Theo van Rysselberghe Paintings & Artwork for Sale | Theo van Rysselberghe Art Value Price Guide

Nov. 21, 2024
THÉO VAN RYSSELBERGHE (1862-1962) Portrait of Maria van Rysselberghe 19 1/8 x 22 1/2 in (48.5 x 57.1 cm) (Executed on January 5, 1900)
Est: $7,000 - $10,000
THÉO VAN RYSSELBERGHE (1862-1962) Portrait of Maria van Rysselberghe signed with the artist's monogram and dated '1900 5 Janvier' (center left) charcoal, pastel and red chalk on paper laid down on card 19 1/8 x 22 1/2 in (48.5 x 57.1 cm) Executed on January 5, 1900
Bonhams
Oct. 26, 2024
Théo VAN RYSSELBERGHE (1862-1926)
Est: €3,000 - €4,000
Thérèse Bonbon Graphite sur papier, signée en bas et daté (18)85 Titré en haut à droite H. 21,5 cm - L. 14,5 cm
OXIO
Oct. 19, 2024
Van Rysselberghe Théo - The patato harvest (1883)
Est: €50,000 - €70,000
Oil on canvas - Sig. "Théo Van Rysselberghe / Knocke-1883" - Exhibition labels on the reverse
De Vuyst
Oct. 15, 2024
Baigneuse
Est: £15,000 - £25,000
Théo van Rysselberghe 1862 - 1926 Baigneuse signed with the monogram VR (lower right) oil on canvas 59.6 by 49.7 cm. 23½ by 19⅝ in. Framed: 86.2 by 76.5 cm. 34 by 30⅛ in. Executed in 1909-10. To be included in the forthcoming supplement to the Van Rysselberghe Catalogue raisonnée being prepared by Ronald Feltkamp under the number 1909.46A.
Sotheby's
Oct. 10, 2024
THÉO VAN RYSSELBERGHE (1862-1926). Femme à sa coiffure (La rousse, VIII). o
Est: £200,000 - £300,000
THÉO VAN RYSSELBERGHE (1862-1926). Femme à sa coiffure (La rousse, VIII). oil on board 35 5⁄8 x 28 in. (90.5 x 71.2 cm.).
Christie's
Sep. 26, 2024
withdrawn
Est: -
withdrawn
Hampel Fine Art Auctions
Sep. 11, 2024
Attributed to Théo VAN RYSSELBERGHE (1862-1926) 'Portrait of Georges Couvreur', 1907. (W:27 x H:35 cm)
Est: €1,000 - €1,500
Attributed to Théo VAN RYSSELBERGHE (1862-1926) 'Portrait of Georges Couvreur', 1907. Monogrammed VR in the upper left corner. Dated '07'. Attributed 'à Georges Couvreur' in the upper left corner. A painting of Mademoiselle Couvreur is listed in the 'Catalogue Raisonné', and is number 1907-024. Cat.: Ronald Feltkamp, Théo Van Rysselberghe, 2003, Brussels, no. 1907-024, p. 366 The work has been seen and deemed authentic by one of the 'Théo Van Rysselberghe' scholars. More information is available on request. Dimensions: (W:27 x H:35 cm)
Flanders Auctions
Jul. 28, 2024
Theodore Van Rysselberghe, Belgian (1862-1926)
Est: $1,000 - $1,500
Theodore Van Rysselberghe, Belgian (1862-1926) Painting Oil on Paper Laid on Board. "Auto-Portrait A La Palette". Signed Lower Right. In Original Frame. Comes w/ Certificate From Christie's Confirming That it Was Purchased in Their Auction. Condition: Generally Good. Dimensions: Sight-23.75" x 19.25". Frame-30.75" x 25.5". Provenance: From a Long Island, NY Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
World Auction Gallery
Jul. 28, 2024
Theodore Van Rysselberghe, Belguim (1862-1926)
Est: $3,000 - $5,000
Theodore Van Rysselberghe, Belgian (1862-1926) Monumental Painting Oil on Canvas. "Portrait of Prince Baltasar Carlos After Velasquez". Signed Lower Right. In Original Frame. Condition: There Are Numerous Tears in Various Places. Dimensions: Sight-58" x 39.5". Frame-62.5" x 42.75". Provenance: From a Long Island, NY Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
World Auction Gallery
Jun. 05, 2024
Théo van Rysselberghe (1862-1926) attribué à - Le…
Est: €80 - €100
Théo van Rysselberghe (1862-1926) attribué à - Le masque du génie. Par Marie Jade. 1925. Imprimeur Richier Paris. 65x50cm. Affiche originale, lithographie, entoilée. Condition A. Montre les rues de Montmartre placardées d'affiches, et au loin le Sacré Coeur encore en construction. L'artiste en nous montrant les personnages de dos, titille le spectateur en lui donnant envie de les dévoiler.
