Samuel Wale Sold at Auction Prices

CHARLES GRIGNION (ENGLISH, 1721-1810) ENGRAVED FRONTISPIECE

CHARLES GRIGNION (ENGLISH, 1721-1810) ENGRAVED FRONTISPIECE After Samuel Wale (English, 1721-1786)for the London Magazine, 1760, depicting a funerary procession of George II (who had died the 25th of October, 1760), with Britannia mourning over his urn, Justice and Religion consoling her, and Mercury in the foreground, an angel holding a crown watching from clouds above. Marked for Grignion lower right and Wale lower left, also notated to verso Charles Grignion. Housed within plexiglass framing.

SAMUEL WALE R.A. (BRITISH c.1721-1786)

SAMUEL WALE R.A. (BRITISH c.1721-1786) HERMAN STRODTMAN IN THE ACT OF MURDERING HIS FELLOW PRENTICE, PETER WOLTER pen and brown ink and grey wash 15.5 x 10cm; 6¼ x 4in mounted together with another illustration by the same hand, Repreive for a Criminal while on the way to the place of execution, and four further pen and ink and wash illustrations by Samuel Wale R.A. (c.1721-1786) various sizes, all unframed (6) Literature the first: Tyburn Chronicle, vol. I, 1768, facing p. 32; the second: engraved as frontispiece to vol. III of Tyburn Chronicle

SAMUEL WALE PEN & INK

Samuel Wale (1721-1786, UK) four views of the Thames River, pen and ink wash, all matted in a single frame with a Leger Galleries W. London label. 3.5" x 5.75" ss / 17" x 21" oa

SAMUEL WALE PEN & INK

Samuel Wale (1721-1786, UK) framed and matted pen/ink/grey wash titled "Gresham College" with Leger Galleries, London label. 3.5" x 5.5" ss / 11.5" x 13.75" oa

18th century, Three engravings with later hand colouring, comprising two London street scenes, Persp

18th century, Three engravings with later hand colouring, comprising two London street scenes, Perspective view of the Temple next the River side, and The church of St. Mary le Bow in Cheapside, London, and one depicting The Music Room at Vauxhall Pleasure Gardens, after Samuel Wale (1721-1786). Together with a watercolour depicting a river landscape. Engravings approx. 8 1/4" x 16" (4)

18th century, Three engravings with later hand colouring, comprising two London street scenes, Persp

18th century, Three engravings with later hand colouring, comprising two London street scenes, Perspective view of the Temple next the River side, and The church of St. Mary le Bow in Cheapside, London, and one depicting The Music Room at Vauxhall Pleasure Gardens, after Samuel Wale (1721-1786). Together with a watercolour depicting a river landscape. Engravings approx. 8 1/4" x 16" (4)

Samuel Wale (1721-1786), Ignatius of Antioch

Samuel Wale (1721-1786), Ignatius of Antioch Ink watercolor on paper Signed (lower right) 11 x 17.2 cm Condition: For a detailed condition report, please contact us at info@hammersite.com

Samuel Wale (1721-1786), Burned at the Stake

Samuel Wale (1721-1786), Burned at the Stake Ink and watercolor on paper Signed (lower right). 16.5 x 10.5 Condition: For a detailed condition report, please contact us at info@hammersite.com

Samuel Wale d . 1786 (American) Native American Indians Fishing- California. Antique print, 1777-1780. From- Middleton's Complete Sy...

Samuel Wale d . 1786 (American) Native American Indians Fishing- California. Antique print, 1777-1780. From- Middleton''s Complete System of Geography. Samuel Wale (designed) and Charles Grignion (etched). Condition- Good. etching h:20 w: 30 cm. Other Notes: Location: Israel. For estimated delivery time please contact us.

Samuel Wale d . 1786 (American) Native American Indians Fishing- California. Antique print, 1777-1780. From- Middleton's Complete Sy...

Samuel Wale d . 1786 (American) Native American Indians Fishing- California. Antique print, 1777-1780. From- Middleton''s Complete System of Geography. Samuel Wale (designed) and Charles Grignion (etched). Condition- Good. etching h:20 w: 30 cm. Other Notes: Location: Israel. For estimated delivery time please contact us.

ATTRIBUTED TO SAMUEL WALE | View of the Horse Guards, London

oil on canvas

Attributed to Samuel Wale, R.A. (Great Yarmouth 1721-1786 London)

Attributed to Samuel Wale, R.A. (Great Yarmouth 1721-1786 London) The Radcliffe Infirmary: an Emblematical Representation with Dr John Radcliffe conducted from the Temple of Aesculapius by the Genius of Physic with inscription 'Wale' (on a fragment of the old mount attached to the backboard) and with inscription 'Guy's Hospital' (on the reverse) pen and grey ink and grey wash, within the artist's pen and ink border, watermark 'CURTEIS & SONS/1794', on paper 14¾ x 18½ in. (37.5 x 47 cm.)

Samuel Wale, R.A. (Great Yarmouth 1721-1786 London)

Samuel Wale, R.A. (Great Yarmouth 1721-1786 London) Four London views: Marlborough House (illustrated); The Custom House; South view of Northumberland House (illustrated) ; and Elegant figures in Covent Garden pencil, pen and grey ink and grey wash, on paper, one unframed 3½ x 5¾ in. (9 x 14.6 cm.); and a framed drawing of carriages before The Elephant and Castle by Anthony Thomas Devis (5)

JOHN CARY (18th/19th century), after Samuel Wale

JOHN CARY (18th/19th century), after Samuel Wale (1721-1786), 'Edward I, Edward III, Edward Black Prince', engraving, 31cm x 20cm, framed.

Samuel Wale, R.A. , c.1721-1786 A horse-drawn carriage on the Road to Henley-on-Thames; The Rustic Bridge at Park Place, Henley-on-Thames each pen and black ink with grey wash on laid paper

two, the first inscribed u.c: Road to Henley.; the second inscribed u.c.: Park Place each pen and black ink with grey wash on laid paper Quantity: 2

SAMUEL WALE D.1786

MATERIAL/MEDIUM pen and grey ink and grey wash with touches of red chalk on laid paper

SAMUEL WALE (1786-), The Thames with Shipping, oil on canvas