Hendrick van Steenwijk Paintings & Artwork for Sale | Hendrick van Steenwijk Art Value Price Guide

Oct. 28, 2024
HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame.
Est: €6,000 - €7,000
HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame. Measurements: 77 x 106 cm; 118 x 146 cm (frame). In this work a costumbrista scene is represented, starring a great multitude of characters, whose majority seem to belong to the high society, judging by the situation and their elegant clothes, eating in a sumptuous interior, adorned with sculptures, and accompanied by several servants. The setting is clearly described, within the naturalistic and narrative language of the Dutch Baroque, and in fact there are anecdotal elements in the first terms, which seek to create an illusionism and confusion between real and pretended space. At the compositional level, the rigor and classicism of the structure stands out, closed on one side and open to the landscape on the other, with an important presence of architecture and a three-dimensional construction of space reinforced by the wise use of light. This type of hedonistic scenes, which reflect with an almost documentary spirit (although without neglecting the decorative aspect) the daily life of the time, are themselves a genre born in the seventeenth century in the Netherlands, which enjoyed a great development thanks to the good reception it received from the bourgeois public, who liked to see themselves portrayed. Beyond this representation, the scene also invites allegorical reflection, since the author proposes in the same scene different actions that directly allude to the senses, such as sight, taste and touch. This interest in such representation is very much reminiscent of the works of the five senses by the painter Rubens and Brueghel, which today are in the Prado Museum and which, as in this particular case, show a composition that stands out for the abundance and precise detailing of all the elements that make up the scene. Hendrik van Steenwijck II was a Baroque painter, mainly of architectural interiors, but also of biblical scenes and still lifes. Van Steenwijck was born in Antwerp. His father, the Dutch painter Hendrik van Steenwijck I, was one of the originators of the genre of interiors, moved the family to Frankfurt am Main in 1585, where he trained his son. Upon his father's death in 1603, Van Steenwijck the Younger took over the Frankfurt workshop, but from 1604 to 1617 he was active mainly in Antwerp, where he collaborated with Flemish early Baroque painters such as Frans Francken I and Jan Brueghel the Elder. Van Steenwijck is best known for the numerous imaginary interiors based on the cathedral of Our Lady of Antwerp, which immediately influenced the paintings of Pieter Neeffs I. After settling in London in 1617, he painted backgrounds for Anthony van Dyck and Daniel Mytens the Elder. Van Steenwijck moved to The Hague around 1638, where he was court painter. His wife, Susanna van Steenwijk, was also an architectural painter and moved to Leiden around 1642. It presents restorations on the pictorial surface and faults in the frame.
Setdart Auction House
Jun. 12, 2024
ATTRIBUTED TO HENDRIK VAN STEENWYCK II (DUTCH 1580-1649), SAINT PETER BEING RELEASED FROM PRISON
Est: £2,000 - £3,000
ATTRIBUTED TO HENDRIK VAN STEENWYCK II (DUTCH 1580-1649)SAINT PETER BEING RELEASED FROM PRISONOil on panel32 x 25cm (12½ x 9¾ in.)Provenance: Leggatt Brothers Gallery, LondonH.C. Gundry Esq.Brian L. Koetser Fine Art Dealer, London
Dreweatts 1759 Fine Sales
Feb. 29, 2024
HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame.
Est: €7,500 - €8,000
HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame. Measurements: 77 x 106 cm; 118 x 146 cm (frame). In this work a costumbrista scene is represented, starring a great multitude of characters, whose majority seem to belong to the high society, judging by the situation and their elegant clothes, eating in a sumptuous interior, adorned with sculptures, and accompanied by several servants. The setting is clearly described, within the naturalistic and narrative language of the Dutch Baroque, and in fact there are anecdotal elements in the first terms, which seek to create an illusionism and confusion between real and pretended space. At the compositional level, the rigor and classicism of the structure stands out, closed on one side and open to the landscape on the other, with an important presence of architecture and a three-dimensional construction of space reinforced by the wise use of light. This type of hedonistic scenes, which reflect with an almost documentary spirit (although without neglecting the decorative aspect) the daily life of the time, are themselves a genre born in the seventeenth century in the Netherlands, which enjoyed a great development thanks to the good reception it received from the bourgeois public, who liked to see themselves portrayed. Beyond this representation, the scene also invites allegorical reflection, since the author proposes in the same scene different actions that directly allude to the senses, such as sight, taste and touch. This interest in such representation is very much reminiscent of the works of the five senses by the painter Rubens and Brueghel, which today are in the Prado Museum and which, as in this particular case, show a composition that stands out for the abundance and precise detailing of all the elements that make up the scene. Hendrik van Steenwijck II was a Baroque painter, mainly of architectural interiors, but also of biblical scenes and still lifes. Van Steenwijck was born in Antwerp. His father, the Dutch painter Hendrik van Steenwijck I, was one of the originators of the genre of interiors, moved the family to Frankfurt am Main in 1585, where he trained his son. Upon his father's death in 1603, Van Steenwijck the Younger took over the Frankfurt workshop, but from 1604 to 1617 he was active mainly in Antwerp, where he collaborated with Flemish early Baroque painters such as Frans Francken I and Jan Brueghel the Elder. Van Steenwijck is best known for the numerous imaginary interiors based on the cathedral of Our Lady of Antwerp, which immediately influenced the paintings of Pieter Neeffs I. After settling in London in 1617, he painted backgrounds for Anthony van Dyck and Daniel Mytens the Elder. Van Steenwijck moved to The Hague around 1638, where he was court painter. His wife, Susanna van Steenwijk, was also an architectural painter and moved to Leiden around 1642.
Setdart Auction House
Nov. 14, 2023
Tableaux VAN STEENWIJK II Hendrik (1580 - 1649). Attribué à. Huile su
Est: €2,000 - €3,000
Tableaux VAN STEENWIJK II Hendrik (1580 - 1649). Attribué à. Huile sur toile marouflée sur toile "Intérieur vouté animé". Attribué à Hendrik van Steenwijk II. Ecole hollandaise. Voir au dos une ancienne étiquette portant cette attribution. Dim.:+/-90,5x123,5cm.
Vanderkindere
Nov. 29, 2022
HENDRICK VAN STEENWIJCK II (attr. a)
Est: €1,500 - €2,500
(Anversa, 1580 ca - 1649) Interno di cattedrale Olio su tela, cm 84X94 Provenienza: Vercelli, Meeting Art, 13 aprile 2013, lotto 368 Hendrik van Steenwijck deve la sua fama quale pittore specializzatosi a dipingere palazzi rinascimentali ed interni di chiese, genere che fu altresì proseguito dal figlio, che dal 1604 fu attivo ad Anversa, dove collaborò con i primi pittori barocchi fiamminghi come Frans Francken I e Jan Brueghel il Vecchio. L'opera è corredata da una scheda critica di Didier Bodart.
