Jeremias van Winghe Sold at Auction Prices

b. 1578 - d. 1645

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    • Crucifixion
      Oct. 06, 2023

      Crucifixion

      Est: $8,000 - $12,000

      Jeremias van Winghe Brussels 1578 - 1645 Frankfurt Crucifixion oil on canvas canvas: 27 by 20 ½ in.; 68.6 by 52.1 cm. framed: 32 ⅞ by 26 ½ in.; 83.5 by 67.3 cm.

      Sotheby's
    • Jeremias van Winghe: Phineas kills Zimri and Cozbi
      Nov. 08, 2022

      Jeremias van Winghe: Phineas kills Zimri and Cozbi

      Est: €8,000 - €15,000

      Jeremias van Winghe Phineas kills Zimri and Cozbi oil on copper 62 x 49.5 cm monogrammed on the lower left JSW(INGE) (in ligature) Christie's London, 19 April 1991, lot 87; collection Erna Weidinger (1923–2021) According to biblical tradition, Phineas was a high priest from the tribe of Levi. The rarely depicted scene shows an episode during the Exodus journey of the Israelites (Genesis 25:1-18), in which "the zealot" Phineas appeased YHWH's anger at the Israelites' idolatry by piercing the Israelite Zimri and his Midianite wife Cozbi with a spear in their camp, thus averting a plague from the people of Israel. Jeremias van Winghe was born in Brussels in 1578, the son of the painter Joos van Winghe. A painting of the same subject, but with life-size figures, was found in his father's œuvre, according to Karel van Mander. (Karel van Mander, Het Schilder-Boeck, Haarlem 1604)

      Im Kinsky
    • *JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to) to be attributed to Kitchen scene.
      May. 02, 2018

      *JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to) to be attributed to Kitchen scene.

      Est: €3,000 - €4,000

      *JEREMIAS VAN WINGHE (1578-c.1645) (toe te schrijven aan) Keukentafereel. Doek. Herkomst: Amsterdam, Christie's, veiling 2546, 14.05.2002, lot 114 123 x 153 *JEREMIAS VAN WINGHE (1578-c.1645) (toe te schrijven aan) Keukentafereel. Doek. Herkomst: Amsterdam, Christie's, veiling 2546, 14.05.2002, lot 114 123 x 153 *JEREMIAS VAN WINGHE (1578-c.1645) (à attribuer à) Scène de cuisine. Toile. Provenance: Amsterdam, Christie's, vente 2546; 14.05.2002, lot 114 123 x 153 *JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to) to be attributed to Kitchen scene. Canvas. Provenance: Amsterdam, Christie's, sale 2546, 14.05.2002., cat nr. 114 123 x 153

      Bernaerts Auctioneers
    • * JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to)Kitch
      Dec. 11, 2017

      * JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to)Kitch

      Est: €8,000 - €12,000

      * JEREMIAS VAN WINGHE (1578-c.1645) (to be attributed to) Kitchen scene. Canvas. Provenance: Amsterdam, Christie's, sale 2546, 14.05.2002., cat nr. 114 123 x 153 * JEREMIAS VAN WINGHE (1578-c.1645) (toe te schrijven aan) Keukentafereel. Doek. Herkomst: Amsterdam, Christie's, veiling 2546, 14.05.2002, lot 114 123 x 153

      Bernaerts Auctioneers
    • Frankfurt School - Succession of Jeremias van Winghe (Brussels 1578 - 1645 Frankfurt)
      Apr. 09, 2016

      Frankfurt School - Succession of Jeremias van Winghe (Brussels 1578 - 1645 Frankfurt)

      Est: -

      About 1650 - 1715, kitchen, oil on canvas, 95 cm x 106 cm, unsigned, restored, restoration documentation existing Frankfurter Schule - Nachfolge Jeremias van Winghe (Brüssel 1578 - 1645 Frankfurt) Um 1650 - 1715, Küchenstück, Öl auf Leinwand, 95 cm x 106 cm, unsigniert, restauriert, Dokumentation der Restaurierung liegt vor

      Wettmann
    • JEREMIAS VAN WINGHE, ALLEGORY OF THE PRINCLY EDUCATION, oil on canvas, 157.5 x 112.5 cm
      Nov. 17, 2012

      JEREMIAS VAN WINGHE, ALLEGORY OF THE PRINCLY EDUCATION, oil on canvas, 157.5 x 112.5 cm

      Est: €60,000 - €80,000

      Verso on the canvas inscribed: "des Villes et Chateaux de Namur les 19 et 30 Septembre 1746" This painting was part of the war booty taken from the Chateau de Namur by French soldiers under the command of Marshal de Saxe during the battle of Rocourt on September 30, 1746. A fragment of paper on the reverse of the canvas suggests it was also recently in a private Belgian collection. At first the subject seems mysterious, painted in the colours of later Northern mannerism, depicting a noble young man applying himself to various bodily and mental activities under the supervision of his teachers in an Italianate fantasy interior. A globe, several geometric implements and the scales refer to his humanistic education, while the exercise related to riding reflects his courtly duties. The young man's identity remains vague, his relationship to the house of Medici-Habsburg is evident through the double coat of arms clearly visible in the painting's centre, under the two columns next to the guards. It is known that the Medici and Habsburgs became related at the end of the 16th century. Lisa Goldenberg Stoppato argues that the present composition is a depiction of Prince Ferdinando II (1610-1670), son of Cosimo II de Medici and Maria Magdalena of Habsburg. The painting would therefore be an allegory of the education of the future Medici prince. She attributes the work to the Flemish painter Jeremias van Winghe. A drawing in the Albertina and the related painting in the Kurpfalz Museum Heidelberg, both allegories of the reign of Emperor Rudolf II, support this theory. Stylistically, the present painting is closely related to the Heidelberg composition: similar magical colours of pink, azure and shades of green evolve into figural forms. The composition is cut along the diagonal by the dominating stairway. The present painting, of clearly larger dimensions, features more open space and offers the viewer a sight into a fantastic interior. Although Winghe's presence at the Medici court is not documented, judging by the Florentine style of architecture, the painting would have been undertaken in relation to a trip to Italy according to Joachim von Sandrart and other authors. Father and son certainly had close relations to the court of Rudolf II of Habsburg and a commission would be entirely believable. His sojourn in Italy could have taken place between 1604 and 1616. The allegory could have been commissioned in honour of the prince born in 1610, or as a painting of ideal imagination; the theoretical education of the future prince.

      Kunsthaus Lempertz KG
    • Attributed to Jeremias van Winghe (Brussels 1578-1645 Frankfurt am Main)
      Oct. 13, 2009

      Attributed to Jeremias van Winghe (Brussels 1578-1645 Frankfurt am Main)

      Est: -

      Attributed to Jeremias van Winghe (Brussels 1578-1645 Frankfurt am Main) A kitchen interior with a maid and a child peeling apples oil on canvas 126.4 x 154.8 cm.

      Christie's
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