Paolo (1528) Caliari Paintings & Artwork for Sale | Paolo (1528) Caliari Art Value Price Guide

Nov. 12, 2024
ORIGINAL PAOLO VERONESE (1528-1588) NATIONAL GALLERY OF ART EXHIBITION POSTER, 28.5IN x 38.5IN (72cm x 98cm)
Est: $1,200 - $1,500
Paolo Veronese (1528-1588) color lithograph for an exhibition at the National Gallery of Art in Washington, DC in 1988. The underlying piece used for the poster is titled Judith with the Head of Holophernes, after the original which was painted in 1575 and is now on display in the Kunhistorisches Museum in Vienna. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 28.5 inches x 38.5 inches. It is matted and framed under acrylic in a golden frame. It was produced in 1988, under the auspices of the Board of Trustees of the National Gallery of Art. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.
The Rug Life Auctions
Sep. 26, 2024
Paolo Caliari, genannt „Il Veronese“, 1528 – 1588, nach
Est: €8,000 - €12,000
MARTYRIUM DES HEILIGEN SEBASTIAN Öl auf Leinwand. 130 x 169 cm . In ornamental verziertem Rahmen. Unter einer manieristischen Bogenarchitektur mit korinthischen Kapitellen unter den Bogen eingepasst die liegende Figur eines unbekleideten Sebastian mit um ihn herum versammelten in unterschiedlicher Weise agierenden Personen. Die Komposition basiert auf Veroneses meisterhaftem Werk in der Chiesa di San Sebastiano in Venedig von 1565, die ebenfalls das Martyrium des Heiligen Sebastian zeigt. (1410861) (13)
Hampel Fine Art Auctions
Sep. 24, 2024
PAOLO VERONESE (copia del XX secolo)
Est: €200 - €500
(Verona, 1528 - Venezia, 1588) La visione di Sant'Elena Olio su tela, cm 77X51 Il dipinto è desunto dalla tela conservata alla National Gallery di Londra e raffigura la visione della Vera Croce di Sant'Elena, rappresentata da due angeli con la croce che le appare mentre dorme. Si dice che Sant'Elena, madre dell'imperatore Costantino, abbia ricevuto da Dio l'indicazione del luogo in cui era stata sepolta la croce sulla quale Cristo fu crocifisso.
Wannenes Art Auctions
Jul. 27, 2024
A. SIMON (*1815) after PAOLO VERONESE (*1528), Christ on the way to Golgotha, Steel engraving
Est: €75 - €125
A. Simon (1815 Berlin - 1900 Großlichterfelde) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): Christ on the way to Golgotha, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: Scenario rich in figures. The Messiah collapsed under the weight of the cross, dragged forward by a henchman, while one of his own helpfully lifts the cross. Signed below the depiction "P. Veronese pinxt. / A. Simon sculp.", titled in two languages below; inscribed by hand on the verso "A. Simon c. 1820 L Seeri Berlin -450-. Keywords: 19th century, Figurative, Biblical, Austria, Size: Paper: 16,8 cm x 25,7 cm (6,6 x 10,1 in), Depiction: 11,5 cm x 20,5 cm (4,5 x 8,1 in)
Fichter Kunsthandel
Jul. 23, 2024
OIL PAINTING BY PAOLO CALIARI known as IL VERONESE, follower of
Est: -
PAOLO CALIARI detto IL VERONESE, seguace di (Venezia 1528 - 1588) Ritratto di armigero Olio su tela, cm. 61 x 45 Il dipinto è un dettaglio ripreso dal grande telero raffigurante i Santi Marco e Marcellino condotti al martirio di Paolo Caliari, custodito nella Chiesa di San Sebastiano a Venezia Condition report Rintelo recente. Punti di restauro sul mento e a destra del volto. Alcuni restauri a sinistra nel fondo ed in basso Cornice Cornice in legno dorato a sezione piatta, scolpita a volute e foglie, del XVII secolo
Casa d'Aste Babuino
Jul. 03, 2024
Costume study for a portrait of a member of the Soranzo family
Est: £35,000 - £45,000
Paolo Caliari, called Paolo Veronese (Verona 1528 - 1588 Venice) Costume study for a portrait of a member of the Soranzo family Black chalk heightened with white chalk, on blue paper, with letters P in black chalk to indicate the position of the fur; bears old attribution in pen and ink: di Paulo Veronese and another attribution in pen and ink at the bottom of the sheet (partly cut) 303 by 208 mm
Sotheby's
Jun. 28, 2024
After Paolo Veronese (Italian, 1528-1588).