Limoges Encheres
May. 17, 2024
Theo van Rysselberghe: Petite plage à Saint-Tropez
Est: €90,000 - €120,000
RYSSELBERGHE, THEO VAN 1862 Gent - 1926 St-Clair/Var Title: "Petite plage á Saint-Tropez". Date: 1898. Technique: Oil on canvas. Mounting: Relined. Measurement: 40,5 x 49cm. Notation: Monogrammed and dated lower right: "vR 1898". Frame: Framed. Verso: On the stretcher label with handwritten details on the depiction as well as exhibition label Palais des Beaux-Arts, Brussels 30.10.1956. Literature: R. Feltkamp: Théo van Rysselberghe 1862-1926, Paris/Brussels 2003, p. 320, no. 1898-021 with ill. Provenance: Jean Willems, Brussels; Private ownership, Germany. We would like to thank Olivier Bertrand, Luxembourg, who also confirmed the authenticity of the work in an e-mail dated 24.04.2024. Deserted the bay is lying in front of us. The beach is lying serenely in the blue shadow while sun rays paint the rock formations that protrude into the sea in a warm gold. The sea is calm; the rocks are distinctly reflected in the water surface. Distinctness, however, is, in the context of this small ladscape, a fallacious expression. The colour is whirring and vibrating. There are no firm contours, lines or threedimensional modellings. And yet tha painter has understood to clearly convey the place and its mood. Théo van Rysselberghe was 35 years old when he painted this atmospheric "portrait" of the little beach near St. Tropez and he had perfected a special form of expression, pointillism, for more or less 10 years. Van Rysselberghe who had been born in the Belgian town Ghent had been educated in his home town at first, then, however, at the Académie Royale des Beaux-Arts in Brussels from 1879 on. After first participations in the public salon exhibitions in Ghent and Brussels, the young artist could celebrate his first successes in 1882/83 when he presented his travel impressions in exhibitions after an extended stay in Morocco. It was the first of three Morocco voyages during which the young artist already felt fascinated by the southern light. Depicting light became his great challenge and the central theme, to which he committed himself from then on. When 20 artists organised themselves within the "Société des Vingt" (in short "Les XX") as a group in Brussels in 1883. This society of young avant-garde artists was interested in the exchange with international, primarily French colleagues. Among the members were, amongst others, James Ensor, Ferdinand Khnopff or Félicien Rops. 20 international artists were invited to the annual exhibitions of the "Vingtistes" for giving new impulses to the Belgian art scene but certainly for connecting the Belgian artists internationally, as well. Also because of this progressive concept Brussles became a centre of modern art in the finishing 19th century. In 1886, Auguste Renoir und Claude Monet exhibited at the "Les XX". Théo van Rysselberghe was deeply impressed by their special new depiction of light and his own so far rathr realist style became inscreasingly impressionist. Van Rysselberghe, who was already well known in the Parisian art scene, was a driving force behind the "XX" and became the group's "talent scout" in France. He "discovered" Henri de Toulouse-Lautrec as well as his own fellow pupil from his Academy days, Vincent van Gogh, who was able to conclude his only public sale during his lifetime at the group's exhibition in 1890. However, the most lasting influence on van Rysselberghe's own work was his involvement with the innovative, pointillist painting of George Seurat and Paul Signac, whom he met in Paris in 1886. He was also able to persuade both of them to take part in the "XX" exhibition in Brussels. While the Impressionists placed the atmospheric depiction of light at the centre of their artistic endeavours, the Pointillists took a radically scientific approach. Colours dabbed onto the canvas in dots were not mixed together, but stood side by side. The picture was to be created in the eye of the beholder, which the painter constructed according to optical laws. The arrangement of the colour values in the spectral circle and the intensification of the complementary contrasts governed his art, with handwriting and brushstrokes taking a back seat. Van Rysselberghe was the most influential Belgian painter who predominantly used this new technique from around 1888. However, he modified the strict doctrine of pointillism, working with tonal colour values and - as in the example of the present landscape - with short brushstrokes. These strokes (here in the sea waves or in the transition between rocks and water) could also be applied longer and with a different intensity than the "pure doctrine" of pointillism envisaged. In the year before the present painting "Petite plage á St. Tropez" was created, van Rysselberghe had already painted the same motif in a slightly smaller format. In our later work, the artist has shifted the complementary colours by one shade: from violet-yellow in the earlier painting to a blue-orange contrast. He has also given the sky more space in the present work. This more recent version is richer in contrast and conveys an intense freshness. In 1910, Théo van Rysselberghe, who had lived permanently in Paris since 1898, moved to the Côte d'Azur for the rest of his life. Here he found the light of the south, which he had already captured so atmospherically in this small landscape. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Theo van Rysselberghe Orientalism Divisionism Post Impressionism 19th/20th C. Paintings Framed France Painting Coast
Van Ham Kunstauktionen
May. 02, 2024
THEODORE VAN RYSSELBERGHE (1862 - 1926, BELGIAN) Portrait of the Poet, Emile Verhaeren.
