Thomas Christian Winck Sold at Auction Prices

b. 1738 - d. 1797

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    • Attributed to Johann Christian Thomas Winck (Eichstadt 1738-1797 Munich) Saint Charles Borromeo saving victims of the plague unframed
      Apr. 10, 2024

      Attributed to Johann Christian Thomas Winck (Eichstadt 1738-1797 Munich) Saint Charles Borromeo saving victims of the plague unframed

      Est: £2,000 - £3,000

      Attributed to Johann Christian Thomas Winck (Eichstadt 1738-1797 Munich) Saint Charles Borromeo saving victims of the plague remains of signature (on rock, lower right) oil on copper 40.2 x 29.1cm (15 13/16 x 11 7/16in). unframed

      Bonhams
    • WINCK, THOMAS CHRISTIAN (1738 - 1797)
      Mar. 29, 2020

      WINCK, THOMAS CHRISTIAN (1738 - 1797)

      Est: CHF12,000 - CHF15,000

      WINCK, THOMAS CHRISTIAN (1738 - 1797) Orpheus and Eurydice / Neptune and Amphitrite. Pair of paintings, oil on metal. 19 x 23.5 cm. Provenance: Swiss private collection. The German painter, fresco artist and etcher Thomas Christian Winck was an important representative of the late Rococo. Growing up in Eichstatt as the son of a prince-bishop's corporal, he first visited a local painter's workshop. After that he went to Augsburg, where he probably attended the Imperial City Academy in Fuggerstadt - the most important art center in German area during the 18th century. From 1765 he worked as a history painter in Munich for the Electoral Court Opera Theater. Shortly afterwards, in 1769, he was appointed electoral court painter and was therefor charged several church commissions within the Bavarian electorate. His oeuvre includes a large number of frescoes in Upper Bavarian churches and castles as well as an extensive repertoire of oil paintings. Der deutsche Maler, Freskant und Radierer Thomas Christian Winck war ein bedeutender Vertreter der Kunstrichtung des späten Rokoko. Aufgewachsen in Eichstätt als Sohn eines fürstbischöflichen Korporals besuchte er zunächst eine heimische Malerwerkstatt. Anschliessend ging er nach Augsburg, wo er vermutlich die Reichsstädtische Akademie in Fuggerstadt - das zur Zeit des 18. Jahrhunderts bedeutendste Kunstzentrum im deutschsprachigen Raum - besuchte. Ab 1765 war er als Historienmaler in München für das kurfürstliche Hofoperntheater tätig. Kurz darauf, im Jahr 1769, folgte die Ernennung zum kurfürstlichen Hofmaler, in Folge dessen ihm zahlreiche kirchliche Aufträge innerhalb des bayerischen Kurfüstentums zugetragen wurden. RefSch5320 RefPai5320

      Timeless Watches & Jewellery AG
    • WINCK, THOMAS CHRISTIAN (1738 - 1797)
      Mar. 13, 2020

      WINCK, THOMAS CHRISTIAN (1738 - 1797)

      Est: CHF12,000 - CHF15,000

      WINCK, THOMAS CHRISTIAN (1738 - 1797) Orpheus and Eurydice / Neptune and Amphitrite. Pair of paintings, oil on metal. 19 x 23.5 cm. Provenance: Swiss private collection. The German painter, fresco artist and etcher Thomas Christian Winck was an important representative of the late Rococo. Growing up in Eichstatt as the son of a prince-bishop's corporal, he first visited a local painter's workshop. After that he went to Augsburg, where he probably attended the Imperial City Academy in Fuggerstadt - the most important art center in German area during the 18th century. From 1765 he worked as a history painter in Munich for the Electoral Court Opera Theater. Shortly afterwards, in 1769, he was appointed electoral court painter and was therefor charged several church commissions within the Bavarian electorate. His oeuvre includes a large number of frescoes in Upper Bavarian churches and castles as well as an extensive repertoire of oil paintings. Der deutsche Maler, Freskant und Radierer Thomas Christian Winck war ein bedeutender Vertreter der Kunstrichtung des späten Rokoko. Aufgewachsen in Eichstätt als Sohn eines fürstbischöflichen Korporals besuchte er zunächst eine heimische Malerwerkstatt. Anschliessend ging er nach Augsburg, wo er vermutlich die Reichsstädtische Akademie in Fuggerstadt - das zur Zeit des 18. Jahrhunderts bedeutendste Kunstzentrum im deutschsprachigen Raum - besuchte. Ab 1765 war er als Historienmaler in München für das kurfürstliche Hofoperntheater tätig. Kurz darauf, im Jahr 1769, folgte die Ernennung zum kurfürstlichen Hofmaler, in Folge dessen ihm zahlreiche kirchliche Aufträge innerhalb des bayerischen Kurfüstentums zugetragen wurden. RefSch5320 RefPai5320

      Timeless Watches & Jewellery AG
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