Brett Whiteley Sold at Auction Prices

Painter, Sculptor, b. 1939 - d. 1992

Many paintings by Brett Whiteley, who was an Australian abstract artist, were influenced by landscape painter Lloyd Rees. The flowing strokes, vivid colors, and distinctive lines of the scenes he painted brought the beauty of Australia to the world. Brett Whiteley's artwork was not limited to painting, as he was also a talented graphic artist and sculptor.

Brett Whiteley's painting, Untitled Red Painting, was sold to the Tate Gallery when he was only 22, making him the youngest artist the gallery had ever purchased from. Brett Whiteley's prints include lithographs and etchings. In 1977, Whiteley won the Wynne Prize, which is a prestigious Australian award for landscape paintings. He was made an Officer of the Order of Australia in 1991 in recognition of his art. View award-winning landscape paintings for sale online by other talented artists to augment your collection.

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              • BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)
                Nov. 28, 2024

                BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)

                Est: $100 - $150

                BRETT WHITELEY (1939 - 1992) Self Portrait in The Studio decorative print after the original

                Lawsons
              • BRETT WHITELEY, (1939-1992), Woman in Bath, decorative print after original, 53 x 63 cm. (20.8 x 24.8 in.), Frame: 81 x 96 x 3 cm. (31.8 x 37.8 x 1.1 in.)
                Nov. 27, 2024

                BRETT WHITELEY, (1939-1992), Woman in Bath, decorative print after original, 53 x 63 cm. (20.8 x 24.8 in.), Frame: 81 x 96 x 3 cm. (31.8 x 37.8 x 1.1 in.)

                Est: $300 - $500

                BRETT WHITELEY (1939-1992) Woman in Bath decorative print after original gallery frame

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster, decorative print, 64.5 x 36 cm. (25.3 x 14.1 in.), frame: 97 x 62 x 3 cm. (38.1 x 24.4 x 1.1 in.)
                Nov. 27, 2024

                BRETT WHITELEY, (1939 - 1992), Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster, decorative print, 64.5 x 36 cm. (25.3 x 14.1 in.), frame: 97 x 62 x 3 cm. (38.1 x 24.4 x 1.1 in.)

                Est: $250 - $350

                BRETT WHITELEY (1939 - 1992) Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster decorative print

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Summer at Carcoar, decorative print after original, 61 x 48 cm. (24.0 x 18.9 in.), frame: 116 x 93 x 3 cm. (45.6 x 36.6 x 1.1 in.)
                Nov. 27, 2024

                BRETT WHITELEY, (1939 - 1992), Summer at Carcoar, decorative print after original, 61 x 48 cm. (24.0 x 18.9 in.), frame: 116 x 93 x 3 cm. (45.6 x 36.6 x 1.1 in.)

                Est: $250 - $350

                BRETT WHITELEY (1939 - 1992) Summer at Carcoar decorative print after original

                Lawsons
              • BRETT WHITELEY, (1939-1992), Self Portrait in the Studio, decorative print after original, 48 x 61.5 cm (frame: 83 x 98 x 3 cm)
                Nov. 27, 2024

                BRETT WHITELEY, (1939-1992), Self Portrait in the Studio, decorative print after original, 48 x 61.5 cm (frame: 83 x 98 x 3 cm)

                Est: $300 - $500

                BRETT WHITELEY (1939-1992) Self Portrait in the Studio decorative print after original gallery frame

                Lawsons
              • BRETT WHITELEY, (1939 -), Bather & Mirror, decorative print after original, 18.5 x 19 cm. (7.2 x 7.4 in.), frame: 47 x 34 x 2 cm. (18 1/2 x 13.3 x 0.7 in.)
                Nov. 27, 2024

                BRETT WHITELEY, (1939 -), Bather & Mirror, decorative print after original, 18.5 x 19 cm. (7.2 x 7.4 in.), frame: 47 x 34 x 2 cm. (18 1/2 x 13.3 x 0.7 in.)

                Est: $200 - $300

                BRETT WHITELEY (1939 - ) Bather & Mirror decorative print after original gallery frame

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Swing Monkey, screenprint, ed. 30/70 (AF), 75 x 56 cm. (29.5 x 22.0 in.), frame: 101 x 70 x 2 cm. (39.7 x 27.5 x 0.7 in.)
                Nov. 27, 2024

                BRETT WHITELEY, (1939 - 1992), Swing Monkey, screenprint, ed. 30/70 (AF), 75 x 56 cm. (29.5 x 22.0 in.), frame: 101 x 70 x 2 cm. (39.7 x 27.5 x 0.7 in.)

                Est: $2,000 - $3,000

                BRETT WHITELEY (1939 - 1992) Swing Monkey screenprint, ed. 30/70 (AF) signed lower right

                Lawsons
              • BRETT WHITELEY 1939-1992 Study for Portrait of Wendy I 1985 charcoal on paper on board 177 x 152.4 cm
                Nov. 27, 2024

                BRETT WHITELEY 1939-1992 Study for Portrait of Wendy I 1985 charcoal on paper on board 177 x 152.4 cm

                Est: $400,000 - $600,000

                BRETT WHITELEY 1939-1992 Study for Portrait of Wendy I 1985 charcoal on paper on board signed and dated 'brett whiteley 85' lower right; signed with monogram 'B/W' upper right; signed, dated and inscribed '"STUDY FOR / PORTRAIT OF W." / 1985 / brett whiteley' verso 177 x 152.4 cm PROVENANCE Brett Whiteley, Sydney Marlborough Fine Art, London Private Collection, London Vivienne Sharpe Art Dealer, Sydney Private Collection, Sydney, acquired from the above Eva Breuer Art Dealer, Sydney Private Collection, Sydney, acquired from the above EXHIBITED 162 Drawings: Brett Whiteley 1960-85, Robin Gibson Gallery, Sydney, 19 October - 6 November 1985, no. 156, illustrated Studies of the Nude, Marlborough Fine Art, London, 19 March - 2 May 1986, no. 35, illustrated LITERATURE Robert Gray, 'A Few Takes on Brett Whiteley', Art and Australia, Sydney, Vol. 24, No. 2, 1986, p. 217 (illustrated) Ashleigh Wilson, Brett Whiteley: Art, Life and the Other Thing, Text Publishing, Melbourne, 2016, p. 339 Kathie Sutherland, Brett Whiteley: Catalogue Raisonné, Schwartz City, Melbourne, 2020, cat. no. 75.85, Vol. 7, p. 654, 'Study for Portrait of W., 1'