Est: £60 - £80
After Paolo Veronese (Italian, 1528-1588). Conquest of Smyrna: Pietro Mocenigo prepares the assault to take Smyrna from the Turks in 1472, sepia wash on toned laid paper, unsigned, framed, round inverted corners matching the original ceiling painting, 33.6 x 53.3cm. *After a section of the oil painting by Veronese on the ceiling of the Sala del Maggior Consiglio in the Palazzo Ducale, Venice which is comprised of thirty-five canvas panels. An engraving in the British Museum, circa 1720, shows that prints have long been available of this composition for copying purposes.
Martel Maides
Jun. 27, 2024
Paolo Veronese, eigentlich "Paolo Caliari", 1528 Verona – 1588 Venedig, zug.
Est: €7,000 - €9,000
NIKOLAUS WIRD VOM KLERUS VON MYRA EMPFANGEN Öl auf Leinwand. Doubliert. 59 x 96 cm. Ungerahmt. Beigegeben ein Gutachten von Prof. Dr. Giuseppe Maria Pilo, Udine, in Kopie. In seinem ausführlichen Gutachten kommt Pilo zu dem Schluss, dass es sich bei dem vorliegenden Gemälde um ein Werk des Paolo Veronese handelt. Horizontal sich ausbreitende vierpassige Kartusche. Darin Darstellung rechts eines architektonischen Portikus mit gedrehten barocken Säulen, links ein auf Stangen getragener Baldachin mit Goldtressen und Brokatmuster. Dazwischen der Heilige Nikolaus mit Kirchenmännern. In seiner Komposition lehnt das vorliegende Gemälde an ein Tondo an, welches das gleiche Thema darstellt und in der Galleria della Accademia in Venedig verwahrt wird (Durchmesser 198 cm, Inv.Nr. 661). Veronese gilt als einer der bedeutendsten Meister der Spätrenaissance und der venezianischen Malerei. Er wurde 1553 nach Venedig berufen, um zusammen mit anderen Künstlern drei Säle im Dogenpalast zu dekorieren; von 1556 bis 1557 schuf er mit anderen drei Deckengemälde der Biblioteca Marciana, für die er einen Preis aus den Händen Tizians erhalten haben soll. Er malte neben Portraits mythologische Bilder oft mit erotischem Einschlag, insbesondere mehrere Darstellungen von Venus und Mars. 1588 starb er an einer Lungenentzündung. Anmerkung: Ein Gemälde in der gleichen Passform wird in der Galleria della Accademia in Venedig unter der Inv.Nr. 975 verwahrt. Es war zuvor in der Chiesa di S. Nicolò della Lattuga in Venedig und zeigt den Heiligen Franziskus die Stigmata erhaltend. Literatur: Vgl. Remigio Marini, L‘opera completa del Veronese, Mailand 1968, S. 127. (1400732) (13)
Hampel Fine Art Auctions
May. 29, 2024
RICARD CLAUSELLS (Reus, 1864 - Sant Feliu de Llobregat, 1939). After PAOLO VERONESE (1528-1588). "The dispute of the doctors in the temple", 1900. Oil on canvas. Signed and dated in the lower left corner.