Wannenes Art Auctions
Dec. 09, 2021
Hendrick van Steenwijk, 1580 – um 1649, zugeschrieben
Est: €22,000 - €25,000
INNERES EINER GOTISCHEN KIRCHE MIT SEITLICHEM BLICK IN DIE STADT Öl auf Holz. 34,5 x 45,5 cm. Das Gemälde, da hier neben dem Blick in das gotische Langschiff, mit Stichkappengewölbe, Seitenaltar, Kanzel und Lettner, auch die Aussicht in die Altstadt gegeben ist. Ein Kirchturm im Hintergrund zeigt Verwandtschaft mit denen der Kirchen von Antwerpen, also dem Geburts- und Wirkungsort des Malers. Wie immer in diesen Kircheninterieurs, bietet sich auch hier die Darstellung in extremer Feinmalerei. Das besondere Interesse des Malers galt auch der gelungenen Wiedergabe der perspektivischen Erfassung, was auch durch das Schachbrett-Paviment zum Ausdruck kommen sollte. Nicht weniger interessant ist hier die Schilderung der Figurenstaffage mit Geistlichen, Bürgern und Bettlern, von denen sich zwei an den Pfeilern der Vorhalle links postiert haben. Literatur: Vgl. für eine ähnliche Komposition Jeremy Howarth, The Steenwijick family as masters of perspective, 2009, S.199, Nr. II B 219. Vgl. Bernard G. Maillet, „Interieurs d‘églised 1580-1720, La peinture architecturale des écoles du Nord“, 2012, S. 250, Nr. M-0434, dort das Gemälde als Abel Grimmer. (12807810) (1) (11) Hendrick van Steenwijk, 1580 – ca. 1649, attributed INTERIOR OF A GOTHIC CHURCH WITH VIEW OF A TOWNOil on panel. 34.5 x 45.5 cm. The painting, is of great interest as it depicts the view of the Gothic nave with its lancet vault, side altar, pulpit and rood screen as well as a view the old town. Literature: cf. for a similar painting Jeremy Howarth, The Steenwijick family as masters of perspective, 2009, p.199, Nr. II B 219. cf. Bernard G. Maillet, “Interieurs d‘églised 1580-1720, La peinture architecturale des écoles du Nord”, 2012, S. 250, Nr. M-0434, as Abel Grimmer.
Hampel Fine Art Auctions
Jul. 09, 2021
HENDRIK VAN STEENWYCK II (ANTWERP 1580-1640 LEIDEN) and JAN BRUEGHEL I The
Est: £40,000 - £60,000
HENDRIK VAN STEENWYCK II (ANTWERP 1580-1640 LEIDEN) and JAN BRUEGHEL I The interior of a Gothic church oil on canvas, transferred from panel 29 3/8 x 41 ½ in. (74.5 x 105.2 cm.)
Christie's
Jun. 24, 2021
Hendrick van Steenwyck, d. J., 1580 Antwerpen – 1649 London, zug.
Est: €8,500 - €12,000
Flämischer Architekturmaler.INNERES EINER GOTISCHEN KIRCHE MIT FIGUREN Öl auf Holz. 10,3 x 15 cm. Von erhöhtem Standpunkt Blick auf den Vorraum einer großen gotischen Kirche. Der Boden des Vordergrundes mit zweifarbigem schachbrettartigem Muster und eingelassenen Grabplatten; auf einer davon die Datierung „1612“, was auf die Entstehung des Gemäldes hinweisen könnte. Drei elegant gekleidete Herrschaften stehen vor dem Treppenabsatz, der in den Hauptraum mit dem hohen Gewölbe und zum Lettner führt, durch den der Hauptaltar zu erkennen ist. Weitere Staffagefiguren beleben das Gemälde. Im Vordergrund links hinter einem Pfeiler ist ein kleine Kapelle zu erkennen. Qualitätvolle architektonische Darstellung in zurückhaltender Farbgebung. Kleinere Retuschen. (12707518) (18)
Hampel Fine Art Auctions
Feb. 16, 2021
HENDRICK VAN STEENWIJCK (1580-1649)
Est: €2,000 - €3,000
Interior of a Renaissance basilica. Canvas. 19th-century free interpretation. Description FR Intérieur d'une basilique Renaissance. Toile. Interpretation libre du 19ème siècle. Beschrijving NL Interieur van een renaissance basiliek. Doek. 19de-eeuwse vrije interpretatie.
Bernaerts Auctioneers
Jul. 30, 2020