                Smith & Singer
              • BRETT WHITELEY 1939-1992 Dove in Blue Palm, Lavender Bay 1983 oil and collage on board 132 x 129.5 cm frame: original, Brett Lichtenste
                Nov. 27, 2024

                BRETT WHITELEY 1939-1992 Dove in Blue Palm, Lavender Bay 1983 oil and collage on board 132 x 129.5 cm frame: original, Brett Lichtenste

                Est: $1,600,000 - $1,900,000

                BRETT WHITELEY 1939-1992 Dove in Blue Palm, Lavender Bay 1983 oil and collage on board signed and dated ‘brett whiteley 2/7/83' lower left 132 x 129.5 cm frame: original, Brett Lichtenstein, Sydney (label verso) PROVENANCE Brett Whiteley, Sydney Private Collection, Sydney, acquired from the above Private Collection, Sydney, acquired from the above LITERATURE Kathie Sutherland, Brett Whiteley: Catalogue Raisonné, Schwartz City, Melbourne, 2020, cat. no. 220.80, Vol. 4, p. 71 (illustrated), Vol. 7, p. 532, ‘(Dove in Blue Palm, Lavender Bay) (c. 1980)'

                Smith & Singer
              • BRETT WHITELEY 1939-1992 Wandering up to Montmartre in the Rain 1991 oil, collage and mixed media on plywood 62.5 x 65.5 cm frame: Bret
                Nov. 27, 2024

                BRETT WHITELEY 1939-1992 Wandering up to Montmartre in the Rain 1991 oil, collage and mixed media on plywood 62.5 x 65.5 cm frame: Bret

                Est: $450,000 - $650,000

                BRETT WHITELEY 1939-1992 Wandering up to Montmartre in the Rain 1991 oil, collage and mixed media on plywood signed, dated and inscribed ‘16/10/91 / Winter / Spring / Sketch of Montmartre / brett whiteley' lower right; signed and inscribed "wandering up to / montmartre in the rain" / brett whiteley' verso 62.5 x 65.5 cm frame: Brett Lichtenstein, Sydney PROVENANCE Brett Whiteley, Sydney Australian Galleries, Melbourne (AG9474) (label verso) Private Collection, acquired from the above in August 1992 Robin Gibson Galleries, Sydney (label verso) Michael Feller, Sydney, acquired from the above Fine Australian Paintings, Sotheby's Australia, Melbourne, 18 November 1996, lot 12, illustrated Private Collection, Melbourne, acquired from the above Private Collection, Melbourne Fine Art Auction, Deutscher and Hackett, Sydney, 31 August 2011, lot 6, illustrated Private Collection, Melbourne, Melbourne, acquired from the above EXHIBITED Brett Whiteley: Paris, Australian Galleries, Melbourne, 21 July – 8 August 1992, no. 75 LITERATURE Kathie Sutherland, Brett Whiteley: Catalogue Raisonné, Schwartz City, Melbourne, 2020, cat. no. 104.91, Vol. 4, p. 505 (illustrated), Vol. 7, pp. 779-780

                Smith & Singer
              • BRETT WHITELEY 1939-1992 Page of Lovers 1971 pen and ink on paper on board and paint on glass 102 x 71 cm
                Nov. 27, 2024

                BRETT WHITELEY 1939-1992 Page of Lovers 1971 pen and ink on paper on board and paint on glass 102 x 71 cm

                Est: $30,000 - $40,000

                BRETT WHITELEY 1939-1992 Page of Lovers 1971 pen and ink on paper on board and paint on glass signed and dated ‘Brett Whiteley 9/7/71' lower right; stamped with artist's ‘chop' upper right (on glass); signed and dated ‘Brett / Whiteley / 9/7/71' verso 102 x 71 cm PROVENANCE Brett Whiteley, Sydney Private Collection, Sydney, acquired from the above Australian Galleries, Melbourne and Sydney (AG501123) (label verso) Kenthurst Galleries, New South Wales Private Collection, Sydney Five Fifty Art Advisory, Melbourne Private Collection, Victoria LITERATURE Cedric Flower, Erotica: Aspects of the Erotic in Australian Art, Sun Books, Melbourne, 1977, p. 49 (illustrated), ‘Erotica' Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, pp. 195, 220 (illustrated) Kathie Sutherland, Brett Whiteley: Catalogue Raisonné, Schwartz City, Melbourne, 2020, cat. no. 51.71, Vol. 3, p. 78 (illustrated), Vol. 7, pp. 242-243

                Smith & Singer
              • BRETT WHITELEY, WREN, 1988
                Nov. 26, 2024

