William T. Williams Paintings & Artwork for Sale | William T. Williams Art Value Price Guide

Nov. 02, 2024
WILLIAM T. WILLIAMS, (American, b. 1942), HKL Portfolio, 1970, screenprint in colors, each plate: 16 x 11 1/2 in., each sheet: 19 3/4 x 13 1/8 in.
Est: $2,000 - $4,000
WILLIAM T. WILLIAMS (American, b. 1942) HKL Portfolio 1970, screenprint in colors each signed W.T. Williams and numbered printers proof lower right
Grogan & Company
Oct. 03, 2024
WILLIAM T. WILLIAMS (1942 - ) Exodus.
Est: $2,500 - $3,500
WILLIAM T. WILLIAMS (1942 - ) Exodus. Color screenprint on wove paper, circa 1970. 406x292 mm; 16x11½ inches, full margins. Signed, titled and numbered 116/160 in pencil, lower margin.
Swann Auction Galleries
Apr. 27, 2024
William T. Williams Signed Screenprint HKL Portfolio
Est: $600 - $900
Williams, William T. (American, b.1942), HKL 2 - from the HKL Portfolio, 1970, screenprint on BFK Rives, signed and numbered 76/144 in pencil to lower right, image 16 x 11.5 inches, matted and framed 24.5 x 19.5 inches. Printed by Charles Cardinale, Fine Creations, Inc. The full portfolio of 4 prints is found in the permanent collection of the Museum of Modern Art (MoMA) and the National Gallery in Washington, DC. Williams is one of the most important African-American artists of the second half of the 20th century.
Concept Art Gallery
May. 18, 2023
WILLIAM T. WILLIAMS (b. 1942) Old Bethel acrylic and graphite on paper 55 1
Est: $40,000 - $60,000
WILLIAM T. WILLIAMS (b. 1942) Old Bethel acrylic and graphite on paper 55 1/2 x 41 in. (141 x 104 cm.)
Christie's
Apr. 06, 2023
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $6,000 - $9,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 31/144 in pencil, lower margin. Printed by Charles Cardinale, Fine Creations, Inc., New York. Published by HKL, Ltd., New York. Other sets are in the collections of the Museum of Modern Art, New York and the National Gallery, Washington, DC. The publisher HKL, Ltd. was created by Portia Harcus, Barbara Krakow and Vera List.
Swann Auction Galleries
Dec. 14, 2022
WILLIAM T. WILLIAMS (B. 1942) What We Need acrylic on canvas 28 x 20 in. (
Est: $10,000 - $15,000
WILLIAM T. WILLIAMS (B. 1942) What We Need acrylic on canvas 28 x 20 in. (71.1 x 50.8 cm.)
Christie's
Jul. 20, 2022
WILLIAM T. WILLIAMS (b. 1942) Stone by Stone/First Wife acrylic on two join
Est: $12,000 - $18,000
WILLIAM T. WILLIAMS (b. 1942) Stone by Stone/First Wife acrylic on two joined panels 44 1/4 x 14 in. (112.4 x 35.6 cm.)
Christie's
Jul. 19, 2022
WILLIAM T. WILLIAMS (B. 1942) - Untitled
Est: $6,000 - $8,000
WILLIAM T. WILLIAMS (B. 1942) Untitled Each Image: 16 x 11 1⁄8 in. (406 x 283 mm.) Each Sheet: 23 3⁄8 x 17 1⁄2 in. (594 x 445 mm.) (4)
Christie's
Mar. 12, 2022
William T. Williams, b. 1942, untitled
Est: $2,000 - $3,000
William T. Williams b. 1942 untitled n.d. color lithograph 16 x 11-1/2 inches (full margins) signed, titled and numbered 116/160 blind stamp
Black Art Auction
Oct. 07, 2021
WILLIAM T. WILLIAMS (1942 - ) Caravan.
Est: $2,000 - $3,000
WILLIAM T. WILLIAMS (1942 - ) Caravan. Color lithograph on cream wove paper, 1991. 984x666 mm; 38 3/4x26 1/4 inches, full margins. Signed, titled, dated and numbered 10/19 in pencil, lower margin. Printed and published by the Oberon Press Inc., New York. Another impression is in the permanent collection of the Pennsylvania Academy of the Fine Arts, Philadelphia.
Swann Auction Galleries
Jul. 21, 2021
William T. Williams (b. 1942) Congo Square acrylic on panel 14 7/8 x 15 ½ i
Est: $8,000 - $12,000
William T. Williams (b. 1942) Congo Square acrylic on panel 14 7/8 x 15 ½ in. (37.8 x 39.4 cm.)
