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Petrus Johannes van Reysschoot Sold at Auction Prices

b. 1702 - d. 1772

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      • Petrus Johannes van Reysschoot (1702-1722), An elegant party taking chocolate on a terrace al fresco
        Apr. 18, 2024

        Petrus Johannes van Reysschoot (1702-1722), An elegant party taking chocolate on a terrace al fresco

        Est: £10,000 - £15,000

        Petrus Johannes van Reysschoot (1702-1722) An elegant party taking chocolate on a terrace al fresco Signed and indistinctly dated lower left 'VAN REYSSCHOT 17*2' Oil on canvas Provenance: Bonhams, London, 4 December 1997, lot 90 (as the property of a gentleman) Dimensions: (Frame) 57 in. (H) x 51 in. (W) (Canvas) 49.8 in. (H) x 42.6 in. (W)

        Sloane Street Auctions
      • Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs.
        Mar. 08, 2024

        Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs.

        Est: €750 - €900

        Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs. Petrus Johannes van Reysschoot oder Pieter van Reysschoot, 1702 - Gent - 1772, flämischer Genre- Maler, in der Art des/ Nachfolge, hier: Dreier Serie von mehrfigurigen galanten Genre-Szenen im Freien, wohl für eine Schloß-/Herrenhausausstattung des 19. Jhs., Öl/Lw. mit alten Restaurierungen, je 68 x 50 cm Van Reyschoot malte Fête Galantes und Fête Champêtres, die von der Arbeit des französischen Malers Jean-Antoine Watteau inspiriert waren. Diese Werke zeigten typischerweise Figuren in Ball- oder Maskenkostümen, die sich verliebt in Parklandschaften tummeln. Pieter Johannes van Reyschoot, in the manner of / succession, 3 gallant rococo scenes, oil painting, leaf-gilt framing of the 19th century Petrus Johannes van Reysschoot or Pieter van Reysschoot, 1702 - Gent - 1772, Flemish genre painter, in the manner of / succession, here: Series of three multi-figure gallant genre scenes in the open air, probably for a 19th century palace/manor house interior, oil/canvas with old restorations, each 68 x 50 cm Van Reyschoot painted Fête Galantes and Fête Champêtres inspired by the work of the French painter Jean-Antoine Watteau. These works typically depicted figures in ball or mask costumes cavorting amorously in park landscapes.

        K&K – Auktionen in Heidelberg
      • Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs.
        Nov. 03, 2023

        Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs.

        Est: €750 - €900

        Pieter Johannes van Reyschoot, in der Art des / Nachfolge, 3 galante Rokoko-Szenen, Ölgemälde, blattvergoldete Rahmung des 19. Jhs. Petrus Johannes van Reysschoot oder Pieter van Reysschoot, 1702 - Gent - 1772, flämischer Genre- Maler, in der Art des/ Nachfolge, hier: Dreier Serie von mehrfigurigen galanten Genre-Szenen im Freien, wohl für eine Schloß-/Herrenhausausstattung des 19. Jhs., Öl/Lw. mit alten Restaurierungen, je 68 x 50 cm Van Reyschoot malte Fête Galantes und Fête Champêtres, die von der Arbeit des französischen Malers Jean-Antoine Watteau inspiriert waren. Diese Werke zeigten typischerweise Figuren in Ball- oder Maskenkostümen, die sich verliebt in Parklandschaften tummeln. Pieter Johannes van Reyschoot, in the manner of / succession, 3 gallant rococo scenes, oil painting, leaf-gilt framing of the 19th century Petrus Johannes van Reysschoot or Pieter van Reysschoot, 1702 - Gent - 1772, Flemish genre painter, in the manner of / succession, here: Series of three multi-figure gallant genre scenes in the open air, probably for a 19th century palace/manor house interior, oil/canvas with old restorations, each 68 x 50 cm Van Reyschoot painted Fête Galantes and Fête Champêtres inspired by the work of the French painter Jean-Antoine Watteau. These works typically depicted figures in ball or mask costumes cavorting amorously in park landscapes.

        K&K – Auktionen in Heidelberg
      • Petrus Johannes van Reysschoot (Ghent 1702-1772) An elegant party taking coffee on a terrace, a park landscape beyond
        Jul. 05, 2023

        Petrus Johannes van Reysschoot (Ghent 1702-1772) An elegant party taking coffee on a terrace, a park landscape beyond

        Est: £15,000 - £20,000

        Petrus Johannes van Reysschoot (Ghent 1702-1772) An elegant party taking coffee on a terrace, a park landscape beyond signed and indistinctly dated 'VAN REYSSCHOT 17*2' (lower left) oil on canvas 126.5 x 108.3cm (49 13/16 x 42 5/8in).