                BRETT WHITELEY, WREN, 1988

                Est: $120,000 - $160,000

                BRETT WHITELEY (1939 - 1992) WREN, 1988 (cast later by Meridian Foundry, Melbourne) cast bronze, wire, glass eyes on a wooden stand 31.0 x 23.0 x 23.0 cm (bronze) 60.0 x 23.0 x 31.0 cm (overall, including base) edition: 9 + 2 AP bears foundry stamp at base of bronze: BW AP 2-1 / E Ed PROVENANCE Estate of the artist, Sydney Company collection, Sydney EXHIBITED Brett Whiteley: ‘Birds’, recent paintings, drawings, sculpture and one screenprint, Brett Whiteley Studio, Sydney, 5 - 19 July 1988, cat. 54 (another example) Brett Whiteley: Art & Life, Art Gallery of New South Wales, Sydney, 16 September - 19 November 1995, cat. 144 (another example), then touring to: Museum and Art Galleries of the Northern Territory, Darwin, 13 December 1995 - 28 January 1996; Art Gallery of Western Australia, Perth, 22 February - 8 April 1996; Art Gallery of South Australia, Adelaide, 9 May - 16 June 1996; National Gallery of Victoria, Melbourne, 2 July - 26 August 1996; Tasmanian Museum and Art Gallery, Hobart, 18 September - 19 November 1996 (another example) A Different Vision: Brett Whiteley Sculptures, Brett Whiteley Studio, Sydney, 4 April - 23 August 1998 (another example) Animals and Birds, Brett Whiteley Studio, Sydney, 15 June - 6 October 2002 (another example) Brett Whiteley: Sculpture and Ceramics, Brett Whiteley Studio, Sydney, 5 June - 6 December 2015 (another example) LITERATURE McGrath, S., Vogue Living, November 1988, p. 152 (illus., install photograph, another example) Pearce, B., Brett Whiteley: Art & Life, Art Gallery of New South Wales, Sydney, 1995, pl. 138, pp. 200 (illus., another example), 234 Sutherland, K., Brett Whiteley: Catalogue Raisonné: 1955 – 1992, Schwartz Publishing, Melbourne, 2019, cat. 72S, vol. 6, p. 197 (illus., another example), vol. 7, p. 896 ESSAY ‘People ask me – “Why paint birds?”, and I look at them dumbfounded. I’ve got no answer to it except that they’re the most beautiful creatures and I can’t think of a nicer theme – celebrative, heraldic theme – than birds.’1 Sculpture was an integral part of Brett Whiteley’s sprawling, diverse practice and he first introduced sculpture into his exhibitions in 1964 and 1965 with the intention of making a direct correlation between his work in two and three dimensions.2 Across the course of his career, sculptural elements burst from the picture plane, and three-dimensional form was explored through the addition of real-life objects to his paintings (including branches, nests, eggs and taxidermised animals), in his collaborations in ceramics, and through stand-alone sculptural works. So important was the role of sculpture to Whiteley in his exhibitions that he would often borrow back privately owned works for inclusion, adamant that the exhibition would be less without them. As Kathie Sutherland has revealed, Whiteley was not averse to writing ‘begging’ letters to a work’s owner pronouncing that the exhibition in question would be a ‘flop’ without the inclusion of the artist’s chosen sculptural centrepiece.3 A version of Whiteley’s Wren, 1988, was first shown in the solo exhibition Brett Whiteley: ‘Birds’, recent paintings, drawings, sculpture and one screenprint, held at the artist’s Surry Hills studio in July 1988. True to Whiteley’s prodigious talent and ability to turn his hand to any material, this landmark show featured major works in all media, including the artist’s highly acclaimed bronze ‘Bird Sculptures’ of 1983 – 88, of which Wren is part. Presented during the year of his separation from his wife and muse Wendy Whiteley, the focus on birds in this exhibition also represented ‘a yearning at once for domestic stability and personal freedom.’4 Indeed, just as landscape provided Whiteley with ‘a means of escape, an unencumbered absorption into a painless, floating world’5, so too these ornithological creatures embodied a declaration of love and limitless joy – with the symbolism of birds and eggs having fascinated the artist from childhood, as his sister Fran Hopkirk has observed. Despite the weight of the bronze in which it is cast, Wren immediately captures the quirky hoppity movements of this beautiful small bird. Driven by the desire to convey personality rather than precisely replicate the animal’s physiology, Whiteley has abstracted the wren’s characteristic round form, streamlining its body, head and beak into a continuous line, as if the bird is caught mid-action, possibly capturing some food. This is a creature that the artist both knows well and has observed closely, its jaunty erect tail making it immediately identifiable as a wren, while its spindly legs convey a sense of both the bird’s fragility and its need of our protection and care. 1. Brett Whiteley, cited in Featherstone, D., Difficult Pleasure: A Film about Brett Whiteley, Film Finance Corporation Australia Limited, 1989 2. Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 7, p. 5 3. ibid. 4. Grishin, S., Baldessin/Whiteley: Parallel Visions, National Gallery of Victoria, Melbourne, 2018, p. 196 5. Brett Whiteley: Feathers and Flight, Brett Whiteley Studio, Art Gallery of New South Wales, Sydney, 4 June 2020 – 28 March 2021, see https://www.artgallery.nsw.gov.au/listen/whiteley-feathers-flight/ (accessed 16 October 2024) KELLY GELLATLY © Wendy Whiteley/Copyright Agency, 2024

                Deutscher and Hackett
              • BRETT WHITELEY, BIRD IN THE RAIN, 1984
                Nov. 26, 2024

