Lithograph hand-colored, 1 pictureElixirs of the Devil from the Portfolio by E.T.A. Hoffmann 1923, signed and dated, dimensions: 44 x 54 cm, framed | Lithographie handkoloriert, 1 Bild aus der Mappe von E.T.A. Hoffmann 1923, "Elixiere des Teufels", signiert und datiert, Maße: 44 x 54 cm, gerahmt
Watercolor/pencil, signed lower right, image dimensions: 9 x 10 cm, frame dimensions: 41.5 x 25.5 cm | Aquarell/Bleistift, signiert unten rechts, Bildausschnitt Maße: 9 x 10 cm, Rahmen Maße: 41,5 x 25,5 cm
Mixed media monotype, watercolor, Biedermeier girl's head, framed in wooden frame behind glass, dimensions: 30.5 x 24.5 cm | Mischtechnik- Monotypie, Aquarell, Biedermeier Mädchenkopf, gerahmt in Holzrahmen hinter Glas, Maße: 30,5 x 24,5 cm
Lithograph, hand-colored, The devil's elixir, (Monks in front of the castle), dimensions: 30 x 43 cm | Lithografie handkoloriert, "Die Elexiere des Teufels", Maße: 30 x 43 cm
Watercolor, "Village square with church", signed and dated Zülow 29, dimensions: 26.5 x 32 cm | Aquarell, „Dorfplatz mit Kirche“, signiert und datiert Zülow 29, Maße: 26,5 x 32 cm
Zinc print, zinc etching, view of Steyr with St. Michael's Church, beautiful decorative gold frame, image section: approx. 7 x 10 cm, frame dimensions: 22 x 25.5 | Zinkgrafik, Zinkätzung, Ansicht von Steyr mit Michaelerkirche, schöner dekorativer Goldrahmen, Bildausschnitt: ca. 7 x 10 cm, Rahmen Maße: 22 x 25,5
von 5 Bl. von versch. Künstlern in versch. Techn. u. Formaten, 20. Jh. 4 Bl. gerahmt, daovn 3 unter Glas (nicht ausgerahmt). ╔Franz von Zülow╗ (1883 Wien 1963). Roter Krug u. schlanke blaue Flasche auf gelbem Untergrund. Kolor. Lithographie. Ca. 12,5 x 10 cm. Unt. li. sign. "FrZülow". - ╔Jan Balet╗ (1913 Bremen - Estavayer-le-Lac 2009). Biertrinkende Gesellschaft im Park. Farb. Lichtdruck. Ca. 49,5 x 59 cm. Sign. u. num. - Ex. XIX/CXL. - ╔Monogrammist RD╗ (19.-20. Jh.). Brustbild einer Frau in einem Oberteil mit V-Ausschnitt. Farbkreide auf Papier 1931. Ca. 52 x 34 cm. Unt. re. monogr. u. dat. - ╔Weiblicher Akt,╗ mit aufgestellten Beinen auf dem Boden sitzend. Mischtechnik auf Papier auf Hartfaser aufgezogen. Unt. re. Monogr. "R" u. dat. 1952. 44 x 32,5 cm. - ╔Ortschaft bei Regen.╗ Öl auf Lwd. von Rudzing 1947. 44,5 x 55 cm. Unt. re. undeutl. sign. u. dat. - 1 Druckspur ob. re. D
Franz von Zülow Vienna 1883 - 1963 Vienna Vase Around 1920/25 Porcelain, glazed, colorfully painted, partly gilt Augarten Vienna Marked on the bottom: crowned underglazed blue banded shield with inscription "Wien", octagonal red stamp mark "Augarten/Austria" Painted model number as well as signature: Fr. ZÜLOW
Franz von Zülow (Austrian, 1883-1963) Fuchsmühle near Hirschbach signed and dated '37/F.Zülow' (lower right) oil on canvas 54 x 78.5cm (21 1/4 x 30 7/8in).
Franz von Zülow (Austrian, 1883-1963) Fische signed 'FvZülow' (lower left) and dated '1954' (lower right) gouache and sgraffito 29.2 x 42.3cm (11 1/2 x 16 5/8in).
