Alonso (1565) Vázquez Sold at Auction Prices

Painter, b. 1565 - d. 1608

See Artist Details

0 Lots

Sort By:

Categories

      Auction Date

      Seller

      Seller Location

      Price Range

      to
      • ATTRIBUTED TO ALONSO VÁZQUEZ (RONDA, MALAGA, 1564 - MEXICO, 1608)
        Dec. 01, 2022

        ATTRIBUTED TO ALONSO VÁZQUEZ (RONDA, MALAGA, 1564 - MEXICO, 1608)

        Est: €18,000 - €25,000

        Attributed to Alonso Vázquez (Ronda, Malaga, 1564 - Mexico, 1608) "Preparation for a Banquet in the Garden" Oil on canvas. 104 x 154 cm. Reproduced in the catalogue of the exhibition "Realidad, tiempo y artificio. Nauraleza muerta y vánitas en la cultura barroca" (Reality, time and artifice. Still life and vanitas in baroque culture) held at the Casa del Cordón. Burgos Box. 2022. pp. 50-51. Colonial School.

        La Suite Subastas
      • ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist." Oil on copper.
        Jul. 14, 2021

        ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist." Oil on copper.

        Est: €2,400 - €2,800

        ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist. Oil on copper. Size: 15 x 13 cm; 24 x 21 cm (frame). Saint John the Baptist has been represented next to a symbolic representation of the Agnus Dei. Saint John points with a finger to the lamb, whose small body rests on the Gospels. The bearded face of the saint expresses a premonitory pain, aware of the redemptive act synthesized in the animal body that he observes with a look tarnished by tenderness. It is a personal interpretation of a recurring iconography of the time. It was common to represent the Baptist in a landscape setting, carrying the cruciferous labarum with phylactery and accompanied by a lamb as a symbol of Christ. But in this painting, of a devotional nature, the saint is outlined against a neutral background from which radiates a halo of silver lights. Stylistically, the mannerist language of Alonso Vázquez can be appreciated, as well as the trail of his vigorous canons and his emphasis on gestures. Alonso Vázquez was a Spanish painter of the late Renaissance. He was active in Seville from at least 1590, moving to Mexico in 1603 accompanying the III Marquis of Montesclaros, where he practiced until his death in 1608. His style can be framed within the mannerist current. Among his main surviving works is the Sacred Supper, from 1588, from the refectory of the Cartuja de Santa María de las Cuevas, which is currently in the Museum of Fine Arts in Seville, a work previously attributed to the Cordovan painter Pablo de Céspedes and which is apparently inspired by a Flemish engraving. The composition is based on different engravings, coexisting the naturalistic elements of the tableware and food. The latter with mannerist features such as artificial colors, the marked anatomies of the characters or their emphatic gesticulations. Also his are the canvases of the four evangelists and the four fathers of the church that is in the main altarpiece of the church of the Hospital de las Cinco Llagas, today Parliament of Andalusia, as well as the Virgen del Pozo Santo of the Cathedral of Seville and the Virgen de la Antigua of the Church of San Francisco de Lebrija. So far there is no documentary evidence of the works made in Mexico.

        Setdart Auction House
      • Attributed to Alonso Vázquez (Ronda, Malaga, 1564 - Mexico, 1608) 
        Jun. 08, 2021

        Attributed to Alonso Vázquez (Ronda, Malaga, 1564 - Mexico, 1608) 

        Est: €3,000 - €3,200

        Attributed to Alonso Vázquez (Ronda, Malaga, 1564 - Mexico, 1608)  "Our Lady of Popolo"
 Oil on copper. 8 x 6 cm.  Alonso Vázquez moved to Mexico with the III Marquess of Montesclaros.  He was a very important painter of the Mexican School.  

        La Suite Subastas
      • ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist. Oil on copper.
        Jun. 01, 2021

        ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist. Oil on copper.

        Est: €5,000 - €6,000

        ALONSO VÁZQUEZ (Ronda, 1564-Mexico, 1608), attributed. "Saint John the Baptist. Oil on copper. Size: 15 x 13 cm; 24 x 21 cm (frame). Saint John the Baptist has been represented next to a symbolic representation of the Agnus Dei. Saint John points with a finger to the lamb, whose small body rests on the Gospels. The bearded face of the saint expresses a premonitory pain, aware of the redemptive act synthesized in the animal body that he observes with a look tarnished by tenderness. It is a personal interpretation of a recurring iconography of the time. It was common to represent the Baptist in a landscape setting, carrying the cruciferous labarum with phylactery and accompanied by a lamb as a symbol of Christ. But in this painting, of a devotional nature, the saint is outlined against a neutral background from which radiates a halo of silver lights. Stylistically, the mannerist language of Alonso Vázquez can be appreciated, as well as the trail of his vigorous canons and his emphasis on gestures. Alonso Vázquez was a Spanish painter of the late Renaissance. He was active in Seville from at least 1590, moving to Mexico in 1603 accompanying the III Marquis of Montesclaros, where he practiced until his death in 1608. His style can be framed within the mannerist current. Among his main surviving works is the Sacred Supper, from 1588, from the refectory of the Cartuja de Santa María de las Cuevas, which is currently in the Museum of Fine Arts in Seville, a work previously attributed to the Cordovan painter Pablo de Céspedes and which is apparently inspired by a Flemish engraving. The composition is based on different engravings, coexisting the naturalistic elements of the tableware and food. The latter with mannerist features such as artificial colors, the marked anatomies of the characters or their emphatic gesticulations. Also his are the canvases of the four evangelists and the four fathers of the church that is in the main altarpiece of the church of the Hospital de las Cinco Llagas, today Parliament of Andalusia, as well as the Virgen del Pozo Santo of the Cathedral of Seville and the Virgen de la Antigua of the Church of San Francisco de Lebrija. So far there is no documentary evidence of the works made in Mexico.

        Setdart Auction House
      Lots Per Page:

      Popular Artists

      Devices

      Get Invaluable on Your Phone

      Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

      Bid On-the-Go!

      Download the Invaluable app and never miss an auction from your iOS or Android device.

      App Store badgeGoogle Play badge
      Invaluable Logo

      As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

      You can unsubscribe at any time. View ourPrivacy Policy.

      © 1986-2024 Invaluable, LLC. and participating auction houses. All Rights Reserved.

      TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map