Christie's
Apr. 22, 2021
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $7,000 - $10,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 83/144 in pencil, lower margin. Printed by Charles Cardinale, Fine Creations, Inc., New York. Published by HKL, Ltd., New York. With the justification page. Other portfolios are in the collections of the Museum of Modern Art, New York and the National Gallery, Washington, DC. The publisher HKL, Ltd. was created by Portia Harcus, Barbara Krakow and Vera List.
Swann Auction Galleries
Feb. 06, 2021
William T. Williams, b. 1942, Karen’s Tale
Est: $1,000 - $2,000
William T. Williams b. 1942 Karen’s Tale 2008 serigraph 24 x 18 inches signed, dated, titled, and numbered Curlee Raven Holton, master printer
Black Art Auction
Dec. 15, 2020
William T. Williams (b. 1942) - Congo Square
Est: $12,000 - $15,000
William T. Williams (b. 1942) Congo Square signed, titled and dated ‘William T. Williams 99 “Congo Square”’ (on the reverse) acrylic on plywood 14 7/8 x 15 1/2 in. (37.8 x 39.4 cm.) Painted in 1999.
Christie's
Nov. 14, 2020
William T. Williams, b. 1942, Bee's Quest, Serigraph, 24 x 18 inches
Est: $2,000 - $3,000
William T. Williams b. 1942 Bee's Quest Serigraph 2008 Signed, titled, dated and numbered 17/25. This is number 17 from an edition of 25. 24 x 18 inches (image), 30 x 22 inches (sheet). Williams was born in Cross Creek, North Carolina. He received his BFA from the Pratt Institute in 1966, and his MFA from Yale in 1968. With only one year out of graduate school, the Museum of Modern Art acquired one of his works. Williams and Mel Edwards began the artist-in-residence program at the Studio Museum in Harlem. In 1975, he was invited by Bob Blackburn to work with the Printmaking Workshop in New York. For the next 22 years, the two collaborated to produce many images. In 2005, Williams was invited to create a print at the Brandywine Workshop in Philadelphia, and in 2006, he served as an artist-in-residence at Lafayette College and the Experimental Printmaking Institute, working with master printmaker, Curlee Raven Holton (this image was executed there). 24 x 18 inches
Black Art Auction
May. 16, 2020
William T. Williams, b. 1942, Karen''s Tale, Serigraph, 24 x 18 inches
Est: $1,500 - $2,000
William T. Williams b. 1942 Karen's Tale Serigraph 2008 signed, titled, dated and numbered 28/50 24 x 18 inches
Black Art Auction
Oct. 04, 2018
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $6,000 - $9,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 24/144 in pencil, lower margin. With the justification page.
Swann Auction Galleries
Oct. 05, 2017
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $6,000 - $9,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 33/144 in pencil, lower margin. With the justification page.
Swann Auction Galleries
Apr. 07, 2016
WILLIAM T. WILLIAMS (1942 - ) Chuckerbootstar Last.
Est: $50,000 - $75,000
WILLIAM T. WILLIAMS (1942 - ) Chuckerbootstar Last. Acrylic on cotton canvas, 1972-73. 2032x1524 mm; 84x60 inches. Signed, titled and dated in red ink, verso. Provenance: the Best Products corporate art collection; private collection, New Jersey. Chuckerbootstar Last represents the evolution of the artist's important geometric abstraction in the early 1970s. William T. Williams has harmonized a geometric composition in deep secondary colors--purples, greens and browns--with a carefully textured surface. The paintings from this period mark a transition from the high key colors found in the body of work shown in his Reese-Palley solo exhibition two years earlier. Holland Cotter in The New York Times described Williams's new abstraction, in a similar work: "Nu Nile (1973), finds the artist subtly altering a Minimalist model. The grid format has been broken up into a patchwork of odd geometric shapes tilted on a diagonal. The forms are separated by impasto ridges, making the painting look welded together. A pearlescent medium mixed into the monochromatic gray acrylic lends the surface a metallic sheen. As if to jazz up a simulated high-tech formalism, Mr. Williams marks the surface with a pattern of feathered brush strokes that have a mechanical regularity but catch the light like the ripples in watered silk." Other works from this period include Skowhegan I, 1973, in the collection of the Wadsworth Atheneum. They also precede the warmer, earthier palette inspired by "the dusty unpaved roads of North Carolina," according to David Driskell, found in paintings like Indian Summer, 1973.