Franz von Zülow Vienna 1883 - 1963 Vienna, attributed Barn with footbridge Watercolour on paper 38.5 x 28.5 cm, with frame 49.5 x 39 cm Inscribed & dated 1920 b.m.
von 5 Bl. von versch. Künstlern in versch. Techn. u. Formaten, 20. Jh. 4 Bl. gerahmt, daovn 3 unter Glas (nicht ausgerahmt). ╔Franz von Zülow╗ (1883 Wien 1963). Roter Krug u. schlanke blaue Flasche auf gelbem Untergrund. Kolor. Lithographie. Ca. 12,5 x 10 cm. Unt. li. sign. "FrZülow". - ╔Jan Balet╗ (1913 Bremen - Estavayer-le-Lac 2009). Biertrinkende Gesellschaft im Park. Farb. Lichtdruck. Ca. 49,5 x 59 cm. Sign. u. num. - Ex. XIX/CXL. - ╔Monogrammist RD╗ (19.-20. Jh.). Brustbild einer Frau in einem Oberteil mit V-Ausschnitt. Farbkreide auf Papier 1931. Ca. 52 x 34 cm. Unt. re. monogr. u. dat. - ╔Weiblicher Akt,╗ mit aufgestellten Beinen auf dem Boden sitzend. Mischtechnik auf Papier auf Hartfaser aufgezogen. Unt. re. Monogr. "R" u. dat. 1952. 44 x 32,5 cm. - ╔Ortschaft bei Regen.╗ Öl auf Lwd. von Rudzing 1947. 44,5 x 55 cm. Unt. re. undeutl. sign. u. dat. - 1 Druckspur ob. re. D
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna) Dog oil/wood, 53 x 42 cm ESTIMATE °€ 1000 - 2000 STARTING PRICE °€ 1000 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the ceramic workshops Schleiß in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Art Nouveau and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
von 5 Bl. von versch. Künstlern in versch. Techn. u. Formaten, 20. Jh. 4 Bl. gerahmt, daovn 3 unter Glas (nicht ausgerahmt). ╔Franz von Zülow╗ (1883 Wien 1963). Roter Krug u. schlanke blaue Flasche auf gelbem Untergrund. Kolor. Lithographie. Ca. 12,5 x 10 cm. Unt. li. sign. "FrZülow". - ╔Jan Balet╗ (1913 Bremen - Estavayer-le-Lac 2009). Biertrinkende Gesellschaft im Park. Farb. Lichtdruck. Ca. 49,5 x 59 cm. Sign. u. num. - Ex. XIX/CXL. - ╔Monogrammist RD╗ (19.-20. Jh.). Brustbild einer Frau in einem Oberteil mit V-Ausschnitt. Farbkreide auf Papier 1931. Ca. 52 x 34 cm. Unt. re. monogr. u. dat. - ╔Weiblicher Akt,╗ mit aufgestellten Beinen auf dem Boden sitzend. Mischtechnik auf Papier auf Hartfaser aufgezogen. Unt. re. Monogr. "R" u. dat. 1952. 44 x 32,5 cm. - ╔Ortschaft bei Regen.╗ Öl auf Lwd. von Rudzing 1947. 44,5 x 55 cm. Unt. re. undeutl. sign. u. dat. - 1 Druckspur ob. re. D
(1883 Wien - 1963 ebenda) Vollmond-Landschaft Expressionistisches Werk Franz von Zülows, der auch als Grafiker und Gestalter für angewandte Kunst aller Gebiete arbeitete. Er studierte 1903 - 1906 an der renommierten Wiener Kunstgewerbeschule bei Carl Otto Czeschka, der 1905 Gestalter der Wiener Werkstätte wurde. Im selben Jahr kam auch Franz von Zülow als Mitarbeiter zur Wiener Werkstätte und beteiligte sich an einer Gesamtschau in der Galerie Miethke. 1908 wurde Franz von Zülow Mitglied der Wiener Secession und nahm an der von Gustav Klimt und Josef Hoffmann organisierten "Kunstschau Wien 1908" teil. 1925 erhielt er die goldene Medaille auf der legendären Pariser Kunstgewerbeausstellung, 1933 den Österreichischen Staatspreis. Mischtechnik/Papier. L. o. sign. u. dat. 1919. 21,5 x 36,7 cm. Rahmen. Mixed media on paper. Signed and dated 1919.