Est: $1,000 - $1,500
THEODORE VAN RYSSELBERGHE (1862 - 1926, BELGIAN) Portrait of the Poet, Emile Verhaeren. Pencil and watercolor on paper laid to card. Inscribed, pour Madlle Rose Bénédite, ce rapide croquis d'après l'auteur des vers de la page précédente, and signed, Theo van Rysselberghe, lower right. 178x127 mm; 7x5 inches, (sheet). 241x165 mm; 9½x6½ inches, (mount). Provenance: The Estate of Anthony Fields, Paris; Private collection.
Swann Auction Galleries
Apr. 24, 2024
Théo VAN RYSSELBERGHE (1862-1926)
Est: €300 - €500
Théo VAN RYSSELBERGHE (1862-1926) " La lecture d'Emile Verhaeren" Multiple signé par Théo Van Rysselberghe, datée de 1907 et chaque membre du groupe nommé au crayon. Dédicacé. Dimensions : 42 x 59 cm Provenance : succession Baronne B.
Legia-Auction
Apr. 10, 2024
Théo van Rysselberghe (1862-1926) Venise aquarelle et graphite sur papier 2
Est: €7,000 - €10,000
Théo van Rysselberghe (1862-1926) Venise aquarelle et graphite sur papier 20.4 x 26.5 cm.
Christie's
Mar. 27, 2024
THEO VAN RYSSELBERGHE (1862-1926): VENICE, MIXED MEDIA ON PAPER, (1897)
Est: €2,000 - €4,000
Work: ca. 21,5 x 19,5 cm Frame: 39,8 x 38,3 cm Lit.: - The work depicted in: Theo Van Rysselberghe: Catalogue d'exposition, Mercatorfonds, 2006, p. 157 (this catalogue was published on the occasion of the retrospective exhibition Theo Van Rysselberghe, which took place in the Museum of Fine Arts, Brussels, February 10 to May 21, 2006 and in the Gemeentemuseum The Hague from June 10 to September 24, 2006.
Coronari Auctions
Mar. 26, 2024
Théo Van Rysselberghe (1862-1926) Jeune femme à sa toilette A woman at her toilette
Est: €150 - €250
Eau-forte en sanguine. Etching.
Brussels Art Auctions
Mar. 20, 2024
Huile sur carton entoilé "La rade des Bormes - (Nu…
Est: €15,000 - €20,000
Huile sur carton entoilé "La rade des Bormes - (Nuages rouges)". Monogrammé en bas à gauche V.R. pour Théo Van Rysselberghe et daté 1917. Titré au dos. Ecole belge. Dim:+/-32,8x41cm.
Vanderkindere
Mar. 07, 2024
À l'ombre des pins (Agay) or Sous les pins (Agay)
Est: £500,000 - £700,000
Property of a Gentleman Théo van Rysselberghe 1862 - 1926 À l'ombre des pins (Agay) or Sous les pins (Agay) signed with the monogram (lower left) oil on canvas 85.8 by 110.5 cm. 33 ¾ by 39 ½ in. Framed: 41 ¾ by 51 in. 106.1 by 129.5 cm. Executed in 1905. We thank Olivier Bertrand for providing additional information on this painting which will be included in his Théo Van Rysselberghe Catalogue raisonné.
Sotheby's
Feb. 29, 2024
THÉOPHILE VAN RYSSELBERGHE (1862-1926). LA LIBRE ESTHÉTIQUE. 1896. 38½x27¾ inches, 97¾x70½ cm. Monom, Brussels.