Est: €3,000 - €4,000
RICARD CLAUSELLS (Reus, 1864 - Sant Feliu de Llobregat, 1939). After PAOLO VERONESE (1528-1588). "The dispute of the doctors in the temple", 1900. Oil on canvas. Signed and dated in the lower left corner. Measurements: 135 x 230 cm; 170 x 267 cm (frame). Ricard Clausells reproduces with singular technical and compositional skill the homonymous painting of Veronese preserved in the Prado Museum. The classical monumentality of the figures, their perfect integration in the architectural frame, the right chromatic ranges that enhance the volumes and the gestural dramaturgy, are characteristics that Clausells learned from Veronese and succeeds in transmitting. In the scene, the anecdote of the last passage of Christ's childhood (Luke 2, 41-50), when at the age of twelve he was taken by his parents to Jerusalem to celebrate the Passover. Mary and Joseph lost the child, who was later found in the Temple arguing with the doctors. Christ's theological superiority is emphasized by his placement high on the axis of the composition. With his hands he makes a gesture, the so-called digital computation, of enumeration of the arguments put forward before the eyes of the doctors. From the auditorium stands out a bearded old man, who is probably the client. He wears the habit of a knight of the Holy Sepulchre and holds a pilgrim's staff, which suggests that he may have commissioned the painting to commemorate a pilgrimage to the Holy Land. Ricard Clausells began his training in 1878 studying at the School of Fine Arts in Barcelona and later at the Llotja School. In 1893 he gave painting classes at his home, and in 1897, he edited the second issue of Reus Tranquilo, as he had friends in that city. Between 1900 and 1913 he collaborated in the Semanario Católico de Reus, especially with poems that he sent from Vilafranca, both in Catalan and Spanish. His pictorial work is linked to Vilafranca del Penedès, as he lived there for many years. The City Council commissioned him to create paintings of the illustrious sons of the city, and in 1901 the Gallery of illustrious Vilafranquins was inaugurated. In 1910 he went to live permanently in Sant Feliu with his mother. In this town he painted several religious paintings for churches in Sant Feliu and Vilafranca. From 1915 he decorated the ceiling of the Hall of Sessions of the Town Hall of Vilafranca. When his mother died in 1917, he gave drawing and painting classes at the Asilo Duran, a reform school in Sant Feliu. In 1923 he married Josefina Sanromà from Reus in Barcelona. He did not stop making exhibitions, both in Vilafranca and Sant Feliu and also in Barcelona.
Setdart Auction House
May. 29, 2024
Venetian School, modelled on PAOLO VERONESE (Verona, 1528 - Venice, 1588). ‘Martyrdom of Saint Justina’. Oil on canvas. Re-coloured. It presents faults in the pictorial surface.
Est: €15,000 - €16,000
Venetian School, modelled on PAOLO VERONESE (Verona, 1528 - Venice, 1588). ‘Martyrdom of Saint Justina’. Oil on canvas. Re-coloured. It presents faults in the pictorial surface. Measurements: 97 x 75,5 cm; 117 x 87 cm (frame). This painting follows the model of the work painted by Veronese, which is in the main altar of the basilica Santa Giustina in Padua. Veronese portrayed Saint Justina of Padua on several occasions. It is in this work, however, that he displays the greatest sumptuousness and scenographic complexity. Perhaps its privileged location led Veronese to intricate the depiction of the martyrdom of the saint, who is almost hidden among the number of characters that populate the scene, with various earthly and heavenly entourages swirling around the protagonist. Numerous engravings were made of this work, which spread the mastery of the composition. An example of this is the engraving belonging to the Valparaíso collection by Agostino Carracci. In this painting the artist follows the original model, although he allows himself certain licences that add originality to the painting. Venetian Baroque painting was a transforming force for much of the rest of the European schools, and masters such as Rubens, Velázquez and Van Dyck succumbed to the works produced by this school during the 16th and 17th centuries. The vibrant colouring, the fluidity and strength of the brushstroke and a passionate movement full of gestures and theatricality made it a landmark often imitated. The great painters such as Titian, Tintoretto, Bassano and, more closely related to us, Veronese, championed this vision. Veronese, like his contemporaries, maintained elaborate compositions in which the scenes seem to move on their own. The loose, almost pure brushstrokes give the sensation of immediacy and lead us to an energetic vision in which the colour unfolds, shining with flashes of red in contrast with a blue that is lost to black and suddenly shines through to lead white. All this colourfulness and fluency are expressed in Veronese's luxuriousness. A precious treatment of fabrics, jewels and textures emanates from each of the elements in the painting. In the case of our painting this is clearly evident.
