Lambert van Noort Sold at Auction Prices

Painter, Draft draughtsman, b. 1520 - d. 1570

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    • LAMBERT VAN NOORT: PORTRAIT OF A LADY WITH FUR-TRIMMED ROBE
      Jun. 20, 2023

      LAMBERT VAN NOORT: PORTRAIT OF A LADY WITH FUR-TRIMMED ROBE

      Est: €5,000 - €10,000

      Lambert van Noort Portrait of a lady with fur-trimmed robe 1559 oil on panel; framed 66 x 51 cm signed and dated on the lower left edge: Lambert van Noort / pinxit A(nn)o 1559 inscribed at the top: AETATIS SUAE 65 private property, Austria

      Im Kinsky
    • LAMBERT VAN NOORT - RISING OF LAZARUS - O/B
      Oct. 18, 2022

      LAMBERT VAN NOORT - RISING OF LAZARUS - O/B

      Est: $3,000 - $5,000

      Lambert van Noort, Flemish,1520-1571 - Rising of Lazarus, O/B, cradled, Provenance: Sotheby's Arcade Auctions, Old Master and Nineteenth Century European Paintings, Drawings and Sculpture, Sale 1454 Wednesday , January 19, 1994, LOT 70

      Litchfield Auctions
    • Lambert van Noort (1520-1571): The Annunciation
      Oct. 20, 2021

      Lambert van Noort (1520-1571): The Annunciation

      Est: $2,000 - $5,000

      Ink and wash on paper, signed 'Lambert van Noort' lower left, with two indistinct collector's marks with inscriptions on the reverse, with label from Singer Memorial Foundation, NH. 11 1/8 x 9 3/4 in. (sheet), 18 3/4 x 17 1/2 in. (frame). Property from the Collection of Gayfryd Steinberg

      STAIR
    • LAMBERT VAN NOORT (Amersfoort, 1520 - Anvers 1570) - Madeleine aux pieds du Christ Panneau de c
      Jun. 30, 2020

      LAMBERT VAN NOORT (Amersfoort, 1520 - Anvers 1570) - Madeleine aux pieds du Christ Panneau de c

      Est: €4,000 - €6,000

      LAMBERT VAN NOORT (Amersfoort, 1520 - Anvers 1570) Madeleine aux pieds du Christ Panneau de chêne 28 x 35, 5 cm

      DELON-HOEBANX
    • Lambert van Noort, zug.
      Apr. 02, 2020

      Lambert van Noort, zug.

      Est: €50,000 - €70,000

      DER HEILIGE HIERONYMUS BÜSSEND VOR EINEM KREUZ IN EINER GROTTE Öl auf Eichenholz. Parkettiert. 114 x 85 cm. In einem prächtigen italienischen Ädikularahmen mit seitlichen kannelierten Pilastern sowie dekorativ bemalter Sockel- und Architravzone. In klassischem Bildaufbau ist die Figur des Heiligen im Zentrum der Darstellung nach rechts kniend wiedergegeben, hinterfangen von einem nach oben breiter werdenden Grottenfelsen, der beidseitig Ausblick in Landschaft gewährt. Mit entblößter Schulter hält er einen Stein vor die Brust, das bärtige Gesicht blickt nach rechts oben. Vor ihm rechts, auf einem niedrigen Steinsockel, ein aufgestelltes Kreuz mit Corpus Christi, daneben ein rotes Buch, der Kardinalshut sowie dahinter der Löwe als Attributtier des Heiligen. Die Rotfarbe von Buch, Hut und dem drapierten Mantel des Heiligen in leuchtendem, aus sich selbst herausstrahlenden Kolorit, das bereits den Einfluss des Manierismus verrät. Die beiden landschaftlichen Hintergründe zu beiden Seiten sind bewusst in unterschiedlichen Höhen wiedergegeben, links eine hügelige Landschaft mit zwei Burgen sowie eine Einsiedlerkapelle am Fuß eines Berges, mit davor in Windung sich hinziehendem Weg. Rechts dagegen ein tiefer liegendes Gelände mit ländlichem Herrschaftsgebäude, umzogen von einer Mauer mit zwei Toren. Diese landschaftsbildlichen Einfügungen dürften Verweise auf Legendendetails sein, die noch nicht näher eruiert wurden. Die Malerei insgesamt in feiner Ausführung, von besonderer Auffälligkeit die beinahe psychologisch erfasste Physiognomie des Heiligen, mit leicht geöffnetem Mund. Rechts unten am Steinsockel des Kreuzes, in gotischen Minuskeln, die Bezeichnung des Dargestellten „St Jerome“. (1221403) (11) Lambert van Noort, 1520 Amersfoort – 1571 Antwerp, attributed The biographer Karel van Mander (1548-1606) mentioned the painter Lambrecht van Oort. He was accepted as master into the Guild of Saint Luke in 1547. THE PENITENT SAINT JEROME IN FRONT OF A CROSS IN A GROTTO Oil on oak panel. Parquetted. 114 x 85 cm. In magnificent Italian aedicule frame with fluted pilasters either side and decoratively painted base and architrave. Classic composition with the figure of the saint at the centre kneeling to the right.