Est: $1,000 - $1,500
THÉOPHILE VAN RYSSELBERGHE (1862-1926) LA LIBRE ESTHÉTIQUE. 1896. 38½x27¾ inches, 97¾x70½ cm. Monom, Brussels. Condition B: replaced losses and staining at edges; repaired tears, creases and restoration in margins and image and along vertical and horizontal folds. Mounted on Japan. As a painter, van Rysselberghe was best known as a Neo-Impressionist. In 1883, he was a founding member of the influential art group Les XX (Les Vingt, "The Twenty") and he is considered one of the more important Belgian painters of the period. When Les XX dissolved in 1893, it transformed into another group called La Libre Esthétique, with which van Rysselberghe was also very active. "Van Rysselberghe exerted a positive force for the revitalization of the decorative arts at the turn of the century, but his posters are not numerous; those he created for La Libre Esthétique are unquestionably the finest. The elegant female figures of his posters, very knowingly placed on the page, seem to be the pretext for van Rysselberghe to balance large spots of red-orange against their greenish or bluish complementaries. The text is beautifully drawn and gracefully integrated into the design of the poster" (Belle Epoque p. 86). He designed two posters for the group. Wember 694, Belle Epoque p. 86, L'Affiche Belge p. 96, Weill 84, Maitres 1900 p. 94, DFP-II 1126.
Swann Auction Galleries
Feb. 27, 2024
Théo van Rysselberghe (Belgian, 1862-1926) - Maud Assise
Est: $10,000 - $15,000
Théo van Rysselberghe (Belgian, 1862-1926) - Maud Assise Signed with the Artist's initialed cypher and dated ‘1916’ upper right, oil on canvas 20 ½ x 14 7/8 in. (52.1 x 37.8cm) Provenance Collection of Hilton Luria, New Jersey. Redfern Gallery, London, United Kingdom. Sotheby's, New York, sale of February 26, 1990, lot 63 (as Femme Nue). Presumably acquired directly from the above sale. Collection of Lewis Townsend. Doyle, New York, sale of May 21, 2002, lot 151. Acquired directly from the above sale. Collection of Sidney Rothberg, Philadelphia, Pennsylvania. Exhibition “Belgian Impressionists,” Florence, Italy, n.d. Literature The Connoisseur, September 1975. Ronald Feltkamp, Théo van Rysselberghe, Catalogue Raisonné, Lannoo Uitgeverij, Bruxelles, 2003, p. 414, no. 1916-916 (illustrated).
Freeman's | Hindman
Dec. 30, 2023
"Emile Verhaeren" - Ets in kleur - Monogram - Gedateerd 1917 - Tirage de 14
Est: €100 - €200
"Emile Verhaeren" - Ets in kleur - Monogram - Gedateerd 1917 - Tirage de 14 ex. Japon ancien - 44 x 22 cm
DEWIT Auctions
Dec. 30, 2023
"Maria Van Rysselberghe" - Litho - Monogram - 17 x 14 cm
Est: €100 - €200
"Maria Van Rysselberghe" - Litho - Monogram - 17 x 14 cm
DEWIT Auctions
Dec. 16, 2023
THEO VAN RYSSELBERGHE (1862-1926) PENCIL DRAWING "STUDY OF A YOUNG WOMAN"
Est: €600 - €1,000
Theo Van RYSSELBERGHE (1862-1926) pencil drawing "study of a young woman". This Belgian artist is known as one of the leading exponents of Divisionism in Belgium. - Weight: 1.28 kg - Shipping available - Region: Europe - Sizes: H 230 mm x L 245 mm - At first glance: normal wear / patina of use
Goldfield Auction
Dec. 06, 2023
THEO VAN RIJSSELBERGHE (1862-1926)
Est: €3,000 - €5,000
'Emile Verhaeren à la veste rouge', 1898-1917. Color etching on Japon ancien. Monogram in red ink. With annotation and date in pencil 'tirage de 14 ex Japon ancien/ 7me exemplaire/ Emile Verhaeren' and '1917'. Second impression, limited to 14 copies, corresponding to the total number of letters in the subject's first name and family name: each plate bore the number and its letter in red, here for the 7th copy, destined for Jean Schlumberger. This print on Japon ancien was done in honour of the great poet, who had met an accidental death only shortly before, in November 1916. The original drawing dates from 1898; this print was issued almost immediately after the author's unexpected death. Description FR 'Emile Verhaeren à la veste rouge', 1898-1917. Eau-forte en couleur sur Japon. Monogramme à l'encre rouge. Avec annotation et date au crayon 'tirage de 14 ex Japon ancien/ 7me exemplaire/ Emile Verhaeren' et '1917'. Deuxième impression, limitée à 14 exemplaires, soit autant de tirages que les 14 lettres qui composent le nom d'Emile Verhaeren. Il s'agit du septième tirage, marqué en rouge sur l'épreuve, réservé pour Jean Schlumberger. Le dessin original date de 1898; ce tirage a été publié presque immédiatement après la mort inattendue de l'auteur. Beschrijving NL 'Emile Verhaeren à la veste rouge', 1898-1917. Kleurenets op Japans. Monogram in rode inkt. Met annotatie en datum in potlood 'tirage de 14 ex Japon ancien/ 7me exemplaire/ Emile Verhaeren' en '1917'. Kader. Tweede, tot 14 exemplaren gelimiteerde uitgave (evenveel afdrukken als de 14 letters die de naam Emile Verhaeren telt). Dit is de zevende afdruk, in rood aangeduid op de prent, die gereserveerd was voor Jean Schlumberger. De originele tekening dateert van 1898, deze prent werd uitgegeven vrijwel onmiddellijk na het onverwacht overlijden van de auteur.