                BRETT WHITELEY, BIRD IN THE RAIN, 1984

                Est: $60,000 - $80,000

                BRETT WHITELEY (1939 - 1992) BIRD IN THE RAIN, 1984 painted and glazed earthenware with cobalt blue decoration and white glaze 53.0 cm (height) signed and dated on base: brett whiteley 84 monogrammed on base by potter John K Dellow: 84 JKD PROVENANCE Private collection, Sydney Whiteley Estate, Sydney Sotheby's, Melbourne (private sale) Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in 2011 EXHIBITED An Exhibition by Brett Whiteley - Eden and Eve, Australian Galleries, Melbourne, 12 – 28 July 1984, cat. 52 [additional to catalogue] probably Animals and Birds, Brett Whiteley Studio, Sydney, 15 June – 16 October 2002 LITERATURE Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, cat. 95c, vol. 6, p. 79 (illus.), vol. 7, p. 866 ESSAY Traditional blue-and-white painted ceramics constitute a little-known facet of Brett Whiteley’s artistic practice, despite consistently appearing within many of his most famous paintings of his Lavender Bay home alongside his personal collection of Asian and European blue-and-white ware. A technique only approached at the height of his career (from c.1974), collaboration with local potters provided Whiteley with unique and consistent three-dimensional supports for his sensuous ink-and-wash still lives, landscapes and figure studies. The resulting elegant and life-affirming works were intimately linked to the rest of his oeuvre, both thematically and aesthetically. This voluptuous balustre vase, Bird in the Rain, 1984 is amongst a handful of very large ceramic vessels, thrown by John K. Dellow and painted by Brett Whiteley in 1984. Combining many of Whiteley’s most iconic and optimistic motifs, it features, in rich and precious ultramarine pigment, an atmospheric scene of a speckled nesting bird in a tree, unfurling like a frieze around the wide shoulder of this vessel. The meandering painted lines of the tree and its wide leaves were then streaked with dark raindrops, the liquid pigment arrested mid-drip. Bird in the Rain, like all of Whiteley’s ceramics, is entirely painted with ravishingly deep blue, applied in a range of saturations. This hue, described as his favourite colour, produced for Whiteley an ‘obsessive, ecstasy-like effect.’1 Between 1976 – 1982, Whiteley created a large body of ceramics with Derek Smith, a former teacher at East Sydney Technical College who had established Blackfriars Pottery in Chippendale. Following Smith’s move to Tasmania in 1982, Whiteley was referred to one of his students, Harriet Collard, who had a pottery studio in Leura. Inevitably, when Whiteley was confident enough to attempt larger works and required a potter with greater physical strength and a larger kiln, Collard handed him over to John Dellow who was also, at that time, living in the Blue Mountains.2 It was within Dellow’s spacious pottery studio in the mountains in Katoomba, that the imposing Bird in the Rain was thrown, painted and glazed, a tandem between the artist and the potter. Although Whiteley collaborated with a succession of highly skilled commercial potters, the forms of the vessels they produced for him were unusual, with exaggerated silhouettes that suited the artist’s expressive and loose brushwork, in designs often mapped out in his notebooks, in pencil, ink or even collage. The lyrical and serene composition of a small and alert bird, sitting steadfastly on her nest, balancing on a thick snaking branch has appeared throughout Whiteley’s oeuvre in many forms. From a rough and spare Sketch for Blue Vase, 1975, featuring a songbird sitting on a leafy branch adorning a wide baluster vase, to a plump pigeon sitting on a group of eggs, painted on the back of a large earthenware vase, Figure by the River, 1976, and of course painted and mixed media masterpieces such as The Wren, 1978; T’an, 1979; The Dove and The Moon, 1983, and Pink Dove, 1983. The poet Robert Gray perceptively reflected around the time of this vase’s execution, ‘…[Whiteley’s bird paintings] are to me his best work. I like in the bird-shapes that clarity; that classical, haptic shapeliness; that calm – those clear perfect lines of a Chinese vase. The breasts of his birds swell with the most attractive emotion in his work: it is bold, vulnerable and tender.’3 1. Brett Whiteley, cited in Krausmann, R., ‘Painting the infliction of life’, Aspect: Art and Literature, Sydney, 1975 – 76, p. 6 2. Correspondence between Kathie Sutherland and Harriet Collard, 29 February 2016, reproduced in Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 6. p. 851 3. Gray, R., ‘A few takes on Brett Whiteley’, Art and Australia, Sydney, vol. 24, no. 2, 1986, p. 222 LUCIE REEVES-SMITH © Wendy Whiteley/Copyright Agency, 2024

                Deutscher and Hackett
              • Brett Whiteley, (1939-1992), Towards Sculpture 4, 1977, lithograph on paper, 81.5 x 56 cm
                Nov. 25, 2024

                Brett Whiteley, (1939-1992), Towards Sculpture 4, 1977, lithograph on paper, 81.5 x 56 cm

                Est: $10,000 - $15,000

                Brett Whiteley (1939-1992) Towards Sculpture 4, 1977 lithograph on paper edition: 5/50, numbered and signed below image, '5/50, Brett Whiteley', stamped u.r. with artist's stamp 'BW'

                Shapiro Auctioneers
              • Brett Whiteley, (1939-1992), Towards Sculpture 1, 1977, lithograph on paper, 77.5 x 58 cm
                Nov. 25, 2024

                Brett Whiteley, (1939-1992), Towards Sculpture 1, 1977, lithograph on paper, 77.5 x 58 cm

                Est: $15,000 - $25,000

                Brett Whiteley (1939-1992) Towards Sculpture 1, 1977 lithograph on paper edition: 43/50, numbered and signed below image '43/50, Brett Whiteley' stamped u.r.c. artist's monogram

                Shapiro Auctioneers
              • Brett Whiteley, (1939-1992), Humming Bird, 1988, brush and black ink on paper, 100 x 70 cm
                Nov. 25, 2024

                Brett Whiteley, (1939-1992), Humming Bird, 1988, brush and black ink on paper, 100 x 70 cm

                Est: $40,000 - $60,000

                Brett Whiteley (1939-1992) Humming Bird, 1988 brush and black ink on paper titled, signed and dated l.r.c. ‘Humming Bird, Brett Whiteley, 4/5/88', stamped l.m. with artist's stamp 'BW'

                Shapiro Auctioneers
              • Brett Whiteley, (1939-1992), Torso, 1980, charcoal on paper, 76 x 50 cm
                Nov. 25, 2024

                Brett Whiteley, (1939-1992), Torso, 1980, charcoal on paper, 76 x 50 cm

                Est: $40,000 - $60,000

                Brett Whiteley (1939-1992) Torso, 1980 charcoal on paper signed and dated l.r.c. ‘Brett Whiteley, '80', stamped u.r. with artist's stamp 'BW'

                Shapiro Auctioneers
              • Brett Whiteley, (1939-1992), The Wagtail beside the Fish River, 1979, gouache, pen and ink and collage on paper, 42 x 35 cm
                Nov. 25, 2024

                Brett Whiteley, (1939-1992), The Wagtail beside the Fish River, 1979, gouache, pen and ink and collage on paper, 42 x 35 cm

                Est: $80,000 - $120,000

                Brett Whiteley (1939-1992) The Wagtail beside the Fish River, 1979 gouache, pen and ink and collage on paper titled and stamped with artist's stamp l.r.c. ‘The Wagtail beside the Fish River, BW'

                Shapiro Auctioneers
              • BRETT WHITELEY, (1939 - 1992), Figures on an Ochre Background, 1961, screenprint, ed. 6/75, 66 x 50 cm. (25.9 x 19.6 in.), frame: 90 x 73 x 2 cm. (35.4 x 28.7 x 0.7 in.)
                Nov. 21, 2024

                BRETT WHITELEY, (1939 - 1992), Figures on an Ochre Background, 1961, screenprint, ed. 6/75, 66 x 50 cm. (25.9 x 19.6 in.), frame: 90 x 73 x 2 cm. (35.4 x 28.7 x 0.7 in.)

