Erik Werenskiold Paintings & Artwork for Sale | Erik Werenskiold Art Value Price Guide

Nov. 27, 2024
Erik Werenskiold, The Hay Wagon 1932
Est: kr100,000 - kr150,000
Signed and dated lower right: EW -32
Grev Wedels Plass Auksjoner
Nov. 23, 2024
Erik Werenskiold (1855-1938), Study of a child
Est: -
pencil on paper with watermark, monogrammed lower right, study of a girl in a nightgown, shown in profile, good age-appropriate condition, light-stained, image 37 x 13 cm (HxW), passe-partout, framed behind glass, overall dimensions 57.5 x 44.5 cm (HxW) German Description Erik Werenskiold, Kinderstudie (1855 Eidskog - 1938 Oslo), Bleistift/Papier mit Wasserzeichen, unten rechts monogrammiert, Studie eines Mädchens im Nachthemd, dargestellt im Profil, altersgemäß guter Zustand, lichtrandig, Darstellung 37 x 13 cm (HxB), Passepartout, hinter Glas, gerahmt, Gesamtmaß 57,5 x 44,5 cm (HxB)
Kunst- und Auktionshaus Quedlinburg
Jul. 09, 2024
Erik Werenskiold, Norwegian 1855-1938- Study of a nude woman, seated hal
Est: £350 - £450
Erik Werenskiold, Norwegian 1855-1938- Study of a nude woman, seated half-length, with her arms crossed; red chalk on paper, signed with initials 'EW' (lower right), 46.5 x 32.7 cm. Provenance: Private Collection, UK. Note: Werenskiold was a painter and illustrator who was perhaps best known for the drawings that he created for the collection of 'Norwegian Folktales' by Peter Christen Asbøjrnsen (1812-1885) and Jørgen Moe (1813-1882), and for the Norwegian edition of Snorri Sturluson's (1179-1241) 'Heimskringla'. The present work exhibits Werenskiold's skill as a draughtsman, capturing a striking sense of the sitter's presence whilst also suggesting, to some extent, her absence, lost in thoughts which are a mystery to the viewer.
Roseberys
Apr. 28, 2024
Erik Werenskiold
Est: €900 - €1,800
(1855 Eidskog - 1938 Oslo) Kinderstudie Gekonnt flüchtig angelegte, kräftig konturierte Studie eines Mädchens im Nachthemd, das dem Betrachter halb den Rücken zuwendet. Werenskiold, der an der Kgl. Norwegischen Zeichenschule in Christiania (heute Oslo) ersten Zeichenunterricht bei Julius Muddelthun erhielt, bildete sich ab 1875 in München und ab 1881 in Paris weiter. 1883 kehrte er nach Norwegen zurück und wurde besonders für seine Illustrationen zu Norwegischen Volksmärchen bekannt. Bleistift/Papier. R. u. monogr.; Passepartoutausschnitt 38 cm x 25,6 cm. Rahmen. Pencil on paper. Monogrammed.
Kunstauktionshaus Schloss Ahlden
Feb. 27, 2024
Erik Werenskiold - Study of a nude woman, seated half-length, with her arms crossed
Est: £600 - £800
Erik Werenskiold, Norwegian 1855-1938 Study of a nude woman, seated half-length, with her arms crossed; red chalk on paper, signed with initials 'EW' (lower right), 46.5 x 32.7 cm. Provenance: Private Collection, UK. Note: Werenskiold was a painter and illustrator who was perhaps best known for the drawings that he created for the collection of 'Norwegian Folktales' by Peter Christen Asbøjrnsen (1812-1885) and Jørgen Moe (1813-1882), and for the Norwegian edition of Snorri Sturluson's (1179-1241) 'Heimskringla'. The present work exhibits Werenskiold's skill as a draughtsman, capturing a striking sense of the sitter's presence whilst also suggesting, to some extent, her absence, lost in thoughts which are a mystery to the viewer.