Bernaerts Auctioneers
Nov. 23, 2023
Rijsselberghe, Theo van (1862-1926). "La Libre Esthétique".
Est: €120 - €150
Rijsselberghe, Theo van (1862-1926). "La Libre Esthétique". Woodcut vignette, 8,9x10,1 cm., monogrammed in the block. Idem. "La Libre Esthétique". Two woodcut vignettes, printed in red on one leaf, 4x12,4 and 8,9x10,1 cm., one monogrammed in the block.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 15, 2023
THÉO VAN RYSSELBERGHE (1862-1926) Nu debout au tub
Est: €3,000 - €5,000
THÉO VAN RYSSELBERGHE (1862-1926) Nu debout au tub Sanguine et fusain sur papier teinté Timbre 'Atelier/Van Rysselberghe' [non Lugt] en bas à gauche Red chalk and black chalk on toned paper, stamped with the 'Atelier/Van Rysselberghe' mark lower left 82,5 x 48,5 cm - 32 1/2 x 19 1/8 in. Provenance - Vente, M. Chemiakin, Tableaux modernes, contemporains et sculptures, Loiseau, Schmitz, Digard, Saint-Germain-en-Laye, Hôtel des ventes, 28 novembre 1993, lot 141 - Collection particulière, Belgique (acquis au cours de la vente précédente puis par descendance)
Aguttes
Nov. 14, 2023
Théo Van Rysselberghe (Belgian, 1862-1926)
Est: €7,000 - €10,000
A portrait of the artist's daughter Elisabeth, signed with monogram, dated and annotated 'vR/21 Déc. 1908. Syracuse' (lower right), oil on board, 23,5x20 cm, Exhibited:-The Hague, Gemeentemuseum, ‘Théo Van Rysselberghe', 10 June-24 September 2006.Literature:-Nieuwe Rotterdamsche Courant, Rotterdam, 6 October 1993.-Ronald Feltkamp, ‘Théo van Rysselberghe 1862-1926', Brussels 2003, ill. p. 373, no. 1908-009.Provenance:-With Galerie Pogu, Paris.-Auction, Mak van Waay, Amsterdam, 22 April 1980, lot 741 (sold for: 4,600 Dfl.).-Collection Van Voorst-Van Beest, The Hague,
Venduehuis der Notarissen
Nov. 14, 2023
Jeune femme au bord de la grève
Est: $1,200,000 - $1,800,000
Property from the Collection of Harry P. Kamen Théo van Rysselberghe 1862 - 1926 Jeune femme au bord de la grève signed with the artist's monogram and dated 1901 (lower right); titled (on the stretcher) oil on canvas 39⅜ by 31⅞ in. 100 by 81 cm. Executed in 1901. We thank Olivier Bertrand for providing additional information on this painting which will be included in the Théo Van Rysselberghe Catalogue raisonné.
Sotheby's
Nov. 13, 2023
THEO VAN RYSSELBERGHE (1862 - 1926)
Est: €400 - €600
Théo VAN RYSSELBERGHE (1862 - 1926) After the bath, 1897 etching, bistré brown on japan. Monogrammed and dated lower right, dedication in pencil below. framed H : 20 cm W : 14 cm at sight.
Haynault
Nov. 09, 2023
THEO VAN RYSSELBERGHE (1862-1926) Péniches sur l’Escaut oil on canvas 21 5⁄
Est: $5,000,000 - $7,000,000
THEO VAN RYSSELBERGHE (1862-1926) Péniches sur l’Escaut oil on canvas 21 5⁄8 x 26 in. (54.8 x 66 cm.)
Christie's
Oct. 21, 2023
Théo van Rysselberghe (1862-1926).. Portrait d'Émile Verhaeren fusain sur p
Est: €60,000 - €80,000
Théo van Rysselberghe (1862-1926).. Portrait d'Émile Verhaeren fusain sur papier 54.2 x 41.6 cm.
