlands (1635) "Landscape with characters"

Etching on paper After a work by Paul Bril (1554-1626). Signed on plate. Paper with deterioration Measurements: Imprint: 23.5 x 31.5 cm; paper: 27.5 x 36cm

Nieulandt, Willem van (±1584-1635). "Prospectus montis trinitatis in Romae".

Nieulandt, Willem van (±1584-1635). "Prospectus montis trinitatis in Romae". Etching, 30x42,7 cm. (incl. the caption), w. the address of Pieter de Jode, Antwerp. - Poor copy, lower left corner lacks portion; creased and soiled; w. tear in central fold; brownish stain in lower part. Sold w.a.f. = Very rare etching which shows a contemporary landscape with the Chiesa della S. Trinita dei Monti, before the Spanish Steps were realized. Hollstein 112.

Nieulandt, Willem van II

(1584 Antwerpen 1636) gegens. Kopie nach. Ruine mit Gruppen von Frauen u. Kindern u. spielende Hunde. Kupferstich n. P.Bril auf Bütten, 17. Jh. 23 x 30,5 cm. Mit dem Namenszug von Bril i.d. Platte. Überwieg. auf Einfassung geschnitten, unt. wohl unter Verlust des Stechernamens. Unter re. hs. "Perelle" zugeschrieben. Aufgezogen. Aus einer unbekannten Graphischen Slg. Vgl. Rijksmuseum RP-P-1878-A-1337. - ╔Dabei: Johann Christoph Dietzsch╗ (1710-1769). Landschaft mit einem Kuhhirten. Bl. 3 aus einer Folge von 6 "Landschaften mit Baumgruppen und ländlichen Figuren". Radierung auf Bütten mit WZ "Wappen" bei G.W.Knorr, Nbg. 18. Jh. Plgr. 19,5 x 26,5, Blgr. 21,8 x 28,2 cm. Mit der Verl.-Adr. i.d. Platte. Unter Passep. mont. - Überwieg. im w. Rd. etw. fleckig. Zus. 2 Bl. R

Woodland scene with highwaymen

Guilliam van Nieulandt the Younger Antwerp 1584 - 1635 Amsterdam Woodland scene with highwaymen Pen and brown ink and gray wash, over black chalk, within brown ink framing lines; dated in brown ink, lower left: 1610 208 by 278 mm; 8 ⅛ by 10 ⅞ in.

Ruins of the Temple of Minerva Medica in the Roman Campagna, by water

Guilliam van Nieulandt the Younger Antwerp 1584 - 1635 Amsterdam Ruins of the Temple of Minerva Medica in the Roman Campagna, by water Pen and brown ink and brown, gray and blue wash over traces of black chalk; signed and dated, lower right: G.v.NIEVLANT 1621 167 by 247 mm; 6 ½ by 9 ¾ in.

Willem van Nieulandt d. J., 1584 Antwerpen – 1635/36 Amsterdam, zugeschrieben

FLUSSLANDSCHAFT MIT RUINEN UND WANDERERN Öl auf Holz. Parkettiert. 49 x 65,7 cm. In kartuschiertem Holzrahmen. Ein ruhiger Fluss, dessen Oberfläche den leicht bewölkten Himmel widerspiegelt, durchzieht eine hügelige italienisierende Landschaft, deren Vordergrund von antiken Ruinen bestanden ist mit einer sich dahinter erhebenden Kirche. Wanderer, Hirten und Nutztiere dienen als Staffage. Horizontaler Spalt. Provenienz: Gemäß der Einlieferertradition bei Christie‘s London, erworben. (1381325) (1) (13)

Nieulandt II, Willem van (Terranova) (±1584-1635). (Landscape with travellers and a bridge over a river).

Nieulandt II, Willem van (Terranova) (±1584-1635). (Landscape with travellers and a bridge over a river). Etching from the series of 36 Italian landscapes after P. BRIL, 23x30,7 cm., w. the address of Bonenfant. - Middle-fold. = From the series Hollstein 76-111, 2nd state of 5, before numbers. AND 1 other engraving by the same from the same series, the 3rd state of 5, w. number "14".