Setdart Auction House
May. 07, 2024
OIL PAINTING BY PAOLO CALIARI known as IL VERONESE, follower of
Est: €800 - €1,200
PAOLO CALIARI detto IL VERONESE, seguace di (Venezia 1528 - 1588) RITRATTO DI ARMIGERO Olio su tela, cm. 61 x 45 PROVENIENZA Famiglia romana Il dipinto è un dettaglio ripreso dal grande telero raffigurante i Santi Marco e Marcellino condotti al martirio di Paolo Caliari, custodito nella Chiesa di San Sebastiano a Venezia CONDITION REPORT Rintelo recente. Punti di restauro sul mento e a destra del volto. Alcuni restauri a sinistra nel fondo ed in basso CORNICE Cornice in legno dorato a sezione piatta, scolpita a volute e foglie, del XVII secolo
Casa d'Aste Babuino
May. 04, 2024
Veronese, Paolo
Est: €60 - €90
(1528 Verona - Venedig 1588) nach. Paulus Caliary... Radierung v. van Campen. Blgr. ca. 29 x 14,5 cm. Mit Namenszügen id.Pl. Unter Passep. R
Kiefer Buch- und Kunstauktionen
Apr. 17, 2024
PAOLO CALIARI, CALLED VERONESE (VERONA 1528-1588 VENICE) The Adoration of
Est: $80,000 - $120,000
PAOLO CALIARI, CALLED VERONESE (VERONA 1528-1588 VENICE) The Adoration of the Shepherds oil on panel, marouflaged 18 ¾ x 11 7⁄8 in. (47.6 x 30.2 cm.)
Christie's
Mar. 10, 2024
*PAOLO VERONESE [ITALIAN] A 16THC PEN & INK DRAWING, SIGHT IN FRAME 20X28CMS.
Est: -
a noteworthy piece, a battle scene, or preparing for battle. Watermarked are the same and it is noted that this paper was slated for export to France. It was manufactured in Fabriano but, sold in France. Many Northern Italian and French artists used this paper around this time. It was very popular because it was fairly gleaming white and very smooth, along with being very thin and light. The sheet is in excellent condition and measure 21 x 31 cm. The cross mark at LR on the sheets is actually a collectors mark. It is described in Lugt and carries his number of (L. 2903b). Lugt fails to identify the collectors name, but it shows up in several notable collections of the 17 and 18 centuries. Most common in Gigoux and Desperet collections. Sold as part of an album in Desperet’s sale of 1865, lot #569. They werent broken up until the private sale in 1965.
WA Art Auctions
Mar. 07, 2024
After Paolo Veronese (Italian, 1528-1588).
Est: £100 - £150
After Paolo Veronese (Italian, 1528-1588). Conquest of Smyrna: Pietro Mocenigo prepares the assault to take Smyrna from the Turks in 1472, sepia wash on toned laid paper, unsigned, framed, 13¼ x 21in. (round inverted corners matching the original ceiling painting). *After a section of the oil painting by Veronese on the ceiling of the Sala del Maggior Consiglio in the Palazzo Ducale, Venice which is comprised of thirty-five canvas panels. An engraving in the British Museum, circa 1720, shows that prints have long been available of this composition for copying purposes.