Swann Auction Galleries
Jan. 22, 2016
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...99/
Est: $2,500 - $3,500
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...99/144" in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), framed. Condition: Not examined out of frames.
Skinner
Dec. 15, 2015
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $10,000 - $15,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 33/144 in pencil, lower margin. With the justification page.
Swann Auction Galleries
May. 29, 2015
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...22/
Est: $3,000 - $5,000
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...22/144" in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed. Condition: Good. N.B. Williams was encouraged to become an artist by Jacob Lawrence. In 1986 Williams became the first African American artist to be included in H.W. Janson's History of Art.
Skinner
Oct. 11, 2014
William Earle Williams: Boyd's Landing, South Carolina, 1999, archival pigment print, signed verso
Est: $1,300 - $2,600
Boyd's Landing, South Carolina, 1999, archival pigment print, signed verso, Image size: 12"x12",
The Photo Review
Sep. 19, 2014
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...52/
Est: $1,500 - $2,000
William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...52/144" in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed. Condition: Good.
Skinner
Jun. 10, 2014
WILLIAM T. WILLIAMS (1942 - ) Truckin.
Est: $75,000 - $100,000
WILLIAM T. WILLIAMS (1942 - ) Truckin. Acrylic on cotton canvas, 1969. 2032x1524 mm; 84x60 inches. Signed, titled, dated and inscribed in pencil, verso on the stretcher bars. Provenance: private California collection; gifted to California State University, Fullerton, CA (1998). Truckin is a significant early painting, and the earliest painting by this important African-American artist to date to come to auction. It is an excellent example of William T. Williams' first year of painting after completing his MFA from Yale University, with the imagery that quickly gained him an international recognition as an abstract painter in the late 1960s and early 1970s. Williams' talents had been recognized from an early age. He was accepted in the summer before his senior year at Pratt Institute to the Skowhegan School of Painting and Sculpture before receiving his B.A. in 1966. After earning his M.F.A. from Yale University in 1968, he participated in The Black Artist in America: A Symposium, held at the Metropolitan Museum of Art in New York. Williams's abstract painting achieved early institutional recognition when the Museum of Modern Art, New York, purchased his 1969 painting Elbert Jackson L.A.M.F., Part II. His paintings were also included in such important exhibitions as the Studio Museum in Harlem's Inaugural Show, the Whitney Biennial and New Acquisitions at the Museum of Modern Art. In 1970, both the Jewish Museum, New York, and the Menil Collection, Houston, commissioned paintings. Sweets Crane, 1969, in the collection of New York State at the Empire State Plaza shares the mixture of warm, earthy tones with high key colors found in the palette of Truckin. Another 1969 painting Trane, in the collection of the Studio Museum in Harlem, was recently exhibited in the 2012 group exhibition Blues for Smoke exhibition at MOCA, Los Angeles. Many of his 1969 paintings share titles that reveal Williams' interest in jazz; "truckin" was an expression used by musicians, and the title of a Fats Waller song. Jones pp. 16-17; Powell/Reynolds pp. 235-6.
Swann Auction Galleries
Feb. 07, 2014
William Thomas Williams (African American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered
Est: $3,000 - $5,000
William Thomas Williams (African American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered "...55/144" in pencil l.r., identified on the colophon. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed. Condition: Margins 3 inches or more. N.B. Williams was encouraged to become an artist by Jacob Lawrence. In 1986 he became the first African American artist included in H.W. Janson's History of Art.
Skinner
Oct. 03, 2013
WILLIAM T. WILLIAMS (1942 - ) Chuckerbootstar Last.
Est: $75,000 - $100,000
WILLIAM T. WILLIAMS (1942 - ) Chuckerbootstar Last. Acrylic on cotton canvas, 1972-73. 2032x1524 mm; 84x60 inches. Signed, titled and dated in red ink, verso. Provenance: private collection. Chuckerbootstar Last represents the evolution of the artist's important geometric abstraction in the early 1970s. William T. Williams has harmonized a geometric composition in deep secondary colors--purples, greens and browns--with a carefully textured surface. The paintings from this period mark a transition from the high key colors found in the body of work shown in his Reese-Palley solo exhibition two years earlier. Holland Cotter in The New York Times described Williams's new abstraction, as found in a similar work: "Nu Nile (1973), finds the artist subtly altering a Minimalist model. The grid format has been broken up into a patchwork of odd geometric shapes tilted on a diagonal. The forms are separated by impasto ridges, making the painting look welded together. A pearlescent medium mixed into the monochromatic gray acrylic lends the surface a metallic sheen. As if to jazz up a simulated high-tech formalism, Mr. Williams marks the surface with a pattern of feathered brush strokes that have a mechanical regularity but catch the light like the ripples in watered silk." Other works from this period include Skowhegan I, 1973, in the collection of the Wadsworth Atheneum. They also precede the warmer, earthier palette inspired by "the dusty unpaved roads of North Carolina," according to David Driskell, found in paintings like Indian Summer, 1973. This is the first significant work by the artist made after 1971 to come to auction.