                Est: $4,000 - $6,000

                BRETT WHITELEY (1939 - 1992) Figures on an Ochre Background, 1961 screenprint, ed. 6/75 signed lower right to margin: Brett Whiteley; editioned to margin lower left: 6/75

                Lawsons
              • BRETT WHITELEY (1939-1992), Lavender Bay Wharf 1978
                Nov. 20, 2024

                BRETT WHITELEY (1939-1992), Lavender Bay Wharf 1978

                Est: $10,000 - $15,000

                PROPERTY FROM A PRIVATE COLLECTION, MELBOURNE BRETT WHITELEY (1939-1992) Lavender Bay Wharf 1978 etching 60.0 x 50.0 cm (image); 88.0 x 77.0 cm (framed) edition: 6/90 signed lower right: brett whiteley numbered lower left: 6/90

                Menzies
              • BRETT WHITELEY (1939-1992), Baboon 1975-76
                Nov. 20, 2024

                BRETT WHITELEY (1939-1992), Baboon 1975-76

                Est: $18,000 - $24,000

                PROPERTY FROM A PRIVATE COLLECTION, SYDNEY BRETT WHITELEY (1939-1992) Baboon 1975-76 ink on paper from artist's notebook 35.0 x 30.5 cm; 70.5 x 33.0 cm (framed) signed and dated lower right: brett whiteley 76 dated lower right: 2/2/75 bears inscription verso: 9.431 30 stamped lower right with artist's monogram

                Menzies
              • BRETT WHITELEY (1939-1992), Oberon, NSW 1979
                Nov. 20, 2024

                BRETT WHITELEY (1939-1992), Oberon, NSW 1979

                Est: $30,000 - $40,000

                PROPERTY FROM A PRIVATE COLLECTION, SYDNEY BRETT WHITELEY (1939-1992) Oberon, NSW 1979 pencil on paper 40.0 x 33.0 cm; 58.5 x 50.0 cm (framed) signed, dated and inscribed lower left: Oberon, NSW/ brett whiteley 79

                Menzies
              • Art - Brett Whitley, Nude, Limited Print, 41 x 69cm.
                Nov. 16, 2024

                Art - Brett Whitley, Nude, Limited Print, 41 x 69cm.

                Est: $50 - $100

                Art - Brett Whitley, Nude, Limited Print, 41 x 69cm.

                Nick Rowland Auctions
              • BRETT WHITELEY, Australia 1939-1992, Streetscape, 1957, pen, ink, watercolour and gouache, 20cm x 15.5cm (frame 53cm x 45cm)
                Nov. 14, 2024

                BRETT WHITELEY, Australia 1939-1992, Streetscape, 1957, pen, ink, watercolour and gouache, 20cm x 15.5cm (frame 53cm x 45cm)

                Est: $10,000 - $15,000

                BRETT WHITELEY Australia, 1939-1992 Streetscape, 1957 pen, ink, watercolour and gouache signed and dated lower right, With letter from Beryl Whiteley dated 2000 verso

                Lawsons
              • BRETT WHITELEY, Australia 1939-1992, Streetscape, 19657, pen, ink, watercolour and gouache, 20.5cm x 15.5cm (frame 53cm x 45cm)
                Nov. 14, 2024

                BRETT WHITELEY, Australia 1939-1992, Streetscape, 19657, pen, ink, watercolour and gouache, 20.5cm x 15.5cm (frame 53cm x 45cm)

                Est: $10,000 - $15,000

                BRETT WHITELEY Australia, 1939-1992 Streetscape, 19657 pen, ink, watercolour and gouache signed in full and dated lower right, annotated lower left to Gail love Brett, 4th Jan 57.with letter from Beryl Whiteley verso.

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster, decorative print, 63.5 x 35 cm. (25 x 13.7 in.), frame: 87 x 53 x 3 cm. (34 1/4 x 20.8 x 1.1 in.)
                Nov. 13, 2024

                BRETT WHITELEY, (1939 - 1992), Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster, decorative print, 63.5 x 35 cm. (25 x 13.7 in.), frame: 87 x 53 x 3 cm. (34 1/4 x 20.8 x 1.1 in.)

                Est: $250 - $350

                BRETT WHITELEY (1939 - 1992) Nude Study For Large Wood Carving: Art Gallery of NSW Exhibition Poster decorative print signed in print

                Lawsons
              • BRETT WHITELEY (1939-1992) Swinging Monkey 1 1965 screenprint, ed. 14/70 76 x 56cm (image); 90 x 65cm (frame)
                Nov. 13, 2024

                BRETT WHITELEY (1939-1992) Swinging Monkey 1 1965 screenprint, ed. 14/70 76 x 56cm (image); 90 x 65cm (frame)

                Est: $4,000 - $5,000

                BRETT WHITELEY (1939-1992) Swinging Monkey 1 1965 screenprint, ed. 14/70 signed lower right: Brett Whiteley editioned lower left titled within plate lower left unknown inscription lower left within print 76 x 56cm (image); 90 x 65cm (frame) PROVENANCE: Gift of the Artist Private collection, Brazil Private collection, Brazil, acquired from the above EXHIBITIONS: Recent Works from London, Bonython Art Gallery, Adelaide and Kim Bonython's Hungry Horse Gallery, Sydney, January - March 1966 (another example) Purchases and Acquisitions for 1966, Art Gallery of New South Wales, Sydney, 27 April - 7 May 1967 (another example) Animals on Paper: from the Australian Collection of Prints, Drawings and Watercolours, Art Gallery of New South Wales, Sydney, 5 September - 5 October 1992 (another example) LITERATURE: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, pp. 16, 110, cat. no. 5 (illus., another example) Kolenberg, H., Australian Prints from the Gallery's Collection, Art Gallery of New South Wales, Sydney, 1999, p. 90, cat. no. 75 (illus., another example) Sutherland, K., Brett Whiteley: A Sensual Line 1957-67, Macmillan Art Publishing, Melbourne, 2010, p. 324, cat. no. W12 (another example) Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 5, p. 16, cat. no. 7P (illus., another example), vol. 7, p. 808 Butler, R., Printed Images by Australian Artists 1942-2020, National Gallery of Australia, Canberra, 2021, p. 45 (illus., another example) OTHER NOTES: Other examples of this print are held in the collections of the Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth; National Gallery of Australia, Canberra; and Tate Britian, London. © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • BRETT WHITELEY (1939-1992) Palm Tree 3 1975 screenprint, ed. 27/50 81 x 59.5cm (image); 103 x 77cm (frame)
                Nov. 13, 2024