Martel Maides
Feb. 14, 2024
Attributed to Paolo Veronese, Possibly a portrait of Isabella Andreini (1562 - 1604)
Est: £50,000 - £80,000
Attributed to Paolo Veronese Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvasÂ Provenance:Â By descent to the 7th Earl of Warwick, Warwick Castle; Christieâ€™s, 21 June 1968, Lot 72, as Veronese (750 guineas); Hackwood Park, Christieâ€™s sale, 22 April 1998Â Exhibition History:Â 'Fair Women', London, Grafton Gallery, 1894, No. 28, as VeroneseÂ Literature:Â W. Field, â€˜An Historic and Descriptive Account of the Town and Castle of Warwickâ€™, Warwick, 1815, page 194, as Titian (the painting hung in the State Bedroom, over the chimneypiece); Henry T. Cooke, â€˜An Historic and Descriptive Guide To Warwick Castleâ€™, Warwick, 1847, page 46, as by Veronese (hung in the red drawing room, opposite the window to the left); Gustav F. Waagen, â€˜Treasures of Art in Great Britainâ€™, London, 1854, page 215, No. 3, as by Titian (â€˜the conception and colouring rather indicate a fine work by Veroneseâ€™)Â Dimensions: (Canvas) 75 in. (H) x 45 in. (W) (Frame) 85.25 in. (H) x 56 in. (W)
Sloane Street Auctions
Feb. 11, 2024
AFTER Paolo Caliari (Italy,1528-1588) oil painting antique
Est: $1,300 - $1,600
ARTIST: - (Europe,19 century) AFTER Paolo (Veronese) Caliari (Italian, 1528 - 1588) TITLE: The Supper at Emmaus MEDIUM: oil on canvas CONDITION: Few small patches. Small paint losses. Few scratches. Minor craquelure. Some scattered inpaintings mostly along edges. Minor damages to frame. ART SIZE: 29 x 44 inches / 73 x 111 cm FRAME SIZE: 33 x 49 inches / 83 x 124 cm SIGNATURE: unsigned NAME VARIANTS: Paolo (Veronese) Cagliari CATEGORY: old antique vintage painting for auction sale online AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 126701 US Shipping $249 + insurance. BIOGRAPHY: An eminent painter of the Venetian school; born at Verona, 1528; died at Venice, 19 April, 1588, Paolo Caliari was the son of a sculptor, Gabriele Caliari, and was at first educated in his father's craft, but his taste was towards painting; and he entered the studio of Antonio Badile, a Veronese painter of some repute. His first works were executed at Verona, and at Mantua, and at Castelfranco. In the last-named place he decorated the Villa Soranzo with large frescoes.His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leading Venetian painter of ceilings. Most of these works remain in situ, or at least in Venice, and his representation in most museums is mainly composed of smaller works such as portraits that do not always show him at his best or most typical.He has always been appreciated for "the chromatic brilliance of his palette, the splendor and sensibility of his brushwork, the aristocratic elegance of his figures, and the magnificence of his spectacle", but his work has been felt "not to permit expression of the profound, the human, or the sublime", and of the "great trio" he has often been the least appreciated by modern criticism. Nonetheless, "many of the greatest artists ... may be counted among his admirers, including Rubens, Watteau, Tiepolo, Delacroix, and Renoir".
Broward Auction Gallery LLC
Feb. 01, 2024
Creation of Eve
Est: $100,000 - $150,000
Sold by the Art Institute of Chicago Paolo Caliari, called Paolo Veronese Verona 1528 - 1588 Venice Creation of Eve oil on canvas canvas: 32 by 40 ⅞ in.; 81.2 by 103.8 cm. framed: 39 ⅝ by 48 ¼ in.; 100.6 by 122.5 cm.
Sotheby's
Jan. 27, 2024
ADORATION PRINT AFTER PAOLO VERONESE (1528-1588).
Est: $200 - $400
ADORATION PRINT AFTER PAOLO VERONESE (1528-1588). Italy, 16th Century. Etching on laid paper, signed on the plate. Adoration of the Shepherds with text below and "Giacomo Barri D.D.". Trimmed, toning, minor edge loss, taped along top margin. 17.25"h. 14.25"w. Backing board, 22"h. 19"w.