Willem van Nieulandt II., The Temple of Zeus in Olympia

Indistinctly signed lower left. The Antwerp artist Willem II van Nieulandt travelled to Rome in 1601 and remained there for several years working in the studio of his famous compatriot Paul Bril. His landscapes and historical scenes are interspersed with memories of his stay in Rome. The present depiction is also heavily influenced by Roman antiquity, showing a gigantic temple with a monumental statue of Jupiter. It is a representation of one of the seven ancient wonders of the world. Nieulandt based his work on an engraving by Philippe Galle (1572), which was in turn copied from a drawing in Maarten van Heemskerck's series showing the wonders of the ancient world. The coronation scene in the foreground is also inspired by the engraving. Nieulandt adds new elements, such as the landscape backdrop, which reveals Paul Bril's influence, as well as the thronging of passers-by, worshippers and horse-drawn carriages in and around the temple. The copper plate bears the hallmark of the Antwerp plate maker Pieter Stas and the date 1604. It is therefore an early work by Willem van Nieulandt, probably created shortly after his return from Rome.

Willem van Nieulandt: Coastal Landscape with Ancient Temple Ruins

NIEULANDT, WILLEM VAN 1584 Antwerpen - 1635/36 Amsterdam attributed Title: Coastal Landscape with Ancient Temple Ruins. Technique: Oil on wood. Mounting: Parquetted. Measurement: 48 x 43cm. Frame: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue Estimated shipping costs for this lot: Arrangement after the auction.

Sylvan landscape with a winding path

Willem van Nieulandt the Younger Antwerp 1584 - 1635 Amsterdam Sylvan landscape with a winding path oil on panel panel: 19 ½ by 25 ⅛ in.; 49.5 by 63.8 cm. framed: 28 ¼ by 34 ⅜ in.; 71.8 by 87.3 cm.

WILLEM VAN NIEULANDT II Antwerp, Belgium (1584) / Amsterdam, Netherlands (1635) "Landscape with Characters"

Etching on paper After a work by Paul Bril (1554-1626). Signed on the plate. Damaged paper Measurements: Footprint: 23.5 x 31.5 cm; paper: 27.5 x 36 cm

Willem van Nieulandt the Younger (Flemish, 1584–c. 1635) A River Landscape with Classical Ruins, Shepherds, and Shepherdesses and their Flock

Willem van Nieulandt the Younger (Flemish, 1584–c. 1635) A River Landscape with Classical Ruins, Shepherds, and Shepherdesses and their Flock oil on cradled panel 19 1/4 x 26 inches. Provenance: Property of a Private European Collector Sold: Christie's South Kensignton, London, April 11, 2013, Lot 24 Acquired from the above sale Thence by descent

Willem van Nieulandt II (1584-1635) - Italian landscape by Paulus Bril

From the series of 36 Italian landscapes designed by Paulus Bril: Rustic scene with hersmen and hunters near a country house. Hollstein 76-111, fourth state on six with the publishers address of Bonnart. Unidentified watermark.

Nieulandt, Willem II van

(1584 Antwerpen - Amsterdam 1635). Landschaft mit Abraham und Isaac. Aus der Folge: Ital. Landschaften mit bibl. Darstellungen. Radierung. Willem II v. Nieulandt nach Paul Bril. 23,3 x 31 cm. Beschn. R

Nieulandt II, Willem van

(1584 Antwerpen 1635). Landschaft mit einer Mordszene. Radierung 1635. Aus einer Landschaftsserie. - W. van Nieulandt II nach Paul Bril. 23,6 x 29,8 cm. Unter Passep. R

Nieulandt, Willem II van

(1584 Antwerpen - Amsterdam 1635). Landschaft mit Abraham und Isaac. Aus der Folge: Ital. Landschaften mit bibl. Darstellungen. Radierung. Willem II v. Nieulandt nach Paul Bril. 23,3 x 31 cm. Beschn. R

