Elizabeth White Sold at Auction Prices

b. 1892 - d. 1990

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    • Hopi, Polingaysi Qöyawayma, Large Tanware Canteen
      Feb. 11, 2023

      Hopi, Polingaysi Qöyawayma, Large Tanware Canteen

      Est: $1,500 - $2,500

      Elizabeth White [Polingaysi Qöyawayma] (Hopi, 1892 - 1990) Large Tanware Canteen fired clay, fibers inscribed underside: Polingaysi

      Santa Fe Art Auction
    • Elizabeth White Native American Hopi Bowl
      May. 06, 2018

      Elizabeth White Native American Hopi Bowl

      Est: -

      Elizabeth White (1892-1990) In 1978 she was awarded both the Arizona Indian Living Treasure tribute and the Heard Museum’s Gold Medal. In 1991 she was inducted into theArizona Women's Hall of Fame. This item is in good condition. Year/Century: 20th C. Approx Measurements: 4.5" x 12" x 14" Approx. Ship Weight: 4lbs.Keywords: Native American Indian /; Ref: HK90024

      J Levine Auction & Appraisal LLC
    • Elizabeth White (SC, 1893-1976), Low Country Oaks,
      Sep. 15, 2007

      Elizabeth White (SC, 1893-1976), Low Country Oaks,

      Est: $600 - $900

      Elizabeth White (SC, 1893-1976), Low Country Oaks, etching, artist signed and titled in lower margin Low Country Oaks Elizabeth White, very well done etching with a large oak tree dripping with Spanish moss dominating the composition, two figures sheltered beneath the tree's branches, housed under glass in a wooden frame. - Taped to the matt board, foxing, in need of professional conservation. - Plate Size 3h x 4w; DOA 12h x 10w

      Leland Little Auctions
    • A GEORGE III GILT CARTON PIERRE OVAL MIRROR
      Oct. 19, 2001

      A GEORGE III GILT CARTON PIERRE OVAL MIRROR

      Est: $20,000 - $30,000

      A GEORGE III GILT CARTON PIERRE OVAL MIRROR CIRCA 1775 the oval mirror with gadrooned frame surmounted by a pierced cresting with an urn and husk swags, with a pierced apron. Repairs. height 6ft. 5in.; width 42in. (1.96m.; 1.07m.) This fine neo-classical mirror is unusual in being constructed from carton-pierre. A technique often associated with the later London-based picture frame makers George Jackson & Sons, it was first introduced by the Parisian J. Miziere. A paper-based technique like papier mache, it involved the reduction of paper pulp to a fine consistency before binding it with glue and whiting. The substance was then rolled out and pressed into molds to produce a light weight molding that would often be filled with dry plaster or sawdust. Related designs for the Adam-inspired 'Glass frames'similarly surmounted by a neo-classical urn amid acanthus scrolls, and husks linking cresting and apron were published by the enigmatic designer, Pastorini, in A New Book of Designs for Girandoles and Glass Frames in 1775 (illustrated Elizabeth White, Pictorial Dictionary of British 18th Century Furniture Design,1990, p. 347). Similar designs were also executed by Linnell, drawings for which are preserved in the Victoria and Albert Museum, illustrated Helena Hayward and Patricia Kirkham, William and John Linnell, 1980, vol. II, especially for a design with urn crestings and similar husk pendants, p. 101, fig. 195; see also related designs, p. 102, figs. 196-8.

      Sotheby's
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