Roseberys
Nov. 30, 2023
Erik Werenskiold (Norwegian, 1855 - 1938), A sanguine study of a nude woman
Est: £1,000 - £2,000
Property of a Lady Erik Werenskiold (Norwegian, 1855 - 1938) A sanguine study of a nude woman Sanguine on paper Signed in monogram, lower right: "EW" Dimensions: (Paper) 18.25 in. (H) x 13 in. (W) (Frame) 28 in. (H) x 23.5 in. (W)
Sloane Street Auctions
Sep. 28, 2023
Erik Werenskiold (Norwegian, 1855 - 1938), A sanguine study of a nude woman
Est: £2,000 - £3,000
Property of a LadyÂ Erik Werenskiold (Norwegian, 1855 - 1938) A sanguine study of a nude woman Sanguine on paper Signed in monogram, lower right: "EW"Â Dimensions: (Paper) 18.25 in. (H) x 13 in. (W) (Frame) 28 in. (H) x 23.5 in. (W)
Sloane Street Auctions
Aug. 27, 2020
"Sjoa og Steinfinnsbø"
Est: kr2,000 -
Rad. "Sjoa og Steinfinnsbø", sign. (25x32cm)
Christiania Auksjoner
Aug. 27, 2020
"Mann med hest"
Est: kr3,000 - kr4,000
Tusjtegn. "Mann med hest", sign. 1910. (23x29cm)
Christiania Auksjoner
Aug. 27, 2020
"Møte"
Est: kr1,200 - kr1,500
Rad. "Møte", sign. (24x34cm)
Christiania Auksjoner
May. 26, 2020
Erik Werenskiold (1855-1938), The Blonde 1929
Est: kr35,000 - kr40,000
Oil on canvas. 1929. 100x80. Signed and dated lower left: EW 1929
Grev Wedels Plass Auksjoner
Nov. 27, 2019
Erik Werenskiold (1855-1938), Portrait of Professor Kristian Brandt with his Son 1909
Est: kr30,000 - kr50,000
Oil on canvas 95x75 Signed and dated upper right: EW. 1909
Grev Wedels Plass Auksjoner
Nov. 27, 2019
Erik Werenskiold (1855-1938), Mrs Heimbeck (Stydy for The Dinner Party) 1929
Est: kr80,000 - kr100,000
Oil on canvas 80x100 Signed and dated lower left: Erik Werenskiold 1929
Grev Wedels Plass Auksjoner
Nov. 27, 2019
Erik Werenskiold (1855-1938), The Blonde 1929
Est: kr40,000 - kr60,000
Oil on canvas 100x80 Signed and dated lower left: EW 1929 Signed and annotated with the title by the Artist, verso on the Frame: "Erik Werenskiold. Lysaker. Norvège. "La blonde"".
Grev Wedels Plass Auksjoner
Jun. 15, 2011
Erik Werenskiold : Brother and sister in the snow.
Est: - kr1,500
Erik Werenskiold : Brother and sister in the snow. Signed Erik Werenskiold and monogram in the print. Etching. Visible size 31 x 22,5 cm.
Bruun Rasmussen Auctioneers
Feb. 16, 2011
Erik Werenskiold : Portrait of Bjørnstjerne
Est: - kr1,500
Erik Werenskiold : Portrait of Bjørnstjerne Bjørnson. Signed monogram 1908 in the print and with lead Erik Werenskiold. Etching. Visible size 33 x 26,5 cm.