                BRETT WHITELEY (1939-1992) Palm Tree 3 1975 screenprint, ed. 27/50 81 x 59.5cm (image); 103 x 77cm (frame)

                Est: $6,000 - $8,000

                BRETT WHITELEY (1939-1992) Palm Tree 3 1975 screenprint, ed. 27/50 signed lower right: Brett Whiteley editioned lower left stamped lower left with artist's monogram 81 x 59.5cm (image); 103 x 77cm (frame) PROVENANCE: Private collection, Victoria EXHIBITIONS: Brett Whiteley: Recent Paintings and Drawings, Fischer Fine Art, London, September 1977, cat. no. 71 (another example) LITERATURE: Brett Whiteley: the Graphics 1961-1992, Deutscher fine Art, Melbourne, 1995, cat. no. 20, pp. 18, 19 (illus., another example) McGrath, S., Brett Whiteley, bay books, Sydney, 1992, cat. no. 53, pp. 175, 223 (illus., another example) OTHER NOTES: © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • BRETT WHITELEY (1939-1992) Monstera Deliciosa 1978 etching, ed. 33/40 50 x 70.5cm (image); 75 x 80.5cm (sheet); 81.5 x 76cm (frame)
                Nov. 13, 2024

                BRETT WHITELEY (1939-1992) Monstera Deliciosa 1978 etching, ed. 33/40 50 x 70.5cm (image); 75 x 80.5cm (sheet); 81.5 x 76cm (frame)

                Est: $5,000 - $6,000

                BRETT WHITELEY (1939-1992) Monstera Deliciosa 1978 etching, ed. 33/40 signed lower right: Brett Whiteley editioned lower left 50 x 70.5cm (image); 75 x 80.5cm (sheet); 81.5 x 76cm (frame) PROVENANCE: Leonard Joel, Melbourne, 6 November 1985, lot 394 Private collection, Queensland EXHIBITIONS: The Entire Collection of the Graphics of Brett Whiteley: 1961-1981, Australian Galleries, Melbourne, 1981, cat. no. 47 (as Monsteria Deliciosa, another example) Brett Whiteley 1939-1995, South Yarra Fine Art, Melbourne, 1995, cat. no. 21 (another example) LITERATURE: Mandy, R., Brett Whiteley: The Complete Graphics, 1961-1982, Art Gallery of Western Australia, Perth, 1983, p. 33, cat. no. 48 (illus., another example) Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p. 57, 112, cat. no. 49 (illus., another example) Sutherland, K., Brett Whiteley Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 5, p. 98, cat. no. 91P (illus., another example), vol. 7, p. 825 OTHER NOTES: © Wendy Whiteley/Copyright Agency, 2024

                Leonard Joel
              • § BRETT WHITELEY (1939-1992) The Back 1977 etching, ed. 54/60 60 x 45cm (image); 91 x 73.5cm (frame)
                Nov. 13, 2024

                § BRETT WHITELEY (1939-1992) The Back 1977 etching, ed. 54/60 60 x 45cm (image); 91 x 73.5cm (frame)

                Est: $4,000 - $6,000

                § BRETT WHITELEY (1939-1992) The Back 1977 etching, ed. 54/60 signed lower right: Brett Whiteley editioned and inscribed lower left 60 x 45cm (image); 91 x 73.5cm (frame) PROVENANCE: Davidson Auctions, Sydney, 22 May 2022, lot 7 Private collection, Melbourne LITERATURE: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p. 111, cat. no. 26, (illus., p. 36, another example) Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, cat. no. 68P (another example) OTHER NOTES: © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • BRETT WHITELEY (1939-1992) Lavender Bay in the Rain 1987 screenprint, ed. A/P 105.5 x 74.5cm (image); 137.5 x 108.5cm (frame)
                Nov. 13, 2024

                BRETT WHITELEY (1939-1992) Lavender Bay in the Rain 1987 screenprint, ed. A/P 105.5 x 74.5cm (image); 137.5 x 108.5cm (frame)

                Est: $18,000 - $22,000

                BRETT WHITELEY (1939-1992) Lavender Bay in the Rain 1987 screenprint, ed. A/P signed lower right: Brett Whiteley editioned lower left 105.5 x 74.5cm (image); 137.5 x 108.5cm (frame) PROVENANCE: Harvey Galleries, Sydney (label verso) Private collection, Melbourne LITERATURE: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p. 115, cat. no. 97 (illus., p. 92, another example) Sutherland, K., Brett Whiteley Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 5, p. 189, cat. no. 153P (illus., another example), vol. 7, p. 840 OTHER NOTES: RELATED WORK: Brett Whiteley, Lavender Bay in the Rain 1974, oil on board and mixed media, 121 x 95.5cm, Deutscher~Menzies, Melbourne, 28 August 2002, lot 37 © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • § BRETT WHITELEY (1939-1992) Swinging Monkey 2 1965 screenprint, ed. 26/70 76 x 54.5cm (image); 78 x 75cm (frame)
                Nov. 13, 2024

                § BRETT WHITELEY (1939-1992) Swinging Monkey 2 1965 screenprint, ed. 26/70 76 x 54.5cm (image); 78 x 75cm (frame)