Amelia Jeffers
Dec. 30, 2023
A. MAURIN (*1793) after PAOLO VERONESE (*1528), Jeune Fille, Girl, around 1880, Lithography
Est: €60 - €100
Antoine Maurin (1793 Perpignan - 1860 Paris) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): Young Girl after Paul Veronese Junges Mädchen nach Paolo Veronese, Lithography by Langlumé rue d L'Abbaye No 4, c. 1880, Lithography Technique: Lithography on Paper Date: c. 1880 Description: Charles Maurin (1856-1914), Paolo Veronese (1528-1588), Vorlage, Jeune Fille, after Paul Veronese. Junges Mädchen nach Paolo Veronese, Lithographie de Langlumé rue d L'Abbaye No 4, Signiert und bezeichnet, 1880/1890, Lithographie. Keywords: Girl, Boy, Woman, Tree, Pearl necklace, 19th century, Romanticism, People, Italy,
Fichter Kunsthandel
Dec. 12, 2023
School of Paolo Veronese (1528-1588), design for a wall, ink on paper, 15,6
Est: €500 - €1,000
School of Paolo Veronese (1528-1588), design for a wall, ink on paper, 15,6 x 29,2 cm-note: see Peter Fuhring's survey work-
Veilinghuis Van Spengen
Nov. 30, 2023
Paolo Caliari 1528 Verona-1588 Venezia, bottega di Sacra Famiglia con San Giovannino e Santa Caterina
Est: €7,000 - €8,000
L'opera autografa realizzata dall'artista è attualmente conservata presso la Galleria degli Uffizi a Firenze
Cambi Casa d'Aste
Nov. 29, 2023
Workshop or Disciple of the Veronese, Paolo (Verona, 1528-Venice, 1588), Italian school of Cremona or Venice from the 16th to the 17th century
Est: €6,000 - €6,500
Large oil painting on copper in oval measuring 43 x 31 cm
Templum Fine Art Auctions
Nov. 11, 2023
A. SIMON (*1815) after PAOLO VERONESE (*1528), Christ on the way to Golgotha, Steel engraving
Est: €75 - €125
A. Simon (1815 Berlin - 1900 Großlichterfelde) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): Christ on the way to Golgotha, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: Scenario rich in figures. The Messiah collapsed under the weight of the cross, dragged forward by a henchman, while one of his own helpfully lifts the cross. Signed below the depiction "P. Veronese pinxt. / A. Simon sculp.", titled in two languages below; inscribed by hand on the verso "A. Simon c. 1820 L Seeri Berlin -450-. Keywords: 19th century, Figurative, Biblical, Austria,
Fichter Kunsthandel
Nov. 08, 2023
Paolo Veronese (Italian, 1528-1588)
Est: $300 - $500
Paolo Veronese (Italian, 1528-1588), "Minerva". Ink and wash drawing. Ex-collection of D. of Devonshire Size: 9'' x 9'', 23 x 23 cm (image); 22'' x 18'', 56 x 46 cm (board).
Material Culture
Jul. 15, 2023
A. SIMON (*1815) after PAOLO VERONESE (*1528), Christ on the way to Golgotha, Steel engraving
Est: €75 - €125
A. Simon (1815 Berlin - 1900 Großlichterfelde) after Paolo Veronese: Paolo Caliari (1528 Verona - 1588 Venice): Christ on the way to Golgotha, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: Scenario rich in figures. The Messiah collapsed under the weight of the cross, dragged forward by a henchman, while one of his own helpfully lifts the cross. Signed below the depiction "P. Veronese pinxt. / A. Simon sculp.", titled in two languages below; inscribed by hand on the verso "A. Simon c. 1820 L Seeri Berlin -450-. Keywords: 19th century, Figurative, Biblical, Austria,
Fichter Kunsthandel
Jul. 06, 2023
PAOLO CALIARI, CALLED PAOLO VERONESE (VERONA 1528-1588 VENICE) Cupid holdin
Est: £200,000 - £300,000
PAOLO CALIARI, CALLED PAOLO VERONESE (VERONA 1528-1588 VENICE) Cupid holding the reins of Mars' charger - a fragment oil on canvas, unframed 31 x 20 7/8 in. (78.7 x 53.2 cm.)
Christie's
Jun. 29, 2023
Paolo Veronese, Nachfolge The Adoration of the Magi
Est: €1,200 - €1,500
Paolo Veronese, Nachfolge 1528 Venedig - 1588 ebenda The Adoration of the Magi Oil auf canvas. 53 x 75.5 cm. Restored. Minor damage. Damage to frame (65 x 87.5 cm). In seitenverkehrter Anlehnung an das Gemälde in der National Gallery, London, Inv.-Nr. NG268.