HENDRIK VAN STEENWIJCK II (FRANKFURT 1580-1649 LEIDEN) The Liberation of Saint Peter
Est: £15,000 - £20,000
HENDRIK VAN STEENWIJCK II (FRANKFURT 1580-1649 LEIDEN) The Liberation of Saint Peter oil on copper, with the plate maker's mark of Pieter Staas 85⁄8 x 103⁄4 in. (22 x 27.3 cm.) with inventory number '282' (stamped on the reverse) Please note this lot is the property of a private individual. Provenance Hendricus Peter Bremmer (1871-1956), by 1920, inv. no. 1-N-1, as 'Steenwijk' and later 'Attributed to Neefs'; thence by descent to the present owner.
Christie's
Jun. 19, 2020
Hendrick van Steenwijk II (?Antwerp c.1580- 1649 ?Leiden) Interior of a cathedral at night with a priest celebrating Mass
Est: $4,000 - $6,000
Hendrick van Steenwijk II (?Antwerp c.1580- 1649 ?Leiden) Interior of a cathedral at night with a priest celebrating Masssigned with initials and dated 'H.V.S. 1609' (lower right, beneath the bench) oil on panel10 x 143⁄4 in. (25.4 x 37.5 cm.)
Christie's
Dec. 03, 2019
Hendrick van Steenwijck, the Younger (?Antwerp c. 1580-1649 ?Leiden) Cathedral interior oil on copper, circular 6 5/8 in. diam. (16.7 cm. diam.)
Est: £30,000 - £50,000
Hendrick van Steenwijck, the Younger (?Antwerp c. 1580-1649 ?Leiden) Cathedral interior signed and dated 'H·V·Steinw / 1621' (lower left) oil on copper, circular 6 5/8 in. diam. (16.7 cm. diam.) in the original ebonised fruitwood frame
Christie's
Dec. 06, 2018
HENDRICK VAN STEENWIJCK THE YOUNGER ANTWERP 1580 – CIRCA 1649 LEIDEN (?) | Two figures in a gothic interior
Est: £4,000 - £6,000
oil on copper
Sotheby's
Dec. 06, 2018
HENDRICK VAN STEENWIJCK THE YOUNGER | Christ and Nicodemus, in a candlelit interior
Est: £7,000 - £10,000
oil on copper
Sotheby's
Jul. 06, 2018
Hendrick van Steenwijk II (?Antwerp c. 1580-1640/9 ?Leiden) - The courtyard of a renaissance palace, viewed from a portico, with a lute...
Est: £10,000 - £15,000
Hendrick van Steenwijk II (?Antwerp c. 1580-1640/9 ?Leiden) The courtyard of a renaissance palace, viewed from a portico, with a lute... oil on copper, oval 4 ½ x 3 3/8 in. (10.8 x 8 cm.)
Christie's
Apr. 19, 2018
HENDRICK VAN STEENWIJK II (?ANTWERP C. 1580- 1649 ?LEIDEN) Interior of a cathedral at
Est: $8,000 - $12,000
HENDRICK VAN STEENWIJK II (?ANTWERP C. 1580- 1649 ?LEIDEN) Interior of a cathedral at night with a priest celebrating Mass signed with initials and dated 'H.V.S. 1609' (lower right, beneath the bench) oil on panel 10 x 14 3/4 in. (25.4 x 37.5 cm.)
Christie's
Feb. 27, 2018
VAN STEENWIJK II Hendrik (1580 - 1649) - Huile sur panneau de chêne "Les
Est: €2,000 - €3,000
VAN STEENWIJK II Hendrik (1580 - 1649) Huile sur panneau de chêne "Les caves du château Saint-Ange". Attribué à Hendrik Van Steenwijck le Jeune. Ecole flamande. (Voir au dos, une étiquette de chez Koller Auktionen en Suisse). (On y joint une documentation sur l'artiste). Dim.:32x39cm.
Vanderkindere
Nov. 25, 2015
*HENRICK VAN STEENWIJK DER JÜNGERE zugeschrieben Frankfurt am Main um 1580-vor 1649 London
Est: CHF5,000 - CHF7,000
*HENRICK VAN STEENWIJK DER JÜNGERE zugeschrieben Frankfurt am Main um 1580-vor 1649 London Imaginäres Kircheninterieur mit Personenstaffage und Geisselung Christi Öl auf Lwd., 50 x 67 cm
Galerie Fischer Auktionen AG
Dec. 08, 2010
HENDRIK i VAN STEENWYCK flamländsk skola, c1550-
Est: kr20,000 - kr30,000
HENDRIK i VAN STEENWYCK flamländsk skola, c1550- 1603, tillskriven Figurscen i katedral Bär signatur P. Neefs. Olja på ekpannå, 42 x 64 cm. Attributed to. Bears signature P. Neefs. Oil on oakpanel. På baksidan märkt med Antwerpens pannåtillverkarsigill. Etikett på baksidan med texten Londesborought samt grevlig utländsk krona. EX... Sale room notice Hendrik I van Steenwyck c. 1550-1603