Christie's
Oct. 19, 2023
THÉO VAN RYSSELBERGHE (1862-1926) Silhouette de Madame Georges Flé (Laure Flé) (Executed circa 1901)
Est: £7,000 - £10,000
THÉO VAN RYSSELBERGHE (1862-1926) Silhouette de Madame Georges Flé (Laure Flé) stamped with the artist's atelier stamp (lower right) charcoal and pencil on paper 62 x 37.6cm (24 7/16 x 14 13/16in). Executed circa 1901
Bonhams
Sep. 23, 2023
Théo VAN RYSSELBERGHE (1862-1926) (after), oil on canvas Mediterranean sea view, monogram
Est: €6,000 - €12,000
Théo VAN RYSSELBERGHE (1862-1926) (after), oil on canvas Mediterranean sea view, monogram Théo VAN RYSSELBERGHE (1862-1926) (naar), olie op doek Mediteraans zeezicht, monogram
Maison Jules Veilinghuis
Sep. 23, 2023
Théo VAN RYSSELBERGHE (1862-1926) (after), oil on panel portrait of Emile Verhaeren
Est: €4,000 - €5,000
Théo VAN RYSSELBERGHE (1862-1926) (after), oil on panel portrait of Emile Verhaeren Théo VAN RYSSELBERGHE (1862-1926) (naar), olie op paneel portret van Emile Verhaeren
Maison Jules Veilinghuis
Sep. 13, 2023
Dessins VAN RYSSELBERGHE Théo (1862 - 1926) "Le chat couché" crayon g
Est: €400 - €600
Dessins VAN RYSSELBERGHE Théo (1862 - 1926) "Le chat couché" crayon gras et mine de plomb sur papier. Monogrammé en bas à gauche VR pour Théo Van Rysselberghe. Ecole belge. Dim.:+/-140x185mm.
Vanderkindere
Jul. 29, 2023
Theo van Rysselberghe, (Belgian, 1862-1926), "Mimosas, St. Clair", 1912, oil on canvas, 17" x 20", framed 24" x 26-1/2"
Est: $30,000 - $50,000
Theo van Rysselberghe (Belgian, 1862-1926) "Mimosas, St. Clair", 1912 oil on canvas monogrammed lower left, verso with artist label inscribed with the title and a partial "Galerie Georges Giroux" label. Framed. 17" x 20", framed 24" x 26-1/2" Provenance: Galerie Georges Giroux, Brussels, Belgium; Sotheby's, New York, June 22, 1983, lot 20; Collection of Monica Perls and the late Hugo Perls (1886-1977), New York; The Estate of Gary Baxter Webb, Houston, Texas; Private collection, New Orleans, Louisiana. Literature: Feltkamp, Ronald. Theo van Rysselberghe, 1862-1926. Paris: Editions de l'amateur, 2003, no. 1912-028. Notes: Theo van Rysselberghe was a talented Belgian Neo-Impressionist, who was one of the founding members of the Brussels avant-garde group Les Vingt (The Twenty). The group, comprised of twenty independent artists, promoted diverse styles that rejected the traditions of the art academies and the Salon which sanctioned them through state-funded exhibitions. Instead, they exhibited annually on their own in concert with twenty other invited international artists. Through these exhibitions, van Rysselberghe was introduced to French Neo-Impressionism and the divisionist technique of employing dots of pigment and allowing the eye to mix them through a complex understanding of color theory and optics rather than mixing them on the palette. The painting offered here is a fine example of his early exploration with divisionism, whereas this oeuvre, painted after he moved to Paris in 1897, shows a far greater command of the technique in the juxtaposition of the mimosas with the complimentary colored decorative background. Though not dated, van Rysselberghe painted three other paintings of mimosas in 1912 that, according to Ronald Feltkamp, are consistent with the style in this example.
New Orleans Auction Galleries
Jun. 28, 2023
Pluie fine
Est: £280,000 - £380,000
Property of a Gentleman Théo van Rysselberghe 1862 - 1926 Pluie fine signed Théo van Rysselberghe (lower left) oil on canvas 55.5 by 66.8 cm. 21⅞ by 26¼ in. Framed 75 by 86.5 cm. 29½ by 34 in. Executed in 1887. To be included in the forthcoming Van Rysselberghe online Catalogue raisonnée under n. 1887.079 being prepared by Ronald Feltkamp. We thank Olivier Bertrand for providing additional information on this painting which will be included in his Théo Van Rysselberghe Catalogue raisonné.