Neumeister
Jun. 29, 2023
withdrawn
Est: -
withdrawn
Hampel Fine Art Auctions
Jun. 22, 2023
PAOLO CALIARI, DIT LE VÉRONÈSE (1528-1588) Saint Georges terrassant le dragon
Est: €40,000 - €60,000
PAOLO CALIARI, DIT LE VÉRONÈSE (1528-1588) Saint Georges terrassant le dragon plume et encre brune, collé en plein, sur un montage anglais du XVIIIe siècle pen and brown ink, laid down on an English 18th century mount 8.7 x 5.2 cm (3 7/16 x 2 1/16 in)
Bonhams
Jun. 03, 2023
Italienische Schule um 1800
Est: CHF400 - CHF500
Der Heilige Sebastian vor Kaiser Diokletian Zeichnung nach einem verschollenen Gemälde von Paolo Veronese (1528 Verona - 1588 Venedig). Besteht aus zwei Blättern mit einzelnen Einrissen und einer Fehlstelle unten mittig. Gerahmt unter Passepartout Ausrufdatum: 03.06.2023 Ungefähre Ausrufzeit: 19:33
Auktionshaus Zofingen
May. 23, 2023
MARIE-JOSEPH FRÉDÉRIC VILLOT - The Page
Est: -
MARIE-JOSEPH FRÉDÉRIC VILLOT sculpt France 1809 - 1875 PAOLO VERONESE pinxit Verona 1528 - Venice 1588 The page Etching Signed Measures 155 x 125 mm plate
Subastas Segre
May. 23, 2023
PAOLO CALIARI DETTO IL VERONESE (VERONA 1528 - VENEZIA 1588) BOTTEGA DI
Est: €3,400 - €4,500
Paolo Caliari detto Il Veronese (Verona 1528 - Venezia 1588) bottega di Allegoria della forza e della prudenza Olio su tela 127 x 91 cm La tela in esame, di assoluta qualità e forte fascino, per la sua fedeltà stilistica è da ricondurre alla bottega del maestro, o meglio dei seguaci che portarono avanti il suo atelier dopo la sua morte e che talvolta si sono firmati: Heredes Pauli Caliari Veronensis. Guidati dallo zio Benedetto, furono i due figli maggiori del Veronese, Gabriele e Carlo Caliari, a mantenere in vita la bottega familiare almeno fino alla metà del XVII secolo, firmando talvolta collettivamente le loro opere. Paolo Caliari called il Veronese (Verona 1528 - Venice 1588) workshop of Allegory of strength and prudence Oil on canvas 127 x 91 cm The canvas, due to its stylistic fidelity can be traced back to the master's workshop, or rather to the followers who carried on his atelier after his death and who sometimes signed themselves: Heredes Pauli Caliari Veronensis. Guided by their uncle Benedetto, the Veronese's two eldest sons, Gabriele and Carlo Caliari, kept the family workshop alive at least until the middle 17th century, sometimes signing their artworks collectively.
Lucas Aste
Apr. 12, 2023
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588) Copy from. The martyrdom of Saint Giustina
Est: €2,000 - €4,000
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588). Copy from. The martyrdom of Saint Giustina. At the back stamp in sealing wax from the Carlo Fracanzani collection, inventory no. 500. . Cm 109,00 x 93,50.
Capitolium Art
Apr. 08, 2023
PAOLO CALIARI, DIT VERONESE (1528-1588), D'APRES. Adoration des
Est: €600 - €800
PAOLO CALIARI, DIT VERONESE (1528-1588), D'APRES. Adoration des mages. Papier. H. 12 cm x L. 31 cm Reprise de la composition de Veronèse conservée à l'église San Sebastino à Venise.
Osenat
Mar. 23, 2023
AGOSTINO CARRACCI (Italian, 1557-1602). The mystic marriage of St Catherine, with angels playing musical instruments. 1582, Engraving a
Est: $800 - $1,200
AGOSTINO CARRACCI (Italian, 1557-1602). The mystic marriage of St Catherine, with angels playing musical instruments. 1582, Engraving after a painting by Paolo Veronese (Italian 1528-1588). Inscriptions: Inscription 'Paulli Veronensis opus in ecclesia D. Caterina Venetiis' and 'Agu: Car: fe. 1582'. Unframed. Note: The artwork is not glued down to a hard surface; it is mounted with hinges to a removable back board. - Plate / Sheet: 20 x 13.75 in Viewing by appointment only.
Sloans & Kenyon
Feb. 14, 2023
VERONESE Paolo (1528 - 1588). D'après. Tableaux
Est: €400 - €600
Tableaux VERONESE Paolo (1528 - 1588). D'après. Huile sur toile marouflée sur toile "L'enlèvement d'Europe". D'après le modèle de Paolo Véronèse. Epoque : fin XVIIIème (?). Dim.:+/-38x50cm.
