Jan Cornelisz. Verspronck Paintings & Artwork for Sale | Jan Cornelisz. Verspronck Art Value Price Guide

Jul. 08, 2022
JOHANNES CORNELISZ. VERSPRONCK (HAARLEM 1600-1662) Portrait of a Gentleman,
Est: £60,000 - £80,000
JOHANNES CORNELISZ. VERSPRONCK (HAARLEM 1600-1662) Portrait of a Gentleman, half-length, wearing a black costume with a white lace... oil on canvas 33 x 26 1/2 in. (83.8 x 67.3 cm.)
Christie's
Dec. 04, 2020
Jan Cornelisz Verspronck, 1597 Haarlem – 1662 ebenda, zugeschrieben
Est: €4,000 - €5,000
PORTRAIT EINES ELEGANT GEKLEIDETEN HERREN MIT SOLDATEN IM HINTERGRUND Öl auf Leinwand. Doubliert. 121 x 90 cm. In dekorativem vergoldeten Rahmen. Der elegant gekleidete Herr, wohl ein Offizier, im edlen gelben Rock und weißem flachen Kragen mit Spitze, in seiner rechten Hand mit Handschuh, eine große helle Barde haltend, deren lange, silbern glänzende Spitze fast aus dem Bild herauszuragen scheint. Auf seiner linken Seite hängt ein Schwert, dessen Griff zu erkennen ist. Quer über seiner Brust hängend ein tief türkis-blaues Tuch, das im Schulterbereich geknotet, und zudem mit Goldfäden teils durchwirkt ist. Auf dem Kopf einen großen braunen Hut, der mit Federn verziert ist. Ihm zur Seite stehend ein junger Knappe in braunem Gewand mit weißem Spitzenkragen und ebenfalls braunem Hut mit farbigen Federn, ein schweres Gewehr in seinen Händen haltend. Im Hintergrund auf der rechten Seite steht ein Heer mit bewaffneten Soldaten, mit Gewehren und langen Lanzen. Repräsentatives Bildnis, das wohl einen Adligen oder einen hohen Offizier vor Beginn einer Schlacht des wohl Dreißigjährigen Krieges zeigt. Malerei in zurückhaltender Farbgebung, dabei die Kleidung der Portraitierten besonders hervorgehoben. Retuschen. Der Maler war Sohn des Cornelis Engelsz aus Gouda, der ihn in der Portraitmalerei unterrichtete, möglicherweise war er auch Schüler von Frans Hals. Sein œuvre beschränkt sich hauptsächlich auf das Portraitfach. Die ins sanfte Grau ziehende Farbigkeit ist typisch für seine Malweise. (1251991) (1) (18)
Hampel Fine Art Auctions
Jun. 16, 2020
TABLEAUX
Est: €6,000 - €8,000
Huile sur toile marouflée sur toile "La jeune fille enrhumée". Attribué à Johannes Cornelisz Verspronck. Ecole hollandaise. (Dans un encadrement du XVIIème en bois sculpté). Dim.:78x66,5cm.
Vanderkindere
Jul. 04, 2019
Johannes Cornelisz. Verspronck (Haarlem ?1606/9-1662) Portrait of Admiral Jan van Galen (1604-1653), half-length, seated, in a black... oil on panel, unframed 10 ½ x 8 ¾ in. (26.7 x 22.3 cm.)
Est: £100,000 - £150,000
Johannes Cornelisz. Verspronck (Haarlem ?1606/9-1662) Portrait of Admiral Jan van Galen (1604-1653), half-length, seated, in a black doublet with a gold sash; and Portrait of his wife, Maria van Cracau (b. 1617), half-length, seated, holding a lemon the first signed and dated 'Joh vSpronck / ano 1651' (lower left, 'vS' in ligature) oil on panel, unframed 10 ½ x 8 ¾ in. (26.7 x 22.3 cm.)
Christie's
Apr. 26, 2017
VERSPRONCK Johannes Cornelisz (1597 - 1662), Huile sur toile "Portrait d'un
Est: €1,500 - €2,000
VERSPRONCK Johannes Cornelisz (1597 - 1662), Huile sur toile "Portrait d'une dame de qualité". Attribué à Johannes Conelisz Verspronck. Ecole hollandaise. Dim.:69x54cm.
Vanderkindere
Mar. 22, 2017
VERSPRONCK Johannes Cornelisz (1597 - 1662) Huile sur cuivre "Portrait
Est: €650 - €800
VERSPRONCK Johannes Cornelisz (1597 - 1662) Huile sur cuivre "Portrait en pied d'un gentilhomme". Traces de monogramme J.V. (?) en bas à gauche pour Johannes Cornelisz Verspronck (?). Ecole hollandaise. (Encadrement plaqué d'écaille). Dim.:20.5x13.5cm.