Sotheby's
May. 20, 2023
Theo Van Rysselberghe, Portrait of a Young Spanish Woman
Est: €15,000 - €20,000
Signed and dated upper left: Theo Van Rysselberghe / 1883 / Toledo Certificate Ronald Feltkamp, Brussels, 10th December 2022. Ronald Feltkamp had not yet included the present painting in the first edition of his catalogue raisonné of Rysselberghe. The portrait of a Spanish woman, dated 1883, was unknown until then, as it was privately owned in Belgium for several generations. The portrait belongs to the earliest period of the artist's work, in which he was still strongly oriented towards Edouard Manet and Edgar Degas. Before turning to Neo-Impressionism, the young Rysselberghe experimented with different styles and subjects. He created several portraits of young Spanish women beginning in 1880. His "Young Gypsy en face or Spanish Woman" in the Royal Museums in Brussels, painted in 1881, is comparable to the present work. Our picture was painted in Toledo in 1883 during the artist's trip to Spain, which subsequently took him to Morocco. On this trip, the artist created a series of paintings with an exotic flair, which he presented to the public in 1883. That year, Rysselberghe also became one of the founding members of the Société des Vingt (Group of XX), a group of avant-garde artists that promoted artistic exchange between France and Belgium.
Kunsthaus Lempertz KG
May. 13, 2023
VAN RYSSELBERGHE THEO
Est: €30 - €100
Seated nude
Campo & Campo
Mar. 28, 2023
Théo Van Rysselberghe (1862-1926) - La plage à La Panne
Est: €6,000 - €8,000
Aquarelle sur papier. Monogrammé, daté (18)98, situé et dédicacé en bas à droite. English Translation: The beach at La Panne Watercolor on paper. Monogram, dated (18)98, located and dedicated lower right. 16,5 x 24,5 cm.
Brussels Art Auctions
Mar. 28, 2023
Théo Van Rysselberghe (1862-1926) - Portrait de jeune femme (1880)
Est: €5,500 - €7,500
Huile sur toile. Signé et annoté 'à achever' en bas à gauche. English Translation: A portrait of a lady (1880) Oil on canvas. Signed and annotated 'à achever' lower left. 48 x 40 cm.
Brussels Art Auctions
Mar. 04, 2023
Van Rysselberghe Théo - Baigneuse à Cavalaire. Étude pour un figuré de gauche (1905)
Est: €5,000 - €7,000
Brown chalk and pastel on paper - Monogram stamp
De Vuyst
Feb. 14, 2023
Théo van Rysselberghe (Belgian, 1862–1926) Study of a Horse Cart
Est: $1,000 - $1,500
Théo van Rysselberghe (Belgian, 1862–1926) Study of a Horse Cart With 'Atelier VAN RYSSELBERGHE' stamp bottom right, pencil on paper Sheet size: 10 1/8 x 12 1/2 in. (25.7 x 31.8cm) Provenance Private Collection, Virginia. Frame: 21 3/4 x 26 1/2 x 1 1/4 in. To request a condition report, or for any additional information, please email Raphael Chatroux at rchatroux@freemansauction.com.
Freeman's | Hindman
Dec. 04, 2022
THEO VAN RYSSELBERGHE (1862-1926) Bébé von Bodenhausen, 1910 Huile sur pann
Est: €7,000 - €9,000
THEO VAN RYSSELBERGHE (1862-1926) Bébé von Bodenhausen, 1910 Huile sur panneau. Monogrammée en bas à droite. Lettre de J.Dominique (pseudonyme de Marie Closset) au dos. Olieverf op paneel. Rechts onderaan gemonogrammeerd. Brief van J.Dominique (pseudoniem van Marie Closset) op de achterkant. 24,7 x 22 cm
Cornette de Saint-Cyr-Bruxelles
Dec. 04, 2022
THEO VAN RYSSELBERGHE (1862-1926) Portrait de Jules Delacres, 1921 Huile su
Est: €2,000 - €3,000
THEO VAN RYSSELBERGHE (1862-1926) Portrait de Jules Delacres, 1921 Huile sur panneau. Monogrammée, datée et dédicacée en bas à gauche. Olieverf op paneel. Linksonder gemonogrammeerd, gedateerd en opgedragen. 41 x 33 cm
Cornette de Saint-Cyr-Bruxelles
Dec. 02, 2022
THÉO VAN RYSSELBERGHE
Est: CHF30,000 - CHF50,000