                Est: $3,000 - $5,000

                § BRETT WHITELEY (1939-1992) Swinging Monkey 2 1965 screenprint, ed. 26/70 signed lower right: Brett Whiteley editioned lower left titled within plate lower left 76 x 54.5cm (image); 78 x 75cm (frame) PROVENANCE: Private collection, Sydney Shapiro Auctioneers, Sydney, 22 November 2017, lot 199 Private collection, Melbourne Leonard Joel, Melbourne, 16 November 2022, lot 22 Private collection, Melbourne EXHIBITIONS: Brett Whiteley, Marlborough New London Gallery, London, 5 - 30 October 1965, cat. no. 6 (another example) Recent Works from London by Brett Whiteley, Bonython Art Gallery, Adelaide, 31 January - 17 February 1966 (another example) Purchases and Acquisitions for 1966, Art Gallery of New South Wales, Sydney, 27 April - 7 May 1967 (another example) Animals on Paper: from the Australian Collection of Prints, Drawings and Watercolours, Art Gallery of New South Wales, Sydney, 5 September - 5 October 1992 (another example) Brett Whiteley Graphics 1961-1992, The Brett Whiteley Studio, Sydney, 9 September 2000 - 21 January 2001 (another example) Controversy: The Power of Art, Mornington Peninsula Regional Gallery, Victoria, 21 June - 12 August 2012 (another example) LITERATURE: Mandy, R., Brett Whiteley: Graphics, 1961-1982, Art Gallery of Western Australia, Perth, 1983, p .11, cat. no. 6 (illus., another example) Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p. 110, cat. no. 6, (illus., p.17, another example) Sutherland, K., Brett Whiteley: A Sensual Line 1957-67, Macmillan Art Publishing, Melbourne, 2010, p. 324, cat. no. W12 (another example) Sutherland, K., Brett Whiteley Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol. 5, p. 17, cat. no. 8P (illus., another example), vol. 7, p. 809 Butler, R., Printed Images by Australian Artists 1942-2020, National Gallery of Australia, Canberra, 2021, p. 44 (illus., another example) OTHER NOTES: Other examples of this print are held in the collections of the National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; and Art Gallery of New South Wales, Sydney. © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • BRETT WHITELEY (1939-1992) Figures on an Ochre Background 1961 screenprint, ed. 59/75 65 x 50cm (image); 95 x 77cm (frame)
                Nov. 13, 2024

                BRETT WHITELEY (1939-1992) Figures on an Ochre Background 1961 screenprint, ed. 59/75 65 x 50cm (image); 95 x 77cm (frame)

                Est: $3,500 - $4,500

                BRETT WHITELEY (1939-1992) Figures on an Ochre Background 1961 screenprint, ed. 59/75 signed lower right: Brett Whiteley editioned lower left 65 x 50cm (image); 95 x 77cm (frame) PROVENANCE: Private collection, London Sotheby's, Sydney, 24 August 2004, lot 184 Private collection, Melbourne LITERATURE: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, cat. no. 2, p.13 (another example) Sutherland, K., Brett Whiteley Catalogue Raisonné, Schwartz Publishing, 2020, vol.5, p.104, cat. no. 94P, (illus., another example) OTHER NOTES: Other examples of this print are held in the collections of the National Gallery of Australia, Canberra; Queensland Art Gallery of Modern Art, Brisbane; and The British Museum, London. © Wendy Whiteley/Copyright Agency 2024

                Leonard Joel
              • BRETT WHITELEY VAN GOGH
                Nov. 10, 2024

                BRETT WHITELEY VAN GOGH

                Est: $100 - $150

                Another Way Of Looking At Vincent Van Gogh 1888-1889. By Brett Whiteley 1968-1983. Paintings, drawings, photographs, silkscreen prints, etchings and sculptures created over a period of fifteen years. Foreword by Edmund Capon. Published by Richard Green, Melbourne 1983. Soft covers. In very good condition. Some scuffs and rubbed along the spine.

                Sydney Rare Book Auctions
              • BRETT WHITELEY, (1939 - 1992), Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh 1888 - 1889), etching and aquatint, ed. 56/100, 26 x 20.5 cm (frame: 56 x 47 x 3 cm)
                Nov. 06, 2024

                BRETT WHITELEY, (1939 - 1992), Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh 1888 - 1889), etching and aquatint, ed. 56/100, 26 x 20.5 cm (frame: 56 x 47 x 3 cm)

                Est: $10,000 - $15,000

                BRETT WHITELEY (1939 - 1992) Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh 1888 - 1889) etching and aquatint, ed. 56/100 signed under image "56/100, Brett". Provenance: Shapiro Auctions, 8/12/2014, Lot 125, Private collection, Sydney.

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)
                Nov. 06, 2024

                BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)

                Est: $200 - $300

                BRETT WHITELEY (1939 - 1992) Self Portrait in The Studio decorative print after the original

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Park under Sunlight 1976, decorative print after original, 62.5 x 46.5 cm. (24.6 x 18.3 in.), frame: 76 x 60 x 2 cm. (29.9 x 23.6 x 0.7 in.)
                Oct. 30, 2024

                BRETT WHITELEY, (1939 - 1992), Park under Sunlight 1976, decorative print after original, 62.5 x 46.5 cm. (24.6 x 18.3 in.), frame: 76 x 60 x 2 cm. (29.9 x 23.6 x 0.7 in.)

                Est: $100 - $200

                BRETT WHITELEY (1939 - 1992) Park under Sunlight 1976 decorative print after original signed in print

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Brett Whiteley and Joel Elenberg, offset lithograph, 70 x 55 cm. (27.5 x 21.6 in.), frame: 88 x 72 x 4 cm. (34.6 x 28.3 x 1.5 in.)
                Oct. 23, 2024

                BRETT WHITELEY, (1939 - 1992), Brett Whiteley and Joel Elenberg, offset lithograph, 70 x 55 cm. (27.5 x 21.6 in.), frame: 88 x 72 x 4 cm. (34.6 x 28.3 x 1.5 in.)