      Hampel Fine Art Auctions
    • LAMBERT VAN NOORT
      Jul. 07, 2011

      LAMBERT VAN NOORT

      Est: £5,000 - £7,000

      AMERSFOORT CIRCA 1520 (?) - 1570/1 ANTWERP THE PARABLE OF THE PHARISEE AND THE TAX COLLECTOR (LUKE 18) Pen and brown ink and wash over black chalk, arched top 312 by 214 mm

      Sotheby's
    • Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 La barque de Charon Plume et encre de Chine, lavis gris
      Mar. 30, 2011

      Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 La barque de Charon Plume et encre de Chine, lavis gris

      Est: €12,000 - €15,000

      Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 La barque de Charon Plume et encre de Chine, lavis gris Passé au stylet pour un report Diamètre : 30,50 cm (12 in.) 'CHARON'S BARK', PEN AND CHINA'S INK, GREY WASH, ATTRIBUTED TO LAMBERT VAN NOORT Commentaire : Membre de la Guilde d'Anvers, van Noort dessina des modèles destinés aux peintres verriers. On peut comparer ce dessin à une étude pour un 'Déluge' conservé au Rijksmuseum (voir K.G. Boon, 'Netherlandish Drawings of the Fifteenth and Sixteenth Centuries', La Haye, 1978, n°378, repr.). Une attribution à Jan Swart van Groningen a également été suggérée (voir 'opus' cité 'supra', n°439 et 443, repr.)

      Artcurial
    • Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 Marie-Madeleine lavant les pieds du Christ Panneau de chêne, une planch...
      Jun. 21, 2010

      Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 Marie-Madeleine lavant les pieds du Christ Panneau de chêne, une planch...

      Est: €5,000 - €7,000

      Attribué à Lambert van Noort Amersfoort, 1520 - Anvers, 1571 Marie-Madeleine lavant les pieds du Christ Panneau de chêne, une planche, non parqueté (Restaurations anciennes) h: 28 w: 35,50 cm Provenance : Vente anonyme ; Madrid, Alcada Subastas, 8 et 9 octobre 2003; Collection particulière Attributed to Lambert van Noort Marie-Madeleine lavant les pieds du Christ Oak panel, one plate, uncradled (Ancient restorations) 28 x 35,50 cm (10,92 x 13,85 in.)

      Artcurial
    • The Burial of an early Christian
      Jul. 03, 2007

      The Burial of an early Christian

      Est: £1,000 - £1,500

      Attributed to Lambert van Noort (Amersfoort circa 1520-1570/71 Antwerp) The Burial of an early Christian pen and brown ink, blue wash, watermark eagle (similar to Briquet 1572 [Clermont-en-Beauvoisis, 1521]) 11¼ x 7½ in. (285 x 191 mm.)

      Christie's
    • * LAMBERT VAN NOORT AMERSFOORT CIRCA 1520 (?) - 1570/1 ANTWERP
      Jan. 25, 2006

      * LAMBERT VAN NOORT AMERSFOORT CIRCA 1520 (?) - 1570/1 ANTWERP

      Est: $10,000 - $15,000

      THE WAY TO CALVARY measurements note 281 by 247mm; 11 by 9 3/4 in bears pencil inscriptions, verso: Lambert van Noort / Disc van Frans Floris / Geboren Amersfoort Ao 1530/ + 1595 pen and brown ink and blue-grey wash over black chalk PROVENANCE bears stamp, verso (L.2731) signifying that the drawing was sold at public auction in Leipzig, probably during the 19th century NOTE This drawing may have been part of a series depicting episodes from the Passion, possibly made as designs for painted glass panels. A signed drawing of The Crucifixion, extremely similar to this in style and dimensions and probably from the same series, was sold, Amsterdam Sotheby's, 21 November 1989, lot 1. A substantial proportion of the relatively few drawings known drawings by Van Noort are studies for glass panels or roundels, and the artist also designed some of the famous series of windows produced for the Sint Janskerk, Gouda, from 1551 onwards.

      Sotheby's
    • Lambert van Noort (Amersfoort c. 1520-c. 1571 Antwerp)
      Dec. 11, 2002

      Lambert van Noort (Amersfoort c. 1520-c. 1571 Antwerp)

      Est: $47,700 - $63,600

      The Nativity oil on panel 61 5/8 x 453/4 in. (156.5 x 116.2 cm.) NOTES We are grateful to Nicole Dacos for proposing the attribution on the basis of photographs. She points out that the figure on the right appears to be a portrait, possibly of a donor. Lambert van Noort was most likely apprenticed in the studios of Jan van Scorel in Utrecht and Lambert Lombard in LiŠge. By 1549 he was listed as a master in the Guild of Saint Luke in Antwerp, where he remained for the rest of his life, apart from a visit to Italy in 1558-9. He was particularly involved with drawing designs for stained glass windows and decorative objects and his paintings consequently rarely appear on the market - although the last example, a Saint Jerome was sold, Sotheby's, London, 13 December 2001, lot 112 (œ130,000). In both that work and the present the Italianizing influence of Van Scorel (as well perhaps as that of his own travels) is clearly evident, particularly in the landscape backgrounds.

      Christie's
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