von 5 Bl. von versch. Künstlern in versch. Techn. u. Formaten, 20. Jh. 4 Bl. gerahmt, daovn 3 unter Glas (nicht ausgerahmt). ╔Franz von Zülow╗ (1883 Wien 1963). Roter Krug u. schlanke blaue Flasche auf gelbem Untergrund. Kolor. Lithographie. Ca. 12,5 x 10 cm. Unt. li. sign. "FrZülow". - ╔Jan Balet╗ (1913 Bremen - Estavayer-le-Lac 2009). Biertrinkende Gesellschaft im Park. Farb. Lichtdruck. Ca. 49,5 x 59 cm. Sign. u. num. - Ex. XIX/CXL. - ╔Monogrammist RD╗ (19.-20. Jh.). Brustbild einer Frau in einem Oberteil mit V-Ausschnitt. Farbkreide auf Papier 1931. Ca. 52 x 34 cm. Unt. re. monogr. u. dat. - ╔Weiblicher Akt,╗ mit aufgestellten Beinen auf dem Boden sitzend. Mischtechnik auf Papier auf Hartfaser aufgezogen. Unt. re. Monogr. "R" u. dat. 1952. 44 x 32,5 cm. - ╔Ortschaft bei Regen.╗ Öl auf Lwd. von Rudzing 1947. 44,5 x 55 cm. Unt. re. undeutl. sign. u. dat. - 1 Druckspur ob. re. D
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna) In the storage room, 1922 pencil and indian ink/paper, 19,5 x 29,5 cm signed F v. Zülow and dated 1922 Provenance: private property Vienna ESTIMATE °€ 1.500 - 2.500 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the Schleiß ceramic workshops in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Jugendstil and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. Comes from a series of depictions of military hospitals from the possession of Dr. Dietrich Moldauer. Franz Zülow attended the Graphic Teaching and Research Institute in 1901 and 1902 and also enrolled briefly at the Academy of Fine Arts before studying at the Vienna School of Applied Arts from 1903 to 1906. From an early age, Zülow experimented intensively with graphic techniques and in 1907 developed, among other things, the paper cutting stencil technique, which he also patented. From 1908 on, he was a member of the Klimt Group. In 1909 he moved to Haugsdorf, where his mother and sister lived. In 1912, a scholarship enabled him to undertake an extensive study trip through Western Europe. From 1915 to 1919 he did military service and was taken prisoner by the Italians. Between 1920 and 1922 he worked as a teacher at the Schleiss ceramic workshops in Gmunden. From 1922 he lived alternately in Vienna and Upper Austria and undertook several trips abroad. His decorative arts and illustrative works, which were often created for the Wiener Werkstätte, were characterized by the decorative verve of the Secession. From the 1920s he created the first oil paintings, which, like his paste-the-wall paintings and watercolors, mainly show landscapes. In the years between 1928 and 1935 he was awarded the Austrian State Prize several times, and in 1942 he was forbidden to paint by the Nazi regime. From 1933 to 1939 and from 1945 on, he belonged to the Vienna Secession and was also a member of the Linz Artists' Association Maerz. From 1949 he taught at the School of Applied Arts in Linz and from 1955 he was President of the Mühlviertler Artists' Guild. During this period he received numerous public commissions for murals and mosaics. Based on photos from 1915, Franz Zülow drew and painted these snapshots from the infirmary at Vienna's Ostbahnhof in 1922. Both Zülow's drawings and the photographic templates come from the estate of the head of the station, Dr. Dietrich Moldauer. The historical photo material to which Zülow refers in his drawings can also be found in an elaborately made brochure with the title: "Sick station with night's rest at the Ostbahnhof in Vienna of the Patriotic Aid Association of the Red Cross for Lower Austria. Report on activities from the beginning of the war to September 1915". This station in the k.u.k. The premises of the Vienna Ostbahnhof made available to the State Railway Administration were opened shortly after the outbreak of the First World War, on August 20, 1914. It had the purpose of "providing accommodation, meals and medical assistance to sick, wounded and convalescent officers and crew members passing through Vienna as a transit station". Its director, the art-loving Dr. Dietrich Moldauer, k.u.k. Lieutenant a. D., first delegate of the Red Cross Patriotic Aid Association in Lower Austria. To date, however, it is unclear how this order came about and what the intentions of the client, Dr. Moldovans associated with it. Franz Zülow knows only too well the horrors of the First World War from his own painful experience, after all he fought as a soldier between 1915 and 1918 in Hungary, Albania and Italy, where he was taken prisoner of war by the Italians on July 12, 1918 and only released from there on August 22, 1918. August 1919 can return. Zülow chooses the templates for his drawings from photos by Charles Skolik, which are also shown in the brochure mentioned above. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna) Surgery Room, 1922 indian ink and pastel/paper, 19,6 x 30 cm signed F v. Zülow and dated 1922 Provenance: private property Vienna ESTIMATE °€ 1.500 - 2.500 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the Schleiß ceramic workshops in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Jugendstil and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. Comes from a series of depictions of military hospitals from the possession of Dr. Dietrich Moldauer. Franz Zülow attended the Graphic Teaching and Research Institute in 1901 and 1902 and also enrolled briefly at the Academy of Fine Arts before studying at the Vienna School of Applied Arts from 1903 to 1906. From an early age, Zülow experimented intensively with graphic techniques and in 1907 developed, among other things, the paper cutting stencil technique, which he also patented. From 1908 on, he was a member of the Klimt Group. In 1909 he moved to Haugsdorf, where his mother and sister lived. In 1912, a scholarship enabled him to undertake an extensive study trip through Western Europe. From 1915 to 1919 he did military service and was taken prisoner by the Italians. Between 1920 and 1922 he worked as a teacher at the Schleiss ceramic workshops in Gmunden. From 1922 he lived alternately in Vienna and Upper Austria and undertook several trips abroad. His decorative arts and illustrative works, which were often created for the Wiener Werkstätte, were characterized by the decorative verve of the Secession. From the 1920s he created the first oil paintings, which, like his paste-the-wall paintings and watercolors, mainly show landscapes. In the years between 1928 and 1935 he was awarded the Austrian State Prize several times, and in 1942 he was forbidden to paint by the Nazi regime. From 1933 to 1939 and from 1945 on, he belonged to the Vienna Secession and was also a member of the Linz Artists' Association Maerz. From 1949 he taught at the School of Applied Arts in Linz and from 1955 he was President of the Mühlviertler Artists' Guild. During this period he received numerous public commissions for murals and mosaics. Based on photos from 1915, Franz Zülow drew and painted these snapshots from the infirmary at Vienna's Ostbahnhof in 1922. Both Zülow's drawings and the photographic templates come from the estate of the head of the station, Dr. Dietrich Moldauer. The historical photo material to which Zülow refers in his drawings can also be found in an elaborately made brochure with the title: "Sick station with night's rest at the Ostbahnhof in Vienna of the Patriotic Aid Association of the Red Cross for Lower Austria. Report on activities from the beginning of the war to September 1915". This station in the k.u.k. The premises of the Vienna Ostbahnhof made available to the State Railway Administration were opened shortly after the outbreak of the First World War, on August 20, 1914. It had the purpose of "providing accommodation, meals and medical assistance to sick, wounded and convalescent officers and crew members passing through Vienna as a transit station". Its director, the art-loving Dr. Dietrich Moldauer, k.u.k. Lieutenant a. D., first delegate of the Red Cross Patriotic Aid Association in Lower Austria. To date, however, it is unclear how this order came about and what the intentions of the client, Dr. Moldovans associated with it. Franz Zülow knows only too well the horrors of the First World War from his own painful experience, after all he fought as a soldier between 1915 and 1918 in Hungary, Albania and Italy, where he was taken prisoner of war by the Italians on July 12, 1918 and only released from there on August 22, 1918. August 1919 can return. Zülow chooses the templates for his drawings from photos by Charles Skolik, which are also shown in the brochure mentioned above. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna) Nurses, 1922 pencil and indian ink/paper, 20 x 30 cm signed F v. Zülow and dated 1922 Provenance: private property Vienna ESTIMATE °€ 1.500 - 2.500 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the Schleiß ceramic workshops in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Jugendstil and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. Comes from a series of depictions of military hospitals from the possession of Dr. Dietrich Moldauer. Franz Zülow attended the Graphic Teaching and Research Institute in 1901 and 1902 and also enrolled briefly at the Academy of Fine Arts before studying at the Vienna School of Applied Arts from 1903 to 1906. From an early age, Zülow experimented intensively with graphic techniques and in 1907 developed, among other things, the paper cutting stencil technique, which he also patented. From 1908 on, he was a member of the Klimt Group. In 1909 he moved to Haugsdorf, where his mother and sister lived. In 1912, a scholarship enabled him to undertake an extensive study trip through Western Europe. From 1915 to 1919 he did military service and was taken prisoner by the Italians. Between 1920 and 1922 he worked as a teacher at the Schleiss ceramic workshops in Gmunden. From 1922 he lived alternately in Vienna and Upper Austria and undertook several trips abroad. His decorative arts and illustrative works, which were often created for the Wiener Werkstätte, were characterized by the decorative verve of the Secession. From the 1920s he created the first oil paintings, which, like his paste-the-wall paintings and watercolors, mainly show landscapes. In the years between 1928 and 1935 he was awarded the Austrian State Prize several times, and in 1942 he was forbidden to paint by the Nazi regime. From 1933 to 1939 and from 1945 on, he belonged to the Vienna Secession and was also a member of the Linz Artists' Association Maerz. From 1949 he taught at the School of Applied Arts in Linz and from 1955 he was President of the Mühlviertler Artists' Guild. During this period he received numerous public commissions for murals and mosaics. Based on photos from 1915, Franz Zülow drew and painted these snapshots from the infirmary at Vienna's Ostbahnhof in 1922. Both Zülow's drawings and the photographic templates come from the estate of the head of the station, Dr. Dietrich Moldauer. The historical photo material to which Zülow refers in his drawings can also be found in an elaborately made brochure with the title: "Sick station with night's rest at the Ostbahnhof in Vienna of the Patriotic Aid Association of the Red Cross for Lower Austria. Report on activities from the beginning of the war to September 1915". This station in the k.u.k. The premises of the Vienna Ostbahnhof made available to the State Railway Administration were opened shortly after the outbreak of the First World War, on August 20, 1914. It had the purpose of "providing accommodation, meals and medical assistance to sick, wounded and convalescent officers and crew members passing through Vienna as a transit station". Its director, the art-loving Dr. Dietrich Moldauer, k.u.k. Lieutenant a. D., first delegate of the Red Cross Patriotic Aid Association in Lower Austria. To date, however, it is unclear how this order came about and what the intentions of the client, Dr. Moldovans associated with it. Franz Zülow knows only too well the horrors of the First World War from his own painful experience, after all he fought as a soldier between 1915 and 1918 in Hungary, Albania and Italy, where he was taken prisoner of war by the Italians on July 12, 1918 and only released from there on August 22, 1918. August 1919 can return. Zülow chooses the templates for his drawings from photos by Charles Skolik, which are also shown in the brochure mentioned above. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna) Design for a Lottery Poster, 1926 watercolor and indian ink/paper, 58 x 33 cm Provenance: collection Gusel Austria, private property Vienna ESTIMATE °€ 1.000 - 2.000 Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the Schleiß ceramic workshops in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Jugendstil and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. Franz Zülow attended the Graphic Teaching and Research Institute in 1901 and 1902 and also enrolled briefly at the Academy of Fine Arts before studying at the Vienna School of Applied Arts from 1903 to 1906. From an early age, Zülow experimented intensively with graphic techniques and in 1907 developed, among other things, the paper cutting stencil technique, which he also patented. From 1908 on, he was a member of the Klimt Group. In 1909 he moved to Haugsdorf, where his mother and sister lived. In 1912, a scholarship enabled him to undertake an extensive study trip through Western Europe. From 1915 to 1919 he did military service and was taken prisoner by the Italians. Between 1920 and 1922 he worked as a teacher at the Schleiss ceramic workshops in Gmunden. From 1922 he lived alternately in Vienna and Upper Austria and undertook several trips abroad. His decorative arts and illustrative works, which were often created for the Wiener Werkstätte, were characterized by the decorative verve of the Secession. From the 1920s he created the first oil paintings, which, like his paste-the-wall paintings and watercolors, mainly show landscapes. In the years between 1928 and 1935 he was awarded the Austrian State Prize several times, and in 1942 he was forbidden to paint by the Nazi regime. From 1933 to 1939 and from 1945 on, he belonged to the Vienna Secession and was also a member of the Linz Artists' Association Maerz. From 1949 he taught at the School of Applied Arts in Linz and from 1955 he was President of the Mühlviertler Artists' Guild. During this period he received numerous public commissions for murals and mosaics. The sheet “Verein Spitalshilfe Charity Effects Lottery” from 1926 belongs in the category of occasional graphics, in which, according to the registered inserts, 400,000 tickets were issued and “15 main hits worth (of) 60,000 Schilling” as well as a five-kilo gold bar are promised as the main hit. Both the presentation and the promise of prizes unmask the sheet as a “cheerful finger exercise” by the artist. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Technik: Tuschezeichnung, aquarelliert, auf Papier, hinter Glas gerahmt, Signatur: unten rechts signiert und datiert 'Fr. Zülow 53', Maße: 28,5 x 40 cm (Rahmenausschnitt), 31x 43 cm (Rahmenmaß), Zustand: gut, etwas stockfleckig + Technique: ink drawing, watercolour, on paper, framed behind glass, Signature: signed and dated lower right 'Fr. Zülow 53', Dimensions: 28,5 x 40 cm (frame cut-out), 31x 43 cm (frame size), Condition: good, some mold stains
Franz von Zülow (Vienna 1883 - 1963) Mixed technique on paper ca 29 x 40 cm, signed and dated lower right „F.v.Zülow“ | Franz von Zülow (Wien 1883 - 1963) Mischtechnik auf Papier ca. 29 x 40 cm, signiert und datiert rechts unten „F.v.Zülow“
(1883 Wien - 1963 Wien) Burg Aquarell auf Papier, 15,5 x 14,5 cm gerahmt, Maß mit Rahmen 23 x 32 cm Bezeichnung vorne: Nachlassstempel F. v. Zülow Signatur vorne rechts unten: F. Zülow
Mixed media on paper Austria, 1954 Franz von Zülow (1883-1963) – Austrian painter, graphic artist and designer Signed lower left ‘FvZülow‘ Dated lower right ‘54’ Dimensions: 42.5 x 31 cm Frame: 56.5 x 44 cm Good condition Franz von Zülow was a highly versatile artist, active between the poles of fine and applied arts Condition: The work is in very good condition, consistent with age. On the reverse marks of old mounting. The sheet-sized image measures 42.5 x 31 cm and the frame 56.5 x 44 cm. Franz von Zülow (1883-1963) Franz Josef Rudolf von Zülow was born in Vienna, where he received his training as a painter and graphic artist. Some of his early works for the ‘Wiener Werkstätte’ were published in 1905, which attracted the attention of artists like Gustav Klimt and Josef Hoffmann. Shortly after von Zülow was accepted as a member of the Vienna Secession. In 1909 the artist moved to Haugsdorf, where he published his well-known magazine called ‘Monatshefte’ until 1915. After the First World War von Zülow was temporarily active as a teacher in ceramics in Gmunden. A few years later in 1922 he settled in Hirschbach in Upper Austria, but regularly traveled to France, England, Holland, Italy, Germany and Tunisia. Franz von Zülow created a considerable oeuvre, including oil paintings, watercolors and designs for fabrics, wall decorations, wallpapers and other handcrafts. In 2014 the MAK – Austrian Museum of Applied Arts / Contemporary Art held a retrospective on the occasion of his 50th death anniversary. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.