Vanderkindere
Nov. 19, 2016
Johannes Cornelisz. Verspronck, Portrait of a Young Lady
Est: €20,000 - €30,000
Signed and dated lower left: J v Spronck ano 1643 Aetatis 29With four old paper labels and a red varnish seal to the back of the stretcher: “Galerie Sedelmeyer Paris”.Johannes Verspronck was the most important portrait painter in Haarlem alongside Frans Hals, in whose workshop he may have apprenticed. His portraits were generally commissioned by Haarlem's wealthy burghers, and depict their sitters in modest, sombre clothing. Only two of Verspronck's known portraits display a more vivid colour palette: The portrait of Andries Stilte as a Standard Bearer (kept in the National Gallery of Art in Washington since 1998) and a portrait of a young girl in a pale blue robe (in the Rijksmuseum in Amsterdam), which were painted two and three years after the present work (respectively). This portrait is typical of Verspronck's oeuvre and depicts a young girl in austere black clothing and unadorned by jewellery before a dark brown background. The backdrop provides no architectural details, but can be interpreted as an interior due to the graduations of light and shadow. The dark overall palette contrasts sharply with the white of the bonnet, the round collar, and the pale flesh tones of the girl's face and hand. The defining characteristic of Verspronck's portraits is the sense of dignity of grace exuded by their sitters. This effect derives in part from the modest and almost ascetic countenance lent to them by the artist, which still manages to convey their higher rank. The composition of the present work, in which the young lady is shown facing left but looking towards the beholder and making direct eye contact, is reiterated in a portrait of a slightly older lady painted in the same year which is today kept in the Museum of Fine Art in Boston. Like the Boston piece, the present work presumably also had a pendent depicting the young lady's husband.
Kunsthaus Lempertz KG
Nov. 15, 2016
Johannes Cornelisz. Verspronck (Haarlem Portrait of François Derm
Est: €50,000 - €70,000
Johannes Cornelisz. Verspronck (Haarlem Portrait of François Dermout (b. 1626), three-quarter length, seated in a black... oil on canvas 83.9 x 66.7 cm. (2)
Christie's
Dec. 09, 2015
JOHANNES CORNELISZ. VERSPRONCK | Portrait of Cornelis Montigny de Glarges, aged 43, half-length, in a brown coat and white lace ruff
Est: £100,000 - £200,000
oil on canvas
Sotheby's
Jul. 09, 2015
JOHANNES CORNELISZ. VERSPRONCK | Portrait of François Dermout, seated; Portrait of his wife Cornelia Hammius, seated, with a quill in her hand
Est: £40,000 - £60,000
a pair, both oil on canvas
Sotheby's
May. 18, 2015
Jan Cornelisz. Verspronck, Attributed, 2 Portraits, c. 1655
Est: €32,000 - €40,000
Two paintings, oil on canvas, relined Holland, circa 1655 Attributed to Jan Cornelisz. Verspronck (1600/03-1662) – Dutch genre painter and portrayer Back with an inventory number ‘No. 148 ‘(male portrait) or ‘No. 149’ (female portrait) On both stretchers with labels by the art dealer P. de Boer, Amsterdam with attribution to Nicolaes Maes Certificate by Prof. Dr. Werner Sumowski, Stuttgart, dated April 25, 2004 Dimensions: 97.2 x 80 cm Provenance: Collection Seger Tierens (1743); Cremer Gallery, Brussels; Collections W. Geldner, Meiningen (c. 1830), C. Geldner, Basel, Max Geldner, Basel; Collection M. Schulthess, Basel; Kunsthandel Pieter de Boer, Amsterdam (1963); The Wadsworth Atheneum Museum of Art, Hartford, Connecticut (from 1965); Private collection, Southern Germany (from 2004) Two portraits of a Dutch couple boasting an extremely fine execution, attributed to Jan Cornelisz. Verspronck; Verspronck is considered a talented portraitist from the Dutch Golden Age This pair of portraits is attributed to the Dutch portrait painter Jan Cornelisz. Verspronck. One painting depicts an elderly gentleman in an armchair before a neutral background. The counterpart depicts his wife in a similar setting. Both wear a plain black costume with a white collars, typical for the mid-17th century. Here, for instance, the detailed elaboration of the trimmings to the bodice of the woman’s dress testifies to the virtuosity of the artist who perfectly mastered the oil technique. The painter succeeded in rendering the smooth texture of the flowing black robes in contrast to the slightly rougher texture of the colorful velvet cushions and leather-covered backrests. The delicate flesh tones stand out against the dark background in very nuanced manner. Both faces, marked by life, as well as the hands are of an outstanding painterly quality. The man's face is reminiscent of Verspronck’s ‘Portrait of John Schoterbiosch’ from 1647 and also the lady shows similarities with other female portraits by the artist. With an assessment from Prof. Dr. Werner Sumowski, Stuttgart, dated April 25, 2004. Sumowski attributes the two paintings to Johannes Cornelisz. Verspronck (1597-1662) and dates them no later than 1655 based on the costumes and the manner of painting. He supplements the provenance information provided by the RKD. The paintings are listed in the online database of the RKD under the artwork number 59916 as Northern Netherlands, c. 1665. Here the attribution to Nicolaes Maes, successor of Thomas de Keyser and the attribution to Johannes Cornelisz. Verspronck is rejected. Literature: E. Haverkamp-Begemann (ed.), Wadsworth Atheneum Paintings, Catalogue I, 1978, p. 