Stockholms Auktionsverket
Sep. 13, 2010
STEENWIJK, HENDRICK VAN (CIRCLE OF) (Antwerp circa
Est: CHF3,000 - CHF5,000
STEENWIJK, HENDRICK VAN (CIRCLE OF) (Antwerp circa 1580 - 1649 Leiden) Basement vault with two figures. Oil on panel. 31 x 39 cm. STEENWIJK, HENDRICK VAN (UMKREIS) (Antwerpen um 1580 - 1649 Leiden) Kellergewölbe mit zwei Figuren. Öl auf Holz. 31 x 39 cm.
Koller Auctions
Sep. 18, 2009
STEENWIJK, HENDRICK VAN the younger (Antwerp circa
Est: CHF8,000 - CHF12,000
STEENWIJK, HENDRICK VAN the younger (Antwerp circa 1580 - 1649 Leiden) Temple interior with rich sacrificial offerings to the god Baal. Oil on panel. 37 x 54 cm. STEENWIJK, HENDRICK VAN d. J. (Antwerpen um 1580 - 1649 Leiden) Tempelinterieur mit reichen Opfergaben zur Ehren der Gottheit Baal. Öl auf Holz. 37 x 54 cm. Dieses bislang unentdeckt gebliebene Gemälde reiht sich in die Folge der Tempelinterieurs von Hendrick van Steenweijck d. J. ein: so das 1624 datierte Gemälde im Museum and Art Gallery, Maidstone (Howard, Jeremy: The Steenwijck Family as Master of Perspective, Turnhout 2009, Kat. Nr. II E 6, S. 255), das im Jahre 1609 entstandene Gemälde, welches zuletzt bei Christie's in London, 4.12.1964, als Los 137 versteigert wurde und dessen Aufenthalt heute unbekannt ist (ebd., II E 7, S. 255-256); ebenso das undatierte Gemälde in der Staatsgemäldesammlung, Aschaffenburg (ebd., II E 9, S. 256); das Gemälde in einer Privatsammlung, Grossbritannien (ebd., II E 10, S. 256) und das Gemälde in Museum of Art, Wadsworth Atheneum, Hartford, Conn. (ebd. II E 11, S. 256-257). Wie Jeremy Howarth hervorhebt, zählen diese heidnischen Tempelinterieurs zu den originellsten Schöpfungen von Steenwijk. Dabei wandelt Steenwijck d. J., die von seinem Vater gezeigten gotischen Kircheninterieurs mit kleinen Abweichungen in Tempelhallen mit heidnischen Anbetungsritualen um. Er ersetzt den Altar im Chor durch eine lebensgrosse Skulptur des Baal. Dieser ist auf dem hier angebotenen Gemälde in der Ferne im Dunkeln noch gerade zu erkennen. Die Thematik entnimmt Steenwijck d. J. dem alttestamentarischen Buch Daniels, XIV, worin erzählt wird, dass damals in Babylon der Gott Baal oder Bel verehrt wurde. Um Baal friedlich zu stimmen, stellten die Bewohner Babylons des Nachts Speisen und Getränke im Tempel auf. Da am folgenden Tag die offerierten Gaben verschwunden waren, wurde davon ausgegangen, dass der Gott lebendig war. Jedoch nicht Baal, sondern seine unzuverlässigen Priester und deren Verwandte erfreuten sich an den Speisen und Getränken. Das Thema der feiernden Baal- Priester aus Daniel XIV muss sich zu Beginn des 17. Jahrhunderts grösster Beliebtheit erfreut haben, insbesondere bei den zunehmenden protestantischen Sammlern, die sich eher an Themen des Alten als des Neuen Testaments erfreuten. Auch von Pieter Neeffs, Bartholomeus van Bassen und Dirk van Delen sind Versionen dieses Themas bekannt. Allerdings sind die Darstellungen Hendrick van Steenwijcks d. J. die frühesten Interpretationen dieser Thematik, die Ende des 16. Jahrhunderts von Maerten von Heemskerck und Hans Vredeman de Vries erstmals eingeführt wurde. Rembrandt greift dieses Thema ebenfalls in dem 1634 datierten Kabinettstück auf, welches sich heute im J. Paul Getty Museum, Los Angeles befindet.
Koller Auctions
Nov. 16, 2006
Hendrik van Steenwyck I (Steenwyck c. 1550-1603 Frankfurt am Main) or Hendrik van Steenwyck II
Est: €10,000 - €15,000
Hendrik van Steenwyck I (Steenwyck c. 1550-1603 Frankfurt am Main) or Hendrik van Steenwyck II (Frankfurt am Main c. 1580-1649 London) The Vladislav Hall at the Castle in Prague signed 'Steenw...' (lower right) oil on panel 52.8 x 61.7 cm.
Christie's