Vanderkindere
Feb. 03, 2023
Venetian School Old Master Drawing
Est: $1,000 - $1,500
(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern frame, 16 x 19 in. Provenance: Presumed Collection of Johann Friedrich Frauenholz (1758-1822) (inscription verso); Property from a Southern Institution co/art/om
Brunk Auctions
Dec. 13, 2022
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588) Circle of. Study for S. Gerolamo
Est: €800 - €1,200
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588). Circle of. Study for S. Gerolamo. Provenance: Private collection, Parma. Literature: D. Hadeln, ""Venezianische Seichnungen der Spatrenaissance"", Berlin 1926; P. Consigli Valente (cured by), ""Disegni Antichi (Collana Le collezioni private parmensi)"", 1988, n. 258.. Cm 14,00 x 19,50.
Capitolium Art
Dec. 08, 2022
MUSICIANS ON A BALCONY.
Est: €300 - €400
Drawing, red chalk, 18,3 x 24,8 cm (visible), laid paper, unsigned (sl. soiled, sm. part missing at top left). - Interesting sketch of a group of musicians on a balcony at left with two additional figures at right. The artist was influenced by Paolo Veronese (1528-1588), who included balconies and large groups of figures (such as musicians) in his paintings on several occasions. See for example "The wedding at Cana" in Paris (Louvre, inv. 142).
Arenberg Auctions
Oct. 18, 2022
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588) Atelier of. Judith and Holofernes
Est: €4,000 - €6,000
CALIARI, DETTO IL VERONESE PAOLO (1528 - 1588). Atelier of. Judith and Holofernes. Cm 92,00 x 70,00.
Capitolium Art
Sep. 25, 2022
After Paolo Veronese (Italian, 1528-1588), "The Family of Darius before Alexander"
Est: $2,500 - $3,500
After Paolo Veronese (Italian, 1528-1588) "The Family of Darius before Alexander" 18th century oil on canvas unsigned 18 1/8 x 25 1/2 inches (sight) 24 1/4 x 30 1/2 inches (frame)
Fontaine's Auction Gallery
Aug. 13, 2022
Work on paper, Follower of Paolo Veronese
Est: $200 - $400
Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w
Clars Auctions
Jun. 09, 2022
PAOLO CALIARI, CALLED PAOLO VERONESE (VERONA 1528-1588 VENICE) Saint Anthon
Est: $300,000 - $500,000
PAOLO CALIARI, CALLED PAOLO VERONESE (VERONA 1528-1588 VENICE) Saint Anthony Abbot oil on canvas 33 1/4 x 13 3/4 in. (84.5 x 35 cm.)
Christie's
May. 24, 2022
Paolo Veronese manner, The Baptism of Jesus
Est: €4,000 - €6,000
oil on canvas, 108 × 76 cm
A10 by Artmark
May. 07, 2022
PAOLO CALIARI, gen. VERONESE - zugeschrieben Verona 1528 - 1588 Venedig: Amor auf einer Schaukel.
Est: €580 - €750
PAOLO CALIARI, gen. VERONESE - zugeschrieben Verona 1528 - 1588 Venedig Amor auf einer Schaukel. In Grau lavierte Federzeichnung in Braun mit Rötel. Verso in Rötel bezeichnet „...507“. Auf Bütten. 9,2 x 9,6 cm. Mit winzigem Löchlein und kleinen Fehlstellen aufgezogen. Stellenweise schwach fleckig und etwas wellig. Sammlung Giuseppe Vallardi, Mailand (Lugt 1223). [bg]
Winterberg-Kunst
Apr. 29, 2022
Paolo Veronese (1528-1588)-after
Est: €450 - €900
Paolo Veronese (1528-1588)-after, Nozze di Cana, oil on canvas, an academic 19th Century copy; 36x50cm.
Deutsch Auktionen
Apr. 12, 2022
Circle of Paolo Veronese (Verona 1528-1588 Venice) Christ and the Woman taken in Adultery
Est: £5,000 - £7,000
Circle of Paolo Veronese (Verona 1528-1588 Venice) Christ and the Woman taken in Adultery oil on canvas 80.8 x 97.7cm (31 13/16 x 38 7/16in). For further information on this lot please visit the Bonhams website
Bonhams