168, no. 105 and 106 with ill. The two paintings are in good overall condition. The canvases are both relined. There are some retouchings to the background and to the figures in places as well as fine craquelure. The lady’s portrait with a retouching to the background on the left next to the face. The frames show some wear. The framed works measure 115 x 98 cm, the stretcher frames each measures 97.2 x 80 cm. Jan Cornelisz. Verspronck (1600/03-1662) Jan Cornelisz. Verspronck was born in Haarlem and was initially taught by his father, a portrait painter. He was presumably also a pupil of Frans Hals, who was also active in Haarlem. The latter’s influence is visible throughout Verspronck’s oeuvre. In 1632 he became a member of the Haarlem Guild of St. Luke. He developed a sober, restrained style of painting, which earned him numerous commissions from the mostly Catholic population of his hometown. Verspronck was particularly productive between 1940 and 1943. Overall, his oeuvre comprises around 100 portraits. These are characterized by a fine painting quality and a meticulous rendering of details, such as the lace on the clothing or the jeweler of his female sitters. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Dec. 02, 2014
Jan Cornelisz. Verspronck, Attributed, 2 Portraits, c. 1655
Est: €28,800 - €36,000
Two paintings, oil on canvas, relined Holland, circa 1655 Attributed to Jan Cornelisz. Verspronck (1600/03-1662) - Dutch genre painter and portrayer Back with an inventory number 'No. 148 '(male portrait) or 'No. 149' (female portrait) On both stretchers with labels by the art dealer P. de Boer, Amsterdam with attribution to Nicolaes Maes Certificate by Prof. Dr. Werner Sumowski, Stuttgart, dated April 25, 2004 Dimensions: 97.2 x 80 cm Provenance: Collection Seger Tierens (1743); Cremer Gallery, Brussels; Collections W. Geldner, Meiningen (c. 1830), C. Geldner, Basel, Max Geldner, Basel; Collection M. Schulthess, Basel; Kunsthandel Pieter de Boer, Amsterdam (1963); The Wadsworth Atheneum Museum of Art, Hartford, Connecticut (from 1965); Private collection, Southern Germany (from 2004) Two portraits of a Dutch couple boasting an extremely fine execution, attributed to Jan Cornelisz. Verspronck; Verspronck is considered a talented portraitist from the Dutch Golden Age This pair of portraits is attributed to the Dutch portrait painter Jan Cornelisz. Verspronck. One painting depicts an elderly gentleman in an armchair before a neutral background. The counterpart depicts his wife in a similar setting. Both wear a plain black costume with a white collars, typical for the mid-17th century. Here, for instance, the detailed elaboration of the trimmings to the bodice of the woman's dress testifies to the virtuosity of the artist who perfectly mastered the oil technique. The painter succeeded in rendering the smooth texture of the flowing black robes in contrast to the slightly rougher texture of the colorful velvet cushions and leather-covered backrests. The delicate flesh tones stand out against the dark background in very nuanced manner. Both faces, marked by life, as well as the hands are of an outstanding painterly quality. The man's face is reminiscent of Verspronck's 'Portrait of John Schoterbiosch' from 1647 and also the lady shows similarities with other female portraits by the artist. With an assessment from Prof. Dr. Werner Sumowski, Stuttgart, dated April 25, 2004. Sumowski attributes the two paintings to Johannes Cornelisz. Verspronck (1597-1662) and dates them no later than 1655 based on the costumes and the manner of painting. He supplements the provenance information provided by the RKD. The paintings are listed in the online database of the RKD under the artwork number 59916 as Northern Netherlands, c. 1665. Here the attribution to Nicolaes Maes, successor of Thomas de Keyser and the attribution to Johannes Cornelisz. Verspronck is rejected. Literature: E. Haverkamp-Begemann (ed.), Wadsworth Atheneum Paintings, Catalogue I, 1978, p. 168, no. 105 and 106 with ill. The two paintings are in good overall condition. The canvases are both relined. There are some retouchings to the background and to the figures in places as well as fine craquelure. The lady's portrait with a retouching to the background on the left next to the face. The frames show some wear. The framed works measure 115 x 98 cm, the stretcher frames each measures 97.2 x 80 cm. Jan Cornelisz. Verspronck (1600/03-1662) Jan Cornelisz. Verspronck was born in Haarlem and was initially taught by his father, a portrait painter. He was presumably also a pupil of Frans Hals, who was also active in Haarlem. The latter's influence is visible throughout Verspronck's oeuvre. In 1632 he became a member of the Haarlem Guild of St. Luke. He developed a sober, restrained style of painting, which earned him numerous commissions from the mostly Catholic population of his hometown. Verspronck was particularly productive between 1940 and 1943. Overall, his oeuvre comprises around 100 portraits. These are characterized by a fine painting quality and a meticulous rendering of details, such as the lace on the clothing or the jeweler of his female sitters. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Mar. 20, 2013
VERSPRONCK, JOHANNES CORNELISZ (UMKREIS)(1597
Est: CHF5,000 - CHF7,000
VERSPRONCK, JOHANNES CORNELISZ (UMKREIS) (1597 Haarlem um 1662) Portrait eines Mannes. Öl auf Leinwand auf Holz. 67 x 50 cm (oval).