Nieulandt II, Willem van

(1584 Antwerpen 1635). Landschaft mit einem Mord. Radierung. Vor 1635. Aus einer Landschaftsserie. W. van Nieulandt II nach Paul Bril. 23,6 x 29,8 cm. Unter Passep. R

Willem van Nieulandt II., Capriccio with Temple of Vesta in Tivoli and Riders in the Foreground

Certificate Jan de Maere, Rambrouch, 28th February 2022. The round temple dedicated to Vesta at Tivoli was a popular motif in 17th century art, discovered and painted by Jan Breughel the Elder as early as the late 16th century on his trip to Italy. Like Brueghel, Willem van Nieulandt also traveled to Rome in 1601. Subsequently, he specialized in landscapes with ancient ruins and monuments. The present work, previously attributed to his father Willem I van Nieuland (see RKD database, no. 185746), is, according to the latest findings, the work of his son. Jan de Maere and Joost Van der Auwera (oral communication) agree in dating the painting to the 1620s.

Willem van Nieulandt (1584-1635) - Italian landscape with an inn

Early state II on V with the Bonenfant address and before the number.Landscape with a house with arches: In an Italian landscape there is an inn with a signboard and on the side a staircase on which a man and a dog climb. Two men in the foreground on the left. Etching from the series of 36 Italian landscapes after P. BRIL from the series Hollstein 76-111. Watermark: Grapes with letters CAR... and French lily above (Heywood 2350 a.f. Circa 1625)

Nieulandt, Willem van

(1584 Antwerpen 1636). Italienische Berglandschaft, betrachtet aus einer Höhe. aus d. Folge "Italienischen Landschaften" n. Paul Bril. Radierung, bei Bonnart um 1610, ca. 23 x 31 cm. Bl. beschnitten. Namenszug u. Adresse vormals am unt. Plattenrand, nur noch teilweise erkennbar. Leicht stockfl, sonst gut erhalten. ╔Dabei: "Flusslandschaft"╗, Radierung, ca. 14 x 28 cm. R

Willem van Nieulandt II (1584-?1635): A Capriccio View of the Waterfalls at Tivoli with Figures on a Bridge in the Foreground

Oil on panel, 1629, signed 'Guil.Nievlant' and dated lower center. 19 1/4 x 25 1/8 in., 29 x 35 1/4 in. (frame).

* Paul Bril (c.1553/54-1626). Five landscapes, early 17th century

* After Paul Bril (c.1553/54-1626). Five landscapes, early 17th century, etching & engraving on laid paper, including two by Johannes Sadeler (1550-1600) after Paul Bril, and one by Willem van Nieulandt (1584-1636) after Bril, and two others, each close-trimmed, image size 195 x 270 mm (7.75 x 10.75 ins) & smaller, framed and glazed Qty: (5)

WILLEM VAN NIEULANDT II (1587-1635) TROIS VOYAGEURS DANS UN PAYSAGE Planche d’une série de Paysages Italiens d’après PAUL BRIL (1559...

WILLEM VAN NIEULANDT II (1587-1635) TROIS VOYAGEURS DANS UN PAYSAGE Planche d’une série de Paysages Italiens d’après PAUL BRIL (1559-1626) Eau-forte sur papier Très belle épreuve avec le nom de l’éditeur A. Bonenfant, pliure verticale médiane. Bonnes marges. Etching on paper, from "Paysages italiens" series 23,4 x 31,3 cm - 9 1/4 x 12 3/8 in. €60-80 Bartsch 146

Willem van Nieulandt II

Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Antwerp 1584–1635 Amsterdam) A rocky landscape with goats near an estuary, oil on canvas, 27 x 36 cm, framed Provenance: with Colnaghi, London; sale, Sotheby’s, London, 3 May 2017, lot 207 (as Follower of Paul Bril); Private collection, London

Attributed to Guilliam van Nieulandt II (Antwerpen 1584-1635) - Landscape with a castle

Attributed to Guilliam van Nieulandt II (Antwerpen 1584-1635) Landscape with a castle black chalk, brown ink, grey, brown and blue wash, watermark 'horne with letter N' 10 7/8 x 7 7/8 in. (23.3 x 19.2 cm)

Attributed to Guilliam van Nieulandt II (1584-1635)

Hermes in love with Herse of Athens, oil on panel, 23x23 cm,

WILLEM VAN NIEULANDT II (1587-1658) TROIS VOYAGEURS DANS UN PAYSAGE Planche d’une série de Paysages Italiens d’après Paul Bril...