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Architecture painter, Painter, b. 1580 - d. 1649

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HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame.

ATTRIBUTED TO HENDRIK VAN STEENWYCK II (DUTCH 1580-1649), SAINT PETER BEING RELEASED FROM PRISON

HENDRICK VAN STEENWIJK the Younger (Antwerp, ca. 1580-1640). "Banquet." Oil on panel. Cradled. It presents restorations on the pictorial surface and faults in the frame.

Tableaux VAN STEENWIJK II Hendrik (1580 - 1649). Attribué à. Huile su

HENDRICK VAN STEENWIJCK II (attr. a)

Hendrick van Steenwijk, 1580 – um 1649, zugeschrieben

HENDRIK VAN STEENWYCK II (ANTWERP 1580-1640 LEIDEN) and JAN BRUEGHEL I The

Hendrick van Steenwyck, d. J., 1580 Antwerpen – 1649 London, zug.

HENDRICK VAN STEENWIJCK (1580-1649)

HENDRIK VAN STEENWIJCK II (FRANKFURT 1580-1649 LEIDEN) The Liberation of Saint Peter

Hendrick van Steenwijk II (?Antwerp c.1580- 1649 ?Leiden) Interior of a cathedral at night with a priest celebrating Mass

Hendrick van Steenwijck, the Younger (?Antwerp c. 1580-1649 ?Leiden) Cathedral interior oil on copper, circular 6 5/8 in. diam. (16.7 cm. diam.)

HENDRICK VAN STEENWIJCK THE YOUNGER ANTWERP 1580 – CIRCA 1649 LEIDEN (?) | Two figures in a gothic interior

HENDRICK VAN STEENWIJCK THE YOUNGER | Christ and Nicodemus, in a candlelit interior

Hendrick van Steenwijk II (?Antwerp c. 1580-1640/9 ?Leiden) - The courtyard of a renaissance palace, viewed from a portico, with a lute...

HENDRICK VAN STEENWIJK II (?ANTWERP C. 1580- 1649 ?LEIDEN) Interior of a cathedral at

VAN STEENWIJK II Hendrik (1580 - 1649) - Huile sur panneau de chêne "Les

*HENRICK VAN STEENWIJK DER JÜNGERE zugeschrieben Frankfurt am Main um 1580-vor 1649 London

HENDRIK i VAN STEENWYCK flamländsk skola, c1550-

STEENWIJK, HENDRICK VAN (CIRCLE OF) (Antwerp circa

STEENWIJK, HENDRICK VAN the younger (Antwerp circa

Hendrik van Steenwyck I (Steenwyck c. 1550-1603 Frankfurt am Main) or Hendrik van Steenwyck II

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Architecture painter, Painter, b. 1580 - d. 1649

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