Koller Auctions
Nov. 01, 2011
Johannes Cornelisz. Verspronck (Haarlem 1600/3-1662)
Est: €120,000 - €180,000
Johannes Cornelisz. Verspronck (Haarlem 1600/3-1662) Portrait of a gentleman, half-length, in a black costume with a white collar and cuffs signed and dated 'Jan V Spronck: ano: 1640.' (lower right) oil on canvas 81.6 x 66.7 cm.
Christie's
Oct. 22, 2009
Circle of Johannes Cornelisz Verspronck (1597-1662) Portrait of a young man 8 x 8in.
Est: £300 - £400
Circle of Johannes Cornelisz Verspronck (1597-1662) unframed oil on wooden panel Portrait of a young man 8 x 8in.
Gorringes
May. 06, 2008
Portrait of Josias van Herrewijn (1584-1652), half-length, in a black costume with a 'molensteenkraag', in a feigned oval stone window
Est: €30,000 - €50,000
Johannes Cornelisz. Verspronck (Haarlem 1600/3-1662) Portrait of Josias van Herrewijn (1584-1652), half-length, in a black costume with a 'molensteenkraag', in a feigned oval stone window signed 'JVERSPRONCK' (lower right); dated and inscribed with the sitters age 'AETATIS 51 ANo 1635' (centre right) oil on panel 83 x 65 cm.
Christie's
Nov. 20, 2007
Johannes Cornelisz VERSPRONCK(Haarlem 1597 - 1662)
Est: €8,000 - €12,000
Johannes Cornelisz VERSPRONCK(Haarlem 1597 - 1662) - Umkreis "Dreiviertelportrait einer Dame" oben links Kartusche mit Kürzel und den Buchstaben: FGR, darunter datiert: an(no) 1657, beschriftet: "Aetatis 53" (das Alter der Dargestellten), Öl auf Eichenholzplatte, partielle Farbfehlstellen, Haarrisse, ca. 109 x 79 cm, gerahmt
Dorotheum
Oct. 25, 2007
Johannes Cornelisz Verspronck (1597-1662) Dutch Half-length portrait of a young boy 18.5 x 13in.
Est: £8,000 - £12,000
Johannes Cornelisz Verspronck (1597-1662) Dutch oil on wooden panel Half-length portrait of a young boy signed and dated 1630 18.5 x 13in.
Gorringes
May. 09, 2007
Portrait of a lady, three-quarter-length, in a black dress with gold brocade and a white collar, holding a gold chatelaine
Est: €10,000 - €15,000
Jan Cornelisz. Verspronck (Haarlem 1597-1662) Portrait of a lady, three-quarter-length, in a black dress with gold brocade and a white collar, holding a gold chatelaine signed and dated 'Joh. VSpronck. 1650' (VS linked, lower left) oil on canvas 77.5 x 60.9 cm.
Christie's
Jul. 07, 2006
Jan Cornelisz. Verspronck (Haarlem ?1606/9-1662)
Est: £15,000 - £20,000
Potrait of a lady, three-quarter-length, in a black dress with gold brocade, and a white collar, holding a gold chatelaine signed and dated 'J[?]oh Spronck. 1650' (lower left) oil on canvas 30 1/2 x 24 in. (77.5 x 60.9 cm.)
Christie's
Jan. 21, 2004
* JAN CORNELISZ. VERSPRONCK HAARLEM 1606-9 (?) - 1662
Est: $8,000 - $12,000
signed and dated lower right J vSpronck/ano1637 and charged with the coat of arms of the Dicx family upper right PORTRAIT OF A GENTLEMAN OF THE DICX FAMILY, POSSIBLY CORNELIS DICX
Sotheby's