Swann Auction Galleries
Oct. 03, 2013
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.
Est: $10,000 - $15,000
WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio. Group of four color screenprints on Rives BFK paper, 1970. 413x295 mm; 16 1/4x11 5/8 inches, full margins. Each signed and numbered 33/144 in pencil, lower margin. With the justification page. This is the first time the complete HKL portfolio appears at auction.
Swann Auction Galleries
Feb. 14, 2013
WILLIAM T. WILLIAMS (1942 - ) Up Balls.
Est: $75,000 - $100,000
WILLIAM T. WILLIAMS (1942 - ) Up Balls. Acrylic on cotton canvas, 1971. 2032x1524 mm; 84x60 inches. Titled and dated in ink, on the stretcher bar, verso. Provenance: the artist; Reese-Palley Gallery, New York (1971), with the gallery label on the frame back; the AT&T corporate art collection, New York (1971); de-accessioned and acquired at auction, private collection (2005). Up Balls is only the second painting by this important African-American artist to come to auction, and is a significant work from his first solo exhibition in New York. This painting is an excellent, early example of William T. Williams's unique abstract vision--an elegant, layered Minimalist abstraction, infused with the geometries of jazz and non-Western cultures. Williams's talents had been recognized from an early age. He was accepted in the summer before his senior year at Pratt Institute to the Skowhegan School of Painting and Sculpture before receiving his B.A. in 1966. After earning his M.F.A. from Yale University in 1968, he participated in The Black Artist in America: A Symposium, held at the Metropolitan Museum of Art in New York. Williams's abstract painting achieved early institutional recognition when the Museum of Modern Art, New York, purchased his 1969 painting Elbert Jackson L.A.M.F, Part II. His paintings were also included in such important exhibitions as the Studio Museum in Harlem's Inaugural Show, the Whitney Biennial and New Acquisitions at the Museum of Modern Art. In 1970, both the Jewish Museum, New York, and the Menil Collection, Houston, commissioned paintings. The high key colors, diamonds and concentric curves of Up Balls demonstrate the artist's dualism and his distinctive approach. Kellie Jones has noted how Williams was caught between "an interest in Color Field painting and interest in expressionism, and in trying to reconcile the two." The formalism of modernism and jazz often suggested a way to navigate the two tendencies. Williams's concept included the exhibition of these canvases, which were installed along the walls of the Reese-Palley Gallery side by side, while jazz music played. The sold-out exhibition was a pivotal success that year and for his career--the Whitney Museum of American Art, New York, exhibited his work again, AT&T and General Mills purchased his art, and his work was featured in both Life and Time magazines. In addition to his long career as a painter, for almost 40 years, Williams has taught at Brooklyn College, the City University of New York as a Professor of Art. He has also received numerous awards, including a John Simon Guggenheim Fellowship, two National Endowment for the Arts Awards, and a Joan Mitchell Foundation Award. Jones pp. 16-17; Powell/Reynolds pp. 235-6.
Swann Auction Galleries
Nov. 15, 2012
WILLIAM T. WILLIAMS Here and There.
Est: $15,000 - $20,000
WILLIAM T. WILLIAMS Here and There. Watercolor and gouache and pencil on paper, 1987. 1010x680 mm; 39 3/4x26 3/4 inches. Signed, dated and titled in pencil, lower margin.
Swann Auction Galleries
Feb. 16, 2012
WILLIAM T. WILLIAMS (1942 - ) Eastern Star.