        Bonhams
      • Petrus Johannes van Reysschoot, Flemish 1702-1772 Portrait of a
        Nov. 16, 2022

        Petrus Johannes van Reysschoot, Flemish 1702-1772 Portrait of a

        Est: £2,500 - £3,500

        Petrus Johannes van Reysschoot, Flemish 1702-1772 Portrait of a young man, half-length, wearing a red cap, c.1730; oil on canvas, 71.4 x 54 cm. Provenance: Private Collection, UK. Note: The attribution of the present work has been confirmed by Dr Brian Allen and represents an important addition to the oeuvre of van Reysschoot. The identity of the sitter is unknown, though his informal open shirt and cap suggests that he may himself be an artist. It is possible, also, that he relates to the figure of the transverse flute player in the artist's 'Elegant Party taking Coffee on a Terrace a formal Garden beyond', offered at Sotheby's, London, 24 April 2008, lot 117. A red chalk sketch in the Rijksmuseum additionally bears facial and sartorial similarities [RP-T-1992-93-64(V)] and conceivably represents a preparatory drawing for the present work. A Flemish artist from Ghent, van Reysschoot travelled to England in the 1730s, having won a prize at the Paris Academy in 1730. The present work likely dates to the early years of this decade in London, and, as Brian Allen has pointed out, can be compared in handling to another work from this period, dated 1732, 'Portrait of a boy in tartan, called Prince Henry Benedict Stuart' (Wolrige-Gordon Collection, Aberdeenshire). The present work further echoes the grace and animation of the sculpture busts of Louis-Francois Roubiliac (1702-1762), who Reysschoot had studied alongside in Paris. Van Reysschoot spent a large part of his career in England, which earned him the nickname 'den Engelschman' ('the Englishman'), returning to his native Ghent in the mid-1740s. In England he painted portraits, religious, historical and sporting subjects, and Watteauesque conversational pieces, with many of his works exhibiting the influences of both Francis Hayman (1708-1776) and John Wootton (1686-1764). He had a strong portrait practice amongst the Midlands gentry and was also employed by the family of the Jacobite 4th Duke of Beaufort, as evidenced by the existence of a signed set of portraits there. A portrait by van Reysschoot was sold recently at Sotheby's, London, 5 July 2018, lot 193.

        Roseberys
      • PETRUS JOHANNES VAN REYSSCHOOT | Portrait of Sir Danvers Osborn (1715–1753), Governor of New York
        Jul. 05, 2018

        PETRUS JOHANNES VAN REYSSCHOOT | Portrait of Sir Danvers Osborn (1715–1753), Governor of New York

        Est: £15,000 - £20,000

        oil on canvas

        Sotheby's
      • ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, (FLEMISH, 1702-1772). "A group of portrait sketches of a young woman" pencil with chalk inscribed to the margin on a single sheet  19 x 15 cm mounted FOOTNOTE: In his native Ghent, Reysschoot was known as 'The Englishman'.
        Jun. 13, 2017

        ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, (FLEMISH, 1702-1772). "A group of portrait sketches of a young woman" pencil with chalk inscribed to the margin on a single sheet  19 x 15 cm mounted FOOTNOTE: In his native Ghent, Reysschoot was known as 'The Englishman'.

        Est: £150 - £250

        ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, (FLEMISH, 1702-1772). "A group of portrait sketches of a young woman" pencil with chalk inscribed to the margin on a single sheet  19 x 15 cm mounted FOOTNOTE: In his native Ghent, Reysschoot was known as 'The Englishman'.

        Chiswick Auctions
      • ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, 1702-1772 FLEMISH. A group of pencil with chalk portrait. Sketches of a young woman on a single sheet. Inscribed to the margin. In his native Ghent, Reysschoot was known as 'The Englishman'. Mounted. 19cm x 15cm.
        Mar. 21, 2017

        ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, 1702-1772 FLEMISH. A group of pencil with chalk portrait. Sketches of a young woman on a single sheet. Inscribed to the margin. In his native Ghent, Reysschoot was known as 'The Englishman'. Mounted. 19cm x 15cm.

        Est: £200 - £300

        ATTRIBUTED TO PETRUS JOHANNES VAN REYSSCHOOT, 1702-1772 FLEMISH. A group of pencil with chalk portrait. Sketches of a young woman on a single sheet. Inscribed to the margin. In his native Ghent, Reysschoot was known as 'The Englishman'. Mounted. 19cm x 15cm.

        Chiswick Auctions
      • Petrus Johannes van Reysschoot (Gent 1702-1772)
        Oct. 30, 2013

        Petrus Johannes van Reysschoot (Gent 1702-1772)

        Est: £5,000 - £7,000

        A fête galante oil on canvas 114.5 x 88.5cm (45 1/16 x 34 13/16in).

        Bonhams
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