Bruun Rasmussen Auctioneers
Dec. 08, 2010
ERIK WERENSKIÖLD Norge 1855-1938 Porträtt
Est: kr40,000 - kr50,000
ERIK WERENSKIÖLD Norge 1855-1938 Porträtt föreställande elegant dam sittande i karmstol Signerad och daterad med monogram 1927. Olja på duk, 155 x 115 cm. Signed and dated. Oil on canvas. UTSTÄLLD Kunstnerernas hus, Oslo, Mars 1935, katalognr 137
Stockholms Auktionsverket
Nov. 01, 2007
ERIK WERENSKIoLD Norge 1855-1938 Portrott av
Est: kr3,000 - kr4,000
ERIK WERENSKIoLD Norge 1855-1938 Portrott av dirigenten George Schnoevoigt Signerad Erik Werenskiold. Svartkrita, 39 x 51cm. Signed. Black crayon. PROVENIENS: Direktor GOsta Olson, Svensk-Franska Konstgalleriet, Stockholm
Stockholms Auktionsverket
Sep. 30, 2007
***WERENSKIOLD ERIK THEODOR (1855-1938
Est: $2,000 - $3,000
***WERENSKIOLD, ERIK THEODOR (1855-1938 Norwegian) Children at play in field, framed oil on wood panel, approximate image 7 1/2'' x 10 1/4'', frame 10 1/2'' x 13 1/2'', signed in lower left and inscribed ''Paris 1881'', label on verso from Marshall Field's and Company Picture Galleries. CONDITION: Three 1 1/2'' cracks in upper right corner, yellowing to varnish.
Bunte Auction Services
Jun. 14, 2005
PROPERTY OF A BRITISH PRIVATE COLLECTOR ERIK THEODOR WERENSKIOLD NORWEGIAN, 1855-1936 FRA TÅTØY,
Est: £70,000 - £100,000
PROPERTY OF A BRITISH PRIVATE COLLECTOR ERIK THEODOR WERENSKIOLD NORWEGIAN, 1855-1936 FRA TÅTØY, KRAGERØ (FROM TÅTØY, KRAGERØ) signed, inscribed and dated Erik Werenskiold. Kragerø. 1882 l.r. oil on panel EXHIBITED Kristiania, Høstutstillingen, 1882, no. 58 Oslo, Kunstnernes Hus, Høstutstillingen de første 25 år, 1938, no. 327 Oslo, Kunstnernes Hus, Erik Werenskiold, 1936, no. 18 Oslo, Kunstforening, 1967 CATALOGUE NOTE Painted on Tåtøy, close to Kragerø, shortly after his marriage to Sofie Thomesen (1849-1926). Werenskiold had met Sofie together with Harriet Backer and Kitty Kielland in Munich in 1877. Six years Werenskiold's senior and a painter in her own right, Sophie was the daughter of a shipbroker and merchant in Kragerö. Married there on 9th May 1882, the couple honeymooned nearby on Tåtøy. They returned again to the island later the same summer where they were visited by Theodore Kittelson, Frits Thaulow and Andreas Aubert among others. To judge from the green foliage, it is likely that Werenskiold painted the present work on this second visit to Tåtøy, very likely in July or August. Certainly the composition and colouring of the present work has a sense of balance and harmony about it that may well owe a debt to new found marital happiness. The painting's pleasing sense of order and equilibrium, however, also reflects the impact of his recent time in Paris. Werenskiold had been to Paris for the first time in 1881, and from thereon he returned for extended visits virtually every year, and on occasion several times in the same year. The Impressionist exhibitions of 1881 and 1882 were especially influential in the development of his style, and in 1883 he enrolled in the studio of Jean-Léon Bonnat. Werenskiold's appreciation of artistic developments in French painting, however, did not cause him to renounce his Norwegian roots. Rather he put the new found painterly freedom that he had gained on his travels to the service of his native country to record the essence of contemporary Norwegian life. In his early 'twenties he had explored the culture and traditions of Norway's far flung local communities in order to illustrate with Kitty Kielland the compendium of Norwegian fairytales collected by Peter Christen Asbjørnsen. In his subsequent oil paintings of the 1880s in particular, Werenskiold used the aesthetic principles and painterly techniques that he had observed and mastered while in both Munich and in Paris in his honest and heartfelt depictions of his native Norway. The result was a series of simple but characteristic situations placed in closely studied landscape surroundings. These included his large oil Peasant Burial of 1883-85, and the more intimate Shepherds painted at Tåtøy in 1883 (fig. 1), both in the Nasjonalgalleriet, Oslo as well as the present outstanding example. Fig. 1: Erik Werenskiold, Shepherds, 1883, @ Oslo Nasjonalgalleriet (DIGI REF: 347D05101).
Sotheby's