Est: $75,000 - $100,000
WILLIAM T. WILLIAMS (1942 - ) Eastern Star. Acrylic on canvas, 1971. 2032x1524 mm; 84x60 inches. Titled and dated in ink, verso on the stretcher bars. Provenance: the artist; Reese-Palley Gallery; private New York collection. This work was bought from the artist's first solo gallery exhibition in New York by the current owner. Eastern Star, a very large and exciting work, is the first painting by this important African-American artist to come to auction. This painting is an excellent example of William T. Williams's unique abstract vision--an elegant, layered Minimalist abstraction, infused with the geometries of jazz and non-Western cultures. Williams's talents had been recognized from an early age. He was accepted in the summer before his senior year at Pratt Institute to the Skowhegan School of Painting and Sculpture before receiving his B.A. in 1966. After earning his M.F.A. from Yale University in 1968, he participated in The Black Artist in America: A Symposium, held at the Metropolitan Museum of Art in New York. Williams's abstract painting achieved early institutional recognition when the Museum of Modern Art, New York, purchased his 1969 painting Elbert Jackson L.A.M.F, Part II. His paintings were also included in such important exhibitions as the Studio Museum in Harlem's Inaugural Show, the Whitney Biennial and New Acquisitions at the Museum of Modern Art. In 1970, both the Jewish Museum, New York, and the Menil Collection, Houston, commissioned paintings. The high key colors, diamonds and concentric curves of Eastern Star demonstrate the artist's dualism and his distinctive approach. Kellie Jones has noted how Williams was caught between "an interest in Color Field painting and interest in expressionism, and in trying to reconcile the two." The formalism of modernism and jazz often suggested a way to navigate the two tendencies. Williams's concept included the exhibition of these canvases, which were installed along the walls of the Reese-Palley Gallery side by side, while jazz music played. The sold-out exhibition was a pivotal success that year and for his career--the Whitney Museum of American Art, New York, exhibited his work again, AT&T and General Mills purchased his art, and his work was featured in both Life and Time magazines. In addition to his long career as a painter, for almost 40 years, Williams has taught at Brooklyn College, the City University of New York as a Professor of Art. He has also received numerous awards, including a John Simon Guggenheim Fellowship, two National Endowment for the Arts Awards, and a Joan Mitchell Foundation Award. Jones pp. 16-17; Powell/Reynolds pp. 235-6.
Swann Auction Galleries
Oct. 06, 2011
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 2).
Est: $3,000 - $5,000
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 2). Color screenprint, 1970. 406x292 mm; 16x11 1/2 inches, full margins. Signed and numbered 118/144 in pencil, lower right. From the HKL portfolio. A very good impression of this scarce print.
Swann Auction Galleries
Oct. 06, 2011
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 1).
Est: $3,000 - $5,000
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 1). Color screenprint, 1970. 406x292 mm; 16x11 1/2 inches, full margins. Signed and numbered 118/144 in pencil, lower right. From the HKL portfolio. A very good impression of this scarce print.
Swann Auction Galleries
Jun. 24, 2010
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 2).
Est: $4,000 - $6,000
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 2). Color screenprint, 1970. 406x292 mm; 16x11 1/2 inches, full margins. A hors commerce impression, aside from the edition of 144. Signed, inscribed "h/c" and numbered II/IX in pencil, lower right. From the HKL portfolio. A very good impression of this scarce print. We have found only one previous auction record for a work sold by this contemporary artist at auction; his lithograph Red Fern sold at Swann Galleries on February 19, 2008.
Swann Auction Galleries
Jun. 24, 2010
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 1).
Est: $4,000 - $6,000
WILLIAM T. WILLIAMS (1942 - ) Untitled (HKL 1). Color screenprint, 1970. 406x292 mm; 16x11 1/2 inches, full margins. Signed and numbered 102/144 in pencil, lower right. From the HKL portfolio. A very good impression of this scarce print. The complete portfolio HKL was also included in the artist's 2010 retrsopective William T. Williams: Variations on Theme at the David C. Driskell Center, University of Maryland.
Swann Auction Galleries
Feb. 19, 2008
WILLIAM T. WILLIAMS (1942 - ) Redfern I.
Est: $1,500 - $2,500
WILLIAM T. WILLIAMS (1942 - ) Redfern I. Lithograph, 1975. 443x605 mm 17 1/2x23 3/4 inches, full margins. Signed, titled and numbered 25/35 in pencil, lower margin. Printed by Bob Blackburn at his Printmaking Workshop, New York. A very good, dark impression.
Swann Auction Galleries
Aug. 25, 2004
WILLIAM THOMAS WILLIAMS (American, 1942) "UNTITLED 1970"
Est: $150 - $250
Serigraph on paper, limited edition 1/144. Initialed in pencil. Colorful kite shapes with curves. Housed in a lucite frame. Lee Gallery with name, title etc.
James D. Julia