Franz von Zülow (1883-1963) Am Abend (le soir), 1921 Crayon noir et de couleurs sur papier Signé et daté en bas vers le centre Pencil on paper signed and dated bottom center
Oil pastel on paper Austria, 1933 Franz von Zülow (1883-1963) - Austrian painter and graphic artist Signed and dated lower left 'F v Zülow 33' Sheet size: 38 x 34.5 cm A nice work by von Zülow with all the typical features from the color palette to the distinctive style of painting; drawings by the artist fetch up to 17,000 Euros at international auctions The drawing by the Austrian painter Franz von Zülow - a rare work from 1933 - depicts a view of a picturesque village with a high tower in the center of the subject, which the artist has skillfully colored in oil crayon. The work is characterized by vigorous color palatte as well as the artist's experimental approach to the paper surface with partially broad, partially very fine strokes and lines. In addition to drawings and paintings von Zülow's creative spectrum includes illustrations for the Wiener Werkstätte, designs for wall papers and fabric patterns as well as papercut prints. The drawing is signed and dated lower left 'F v Zülow 33' and is in an appealing condition. There are minor tears on the margins verso repaired with adhesive tape. The lower left corner shows some loss of paper. The paper is slightly toned. The sheet's dimensions are 38 x 34.5 cm. Franz von Zülow (1883-1963) Franz von Zülow was born in Vienna in 1883. In 1901, he began his artistic studies at the drawing school in Vienna. After visiting various different academies, he finished his studies at Vienna's arts school in 1906. He created a certain type of paper stencil printing which he got patented in 1907. A year later, he became a member of the Vienna Secession and designed for the "Wiener Werkstätte". He taught ceramic classes in Gmunden. It was not until 1924, that he focused on oil painting. In 1942, he was banned from painting, which was reverted shortly after. In 1949, von Zülow began teaching at the vocational school of art in Linz and was appointed Professor in 1950. In 1958, he was announced honorary member of the Vienna Secession. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.
Oil on cardboard Austria, 1942 Franz von Zülow (1883-1963) - Austrian painter and illustrator Signed and dated lower right: "Fv Zülow 42" Dimensions: 19.8 x 25.8 cm Good condition An appealing work, typical for Zülow- from the colour palette to the scraping style; comparable art works by the artist fetch up to 23.000 Euro at international auctions The painting by the Austrian painter Franz von Zülow shows a view over a river onto the outlines of a village with its red church tower, painted in 1942. The subject is skillfully rendered with expressive brushstrokes. The painting is characterized by the use of the brush as well as the artist's experimental approach to the canvas surface. Thick layers of paint are applied and later scraped in with the end of the brush. Von Zülow's creative spectrum includes illustrations for the Wiener Werkstätte, designs for wall papers and fabric patterns and paper prints. The painting is in good condition with slight signs of age. There is a hardly noticeable cut on the upper right and the corners shows some loss of paint and material. It is signed and dated lower right with "Fv Zülow 42". The dimensions of the cardboard are 19.8 x 25.8 cm. Franz von Zülow (1883-1963) Franz von Zülow was born in Vienna in 1883. In 1901, he began his artistic studies at the drawing school in Vienna. After visiting various different academies, he finished his studies at Vienna's arts school in 1906. He created a certain type of paper stencil printing which he got patented in 1907. A year later, he became a member of the Vienna Secession and designed for the "Wiener Werkstätte". He taught ceramic classes in Gmunden. It was not until 1924, that he focused on oil painting. In 1942, he was banned from painting, which was reverted shortly after. In 1949, von Zülow began teaching at the vocational school of art in Linz and was appointed Professor in 1950. In 1958, he was announced honorary member of the Vienna Secession.
Franz von Zülow * (Vienna 1883-1963) Picture of a man in a landscape with lake landscape and sailboat, 2 sheets signed respectively F. v. Zülow and Zülow, mixed media on paper, 25 x 20 bzw. 19 x 23,5 cm, mounted, (2) (K)
Franz von Zülow * (Wien 1883-1963) "Dorfansicht", links unten signiert und datiert Fv Zülow (19)33, Mischtechnik auf Papier, ca. 32 x 46 cm, Passepartout, verglast, gerahmt (CW) Ruf 2.200,