WILLEM VAN NIEULANDT II (1587-1658) TROIS VOYAGEURS DANS UN PAYSAGE Planche d’une série de Paysages Italiens d’après Paul Bril Eau-forte Très belle épreuve avec le nom de l’éditeur A. Bonenfant, pliure verticale médiane Bonnes marges 234 x 313 mm

Nieulandt II, W. van (Terranova) (±1584-1635). (Rocky bay with small vessels, a family in the foregr

Nieulandt II, W. van (Terranova) (±1584-1635). (Rocky bay with small vessels, a family in the foreground). Etching from the series of 36 Italian landscapes after P. BRIL, 23x30,9 cm., w. the address of Bonenfant. - Cut to/ on the framing line; lower margin partly cut away, except for the addresses. = From the series Hollstein 76-111, 2nd or 3rd state of 5, with the Bonenfant address. Idem. (The angel with Hagar and Ismael in a rocky landscape). Etching from the same series, 23x30,9 cm., w. the address of Bonenfant. - Cut to the image; two printing flaws; tiny tear near upper edge. = From the series Hollstein 76-111, 3rd state of 5, with the Bonenfant address and number.

Willem van Nieulandt (1584-1635)

Willem van Nieulandt (1584-1635), people with animals in front of a roman temple at the Forum Romanum, oil on panel, framed.

Attribué à Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Vue du temple d'Hercule à Rome Huile sur panneau

Attribué à Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Vue du temple d'Hercule à Rome Huile sur panneau (Soulèvements et manques) h: 42 w: 48 cm Estimation 5 000 - 7 000 €

WILLEM VAN NIEULANDT II (1587-1658)TROIS VOYAGEURS DANS UN PAYSAGE

WILLEM VAN NIEULANDT II (1587-1658) TROIS VOYAGEURS DANS UN PAYSAGE Planche d’une série de Paysages Italiens d’après Paul Bril. Eau-forte. Très belle épreuve avec le nom de l’éditeur A. Bonenfant, pliure verticale médiane. Bonnes marges. 234 x 313mm &Bartsch 146 € 100-150

Huile sur cuivre "Paysage avec la parabole du bon grain et de l'ivraie". At

Huile sur cuivre "Paysage avec la parabole du bon grain et de l'ivraie". Attribué à Willem II Van Nieulandt. Ecole flamande. (On y joint un avis émis par Jacques Leegenhoek en 2004). (Encadrement du XVIIIème en bois sculpté et doré, *). Dim.:17x22.7cm.

Willem van Nieulandt (1584-1635)-attributed,

Willem van Nieulandt (1584-1635)-attributed, Landscape with temple on rocky coast, with trees and plants by the sea, with allegory of Poseidon; oil on oak panel, framed.

Willem van Nieulandt II (Antwerp 1584-1635 Laban demanding the re

Willem van Nieulandt II (Antwerp 1584-1635 Laban demanding the return of the Teraphim from Rachel oil on panel, stamped on the reverse with the coat-of-arms of the City of Antwerp and a panel-maker's mark 25 3/8 x 19 3/8 in. (64.5 x 49.2 cm.)

(École hollandaise) - [Attribué à NIEULANDT, Willem II van (1584-1635)].- Vue d'une place (romaine ?) avec fontaine et loggias. DESSIN ORIGINAL, plume à l'encre bistre, papier vergé non filigrané, 21 x 25,5 cm, fixé par les coins sup. sous

(École hollandaise) - [Attribué à NIEULANDT, Willem II van (1584-1635)].- Vue d'une place (romaine ?) avec fontaine et loggias. DESSIN ORIGINAL, plume à l'encre bistre, papier vergé non filigrané, 21 x 25,5 cm, fixé par les coins sup. sous passe-partout.