THÉO VAN RYSSELBERGHE (Ghent 1862–1926 Saint-Clair) Jeanne Pissarro à la fenêtre (Cocotte). 1895. Pastel on paper on canvas. Dedicated and monogrammed upper left: à madame Pissarro / R. 73.5 × 60 cm. Provenance: - Camille Pissarro. - Galerie Georges Petit, Paris. - Mazaraki collection, Paris. - Guillaume Apollinaire, Paris. - Auction Palais Galliéra, Paris, 9.12.1968, lot 88. - Auction Christie's, New York, 20.5.1978, lot 86. - Iwo Bouwman, La Haye. - Galerie Salis, Salzburg. - JPL Fine Arts, London (with label on the reverse of the frame). - Swiss private collection, by descent to the present owners. Exhibited: Maastricht 1989, TEFAF, Galerie Salis, 11.–19.5.1989. Literature: - Ronald Feltkamp: Théo van Rysselberghe 1862–1926. Catalogue raisonné, Brussels 2003, p. 307, no. 1895-010 (with ill.). - Théo van Rysselberghe: Lettre à Lucien Pissarro, 18.5.1895. - John Rewald: Post-Impressionism, Van Gogh to Gauguin, New York 1962. --------------- THÉO VAN RYSSELBERGHE (Gent 1862–1926 Saint-Clair) Jeanne Pissarro à la fenêtre (Cocotte). 1895. Pastell auf Papier auf Leinwand. Oben links gewidmet und monogrammiert: à madame Pissarro / R. 73,5 × 60 cm. Provenienz: - Camille Pissarro. - Galerie Georges Petit, Paris. - Sammlung Mazaraki, Paris. - Guillaume Apollinaire, Paris. - Auktion Palais Galliéra, Paris, 9.12.1968, Los 88. - Auktion Christie's, New York, 20.5.1978, Los 86. - Iwo Bouwman, La Haye. - Galerie Salis, Salzburg. - JPL Fine Arts, London (verso auf dem Rahmen mit Etikett). - Schweizer Privatsammlung, durch Erbschaft an die heutigen Besitzer. Ausstellung: Maastricht 1989, TEFAF, Galerie Salis, 11.–19.5.1989. Literatur: - Ronald Feltkamp: Théo van Rysselberghe 1862–1926. Catalogue raisonné, Brüssel 2003, S. 307, Nr. 1895-010 (mit Abb.). - Théo van Rysselberghe: Lettre à Lucien Pissarro, 18.5.1895. - John Rewald: Post-Impressionism, Van Gogh to Gauguin, New York 1962.
Koller Auctions
Nov. 24, 2022
THÉO VAN RYSSELBERGHE (1862-1926) Maria Van Rysselberghe (1866-1959), écrivaine et femme de l'artiste, 1926
Est: €6,000 - €8,000
THÉO VAN RYSSELBERGHE (1862-1926) Maria Van Rysselberghe (1866-1959), écrivaine et femme de l'artiste, 1926 Huile sur toile Signée du monogramme et datée 'Juillet 1926' en bas à droite Annotée 'Mamie Tit/VR' sur le châssis Oil on canvas, signed with the artist's monogram and dated 'Juillet 1926' lower right, inscribed 'Mamie Tit/VR' on the stretcher 40 x 33 cm - 15 3/4 x 13 in. Provenance - Vente, Art impressionniste & moderne, Christie's, Paris, 1er décembre 2006, lot 20 - Collection particulière, France (acquis au cours de la vente précédente) Bibliographie Ronald Feltkamp, Théo Van Rysselberghe, 1862-1926, Paris : Les éditions de l'amateur et Bruxelles : Éditions Racine, 2003, décrit et reproduit sous la référence 1926-006 p. 444 Maria Van Rysselberghe (1866-1959) est une écrivaine belge qui est célèbre pour avoir été la confidente d'André Gide. Pendant plus de trente ans, elle note les propos, les pensées et les actes de l'auteur des Nourritures terrestres qu'elle consigne dans Les Cahiers de la Petite Dame publiés chez Gallimard en 1974, un document capital sur Gide et son temps. Notre effigie de Maria, vêtue à la garçonne, a été peinte par Théo Van Rysselberghe en 1926. Présenté par le poète Émile Verhaeren, le couple s'unit en 1899. Sur un fond chamarré à la touche superbement divisée, Théo dresse un portrait psychologique qui rend autant compte de la vie que de la chaleur et de l'intelligence de son modèle.
Aguttes
Nov. 19, 2022
VAN RYSSELBERGHE, Theo (1862-1926)
Est: €240 - €360
La libre esthétique 2 bois (9 x 10 cm et 4 x 12.5 cm) impr. en rouge sur papier blanc (monogr. dans le coin droit en bas) + une épreuve sur vélin en noir (monogr. de Van Rysselberghe dans le bois. + épreuve en noir sur papier rose (4)
Auctions Van de Wiele