                Est: $1,000 - $1,500

                BRETT WHITELEY (1939 - 1992) Brett Whiteley and Joel Elenberg offset lithograph signed lower right

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), 2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980, screenprint, 74 x 50 cm. (29.1 x 19.6 in.), frame: 89 x 65 x 3 cm. (35.0 x 25.5 x 1.1 in.) (crack
                Oct. 23, 2024

                BRETT WHITELEY, (1939 - 1992), 2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980, screenprint, 74 x 50 cm. (29.1 x 19.6 in.), frame: 89 x 65 x 3 cm. (35.0 x 25.5 x 1.1 in.) (crack

                Est: $800 - $1,200

                BRETT WHITELEY (1939 - 1992) 2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980 screenprint 'BW' monogram upper right

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)
                Oct. 23, 2024

                BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)

                Est: $250 - $350

                BRETT WHITELEY (1939 - 1992) Self Portrait in The Studio decorative print after the original

                Lawsons
              • BRETT WHITELEY (1939 - 1992) Interior with Time Past decorative print after original 42.5 x 43.5 cm (frame: 74 x 64 x 3 cm) gallery ...
                Oct. 16, 2024

                BRETT WHITELEY (1939 - 1992) Interior with Time Past decorative print after original 42.5 x 43.5 cm (frame: 74 x 64 x 3 cm) gallery ...

                Est: $300 - $500

                BRETT WHITELEY (1939 - 1992) Interior with Time Past decorative print after original

                Lawsons
              • Brett Whiteley, (1929 - 1977), Waves, 1977, Linocut on Paper, 20.5 x 15 cm
                Oct. 14, 2024

                Brett Whiteley, (1929 - 1977), Waves, 1977, Linocut on Paper, 20.5 x 15 cm

                Est: -

                Brett Whiteley (1929 - 1977) Waves, 1977 Linocut on Paper editioned and signed with artist's chop in margin: 18/25. B/W (as a red stamp) and signed verso, lower right: Wendy Whiteley Literature: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.112, cat.38 (illus. p.48 another example) accompanied by a limited deluxe edition hardback book and sleeve Along with a Certificate of Authenticity, signed and numbered on title page: No. 18/25 / Wendy Whiteley

                Bargain Hunt Auctions
              • Brett Whiteley, (1939 - 1992), The Lovers, 1975, Screenprint on Paper, 50x 63cm
                Oct. 14, 2024

                Brett Whiteley, (1939 - 1992), The Lovers, 1975, Screenprint on Paper, 50x 63cm

                Est: -

                Brett Whiteley (1939 - 1992) The Lovers, 1975 Screenprint on Paper Edition 68/75. Signed and editoned on margin: 6875. B/W (studio stamp) Brett Whiteley Literature: Chris Deutscher, Brett Whiteley, The Graphics 1961 - 1992, Deutscher Fine Art, Melbourne, 1995, p. 32, cat. 22 (illus., another example), p. 111 Sutherland, K., Brett Whiteley: Catalogue Raisonne, Schwartz Publishing, Melbourne

                Bargain Hunt Auctions
              • Brett Whiteley, (1939 - 1992), The Garden in Sanur, Bali, 1980, Screenprint with Offset Lithography on Paper, 60.5 x 80.5 cm (Unframed)
                Oct. 14, 2024

                Brett Whiteley, (1939 - 1992), The Garden in Sanur, Bali, 1980, Screenprint with Offset Lithography on Paper, 60.5 x 80.5 cm (Unframed)

                Est: -

                Brett Whiteley (1939 - 1992) The Garden in Sanur, Bali, 1980 Screenprint with Offset Lithography on Paper Edition of 100 A/P (Artist's Proof) editioned and signed in margin: A/P / brett whiteley and inscribed in plate with title lower right: garden in sanur - bali Literature: Mandy, R., Brett Whiteley: The Complete Graphics, 1961-1982, Art Gallery of Western Australia, Perth, 1983, cat. 60, p. 45. Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, cat. 61, p. 13 (illus. another example). Sutherland, K., Brett Whiteley: Catalogue Raisonne, Schwartz Publishing, Melbourne, 2020, vol. 5, p. 117, cat. 103P (illus., another example), vol. 7, p. 828. Related Works: Another example from this edition is held in the collection of Cairns Art Gallery, Queensland Provenance: The Estate of Brett Whiteley, Sydney

                Bargain Hunt Auctions
              • WHITELEY Brett (1939-1992), Ex Libris Pat Corrigan, Bookplate from an Original Ink Sketch, 18x12cm
                Oct. 13, 2024

                WHITELEY Brett (1939-1992), Ex Libris Pat Corrigan, Bookplate from an Original Ink Sketch, 18x12cm

                Est: $150 - $250

                WHITELEY, Brett (1939-1992) Ex Libris Pat Corrigan Printed signature. Bookplate from an Original Ink Sketch 18x12cm OTHER NOTES: © Wendy Whiteley/Copyright Agency, 2024.

                Davidson Auctions
              • BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)
                Oct. 09, 2024

                BRETT WHITELEY, (1939 - 1992), Self Portrait in The Studio, decorative print after the original, 54 x 69 cm. (21.2 x 27.1 in.), Frame: 77 x 93 x 4 cm. (30.3 x 36.6 x 1.5 in.)

                Est: $250 - $350

                BRETT WHITELEY (1939 - 1992) Self Portrait in The Studio decorative print after the original

                Lawsons
              • BRETT WHITELEY, (1939 - 1992), Provence landscape, decorative print after the original, 74.5 x 48.5 cm. (29.3 x 19.0 in.), frame: 82.5 x 56.5 x 2 cm. (32.4 x 22.2 x 0.7 in.)
                Oct. 07, 2024

                BRETT WHITELEY, (1939 - 1992), Provence landscape, decorative print after the original, 74.5 x 48.5 cm. (29.3 x 19.0 in.), frame: 82.5 x 56.5 x 2 cm. (32.4 x 22.2 x 0.7 in.)

                Est: $400 - $600

                BRETT WHITELEY (1939 - 1992) Provence landscape decorative print after the original gallery frame

                Lawsons
              • Brett Whiteley Art and Life 1939-1992 by Barry Pearce, Thames and Hudson
                Oct. 03, 2024

                Brett Whiteley Art and Life 1939-1992 by Barry Pearce, Thames and Hudson

                Est: $30 - $50

                Brett Whiteley Art and Life 1939-1992 by Barry Pearce, Thames and Hudson

                Lawsons
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