(École hollandaise) - [Attribué à NIEULANDT, Willem II van (1584-1635)].- Le Panthéon à Rome. DESSIN ORIGINAL, plume à l'encre bistre, papier vergé non filigrané, 21 x 25,5 cm, fixé par les coins sup. sous passe-partout.

(École hollandaise) - [Attribué à NIEULANDT, Willem II van (1584-1635)].- Le Panthéon à Rome. DESSIN ORIGINAL, plume à l'encre bistre, papier vergé non filigrané, 21 x 25,5 cm, fixé par les coins sup. sous passe-partout.

ATTRIBUÉ À WILLEM VAN NIEUDLANDT | Vue du Temple d'Hercule à Rome

Huile sur panneau

WILLEM VAN NIEULANDT THE YOUNGER | A capriccio view of Rome with the Colosseum and Rebecca and Eliezer by a statue of Zeus

oil on copper

Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Le Colisée et de l'arc de Constantin, Rome Huile sur panneau parqueté

Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Le Colisée et de l'arc de Constantin, Rome Huile sur panneau parqueté 'A VIEW OF THE COLOSSEUM AND CONSTANTINE'S ARCH IN ROME', OIL ON PANEL, BY W. VAN NIEULANDT h: 51 w: 67,50 cm Commentaire : Nous remercions le Dr. Luuk Pijl de nous avoir aimablement confirmé l'authenticité de cette œuvre d'après photographie. Selon lui, l'œuvre peut être datée vers 1610, après le retour d'Italie de Willem van Nieulandt.

NIEULANDT, WILLEM VAN(Antwerp 1584 - 1635

NIEULANDT, WILLEM VAN (Antwerp 1584 - 1635 Amsterdam) View of the City of Rome with ruins of the Trajan thermae. Oil on panel. Signed lower right: G. V. NIEVLANT. 26.3 x 36.1 cm. Provenance: Swiss private collection. Our thanks to Dr. Luuk Pijl who has confirmed the authenticity of this painting on the basis of a photograph and dates it to circa 1610. NIEULANDT, WILLEM VAN (Antwerpen 1584 - 1635 Amsterdam) Römische Stadtansicht mit Ruinen der Trajansthermen. Öl auf Holz. Unten rechts signiert: G. V. NIEVLANT. 26,3 x 36,1 cm. Provenienz: Schweizer Privatbesitz. Dr. Luuk Pijl bestätigt die Eigenhändigkeit dieses Gemäldes anhand einer Fotografie und datiert es um 1610, wofür wir ihm danken.

Attribué à Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Paysage de ruines animé de personnages Plume et encre brune, lavis br...

Attribué à Willem van Nieulandt Anvers, 1584 - Amsterdam, 1635 Paysage de ruines animé de personnages Plume et encre brune, lavis brun et rehauts d'aquarelle, porte une signature et une date 'G. NIEUWLANT 1605' dans le bas (Rehauts d'aquarelle postérieurs, trou restauré) h: 13,50 w: 18,50 cm

Willem van Nieulandt II (Antwerp 1584-?1635 Amsterdam)

Willem van Nieulandt II (Antwerp 1584-?1635 Amsterdam) An Italianate landscape with classical ruins, reminiscent of the Terme di Traiano, shepherds watering their flocks, a view of Rome in the distance signed and dated 'G.V.NIEVLANT 1615' (centre left) oil on panel 10 1/8 x 14 in. (25.7 x 35.5 cm.)

Willem van Nieulandt (Antwerp 1584-?1635 Amsterdam) A river landscape with classical ruins, shepherds and shepherdesses and their flock oil on panel 19 3/8 x 26 in. (49.2 x 66 cm.)

Willem van Nieulandt, Den gudomliga födelsen

Willem van Nieulandt, Den gudomliga födelsen WILLEM VAN NIEULANDT Flandern 1584-1635 Bönder bland romerska ruiner / Den gudomliga födelsen Olja på koppar, 50 x 70 cm. Oil on copper plate. EXPERTIS: Cabinet ...